Rui Hachimura scored 19 of his 25 points in the second half to help the Washington Wizards beat the Atlanta Hawks 76-74 in the NBA Summer League
Drake, the Toronto native and Raptors fan, has spent the 2019 playoffs blurring the line between superfan and millionaire mascot by giving Raptors coach Nick Nurse massages on the sideline, talking trash to Golden State Warriors stars Stephen Curry and Draymond Green, and trolling opposing fans with Instagram posts. His prominence as a celebrity “ambassador” is a watershed moment for the intersection of rap music and sports.
While this all seems pretty outrageous, it’s not unprecedented. Just 11 years ago, LeBron James and Jay-Z teamed up to take on … DeShawn Stevenson and Soulja Boy in a bizarre, hilarious feud that’s a time capsule for pop culture in 2008.
After James had terrorized Washington Wizards to the tune of 32.7 points, 6.6 assists and 7.9 rebounds per game in the 2006 and 2007 playoffs (besides a timely game-winner in Game 3 of the 2006 series), the Wizards needed any advantage they could get if they wanted to overthrow the King. That’s where Stevenson comes in. The shooting guard was in his eighth year by the time the Wizards and Cleveland Cavaliers met for the third time in the first round, and he decided that getting into James’ head would be his best move.
After a 101-99 regular-season win on March 13, 2008, Stevenson had this bit of trash talk for James: “He’s overrated. And you can say I said that.”
When the first-round playoff matchup between the fourth-seeded Cavs and fifth-seeded Wizards was set, the Stevenson quote came back up. James responded by saying … he wasn’t going to respond. When asked, he said, “With DeShawn Stevenson, it’s kind of funny. It’s almost like Jay-Z [responding to a negative comment] made by Soulja Boy. It doesn’t make sense to respond.”
A bit of context: Soulja Boy mastered the burgeoning world of social media by uploading his songs to MySpace and Napster to create a buzz for himself. His hit “Crank That” created an international dance craze and was No. 1 on the U.S. Billboard Hot 100 for seven weeks in fall 2007. The song was not a lyrical masterpiece: “Yeah, watch me crank that Robocop/ Super fresh, now watch me jock/Jocking on them haters, man.”
Jay-Z, on the other hand, was, and still is, maybe the greatest rapper of all time, a lyrical wizard with multiple classic albums and a rap empire at his feet. He and James struck up a kinship in the player’s rookie year, partly because they shared the DNA of being heirs apparent to greatness: Jay-Z following in The Notorious B.I.G.’s footsteps after his death in 1997 and James being the next Michael Jordan after His Airness’ 2003 retirement. (There was also one other detail: Jay-Z was a minority owner of the New Jersey Nets and may or may not have wanted to court a certain all-time great to the team.) Regardless, James’ meaning was clear — he and Jay-Z were elite and Stevenson and Soulja Boy were one-hit wonders.
Stevenson took James’ comment as a chance to add some spice to the playoffs. When the series went back to Washington for Game 3, Soulja Boy was seated behind one of the baskets. (He may not have had the sauce of someone like Drake to get seats near the bench.) Throughout the game, Soulja Boy was waving towels and doing his Crank That dance. Even Washington’s Caron Butler took a moment to do the dance after a foul. Whatever mojo Soulja Boy offered worked that day, as the Wizards won 108-72.
It was a cute story that could have ended there. But Jay-Z must have felt the need to defend his buddy, and his flair for the dramatic was on full display. Jay-Z was in Oakland, California, performing when the James/Stevenson/Soulja Boy fracas was going down, and he played Oakland, California, legend Too $hort’s “Blow the Whistle” and shouted-out the MC. The crowd erupted, and Jay-Z got the idea to rap over the instrumental.
“LeBron was special to him,” Too $hort said in 2017. “And ol’ boy [Stevenson] stepped on LeBron’s toes talking s— and Jay was like, I’m going to shut this down. And he probably saw the moment where the crowd reacted to the song and then that was on his mind.”
So Jay-Z asked Too $hort for the instrumental. “When Jay called, I was like, ‘It will be there in a couple of hours, man.’ I had no idea what he was going to do with it, but I am glad he did.”
The next night, as Wizards players were partying at the D.C. nightclub Love, the DJ debuted a Jay-Z song rapping over Too $hort’s “Blow the Whistle” instrumental: “Ask my n—- LeBron! We so big we ain’t gotta respond … Who the f— overrated?! If anything they underpaid him. Hatin that’s only gonna make him spend the night out of spite with the chick you’ve been datin’.” Without mentioning Stevenson or Soulja Boy, the intent was clear.
The series went six games, with the overrated James averaging 29.8 points, 9.5 rebounds and 7.7 assists per game. (Stevenson averaged 12.3 points.) Stevenson would eventually find himself on the winning side three years later when his Dallas Mavericks (well, Dirk Nowitzki’s Dallas Mavericks) bested James and the Miami Heat in six games in the NBA Finals. While winning a championship is all good, hundreds of players have won rings. However, not many can say they were dissed by Jay-Z in a song. That moment defined Stevenson’s career almost as much as his championship.
The Warriors aren’t without their own contingent of rap stars who will be waving towels in Oracle Arena come Game 3. From E-40 to Too $hort and even MC Hammer, the Bay Area hip-hop scene is ready to lend support and maybe its own batch of troll-y Instagram posts.
Drake’s relationship with the Warriors seems a bit more amicable than that between the parties involved in the 2008 feud. But as the series progresses and the trash talk ramps up, we may yet see a magical musical moment in this NBA Finals. If it’s anything like Jay-Z’s effort, it could be the stuff of legend.
There are many ways to look at Drake taking home the award for best supporting actor in a (postseason) drama. The great majority of which are true.
Are his courtside antics grating? Sure. Are they corny? Hilariously, yes. Was massaging Toronto Raptors coach Nick Nurse’s shoulders awkward? Yes, but it likely doesn’t even rank in the top 20 most cringeworthy moments of Drake’s career. Love and despise him, because people do both, his moment with Nurse was a quintessential “Drake going full Drake” moment.
Drake has long been a master at media manipulation and always understands where the camera is. The past week was nothing more than an affirmation. Has he officially taken the mantle as Spike Lee’s heir to most polarizing courtside celebrity? Yes. Drake is the NBA’s most recognizable overzealous superfan.
The Canadian rapper is back in the news for his imprint on the 2019 Eastern Conference finals. First, he helped Gucci Mane live up to his rhymes from “Both” — “I got so many felonies I might can’t never go to Canada/ But Drake said he gon’ pull some strings so let me check my calendar” — as the 1017 Brick Squad impresario, wearing a Giannis Antetokounmpo jersey, took in Game 3 on the wood at Scotiabank Arena. Their 2016 collaboration, not so ironically, was certified three times platinum this week. Then he mocked, taunted and laughed at the Milwaukee Bucks superstar for missing free throws and waved goodbye. On Tuesday during Game 4, he gave Nurse that eye-opening in-game massage, which ignited a firestorm of debates over etiquette and conduct. Drake’s now public enemy No. 1 in the Cream City for simply being, well, Drake. The superfan who acts just like a superfan, only he’s one of the most recognizable people in the world.
The entire shtick is equal parts objectively annoying (to the other team and his critics) and artistically hilarious. It was no surprise to see the series take a turn for the petty Thursday night in Milwaukee. Mallory Edens, the daughter of Bucks’ owner Wes Edens, was seated courtside next to Green Bay Packers quarterback Aaron Rodgers wearing a Pusha T t-shirt. The nod to the Virginia MC was a flashback to a year ago when Drake found himself behind the eight ball for the first time in his career with a heated and highly personal beef with Pusha that involved Drake’s son, a rumored adidas deal gone awry and a picture of Drake in blackface. Eden’s wardrobe was a solid response — the franchise’s best rebuttal so far — that was diluted by the Bucks’ 105-99 defeat, which put them one loss away from elimination.
“There’s certainly no place for fans — or whatever Drake is for the Raptors — on the court,” Bucks head coach Mike Budenholzer said on a Wednesday conference call. “There’s boundaries and lines for a reason.”
Antetokounmpo’s former European agent carried the same energy. “Imagine a gig & an athlete on VIP seats, right next to the band, stands upon the stage just to show off during the entire game, knowing cameras are on him, occasionally even massaging the singer,” Georgios Dimitropoulos, a senior executive at Octagon, said in a since-deleted tweet. “Security & him both allow it. Never seen anything as disrespectful as this before …”
Drake responded via Instagram through a series of emojis and a live broadcast that showed him liking a comment in support of his actions. And following Toronto’s Game 5 victory, Drake took to his Instagram Stories to poke fun at Budenholzer and the younger Edens, telling the latter, “All is far in war and war and trust me I’ll still get you tickets to OVO Fest.” Anyone familiar with Drake and how he moves understands this is all part of the blueprint. Just as he remained strategically silent about Kanye West’s demands that he dispel rumors of an affair with Kim Kardashian last year, Drake didn’t directly address Budenholzer’s or Dimitropoulos’ comments, allowing the pendulum of media momentum to stay in his court. For now, at least.
There are three undeniably important days in the Raptors’ 24 seasons. The first was June 24, 1998, when the team traded No. 4 pick Antawn Jamison to the Golden State Warriors in exchange for the fifth pick, Vince Carter. The second came 20 years later when the Raptors traded Toronto favorite DeMar DeRozan for Kawhi Leonard on July 18, 2018. And the third was Sept. 30, 2013, when the Raptors named hometown kid turned superstar rapper Aubrey Drake Graham as their global ambassador. If it sounds ridiculously foolish, it’s only trumped by how ridiculously accurate the job title has since become.
Despite a season of adverse player-fan interactions, many of which had racial undertones, Drake’s courtside antics do little to affect the league or the Raptors negatively. He didn’t violate any sort of NBA policy for his interaction with Nurse. And judging by its past actions, the league isn’t giving Drake a hometown pass.
In 2014, the Raptors were fined $25,000 after Drake made what the league considered a public recruiting pitch to Kevin Durant, who attended his OVO Festival in Toronto. Last year, both the NBA and the Raptors warned Drake about his behavior after a verbal confrontation with then-Cleveland Cavaliers center Kendrick Perkins.
Drake vs. the Bucks is yet another twist in Drake’s interest in sports. The games and the athletes who play them are frequent muses in his music. And being recognized in a Drake song is pop culture gold. “I made it, I made it,” said Stephen Curry, quoting Draymond Green’s excitement over being name-dropped in Drake’s “Summer Sixteen.” “ ‘First All-Star Game and I got into a Drake song.’ ”
The flip side is that the internet will never let Drake live down his air ball — while in the layup line! — during Kentucky’s 2014 Big Blue Madness. Then there’s the Drake curse, which has allegedly affected the likes of Serena Williams, Conor McGregor, the Alabama Crimson Tide, the aforementioned Kentucky and others. Some New York Giants fans blamed him in part for wide receiver Odell Beckham Jr.’s mercurial moods. As coincidence collided with fate, Drake sat courtside at Game 5 of the 2016 NBA Finals when Kyrie Irving and LeBron James each went for 41 points — and kick-started the greatest comeback in NBA Finals history. But the hex was so deep even Drake believed in the energy as he wore Philadelphia 76ers shorts during Toronto’s Game 7 instant-classic victory earlier this month.
Like Lee, Drake is no stranger to the rush of vitriol against him. He’s also no stranger to inserting himself on to the NBA’s biggest stages. This marks the fourth consecutive postseason where Drake has become a subplot — others might say “antagonist” — during the playoffs. While taunting both Irving and James via, yes, Instagram in 2016, Drake watched his Raptors fall in six games — with James giving Drake an earful in the process. A year later, James not only again led the Cavaliers to victory over the Raptors in the playoffs, he offered to buy Drake margaritas after the game to soften the sting. In 2018, the tide temporarily shifted in Drake’s favor as he trolled John Wall and Kelly Oubre Jr. during Toronto’s first-round series victory over the Washington Wizards. This year, he taunted 76ers superstar center Joel Embiid, mimicking his airplane gesture in this year’s Eastern Conference semifinals.
All of the taunts, gestures and boisterous sideline dances could come back to haunt Drake should the Raptors fail to win either Game 6 or 7. And a new crop of Drake memes and GIFs will populate the internet. But understanding that Drake isn’t just a famous fanatic is part of the calculus in understanding why he acts the way he does. For starters, Drake’s not just a fan. “Been flowin’ stupid since Vince Carter was on some through the legs, arm in the hoop s—,” he reflected on “Weston Road Flows.” “I got a club in the Raptors arena,” he barked on his “30 for 30 Freestyle,” “Championship celebrations during regular seasons. F— all that rap-to-pay-your-bill s—,” he waxed on the Grammy-nominated “0 to 100/The Catch Up,” “I’m on some Raptors pay my bill s—.” This is a business investment.
His $7,000-per-year, invitation-only Sher Club (named after his maternal grandparents) sits inside Scotiabank Arena. Both Drake and the Raptors are donating millions of dollars to modernize local basketball courts and to Canada Basketball. Part of his “I’m Upset” video, which has nearly 100 million YouTube views, was filmed at center court of Scotiabank. Canada’s The Sports Network said Drake “is one of several factors responsible for legitimizing the organization in the eyes of the league’s primary demographic and many of its players.” Of those players, DeRozan said it was Drake who played the role of amateur therapist and helped him through the shock of being traded. “Just to hear the words that come from him being the person that he is in this world, especially in Toronto,” DeRozan said. And then there’s his overall economic impact on the city. A 2018 Vice News Tonight report concluded Drake is worth $440 million annually to Toronto’s economy, 5% of the city’s $8.8 billion tourism industry, because “he’s helped to rebrand the city. He’s kind of made himself the same as Toronto.”
None of this excuses anything Drake does from his courtside seat. But it gives some insight as to why. He acts the way he does because he’s fully aware of the weight his name holds in the city. He’s involved with the Raptors’ growth both financially and culturally. And he’s now part of the theater that the Eastern Conference finals have become because it’s no longer just about basketball. For some, there’s genuine joy in seeing Drake double down on his antics. For others, there’s pure disdain as they impatiently await his emotional downfall. But everyone feels some type of way. That’s a cultural moment. Drake’s got the sports world in their feelings.
When the NBA’s newest G League expansion team needed a guy to run things, they turned to the perfect person for the job — an experienced journeyman with the right kind of basketball savvy.
“I had no business background,” said Pops Mensah-Bonsu, the new general manager of the Capital City Go-Go. “I had planned to go to business school before working in a front office, but the opportunity came before I had the chance.”
The George Washington University standout earned a degree in psychology and played with 18 NBA, G League and international teams combined during his professional career. By most standards, he is perhaps, one of the most successful players to retire from the G League, averaging 26.6 points when he was on what he refers to as his “high horse.”
“I’ve sat in the same seats as two-way players, assigned players and G League contracted players, so I use my experiences to help guys along with their journeys,” said the 35-year-old Mensah-Bonsu.
The team is the Washington Wizards’ G League affiliate, named for go-go music, a hard fusion of blues, rhythm and blues, and funk that’s part of Washington, D.C.’s, bustling musical culture. Everything about the team fits the appeal of the local fan. And for Mensah-Bonsu, he’d already made Washington his home and quickly immersed himself in the city’s diverse climate.
When he got the call from the Wizards to gauge his interest for the general manager position, he was an NBA scout with the San Antonio Spurs, a job he’d been in for about a year. The very next day he flew home to interview with Wizards general manager Ernie Grunfeld.
It was a success.
As general manager, he oversees the daily operations of the Go-Go while engaging in long- and short-term strategic planning.
“I always make sure to check in with players and make sure everything is going smoothly and morale is high,” he said. “As a leader, they feed off of my energy, so regardless of if I’m having a good or bad day, I come into that office with a smile on my face. I always make sure they receive my positive energy. After practice, I catch up with the head coach and see how he feels. I’m always thinking ahead of how I can help make this team better.”
If there’s anyone who can relate to G League players and their grind, it’s Mensah-Bonsu. He’s suited up for the Dallas Mavericks, San Antonio Spurs, Houston Rockets and Toronto Raptors. At times, he suits up for practices if Go-Go head coach Jarell Christian needs him.
“He’s a force to be reckoned with,” said Christian. “He brings that physicality that you need. Intensity rate goes up instantly when he’s on the court. He’s able to touch so many different people because he’s had so many walks of life and experiences. He’s able to connect with people in a way that I’ve never really seen.”
Although he’s not far removed from his playing days, Mensah-Bonsu misses the hardwood.
“I miss it every morning I get up, every time I watch a game and every time I watch practice,” he said. “There’s a void that I always feel I need to fill. I’m a realist. I understand that my impact is now going to be on this side of the game. But when I’m on the court, I forget it and go back to player mode.”
The difference between the NBA and the G League is the salaries, Mensah-Bonsu said.
“They make a lot more money in the NBA and their CBA [collective bargaining agreement] is much more comprehensive,” he said. “But to the core, it is very similar, just at a larger scale. It’s still managing people and putting a team together.”
In the team’s first season, Mensah-Bonsu soon realized success in the league is measured through development across the board, but mainly with the development of players.
“We are here to help the players become the best they can be on and off the court,” said the first-time general manager.
The Go-Go finished their first season 25-25. It’s only the second time an expansion team finished .500 or better in the G League’s last 10 seasons.
It was his longtime dream to be part of a team’s front office. And when he needs guidance in his position, he has countless mentors, including Toronto Raptors president Masai Ujiri and Amadou Gallo Fall, vice president and managing director of NBA Africa, to lean on.
“I’m indebted to them for always being willing to help me on this side of the game,” said Mensah-Bonsu.
He even plans to collaborate with Gallo Fall and the Basketball Africa League. “It’s a great opportunity to give African players to live out their dreams and play basketball. Every summer I try to be involved in the [Basketball Without Borders] camp in Africa; I started doing camps with NBA Ghana every year. My goal is one day to have a team in Ghana.”
Twenty years ago, if anyone had asked Mensah-Bonsu what he wanted to be when he grew up, he would have answered an Olympian in track and field. Why? He had a natural “you can’t teach that” sort of talent when it came to the sport.
Mensah-Bonsu was raised by low-income Ghanaian parents whose main goal was for their children to have greater opportunities than themselves. He moved from his London home to the United States at 16 years old without his parents and attended The Hun School of Princeton. He became a two-time New Jersey state champion in the high jump and excelled on the basketball court in high school.
It was evident that he had game while playing junior basketball for the Hackney White Heat of the English Basketball League. But to take it to another level, Mensah-Bonsu knew that going to a prep school in the U.S. would help elevate his game and increase his visibility.
He had that same joy and mindset when he transferred in his senior year to St. Augustine Preparatory School in Richland, New Jersey, where he averaged 15 points and 12 rebounds a game.
Mensah-Bonsu made a name for himself when he got to George Washington University. He helped lead the Colonials to two consecutive NCAA tournament appearances (2005 and 2006). It was the first time in 50 years the program was ranked No. 10 in both the Associated Press Top 25 and USA Today/ESPN Top 25 polls.
After helping his team beat Michigan State and Maryland on consecutive nights in his junior year, Mensah-Bonsu noticed NBA scouts attending his practices. It was then that he knew he had NBA potential.
He went undrafted in 2006 but worked his way into a spot on the Mavericks after summer league. That season he appeared in 12 games, averaging 2.4 points per game. He spent multiple stints with the Fort Worth Flyers of the NBA Development League. In July 2007, Mensah-Bonsu rejoined the Mavericks for summer league but was later waived. He signed a one-year deal with Benetton Treviso of the Lega Basket Serie A in September 2007, then with CB Granada of Spain in May 2008 to appear in the team’s final game. In August 2008, he signed with Joventut Badalona for one year.
“For me, my mindset was I do not intend to be here long,” he said.
Mensah-Bonsu represented Great Britain in the 2012 Games.
“I don’t think there is a bigger moment for an athlete than walking out in the opening ceremony and it was 10 minutes away from where I walked the streets of London. I remember my brother took a picture of my parents wearing my Olympic jersey.”
During his career, he endured many injuries.
“I had 10 surgeries,” he said. “Six on the knee, elbow, shoulder, eye and nose. I say my right side is my bionic side. I wouldn’t say I have recovered. I still feel pain. When I walked up the stairs and I feel some pain, it’s a reminder that it was all worth it because I’m walking up the stairs to my office as a general manager.”
In 2015, his professional playing days ended abruptly after he received a two-year ban due to a doping violation while playing in Greece. He was also ordered to pay a fine of 1,000 euros. Mensah-Bonsu was taking Adderall prescribed for a medical condition.
“I’ve played in the NBA, I’ve played in the NCAA, I’ve played in the Olympics, I’ve played in high-level Europe, and I had never failed a drug test in my life,” he said. “When that happened, it ended my career. I was still fighting to clear my name because I didn’t want that be a dark cloud over my career or the way it ended.”
After retiring that same year, he became regional representative and international liaison for the National Basketball Players Association. He said that while there he received a phone call that would finally help clear the violation. According to Mensah-Bonsu, his agent told him that an appellate committee of the Greek courts researched and found out that Adderall wasn’t a performance-enhancing drug.
Off the court, he indulges in his family and four children and his love for fashion. He even graced the runway during New York Fashion Week in September 2016.
“Fashion has always been a big part of who I am,” he said. “I remember getting a text asking if I wanted to walk for Studio One Eighty Nine, an Accra-based line by Abrima Erwiah and actress Rosario Dawson, in New York Fashion Week’s show. I was like, ‘You literally made my life.’ I was the only nonmodel at the show, and people wanted to know who I was.”
Mensah-Bonsu says he could’ve been more proactive in preparing for life after basketball, but it’s the relationships he built that have allowed him to gain success as a general manager.
“I always tell people your character is determined by how you treat people who can’t do anything for you,” he said. “I always was open to engaging with people that I came across. People remember your character and their interactions.”
His advice to current players is to start planning now.
“It’s always a good idea to think about life after basketball and lay a foundation,” he said. “Sometimes basketball isn’t fair to us. I love the game, it did a lot for me, but my career ended before I wanted it to, and such is life.”
In Mensah-Bonsu’s mind, his journey to the NBA didn’t start or finish under the most ideal of circumstances. However, his path to front-office status has earned him the opportunity to oversee a franchise and a group of hungry players.