Phoenix Suns star Deandre Ayton’s new Puma shoe pays homage to Bahamas For each pair sold, Puma will donate $25 to assist relief efforts following Hurricane Dorian’s destruction of the Caribbean island

Phoenix Suns center Deandre Ayton has been quite busy the past few months. While working to build on a strong rookie campaign, during which he averaged a double-double (16.3 points, 10.3 rebounds) and was named to the NBA’s All-Rookie first team, the 7-foot-1, 250-pound big man has shifted some of his focus off the court.

Ayton hails from the Bahamas, which was recently ravaged by Hurricane Dorian, a Category 5 storm that led to a reported death toll of 53 people (and counting), with more than 1,300 people still missing and an estimated $7 billion in damage to the home country of the No. 1 overall pick in the 2018 NBA draft.

“Thank you to everyone for reaching out with their prayers and concern. It’s been a rough few days checking in on family and friends back home and thankfully everyone is OK,” Ayton, a native of Nassau, wrote on Instagram on Sept. 6, four days before Hurricane Dorian dissipated. “The damage back home is devastating and my heart goes out to my fellow Bahamians as we deal with the effects of Hurricane Dorian.”

In his Instagram post, Ayton pledged $100,000 to various relief efforts in the wake of the natural disaster and has since received support from the Suns, his teammates, local businesses, Arizona Cardinals wide receiver and future Hall of Famer Larry Fitzgerald, and now Puma.

In 2018, Ayton signed a multimillion-dollar endorsement deal as part of the German sportswear company’s return to basketball for the first time in nearly two decades. On Thursday, the brand released the Puma RS-X Deandre, Ayton’s own colorway of the 1980s-inspired silhouette. The lifestyle sneaker, which will be sold exclusively at Champs Sports for $120 a pair, marks Ayton’s first product collaboration with Puma and specifically pays homage to his native country in the design. Puma also announced that for each pair of the RS-X Deandre that is sold, the brand will donate $25 to assist relief efforts in the Bahamas.

Ahead of the shoe’s release, The Undefeated spoke with Ayton about what this moment means to him — and to the Bahamas.


How does it feel to have your first product collaboration with Puma, the RS-X Deandre?

Following Puma and wanting to be a part of Puma for a long time after growing up around the brand and wearing it at a young age, to now have my own personal shoe and design reflecting my signature style, it’s amazing. It’s a dream. It’s everything that somebody who’s in the business and industry would want. It’s a huge milestone.

How exactly did this opportunity come about?

Hard work. I worked my butt off, and with success comes individual accolades. This is one of the accolades that I accomplished.

What was the design process like, and how hands-on were you during it?

It started with the insoles. They’re like the beach. I love the beach, being from the Bahamas. The shoe also represents sand and a shore. Every time I’m in the Bahamas, I just feel free. No worry of nothing. And I have red in the shoe, which is my favorite color.

How do the colors incorporated into the design represent your home country?

There’s aqua blue, which is a part of the flag. That’s the only thing I really want to put in it to make it a magical shoe.

How important is it to you that for each pair of the shoe that’s sold, Puma will donate $25 to assist relief efforts in the Bahamas?

To have the support of a partner like Puma is awesome. I really appreciate everything they continue to do for me. This is just a huge step that they’re taking for me and my team to help out and do as much as we can for Hurricane Dorian relief.

How did you first hear about Hurricane Dorian, and what’s the past month been like for you?

My stepdad lives down there. He goes back and forth and was giving us updates about the weather and telling us to keep an eye on the hurricane. Growing up, we know what a hurricane is capable of. We know what the process of preparing for a hurricane. Sometimes the plan doesn’t go the way you want, unfortunately. So having flashbacks, it was just about sending prayers to all the families back home.

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Thank you to everyone for reaching out with their prayers and concern. It's been a rough few days checking in on family and friends back home and thankfully everyone is ok. The damage back home is devastating and my heart goes out to my fellow Bahamians as we deal with the effects of Hurricane Dorian. My family and I have been working to determine how best to support now and going forward. We’ll be pledging $100K toward various relief efforts while we continue to work through long term support with the NBA Family and my partners. We are also asking Suns fans and those in the Phoenix area to please join us Tuesday, September 10th  where we'll be working with the Suns to collect much needed supplies and donations. More details to come on time and location ASAP. Please give as much or as little as you can. Items to be collected: Toiletries, diapers, baby wipes, first aid kits, cleaning supplies, canned goods, box fans, leather work gloves, hand sanitizer, non-perishable food, water, generators (no clothes) and monetary donations. More info to come for those who can’t come out locally but wish to support. Thank you and blessing 🇧🇸🙏

A post shared by Deandre Ayton (@deandreayton) on Sep 6, 2019 at 12:05pm PDT

What specific memories do you have experiencing hurricanes while growing up in the Bahamas?

I definitely remember Hurricane Katrina. I remember my favorite tamarind tree going down in front of my eyes, and I was singing, ‘Rain, rain, go away’ with my little sister, looking outside the window. I’ve seen the rooftops of certain houses blown off, and certain objects flying in the air while the storm is going. It’s pretty wild. You see trees bending so far until they’re ready to snap. It’s a lot.

What type of support have you received from the NBA following the hurricane?

Last night, my coach, Monty Williams, donated $5,000 to UNICEF’s Hurricane Dorian relief efforts. We did a collab with Ocean 44 [restaurant]. The Suns set that up and got a dinner done. People donated about $47,000 that night, which was a huge blessing. I didn’t know it was going to be that much. To be honest, I didn’t know that many people were gonna come out. It was big. I was speechless seeing the results. And Fry’s Food Stores helped me collect and donate goods. The Valley is really supportive, and I’m just glad to have fans like this have my back.

Have any specific players helped you provide relief?

Kelly Oubre Jr. …. He’s doing a Valley Boyz [clothing line] pop-up shop here in Phoenix, and everything is going to Dorian relief. That’s something big. He surprised me with that one. He didn’t tell me. It gave me goose bumps to see how much love people have for me.

Do you plan on returning to the Bahamas?

Of course I would love to go back. But right now, I’m just focused on the season and doing what I can from here.

Looking back to last year, what made you sign with Puma when you entered the NBA?

Everybody knew what Puma was back home. And me, I wanted to be different. I grew up playing in AAU circuits like the Nike EYBL, and I knew who the superstars were with certain shoe companies. But I just wanted to be different. I wanted to go my own way and try to be the top dog of Puma hoops.

What was your first-ever pair of Pumas?

I can’t remember exactly … but the person who inspired me was Usain Bolt, watching him on TV representing Puma. I think that’s mainly how I got into it. I fell in love from there.

On Instagram, you posted a photo of you giving Usain Bolt a pair of your Pumas — what was that moment like?

You gotta ask me if I was even speaking English when I was talking to him. I was so nervous. I just told him how much he inspired me in terms of collaborating with Puma, and how much of an inspiration he is in terms of his work ethic and how he represents his country from the heart. Everything he does is from the heart, even how athletic and versatile he is.

How big is he in the Caribbean?

You might as well call him the president of the Caribbean. But he’s global. I think he’s like that everywhere he goes, to be honest.

What can the NBA expect from Deandre Ayton in year two?

Improvement. I’ve been in the lab. I can say this, I’ve never been in the gym so much my whole life.

What’s the most notable improvement you’ve made to your game?

Definitely the 3-ball. I’ve worked on it a lot, as well as bringing the ball up and handling the ball around the perimeter. I’m just really trying to take over every possession. Overall, being more dominant every game.

What’s it going to be like walking into Talking Stick Resort Arena this season in your own Pumas?

Man, they just better take a picture. I don’t care what I’m wearing … just take a picture of my feet and I’m good. I’ll just post that. … That’ll be my postgame pic.

Do you think your fellow Bahamians will like the Puma RS-X Deandre?

Most definitely! I didn’t show our flag too much, but I put our aqua blue in there and I put our beaches in there. Nice, clear blue ocean, nice sand. … They better like it!

Serena needs to bring back ‘catsuit tennis’  To win another Slam, Williams must show the world we’re not ‘ready for this jelly’

NEW YORK — Serena Williams didn’t look like herself for most of Saturday’s US Open final defeat against Bianca Andreescu, and she knew it.

“I believe I could have played better,” Williams said in her postmatch news conference. “I believe I could have done more. I believe I could have just been more Serena today. I honestly don’t think Serena showed up. I have to kind of figure out how to get her to show up in Grand Slam finals.”

Serena did show up, but not for enough of the match. Her first serve seemed to have disintegrated, and she double-faulted on key points. After far too long, she started to come back to tie the second set at 5-5 before losing 6-3, 7-5.

The crowd responded with ear-splitting roars every time Williams won a point, and then another, and then a game in the second set. They had come hoping to witness history in the form of a 24th major victory that would have tied Margaret Court’s record for most Grand Slam singles titles. They came to see what Williams does best, to witness what sportswriter Lindsay Gibbs dubbed “Catsuit Tennis.”

In 2002, here at Flushing Meadows, Williams debuted her first black catsuit, a Puma creation that was bound to turn heads. She’d won her first Grand Slam title ever at Arthur Ashe Stadium in 1999, then exited in the quarterfinals in 2000, and then lost to her older sister Venus in the 2001 final.

In this Sept. 6, 2002, photo, Serena Williams wears a black Puma catsuit as she plays Lindsay Davenport in the US Open semifinals in New York. Williams went on to win the tournament for the second time.

AP Photo/Elise Amendola

But 2002 — she owned 2002. Williams came into the US Open that year with the swagger of a woman who’d won Roland Garros and then Wimbledon and done it the Williams Way, the way her father, Richard, had taught her: by embracing her difference and her exceptionalism.

The catsuit said it all.

Paired with blond microbraids, it was shiny, form-fitting and more than a little bit dangerous. The sort of thing you dare not wear unless you’ve got the goods to back it up. It moved with her, gliding over her curves. Puma constructed the catsuit with two heavy parallel seams running down the front, from the armpits, over her breasts and midriff, all the way to her thighs. It had a crew neck, with a zipper that converted it into a V-neck. Serena paired it with a pink wristband and a $29,000 Harry Winston tennis bracelet.

In 2001, Destiny’s Child released a hit single, “Bootylicious.” The song opened with a guitar riff pulled from Stevie Nicks’ “Edge of Seventeen.” But it was the repeated lines of the chorus that made it a hit: “I don’t think you’re ready for this jelly.”

The Catsuit didn’t say, “I think.” Instead, it screamed, “I know you’re not ready for this jelly.”

Washington Post fashion critic Robin Givhan deemed the look “salacious.”

“… her tight black tennis romper was the stylistic equivalent of trash talk,” Givhan continued. “It looked trashy. And it did her a disservice. … Her admirers paint a picture of poise and exuberance, talent and physical grace. One only wishes that Williams would use her wealth and notoriety to paint herself in equally flattering terms.”

It didn’t matter how much it rattled tennis watchers that the Williams sisters, especially Serena, refused to be swaddled in chaste, preppy tradition. There was no romance there, just unapologetic domination.

Serena won the whole enchilada in New York in 2002, defeating Venus, the defending champ, 6-4, 6-3. Then she went on the win the 2003 Australian Open, thereby establishing the #SerenaSlam. The catsuit was a symbolic representation of everything that seemed to fuel the Williamses. They would take everyone’s disapproval, run it through the family catalytic converter and turn it into wins. They carried themselves like professional wrestling villains who relish ticking everyone off by demolishing the favorites.

Serena Williams in action wearing another catsuit against Julia Goerges of Germany during the 2018 French Open on June 2 in Paris.

Tim Clayton/Corbis via Getty Images

It made sense then, as Williams was beginning her postpartum comeback, that she’d don a catsuit at the 2018 French Open, albeit one that ran down the length of her legs. Williams was relying on the compression to aid in preventing blood clots. She said the catsuit made her feel like a “warrior princess” from Wakanda, and it caused so much of a stir that French Tennis Federation president Bernard Giudicelli banned it from future tournaments and accused Williams of not having enough respect for the game.

Williams enthusiastically embraces her role as a tennis iconoclast — one does not show up on the cover of Harper’s Bazaar seemingly inviting haters to kiss her unretouched bottom unless one takes pleasure in being defiantly cheeky. (Her husband, Alexis Ohanian, is a philosophical match, showing up wearing a D.A.R.E. T-shirt to Williams’ first-round contest against Maria Sharapova on Aug. 26. It appeared to be a rather pointed reference to Sharapova’s 2016 suspension for using the banned substance meldonium.)

But for much of Saturday, Catsuit Serena was nowhere to be found.

Williams entered Arthur Ashe Stadium the fan favorite and in one of the more conventional competition looks she’s ever worn outside of Wimbledon: a long-sleeved lilac top, paired with a twirly skater skirt. It seemed like an odd choice for a Serena final, especially one against a 19-year-old opponent whose aggressive, muscly style mimics her own. In Williams’ two previous matches, she wore a 2019 version of The Catsuit, this one designed by Nike. She also wore it in her opening victory over Sharapova. The material was more matte than wet n wild, but the message it carried was the same: “I’m nearly 38, I almost died giving birth, and no, you’re still not ready for this jelly.”

Williams pumps her fist after defeating Elina Svitolina in the semifinals of the US Open on Sept. 5.

JASON SZENES/EPA-EFE/Shutterstock

She pounded down quarterfinal and semifinal victories against Qiang Wang and Elina Svitolina, respectively, with her brand-name style of fierce, authoritative drop shots, excellent serving and unrelenting dominance. Knowing her preference for quick, soul-demolishing baseline games, her opponents would try to force her to the net. It didn’t matter. Her look matched her game. Saturday, however, was another story.

At this point, Williams need not accomplish another thing to prove that she’s the Greatest of All Time. Saturday, she wouldn’t even acknowledge that she’s eyeing Court’s record.

“I’m not necessarily chasing a record,” Williams said in her postmatch news conference. “I’m just trying to win Grand Slams. It’s definitely frustrating, you know. But for the most part, I just am still here. I’m still doing what I can do.”

But Williams has now lost four straight Grand Slam finals, and the 2019 losses, in particular, have come after exciting tournament runs characterized, by, well, Catsuit Tennis. She’s still terrific, but her position within the game has changed. She’s no longer the upstart foil. Now she’s a respected grande dame.

If she is to tie Court’s record and then surpass it, another catsuit might be exactly what she needs.

Nipsey Hussle’s Puma legacy lives on with new co-branded collection The capsule collection contains 19 pieces — and 100 percent of the net proceeds from the sales of collection will go to the Neighborhood ‘Nip’ Foundation

BOSTON — “I still keep his texts.”

Ian Forde, a merchandise manager for the global sportswear company Puma, can’t bring himself to delete his iPhone thread with the late Nipsey Hussle. Every now and then, he’ll pull it up, reread old messages and reminisce about their conversations from the months they spent working together on a co-branded capsule collection between Hussle’s store, The Marathon Clothing, and Puma, which the Los Angeles rapper and community leader joined as a brand ambassador in January 2018.

“It’s not a one-way situation. It’s … more authentic,” Hussle once said in an interview. “It’s more of a realistic partnership outside of just cutting a check and supporting product. It’s a deeper, more dynamic relationship.”

Forde met Hussle for the first time later that year after being assigned to oversee the collection from a design standpoint. During their creative process, he came to know Hussle as a serial texter. Any time he found some inspiration, he’d hit Forde up. And whenever Forde needed some input, he reached out to Hussle, who always messaged back within minutes, often with the praying hands emoji, or the black-and-white checkered flag, which symbolized how Hussle cherished life as a marathon. His partnership with Puma had become part of that journey.

In March, Forde traveled to L.A. to show Hussle and his team the finalized pieces of the Puma x TMC apparel, footwear and accessories. Hussle signed off, marking the official completion of his first collection with a global brand. And before Forde went back to Boston, Hussle made sure to thank him.

“He looked at me and was like, ‘Listen … I really appreciate you helping to shepherd this through,’ ” Forde remembers. “It kind of felt different coming from him. That he was appreciative not in a way that you just say thank you, but in a real man-to-man way. For me, that was the ultimate validation about everything that we had done.”

That was the last time Forde spoke to his colleague and friend. Four days after he left L.A., Ermias “Nipsey Hussle” Asghedom was shot and killed outside of his Marathon Clothing store near the corner of Crenshaw Boulevard and Slauson Avenue in South Central L.A. He was 33 years old.

Five months after the tragedy, though, Hussle’s partnership with Puma continues. On Monday, TMC took to Instagram to announce a Sept. 5 release of the capsule collection Hussle worked tirelessly to perfect — and Puma saw his vision through.

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Our team is proud to announce that our first collaborative capsule with @puma drops on September 5th 2019. Nipsey spearheaded this project from concept to final product over the course of last year, flying to meetings, reviewing samples, bringing in material references he liked, and most importantly ensuring that it reflected his style authentically with no compromise. Each detail from logo placement, fit, colorways, and materials was thoughtfully done. His signature style and DNA can be found in each garment that’s part of this collection from the khaki suit to the tracksuit. This project is very special to our team and we’re handling it with the utmost care to ensure it’s delivered exactly as Nipsey envisioned it. It’s a privilege for us to honor his commitment and carry out this project for people to receive a personally curated collection by Nip Hussle Tha Great.

A post shared by The Marathon Clothing (@themarathonclothing) on Aug 19, 2019 at 5:07pm PDT

“I hoped that it would see the light of day and people would see all the work that went into it … all the attention to detail,” Forde said. “I wanted people to experience what I experienced working with him … We know him for a music angle, but do we know him from a style point of view? This collection speaks to different facets of who he was.”

The 19-piece collection — featuring two colorways of the iconic 1980s Puma California sneaker, a pair of woven khaki jacket and pants suits, a marathon-themed MCS tracksuit and more — was designed using the measurements of Hussle’s body. Every single element of the capsule was created to represent California, the Marathon and, most importantly, Nip Hussle tha Great.

“It’s so representative of what he wore and what he loved about Puma,” says Adam Petrick, Puma’s global director of brand and marketing. “There’s a lot of that energy in it. It’s nice to be able to keep it clean, keep it simple, keep it focused on who he was and how he wanted to tell his story through our product.”

Puma also announced that 100 percent of the net proceeds from the sales of collection will go to the Neighborhood “Nip” Foundation.

“Nip wouldn’t have wanted it any other way,” says Chief Johnson, Puma’s senior manager of entertainment and marketing who worked more closely with Hussle daily than anyone from the brand.

A few years ago, Johnson was one of the first people to envision a partnership between Puma and Hussle. Eventually, that idea stuck.


In 2014, when Johnson worked in marketing for California lifestyle company Young & Reckless, he executed his first brand deal with Hussle. Young & Reckless and TMC partnered with Pac Sun for a limited-edition “Crenshaw” collection. Johnson remembers the day of the pop-up shop release, when approximately 1,000 people lined up outside in the pouring rain to cop pieces from the collection, which sold out in a half-hour.

“That’s the moment I realized, ‘Damn. He’s a lot bigger than I thought … he commands attention and people love him.’ He had this infectious attitude and this charisma that he carried himself with. You wanted to be around it,” said Johnson.

In 2017, Johnson began working for Puma and maintained his relationship with Hussle.

“When I came over to Puma, Nip was one of the first people I texted,” Johnson says. “He was like, ‘Yo, you already know. I’m ready.’ I just knew that doing something with him would set us on a path that was gonna be something amazing.”

Hussle also got the co-sign from Emory Jones — a cultural consultant for Puma (who’s also teamed up with the brand for his own collection) and the right-hand man of the legendary rapper and businessman Jay-Z, the founder of Roc Nation who in June 2018 was named the creative director of Puma’s relaunched basketball division. Jay-Z had also been a huge supporter of Hussle for years after famously buying 100 copies of his $100 mixtape Crenshaw back in 2013.

“Emory Jones … actually approached me,” Petrick recalls, “and said, ‘There’s this guy, he’s doing these amazing things. He’s really fantastic as an artist, but it’s also more than just his art. It’s how he works with his community and how he’s really pushing forward with the right energy to make the world a better place.’ … Emory recommended that we talk to Nip and try and figure out if there was a way to work with him. We took our time about it, did it the right way, established a relationship and eventually it was time to have him become a part of the family.”

After about a year of conversations, Hussle made it official — signing his Puma deal live on air during an L.A. radio appearance on Power 106’s The Cruz Show, nearly a month before the release of his Grammy-nominated, and now-classic, debut studio album, Victory Lap. And from the early days of the partnership, Hussle showed undying support to the brand, most notably through his daily wardrobe. Pairing Puma’s iconic T7 tracksuits, which first debuted in 1968, with Clydes and Suede sneakers became a part of Hussle’s go-to swag.

“Honestly, they should rename the T7 tracksuit the ‘Nipsey tracksuit.’ He’s the only person that literally makes a tracksuit look like a tuxedo,” says Johnson, who estimated that Hussle owned at least a dozen white Puma tracksuits alone. “Anytime stuff came in, it was like, ‘That’s Nip’s corner in the office. Fill those boxes up. Send them.’ To the point where … little things I remember like he once said, ‘Keep that box at the office, because I ain’t got no more room.’

“We just made sure he was always dripped out, and didn’t have any void in product. Every time he wore it, man, it felt like something brand-new.”

By late summer 2018, Hussle appeared as the face of his first Puma campaign for the brand’s relaunch of the California sneaker. On Sept. 10, 2018 — Forde knows the exact date from the text message thread that remains in his phone — Hussle and the TMC team arrived at Puma’s Boston headquarters to discuss collaborating for his own co-branded collection. Jones told Hussle to find Forde once he got there. That’s the day their relationship, and the design process of the collection, began.

“He was superattentive. He paid attention to the details … the larger picture. He treated everything like an album or a project, and every item in the collection is almost like a track, right?” Forde said. “There’s the intro, there’s the outro, there’s the party song, there’s the more introspective, reflective song. Everything had a cadence and a rhyme or reason.”

During that first meeting, Hussle played one of his old music videos from the early 2000s. In it, he wore some cutoff khaki shorts with an oversize white tee, and on his feet was a pair of Pumas. That’s really how long Hussle had been rocking with the brand. The throwback outfit inspired the two woven khaki suits created for the collection. And that moment represented how hands-on Hussle proved to be over the next several months.

“At one point with this collection, we’d reached a creative roadblock. I think we were speaking to ourselves and we weren’t really communicating in the right manner,” Forde remembers. “He called me one day and was like, ‘There’s some things I want to work through as a team.’ He’s like, ‘I’m gonna bring the team to Boston.’ …

“Three days later, he came. He stayed here for two days. We worked from 9 to 5. We worked through lunch. Through that, we took him to the material library. He touched fabric. We looked at different executions. We looked at what he was doing, what the brand was doing moving forward, and how he could best encapsulate all those best ideas.”

While Puma worked on the collection, Hussle leveraged his partnership to give back to his community and kids in need, surrounding the brand’s return to basketball for the first time in nearly two decades. He came up with the idea of collaborating with Puma to refurbish and repaint the basketball courts at L.A.’s 59th Street Elementary School, located right around the corner from his grandmother’s house. (59th and 5th Ave, granny house with vanilla wafers, he raps on his Victory Lap track “Dedication.”) Hussle also donated $10,000 to the school on behalf of the brand and TMC.

Last fall when Puma debuted the Clyde Court — the first basketball shoe — Hussle and fellow Californian MC G-Eazy boarded the brand’s private jet and ventured to Las Vegas, where they pulled up to the Puma store and bought every single pair of the sneaker, which they gave to local high school players.

(That wouldn’t be the last time he used the jet. For the music video of his track “Racks in the Middle” — in which he famously spits the line, See my granny on a jet, some s— I’ll never forget / Next day flew to Vegas with my Puma connect — Hussle hit up Johnson about using the plane, which happened to be in L.A., not New York, where it’s typically kept. Johnson made some phone calls, passing the request up Puma’s chain of command, and within a few hours, got him an answer. To this day, Forde cherishes the music video because in it, Hussle is wearing a prototype of the MCS tracksuit they designed for the first Puma x TMC collection.)

In March, Hussle returned to Power 106, and in what ultimately became one of the final recorded interviews of his life, he announced his new deal with Puma for 2019 that would include multiple future co-branded collections, the first of which was set to drop in September.

On March 31, Hussle was killed — the day before his previously scheduled meeting with L.A. mayor Eric Garcetti, Jay-Z and members of Roc Nation on combating gang violence in his hometown. The following week, he’d planned on traveling with Johnson to Puma’s global headquarters in Germany to be a part of a brandwide summit for the first time.

“We were gonna be in front of the entire Puma team and talk about this collection, talk about what the future could hold,” Petrick says. “There were so many positive ideas about what we could do down the road. He was so enthusiastic about the brand, and I think that the sky was the limit. To have that happen in that moment was just crushing.”

Johnson still made the trip to Europe to clear his head and represent the man he called his brother. He left early to return to L.A. for Hussle’s funeral on April 11, held at Staples Center before one final victory lap around South Los Angeles with a procession spanning 25 miles. In the ensuing months of Hussle’s death, Petrick confirmed the posthumous continuation of his partnership with Puma while speaking at The Wall Street Journal’s Future of Everything Festival. Billboards and posters teasing his collection soon went up across L.A., featuring “TMC” in white letters and an image of Hussle, head down above praying hands, from his final Puma photo shoot. Johnson remembers that day vividly, with one moment standing out to him. After the shoot wrapped, true to Hussle’s appreciative character, he went around the room and gave everyone on set a hug.

“To this day, it still doesn’t seem real that he’s gone,” Johnson says. Now, it’s only right that he and Puma celebrate Hussle’s legacy with his long-awaited collection. In less than two years as partners, Puma and Nipsey Hussle have become synonymous.

“It’s bittersweet, because you wish he was here to enjoy this moment with the TMC family and Puma,” Johnson says. “But I do believe he’s somewhere smiling down, like ‘Yeah. Y’all did it.’ ”

Courtesy of Puma

World Cup champion Megan Rapinoe helps continue Nipsey Hussle’s marathon Charismatic, defiant and independent, the U.S. women’s team is hip-hop

Just hours after the U.S. national team captured its second consecutive Women’s World Cup with a 2-0 victory over the Netherlands, forward Megan Rapinoe, winner of the Golden Ball for best player in the tournament, took to Instagram quoting Nipsey Hussle’s rallying cry:

“Ain’t really trip on the credit, I just paid all of my dues I just respected the game, now my name all in the news,” Rapinoe wrote. “Trippin’ on all of my moves, quote me on this, got a lot more to prove.”

The caption, from the Victory Lap standout “Hussle & Motivate,” eloquently summarized both the late rapper’s untapped future and the upward battle Rapinoe and her teammates continue to face as female athletes in a society that requires them to play for less than their worth.

The truth of the matter is the U.S. women’s national team is hip-hop. Their swagger? One-of-one. In a matter of weeks, Rapinoe, Alex Morgan & Co. became the international version of the 1980s Miami Hurricanes. They were bullies, lovable antagonists who walked with a bop and played with a peerless cockiness. They ran the score up and bathed in the tears of thin-skinned critics. They toasted their 2-1 victory over England in the semifinals to Crime Mob’s “Rock Yo Hips.” Rapinoe defiantly refused to visit the White House — even before winning the tournament.

Most importantly, though, the U.S. women did so without sacrificing what made them the most dominant soccer team in the world. And they did it understanding the battles for fair treatment that they face at home, which often are relegated to back-page news.

It’s why the lyrics Rapinoe quoted matter. And why it mattered that she was the one quoting them. Rapinoe is a face of social justice in sports, a hero to the LGBTQ community and one-half of sports’ most accomplished power couple, along with WNBA player Sue Bird (who came to her defense after President Donald Trump’s response to Rapinoe’s White House comment).

The World Cup champions are suing the U.S. Soccer Federation for appropriate compensation. The crowd in France was chanting, “Equal pay!” on Sunday after the team’s victory — a reminder of the reality that lay just beyond the euphoric accomplishment. Last week, FIFA president Gianni Infantino announced that the 2023 Women’s World Cup prize money would double from $30 million to $60 million. In comparison, the men’s prize pool sits at a gaudy $440 million for the Qatar World Cup in 2022. Rapinoe scoffed at the financial insult.

“It’s certainly not fair,” she said during a news conference on July 6. “I think everyone is ready for this conversation to move to the next step. I think we’re done with the ‘Are we worth it? Should we have equal pay?’ … Everyone is done with that. … Let’s get to the next point of what’s next, how do we support women’s federation and women’s programs around the world.”

Megan Rapinoe (right) kneels during the national anthem before a match between the United States and the Netherlands at the Georgia Dome on Sept. 18, 2016, in Atlanta. Rapinoe was the first white athlete and first woman to follow the lead of former San Francisco 49ers quarterback Colin Kaepernick by kneeling during the anthem.

Photo by Kevin C. Cox/Getty Images

Rapinoe, too, will always be linked to exiled NFL quarterback Colin Kaepernick. As the former Super Bowl signal-caller protested systemic oppression against black and brown men and women in America by kneeling for the national anthem in 2016, it was Rapinoe who became both the first white athlete and the first woman to follow his lead.

So when she decided to quote Hussle on Instagram, it felt authentic. Rapinoe saw portions of her marathon in Hussle’s.

Sports were an integral part of Nipsey’s life. He was a regular fixture courtside at Lakers games. (“Courtside Chamberlain throwback match my Rolex,” he flexed on “Blue Laces 2.”) During the final hours of his life, Nipsey was in Anaheim, California, celebrating Texas Tech’s Final Four berth with a family friend. The outpouring of support from athletes such as LeBron James, DeMarcus Cousins, James Harden and others after his death was massive, including Russell Westbrook’s exultant 20-20-20 triple-double, a nod to Hussle’s Rollin 60’s Neighborhood Crips.

Like luminaries such as Ice Cube and the late John Singleton, the businessman, philanthropist, activist and rapper affectionately dubbed “Neighborhood Nip,” brought South Central to the world’s doorstep. Hussle preached the value of integrity, and why maintaining it was vital for the upkeep of a (wo)man’s soul.

Rapper Nipsey Hussle attends the first annual YG and Friends Daytime Boogie Basketball Tournament at the Shrine Auditorium in Los Angeles on Feb. 17, 2018.

Photo by Scott Dudelson/Getty Images

“It’s crazy to see the shift that’s happening just to raise good people that have a foundation of principle,” he said on Stephen Curry’s 5 Minutes From Home series. “You know, when I drop my daughter off every day, I drill her when I take her to school. … Like, what is integrity? Integrity is doing the right thing when nobody’s looking. … It seems basic, but I want her to get older and look back on the things I thought were important.”

Rapinoe is just the latest to invoke Hussle’s memory — and the raw emotional wounds of his slaying on March 31. Recently released court documents revealed 515 pages of grand jury testimony, a considerable chunk of which dealt with Hussle’s final moments after he was allegedly ambushed and shot by Eric Holder. His daughter, Emani, recently graduated from elementary school. And BET posthumously honored Hussle with its Humanitarian Award last month.

On Sunday afternoon, YG, one of Hussle’s closest collaborators and friends, posted a picture on Instagram with 2017 NBA MVP Westbrook and a framed image of Hussle’s 2013 project Crenshaw. The caption was as heartbreaking as it was cryptic. “Where you at,” YG pleaded, “I need to talk 2 you foo.”

Another recent reminder of the man is “Perfect Ten,” the title track from DJ and producer Mustard’s new compilation album. It’s Hussle’s second record post-obit, following DJ Khaled’s “Higher,” and a glimpse into the state of mind Hussle was evolving toward. “Stacked every chip on myself, time to collect,” Nipsey boasted. Betting on himself wasn’t just financial literacy. Rather, it’s the spiritual currency Hussle applied to his everyday life. “All money in, just imagine what I gross back.”

The questions he strings together on “Ten” are more internal reflection than external validation. “Where your backbone, n—a, where your code at? / Where your down since day one real bros at? / Where them stories that you tellin’ unfold at? Where your heart, n—a? Where your soul at?”

Hussle knew the location of his soul. There’s honor in loyalty. In the company one keeps, and the morals one lives by. The graphic stories Hussle narrated were born and bred in South Central. They were for his people. But they were meant to be heard, embraced, and they were calls to action for neighborhoods far beyond Slauson and Crenshaw. Clearly, that resonated with Rapinoe.

Megan Rapinoe (second from right) and her U.S. teammates celebrate their 2-0 victory over the Netherlands in the 2019 FIFA Women’s World Cup final in France on July 7. Rapinoe won the Golden Ball award given to the best player in the tournament and the Golden Boot as top scorer.

Photo by Jean Catuffe/Getty Images

“For us, it’s not only leaving our sport in a better place [or] leaving it better for the young girls that will come after, but just in general,” Rapinoe said on Good Morning America in April. “But just inspiring women around the world to stand up for what they believe in.”

Rapinoe’s sentiment sounds familiar because it is. “That’s the only distinguishing quality from me and probably whoever else is going through this, went through this or is gonna go through this,” Hussle lamented in a widely circulated interview with radio personality Big Boy in January 2018. “[It’s] that I ain’t quit … I went through every emotion with trying to pursue what I’m doing. And I think that’s what gon’ separate whoever’s gonna try to go for something is that — you ain’t gonna quit. … You really gonna take the stance of ‘I’m gonna die behind what I’m getting at right here.’ ”

Perhaps that’s what Rapinoe saw in Hussle and what inspired her to bring him along during one of her proudest professional moments. For all of us, the marathon continues.

Jay-Z’s billionaire status adds up to a lot more than what’s in his bank account Like Madam C.J. Walker and John H. Johnson before him, Jay-Z’s rise to business mogul is testament to the power of the black dollar

Jay-Z gathered his thoughts as he sat behind a desk at Roc-A-Fella Records’ headquarters in New York. In a rarely seen 1997 interview, the Brooklyn MC gave a striking answer to a question about what percentage of rappers he believed would still be viable artists a decade later.

“A rapper’s life is like three albums … unless you gon’ endure during the times,” Jay-Z said. “That’s a special case. It’s like 3 to 5% of artists who have a successful career. Crazy, right?”

Jay-Z’s rise to become hip-hop’s first billionaire is important beyond the fact of it.

Jay-Z, at the time, was only a few years removed from drug-dealing as a self-described “Marcy Projects hallway loiterer.” A product of post-civil rights movement America (I arrived on the day Fred Hampton died, he’d later rhyme) who came of age during the war on drugs, Jay-Z by 1997 was an independent businessman with a critically acclaimed rap debut in 1996’s Reasonable Doubt. But it’s likely that not even the notoriously confident Jay-Z saw this coming: Two decades after that interview, Jay-Z is hip-hop’s first billionaire.

On Monday, Forbes released a review of the Brooklyn MC’s financial portfolio that concluded Jay-Z’s empire had surpassed the 10-figure plateau. His fortune is spread across a variety of endeavors, including real estate, liquor, music, the streaming platform TIDAL, entertainment company Roc Nation, his art collection and more. The confirmation is both unsurprising — along with Diddy and Dr. Dre, he has long been near the apex of hip-hop’s top earners — and awe-inspiring.

“Here we had this hip-hop industry that everybody sort of wanted to dismiss and thought that it would go away,” said Angel Rich, author of History of the Black Dollar. “It has now turned into the fabric of American society. It’s weaved into every portion of business. We have [another] symbol of that success and what it means in Jay-Z becoming a billionaire.”

At the start of the 20th century, Madam C.J. Walker made a fortune through black hair. In the middle of the century, John H. Johnson became a mogul with lifestyle publications such as Ebony and Jet. And at the end of the century came the start of Jay-Z’s financial success rooted in black music. All cultivated in America. All tapped into the core of America’s spine, black culture, which has alternately been ignored, chastised and co-opted. All understood the power of the black dollar. These foremothers and forefathers of black wealth in white America were prophytes in The Blueprint MC’s real-life blueprint.

John H. Johnson was the successful head of Johnson Publications Inc., a multimillion-dollar corporation, with publications that included Ebony and Jet.

Bettmann / Contributor

Jay-Z’s original (legal) revenue stream puts the moment in perspective. In a career notable for lyrics as literature and congressional honors, one of Jay-Z’s most recognizable lines is his declaration on Kanye West’s “Diamonds (Remix)”: I’m not a businessman/ I’m a business, man. The potency is rivaled only by its accuracy. The accumulation of wealth has been a constant narrative in his career. “You know n—as die for equal pay right? You know when I work I ain’t your slave right?he rhymed in 2015. “You know I ain’t shucking and jiving and high-fiving/ You know this ain’t back in the days right?”

On 2017’s stellar 4:44, he referenced the history of black wealth and abandonment in “The Story of O.J.” and concluded with the poignant “Legacy.” With daughter Blue Ivy’s innocent inquiry, “Daddy, what’s a will?” Shawn Carter, the patriarch, launches into his explanation while sampling Donny Hathaway’s “Someday We’ll All Be Free.”

Take those monies and spread ‘cross families/ My sisters, Hattie and Lou, the nephews, cousins and TT/ Eric, the rest to B for whatever she wants to do/ She might start an institute, she might put poor kids through school.

Jay-Z then turned to his oldest daughter’s future: My stake in Roc Nation should go to you/ Leave a piece for your siblings to give to their children too.

Success has led to both praise and criticism as well as detailed examinations of his practice of both capitalism and philanthropy. Jay-Z’s financial rise occurred as the income gap between the robustly rich and all other classes has steadily increased over the past 30 years. The word “billionaire” is increasingly viewed as a piece of derogatory lexicon in some circles — even by actual billionaires. But Jay-Z’s black path to entrepreneur and billionaire status distinguishes it from most of his fellow moguls and emphasizes his kinship with his predecessors Walker and Johnson.

Madam C.J. Walker (Sarah Breedlove) was the first female self-made millionaire in the world. She is shown here posing for a portrait, circa 1914.

Photo by Michael Ochs Archives/Getty Images

For the better part of the decade, Jay-Z, now 49, has taken on the most socially conscious role of his career. And his monetary boasts have evolved. He’ll never apologize for how he amassed his fortune — he never entered the business to stay a starving artist. I ain’t got a billion streams, got a billion dollars, he said on Meek Mill’s “What’s Free. The 10-figure threshold is a topic of discussion in the Carter household too. We gon’ reach a billi first, he hypothesized on “Family Feud,” also found on 4:44. Generational wealth is a decades-long theme in Jay-Z’s arsenal, dating to 1996’s “Feelin’ It”: If every n—a in your clique is rich, you clique is rugged/ Nobody will fall ’cause everyone will be each other’s crutches.

This largesse has been displayed on a variety of fronts: Paying a considerable chunk of Meek Mill’s legal fees and Lil Wayne’s back taxes. Securing legal representation for 21 Savage’s deportation proceedings. Getting Jabari Talbot’s case dropped; the 11-year-old had refused to stand for the Pledge of Allegiance and was subsequently arrested. Covering the cost of college tuition, with Beyoncé, for 11 high school seniors through $100,000 scholarships during the domestic leg of their On The Run II Tour.

A man who doesn’t take care of his family can’t be rich, Jay-Z lamented on “Feud,” paraphrasing The Godfather. That notion gets reinforced in “Legacy.” Generational wealth, that’s the key, he noted. My parents ain’t have s—, so that shift started with me. Given where he started, reaching a billion dollars is an objectively resounding accomplishment and testament to his business acumen. But “Legacy” hits differently given who is touched by Jay-Z’s message and the fruits of his labor. TIDAL, the champagne, D’USSE, I’d like to see/ A nice peace-fund ideas from people who look like we/ We gon’ start a society within a society/ That’s major, just like the Negro League.

Jay-Z (left) and Nipsey Hussle (right) are shown here at the PUMA x Nipsey Hussle 2019 Grammy Nomination Party at the Peppermint Club in Los Angeles on Jan. 16.

Photo by Vivien Killilea/Getty Images for PUMA

Jay-Z’s rise to become hip-hop’s first billionaire is important beyond the fact of it. His story is also the story of the black dollar in America. How it was used to build this country, and how it was manipulated — and worse, destroyed — because of the power and independence it carries.

Looking at Jay-Z today, it’s hard not to think about the young MC who sat in Roc-A-Fella’s offices discussing his plans in an industry often described as cutthroat and soul-draining. A billion dollars isn’t immune to lost friendships along the way — or evidence that he made the right decision every time.

“The genius thing that we did was we didn’t give up,” Jay-Z said years ago.

Some of hip-hop’s most promising thought leaders were murdered on the cusp of their fiscal, creative and business primes. The deaths of B.I.G., Tupac Shakur (his frequent yet spiritual partners in rap’s mythical “greatest of all time” debate) and just recently Nipsey Hussle, with whom Jay-Z shared a particularly close brotherhood that expanded far beyond music, is hauntingly painful.

He is the destiny their fate denied them. That’s why the moment matters far more than the actual figure in Jay-Z’s checking account. A billion-dollar industry that began in the boroughs of New York has been monetized, criticized and immortalized the world over. And now that industry has a billionaire of its own.

How Yankees outfielder Clint Frazier became MLB’s king of custom cleats Fear of Gods, Space Jams, Travis Scotts — Frazier has worn them all and more on the filed to bring some swag to baseball

The night before a game against the Boston Red Sox in mid-April, Clint Frazier might as well have been a kid picking his outfit for the first day of school.

The 24-year-old New York Yankees outfielder wanted to look fresh for the first series of the 2019 Major League Baseball season between the two rival teams. He specifically envisioned pairing Yankees pinstripes with one of his favorite pairs of sneakers, the Nigel Sylvester Air Jordan 1s. But to take the baseball field in basketball shoes, Frazier needed some help. So he sent the Jordans to Anthony Ambrosini, founder and owner of Custom Cleats Inc., who’s been converting basketball and lifestyle sneakers into wearable footwear for grass and turf for 15 years.

“I texted Clint saying I got them,” Ambrosini recalled, “and he said, ‘Can you have them for me for the game tomorrow?’ … I told him, ‘It’s 10 o’clock at night, and I haven’t even started them.’ ” Yet Frazier pleaded, and Ambrosini obliged. He went into his Long Island, New York, shop after hours and added metal spikes to the bottoms of the shoes. By the next day, they’d make it to Yankee Stadium, ready for Frazier to lace up before the game.

In the bottom of the fourth inning of the Yankees’ 8-0 win over the Red Sox on April 16 — when the two teams partook in the league’s annual celebration of Jackie Robinson Day — Frazier launched a 354-foot home run to right-center field, with Robinson’s No. 42 on the back of his uniform and Nigel Sylvester 1s on his feet. It had to be the shoes, right?

“Look good, feel good. Feel good, play good. Play good, get paid good,” said Frazier, paraphrasing the timeless saying from the great Deion Sanders. “I’m trying to do all those.”

That’s certainly been the motto for the Yankees phenom. In the first few months of the season, Frazier has become Major League Baseball’s king of custom cleats. In 39 games, he’s worn 13 different pairs — from Air Jordan 6s to high- and low-top Air Jordan 11s, Nike Fear of Gods and Air Force 1s, as well as multiple models of his most beloved sneaker, the Air Jordan 1. All of his cleats have been converted by Ambrosini, marking a partnership that’s really only just beginning.

“My goal is to have as many pairs of custom cleats as I can over the 162-game season,” said Frazier, who’s batting .270 with 10 home runs and 28 RBIs. “I’m trying to bring a little swagger to baseball.”


With the fifth overall pick in the 2013 MLB first-year player draft, the Cleveland Indians selected the then-18-year-old Frazier out of Loganville High School, near his hometown of Decatur, Georgia. Frazier, who was named the Gatorade National Baseball Player of the Year during his senior season, had already committed to play at the University of Georgia. Yet he decided to sign with the Indians and go straight from high school to the big leagues.

Frazier wouldn’t make his MLB debut until July 1, 2017, less than a year after being traded from Cleveland to New York and emerging as the No. 1 prospect in the Yankees organization. He spent his first season in the majors endorsed by Under Armour before Adidas signed him in 2018. Heading into his third MLB season, Frazier was due for a change.

“I dropped my contract with Adidas,” Frazier said, “and told myself I was just gonna go the solo route and convert shoes into cleats.”

Frazier could’ve bought pairs of Air Jordan 11 cleats that debuted in 2018. He also could’ve waited until late March, right before the start of MLB’s regular season, when the Jordan Brand dropped a collection of Air Jordan 1 cleats. But what he truly sought was the liberty to wear whatever he wanted on the field. Frazier was anxious to start commissioning conversions. He just had to find someone capable of transforming any sneaker he imagined into a cleat. In mid-February, three days before Yankees position players were scheduled to report to the team’s spring training facility in Tampa, Florida, he took to Twitter in search of a customizer:

Most of the replies pointed Frazier in the direction of Custom Cleats, and one of his teammates specifically referred him to the company’s owner. Coming off double-heel surgery in 2018, veteran Yankees shortstop Troy Tulowitzki had Ambrosini make him pairs of LeBron James’ signature Nikes that proved to be more comfortable to wear than traditional cleats as he recovered from the injury.

“Troy took those LeBrons to spring training, and I guess Clint saw them,” said Ambrosini, who began making cleats in the early 2000s while playing in the minor leagues within the Montreal Expos organization. The first pair he converted was Kobe Bryant’s Nike Huaraches for his younger brother and Class A teammate, Dominick Ambrosini, a sixth-round draft pick by the Expos in 1999. Now the elder Ambrosini does custom baseball and golf cleats for athletes all across the country, including Chicago Cubs All-Stars Anthony Rizzo and Jon Lester, retired seven-time Cy Young Award-winning pitcher Roger Clemens and future first-ballot Basketball Hall of Famer Dwyane Wade. Business is booming at Custom Cleats Inc., which boasts 100,000 followers on the company’s Instagram page.

“I got a text from Tulowitzki’s agent,” Ambrosini continued, “letting me know that Clint was gonna give me a call.”

Frazier’s first commission was a pair of “Shadow” Air Jordan 1s that he wanted to wear in spring training. Ambrosini completed the conversion and shipped the shoes down to Florida. Frazier was so excited once they arrived that he sprinted from the mailroom of George M. Steinbrenner Field into the Yankees’ clubhouse to open the package. Ambrosini had passed Frazier’s test. And the focus shifted to what he’d wear during the regular season.

“I don’t think anybody knew how serious I was about trying to make this a real thing,” Frazier said. “I told Anthony, ‘Look, man. This is kind of my vision. I want to make this into something big. I want to continue to send you a bunch of shoes to make into cleats throughout the year.’ ”

Their system is simple: Frazier cops size 10.5s in the dopest kicks he can find and sends them to Ambrosini, who replaces the rubber soles on each pair of shoes with custom-manufactured spiked cleat bottoms. He can turn around a sneaker in less than a day before having it hand-delivered to Yankee Stadium or shipped out to Frazier if the team is on the road.

“We kicked around ideas about shoes we wanted to do. One night, Clint called me from Flight Club,” said Ambrosini of the popular sneaker boutique in New York City’s East Village. “He was on the phone like, ‘Yo, man. What shoes should I get? I’m staring at all these shoes. There’s so many options, I don’t know what to pick.’ I’m like, ‘Just pick something that you love, that’s comfortable and that’s got the colors that you can wear.’ ”

Clint Frazier of the New York Yankees in action against the Kansas City Royals at Yankee Stadium on April 20. The Yankees defeated the Royals 9-2.

Jim McIsaac/Getty Images

That’s right: Frazier has to remain compliant with the MLB uniform guidelines. He hasn’t run into any trouble so far, although he’s broken out all different kinds of flavors with his cleats. Frazier made his season debut on April 2 in a pair of “Olympic” Air Jordan 6s. He hit his first home run of the year on the road against the Baltimore Orioles wearing those “Shadow” 1s from spring training. A day later, still at Camden Yards in Baltimore wearing the Shadows, he went deep twice in one game.

“It almost felt like whenever I wore a new pair of cleats, I’d hit a home run,” Frazier said. “That’s why I was breaking out different shoes. I was like, ‘Damn, man. I just hit a home run in all of them.’ ”

His next homer came against the Red Sox in the Nigel Sylvester 1s. Last year, Queens, New York, native and professional BMX rider Nigel Sylvester collaborated with Jordan Brand for his own edition of the Air Jordan 1. Frazier loves that shoe so much that he has two pairs: one that he wears off the field and another that he got converted into cleats. Sylvester had never seen or heard of the flashy, red-haired Yankees outfielder until the night his friend sent him a random direct message: “Yo! I’m at the game and homie is wearing your shoes as cleats.” Sylvester was flattered by the gesture.

“Being a New York City kid, I definitely have a spot in my heart for the Yankees,” Sylvester said. “To see Clint hit a home run and run the bases in my shoe — bro, it was so crazy. Definitely a moment in my career I will never, ever forget. … He’s brought a level of excitement to the game that’s needed. … At the end of the day, he’s being creative, and I always respect creativity, especially on such a big stage.”

The day after the game, Sylvester showed Frazier some love on Instagram, and designer Jerry Lorenzo (the son of former MLB player and manager Jerry Manuel) commented on the post. Similar to Sylvester’s collaboration with the Jordan Brand, Lorenzo, founder of the stylish streetwear label Fear of God, has teamed up with Nike for two collections of his own sneakers. Frazier saw Lorenzo’s comment and slyly replied, “I got something for u on Friday.”

That Friday, April 19, Frazier whipped out a pair of the Nike Air Fear of God Shoot Around. Oh, and the heat didn’t stop there. He’s also worn a collection of Air Jordan 11s in the “Win like ’82,’ ” “Space Jam” and low-top “Navy Snakeskin” colorways. Two weeks before the release of the “Cap and Gown” Air Jordan 13s, Frazier had them on his feet in the batter’s box.

“Clint definitely represents the hypebeast culture as far as style,” Ambrosini said. “That’s what makes him stand out so much. He’s so in tune with the awesomeness of all the sneakers that are out, and he’s not afraid to get out there and wear them. There’s a lot of guys I do conversions for that at first glance you really can’t tell it was a sneaker — it blends in so much with the uniform. … But Clint is finding the coolest shoes. … They’re so sick and they stand out so much that that’s what’s making him stand out too.”

Frazier has even paid homage to a true Yankees legend with pairs of Derek Jeter’s “Re2pect” Air Jordan 1s and low-top Air Jordan 11s. In 1998, shortly after the official launch of the Jordan Brand, Jeter became the first baseball player to be endorsed by Jordan. Now, 11 active players represent the Jordan Brand in Major League Baseball: New York Yankees pitcher Dellin Betances, Boston Red Sox outfielder Mookie Betts, St. Louis Cardinals outfielder Dexter Fowler, Milwaukee Brewers pitcher Gio Gonzalez, Yankees outfielder Aaron Hicks, Los Angeles Dodgers closer Kenley Jansen, San Diego Padres infielder Manny Machado, Cardinals catcher Yadier Molina, Boston Red Sox pitcher David Price, Yankees pitcher CC Sabathia and Arizona Diamondbacks pitcher Taijuan Walker.

Three of Frazier’s teammates are Jordan guys, and 11 of his 13 pairs of custom cleats are Air Jordans. But landing an endorsement deal isn’t necessarily on his mind.

Clint Frazier of the New York Yankees bats during a game against the Baltimore Orioles at Camden Yards in Baltimore on April 4.

Rob Tringali/SportsChrome/Getty Images

“Jordan is my favorite brand,” Frazier said. “I obviously would love to be a part of the brand one day, but I also don’t want to lose my independence or my freedom with the ability to wear whatever cleat I wanna wear.”

Instead, Frazier has modeled his movement after another athlete who’s embraced not having a shoe contract: veteran Houston Rockets forward and NBA sneaker king P.J. Tucker.

“I’m not a huge basketball guy, but I know who P.J. Tucker is from the buzz he’s created because of all the shoes he’s wearing,” Frazier said. “That was kind of my goal, to build off of his platform. In baseball, we don’t have a lot of guys that have done this.”

No shoe deal means Frazier has an expensive hobby — especially if he’s doubling and tripling up on pairs of certain sneakers to wear off the field, during batting practice and in a cleated version during games. Frazier is definitely a sneakerhead, although his collection isn’t as big as you’d think. “I probably have 50 to 60 pairs,” he said. “But that’s gonna continue to grow — I know that. And I know my cleats collection is gonna probably be bigger than my actual shoe collection.”

Inside the Yankees’ clubhouse this season, a few of Frazier’s teammates call him “Canal Street Clint.” It’s a notorious nickname due to the reputation of that area of New York City. Basically, Canal is the mecca of knockoff designer merchandise, a place you go to find cheap Louis Vuitton, Gucci, Prada and more, albeit fake or counterfeited. Frazier doesn’t shop there, but he earned the moniker because what he plays in aren’t real cleats made for baseball. But they’re real to him, and the people who’ve taken notice: clubhouse attendants from opposing teams who come to his locker asking if they can see a few of his pairs, pitchers and catchers he spots staring at his feet, and even the dudes whose shoes he’s wearing.

“Guys have worn dope a– shoes on the diamond, but the way that Clint’s doing it, it’s kinda crazy,” Sylvester said. “He’s flipping shoes that aren’t meant to be cleats into cleats. Which is so dope.”

Despite the jokes, Frazier plans to keep the customs coming.

“I’m creating a new wave of style in baseball,” he said over the phone from a West Coast road trip in late April, two days after suffering a Grade 2 left ankle sprain with two partially torn ligaments. The injury kept him off the field for 11 games. But when he returned in the second week of May, of course he did so in style.

Frazier debuted five pairs in seven days, including superstar rapper Travis Scott’s “Sail” Nike Air Force 1s and his new Air Jordan 1s, perhaps the most hyped sneaker release of the year. On Twitter, Scott gave Frazier his stamp of approval.

For a game on Mother’s Day, Frazier and Ambrosini teamed up with famed sneaker artist Dan “Mache” Gamache for a pair of custom-painted Air Jordan 1 cleats, featuring his mom’s two cats.

In late May, Ambrosini shared a photo of his latest creation: a pair of suede “Cool Grey” Kaws x Air Jordan 4s, which dropped in March 2017 for $350 but have skyrocketed in value and now resell on GOAT in a size 10.5 for $1,435. The caption on the post read, “Tag someone that might take @kaws to the diamond.” Of course, most people shouted out Frazier, including Houston Astros outfielder Derek Fisher, who commented, “@clintfrazierr might be the only one insane enough.”

And Frazier responded, confirming everyone’s inkling.

“What if i told you those are mine,” Frazier wrote under the comment, “i just haven’t worn them yet?”

The plan: Debut the Kaws 4s at Yankee Stadium when the Red Sox are in town this week. For a four-game series against Boston, it was only right that he broke out a fresh new pair of custom cleats.

But with four months left in the season, the question is, what else does Clint Frazier have in his bag?

“I’ve got some stuff in the works,” he said. “Just keep watching.”

DJ Khaled’s ‘Higher’ is a heartbreaking victory lap for Nipsey Hussle ‘Almost like church,’ the song is part history lesson, part manifesto

Back in March, a smirk flashed across Nipsey Hussle’s face. Pictures of him and DJ Khaled in the studio had surfaced on social media. The two had known each other for some time, even joining an investment group last year in an attempt to purchase the luxury Viceroy Santa Monica hotel. But how would a collaboration between the two sound, he was asked on Power 106’s The Cruz Show.

“It’s crazy,” Hussle said. “It’s like a real album favorite, you know what I’m saying? It’s one of them ones I think you gon’ appreciate the album for.”

Three weeks later, Hussle would be gunned down in front of his Marathon Clothing store near the corner of Crenshaw and Slauson in Los Angeles. Hussle’s death reverberated worldwide. Former President Barack Obama wrote a letter read to mourners at his funeral, a massive gathering held at the Staples Center in his hometown of Los Angeles. In the month and a half since Hussle’s death, he has become almost a religious figure in hip-hop. He was a man who stayed, in his words, “10 toes down” to the community that he not only represented and believed in, but also invested time, money and, most importantly, his soul in.

That was the background when a flood of new music and projects invaded streaming services on May 17, including Megan Thee Stallion’s Fever, Tyler, The Creator’s IGOR and Chance the Rapper’s “GRoCERIES.” Yet another project, Khaled’s Father of Asahd, carried with it a sense of wistfulness. Not just because the typically loquacious Miami-based DJ adopted a reserved approach for the album’s rollout. But also because it includes a cut called “Higher,” a collaboration with himself, singer John Legend and Hussle — the first new work from the rapper since his death.

Khaled announced a day before the album came out that Hussle’s death had changed the energy behind the album. “Higher” “reminds us that vibrating on a higher level was the essence of Nipsey’s soul,” Khaled wrote in a statement posted on Instagram. All of the song’s revenue, he said, would go to Hussle’s children, Emani and Kross.

Before his death, Hussle stressed the record and the visual’s importance. It wasn’t intended to be a No. 1 record. But “Higher” would undoubtedly resonate in a way no Khaled record had before. “It almost sounds like church,” he said.

With Hussle decked in a fitted blue satin shirt and pants, his angelic aura in the visual for “Higher” is no coincidence. Though not as morbid as Tupac Shakur’s “I Ain’t Mad at Cha” video — like “Higher,” the last one Shakur filmed before his death — it is part history lesson and part manifesto.

“My granny had 13 pregnancies and has two kids. She had 11 miscarriages from my uncle to my mom,” Hussle revealed earlier this year. “She was just telling me, ‘Imagine if I would have gave up on my 10th miscarriage, my ninth miscarriage.’ … I never thought about it. I wouldn’t be here. You can never repay your mom, your granny, with material s—. You gotta repay them with standing up in life, being something they could be proud of.”

Even through the pain his grandmother endured, he was a product of her faith. Her relentlessness. Her pride. Her love. “My granny 88, she had my uncle and them/ A miscarriage back-to-back every year for like 10,” Hussle raps on “Higher.” “Pregnant with my moms, doctor told her it was slim / Was bed rode for nine months, but gave birth in the end.”

A sense of peace amid chaos looms over “Higher.” It is apt, too, considering the concern expressed by Hussle’s team on the day of the video shoot at an Inglewood parking structure in late March. Security was added to prevent an attack on Hussle, TMZ reported. Whatever tumultuous energy surrounded him that day, Hussle appeared to handle it with street-savvy grace.

DJ Khaled reveals the official cover for his new album Father of Asahd while visiting Extra at the Levi’s Store Times Square on May 15 in New York City.

Photo by Monica Schipper/Getty Images

Maturity isn’t necessarily a product of age. Instead, maturity evolves through life experiences and how a person chooses to grow. Careening through his parents’ love story into his own with actress Lauren London, he says on “Higher”:

“Pops turned 60, he proud what we done / In one generation, he came from Africa young / He said he met my moms at the Century Club / Los Angeles love kinda like Hussle and Boog / Mani turned 10, Kross turned 2 / Startin’ to see this life s— from a bird’s view.”

That evolving sophistication, akin to what happened with Biggie Smalls, is a painful musical “what if” he leaves behind.

“[Nipsey and I] used to talk. We gotta go. We don’t know if we gon’ go at 80, 60, 30 or 20. But the one thing is to make sure when you go, you go the right way,” Samiel “Blacc Sam” Asghedom, Hussle’s older brother, said, fighting back tears at the funeral last month. “You stand up for what you believe in.”

The edict the Asghedom brothers lived by is at the heart of both the song and the video for “Higher.” From the obvious gospel influences to Legend’s mammoth presence and the video’s references — the 25-second mark symbolizes the gates of South Central heaven in the form of his partners in the street opening up as Hussle, back turned, stares at a bright beam of light — the song feels Hussle’s entrance into the same heavenly ghetto his idol Shakur once eulogized.

“South Central state of mind, high crime rate / Homicide, hate, gang banging’ll get you all day” — Hussle forecast the environment he grew up around and died attempting to shift the narrative it carried. But not before the song’s hardest-hitting and most painful bar: “And look at my fate.” Unless other tracks are tucked away, those are the last words we’ll ever see Hussle spit in a music video. It’s inspiring, yet chilling. Stirring, yet macabre. “Higher” is a fitting connection to a life whose spirit will loom over hip-hop, the home turf that now bears his name and a promise he made only months earlier.

“I’d just like to have laid the blueprint down that other people could follow that come from similar situations,” Hussle said of how he wanted to be remembered. “Elevated my team, my family, myself and inspired [others]. [That] would be the most important thing looking back 10 years from now.”

“Lookin’ back at my life make my heart race / Dance with the devil and test our faith, he waxes. I was thinkin’ chess moves but it was God’s grace.” “Higher” feels like the soundtrack that accompanied Hussle into the afterlife.

“Higher” is a beautiful reminder of who Hussle was as a man and artist, and also a tragic reminder of the reality he leaves behind. The first release from a deceased artist, in particular one slain in the manner Hussle was, is always a unique experience. There’s a human desire to have one last conversation with a loved one who has died. In the days after Hussle’s death, his music streams increased by nearly 2,000 percent. But moving forward, this is the new normal. We watch Nipsey while Nipsey presides over the marathon he mandated continues even without him.

Westbrook, Harden, D-Wade and more pay tribute to Nipsey Hussle through sneakers The slain rapper’s funeral is set for April 11 at Staples Center

A week has passed since Ermias Asghedom — aka the Grammy-nominated rapper Nipsey Hussle — was shot and killed in the parking lot outside of his clothing store in Los Angeles. He was 33. The painful loss of Hussle, whose legacy transcends music, has resonated with many, and that’s because he was also an entrepreneur, a community leader, a loving partner, a father and much more. Notably, condolences have come from the NBA community, which had embraced Hussle as an avid fan and courtside stalwart.

“So so SAD man!! DAMN man this hurt,” tweeted LeBron James, minutes after Hussle’s death was reported on March 31. Days later, the King pulled up to Staples Center (where a memorial service will be held for Hussle on Thursday) repping Nip before the Lakers faced the Golden State Warriors in their first home game following the tragedy. James wore a T-shirt featuring the cover illustration from Nipsey’s 2013 compilation albums, Nip Hussle the Great Vols. 1 & 2.

James was far from the first in the NBA to pay his respects. Across the league, a collection of players, and even a coach turned to their sneakers and other team paraphernalia to honor Hussle with handwritten messages, lyrics from his songs and custom art. Whether created with a Sharpie, or paint, shoes became the go-to form of expressing sympathy. Here are 14 NBA sneaker tributes spotted last week.


Montrezl Harrell & Lou WIlliams

The sneakers worn by Montrezl Harrell of the Los Angeles Clippers featuring a tribute to rapper Nipsey Hussle, who was killed in a shooting outside his clothing store in Los Angeles on March 31. Jayne Kamin-Oncea/Getty Images

Hours after Hussle was killed, the Los Angeles Clippers had a game at Staples Center against the Memphis Grizzlies. Fourth-year Clippers big man Montrezl Harrell wanted to ensure that the organization — one of two NBA franchises, along with the Lakers, that play in Nip’s hometown of L.A. — acknowledged him in the arena on the night his life ended. He reached out to team officials and requested a video tribute that played at both the start and end of the evening. Harrell also asked for a custom jersey to be made with “HUSSLE” printed on the back overtop of his No. 5. During the game, Harrell wore a pair of Reebok Questions on which he wrote, “R.I.P. Nipsey — 8/15/85-3/31/19.” Clippers sixth man Lou Williams also penned “Money Making NIP” on his pair of Peak Streetball Masters. “For [Hussle’s] life to be taken, basically where he was born and raised, it’s tough,” Harrell told reporters after the game. “It’s a sad day, man.”

Kawhi Leonard

The sneakers worn by Kawhi Leonard of the Toronto Raptors before a game against the Orlando Magic on April 1 at the Scotiabank Arena in Toronto. Ron Turenne/NBAE Via Getty Images

Photo by Ron Turenne/NBAE via Getty Images

In December 2017, about a month before he became a brand ambassador for Puma, Hussle appeared in a Foot Locker x Jordan Brand commercial alongside 2014 NBA champion and Finals MVP Kawhi Leonard. The day after Nip’s death, Leonard honored his fellow L.A. native on a pair of his New Balance OMN1s by adding “IP” after the brand’s block “N” logo to spell Nip. On the midsole of his left shoe, the Toronto Raptors All-Star forward also included “All Money In” — the name of Hussle’s record label, and the shortened version of his mantra, “All Money In, No Money Out.”

Dwyane Wade

The sneakers worn by Dwyane Wade with a message commemorating rapper Nipsey Hussle, who was shot and killed on March 31, before a game between the Miami Heat and the Boston Celtics at TD Garden on April 1 in Boston. Maddie Meyer/Getty Images

Photo by Maddie Meyer/Getty Images

On his final night playing the Celtics at Boston’s TD Garden, the soon-to-be-retired Miami Heat legend Dwyane Wade wrote “Nipsey Hussle — Rest in Heaven” with a Sharpie on the left shoe of a pair of his Li-Ning Way of Wade 7s. Wade intentionally wore blue and yellow sneakers to represent the colors of Crenshaw High School, located in the neighborhood where Hussle grew up and endlessly repped in through his music and clothing line.

Whether created with a Sharpie, or paint, shoes became the go-to form of expressing sympathy.

Russell Westbrook

The sneakers worn by Russell Westbrook of the Oklahoma City Thunder during a game against the Los Angeles Lakers on April 2 at Chesapeake Energy Arena in Oklahoma City. Zach Beeker/NBAE via Getty Images

Before every game no matter what, Russell Westbrook writes the initials of his childhood friend and high school teammate Khelcey Barrs III, who died during a pickup game in 2004 at the age of 16. Westbrook recently lost another friend in Hussle, who helped the star Oklahoma City point guard and his Why Not? Foundation give back to the community in their hometown of Los Angeles on Thanksgiving in 2016. (There’s also a photo of Westbrook and Hussle embracing on the court at Staples Center during 2018 NBA All-Star Weekend in L.A.) Ahead of a game against the Lakers on April 2 — Westbrook’s first time playing since Hussle was killed — he neatly jotted “NH Nip” next to “KB3” on his pair of Pokemon-inspired player exclusive (PE) Why Not Zer0.2s. Westbrook rapped the words from Hussle’s 2018 track “Grinding All My Life” on the bench before taking the court and having himself a historic night with 20 points, 21 assists and 20 rebounds. He became only the second player in NBA history, and first since Wilt Chamberlain in 1968, to put up a 20-20-20 stat line. And of course, Westbrook dedicated the performance to one person. “That wasn’t for me,” he said after the game. “That was for Nipsey, man.”

Kentavious Caldwell-Pope

The sneakers worn by Kentavious Caldwell-Pope of the Los Angeles Lakers during a game against the Oklahoma City Thunder on April 2 at Chesapeake Energy Arena in Oklahoma City. Zach Beeker/NBAE via Getty Images

Westbrook wasn’t the only player to commemorate Hussle on a pair of shoes at Oklahoma City’s Chesapeake Energy Arena two days after his death. Los Angeles Lakers guard Kentavious Caldwell-Pope also wrote “Rest Easy Nipsey” on his Nike KD 11s.

Danny Green

The sneakers worn by Danny Green of the Toronto Raptors during a game against the Brooklyn Nets on April 3 at Barclays Center in Brooklyn, New York. Nathaniel S. Butler/NBAE via Getty Images

Both Nip and Toronto Raptors guard Danny Green were ambassadors for the German sportswear brand Puma. So it was only right that Green used a black pair of Puma Clyde Courts as a canvas to pay tribute to “Ermias Asghedom,” which he wrote under “R.I.P” on the outside of his left shoe for a game against the Brooklyn Nets. Green also penned Hussle’s full name on the other shoe in Tigrinya — the official language of Eritrea — as a nod to the late rapper’s African roots.

DeMar DeRozan

The sneakers worn by DeMar DeRozan of the San Antonio Spurs during a game against the Atlanta Hawks on April 2 at the AT&T Center in San Antonio. Mark Sobhani/NBAE via Getty Images

The sneakers worn by DeMar DeRozan of the San Antonio Spurs during a game against the Denver Nuggets on April 3 at the Pepsi Center in Denver. Bart Young/NBAE via Getty Images

Back-to-back games for the San Antonio Spurs allowed four-time All-Star DeMar DeRozan, a native of Los Angeles, to honor Nip twice. And he did so fittingly with editions of Lakers legend Kobe Bryant’s signature Nikes. For a game against the Atlanta Hawks on April 2, DeRozan wrote “Crenshaw” on a pair of Kobe 11s before taking the court the next night vs. the Nuggets with “RIP NIP VICTORY LAP” scribed on a pair of Kobe 4 Protros. DeRozan showed the utmost respect to his fallen L.A. brother, who often expressed how much he loved the NBA star’s game.

Isaiah Thomas

In April 2017, while playing for the Boston Celtics, Isaiah Thomas wrote messages on a pair of Nike Kobe A.Ds to grieve the horrific loss of his sister Chyna, who was killed in a one-car accident at the age of 22. “When I got the news yesterday before the game it reminded me when I got the news about my sister,” Thomas wrote in an Instagram post after Hussle was killed. Now a member of the Denver Nuggets, Thomas was a huge fan of the West Coast rapper, who shared a mutual admiration for the 5-foot-9-inch point guard. Just last year, Bleacher Report detailed how the careers of both Thomas and Hussle took off around the same time. Similar to how he remembered his sister on the court two years ago, Thomas paid tribute to Nip on his Nike Kobe 4 Protros during Denver’s April 2 game against the Spurs (the same night DeRozan inked up the same shoes). It’s also worth noting that Thomas’ last five Instagram posts have all been dedicated to Hussle.

Irv Roland

Irv Roland, a player development coach for the Houston Rockets, and the personal trainer of reigning NBA MVP James Harden, commissioned sneaker artist Cory Bailey, aka Sierato, to craft a custom pair of Nipsey Hussle-themed Adidas Harden Vol. 3s. Roland wore them when the Rockets played the Clippers in L.A. on April 3. Here’s a dope video in which Sierato shows his process of painting the shoe that feature two hand-drawn portraits of Nip:

D.J. Wilson

The sneakers worn by D.J. Wilson of the Milwaukee Bucks during a game against the Philadelphia 76ers on April 4 at the Wells Fargo Center in Philadelphia. David Dow/NBAE via Getty Images

Heroes get remembered, but like second-year Milwaukee Bucks forward D.J. Wilson wrote on the side of his Nike Kobe A.Ds before an April 4 game against the Philadelphia 76ers — “Legends neva Die!!!” He also added “Long Live Nip” and “TMC,” which stands “The Marathon Continues,” Hussle’s oft-used motto and the name of a mixtape he dropped in 2011.

Sterling Brown

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“Rest up, Nip.” 🏁

A post shared by SLAM x KICKS (@slamkicks) on Apr 4, 2019 at 6:54pm PDT

Another Nipsey Hussle tribute by another Puma athlete. This time it came on the brand’s latest basketball sneaker — named the Uproar Spectra — which Milwaukee Bucks guard Sterling Brown helped debut on NBA hardwood in the lead-up to the April 12 release. “Rest up Nip,” Sterling Brown wrote on one shoe. “Salute.”

Jordan Bell

Sierato followed up the pair he did for Roland with a custom job on some Nike PG 2.5s for Golden State Warriors forward Jordan Bell. Nip would’ve loved that blue.

Spencer Dinwiddie

The sneakers worn by Spencer Dinwiddie of the Brooklyn Nets during a game against the Indiana Pacers on April 7 at Bankers Life Fieldhouse in Indianapolis. Ron Hoskins/NBAE via Getty Images

Spencer Dinwiddie collaborated with Troy Cole, an artist known in the sneaker world as Kickasso, for a custom pair of the Brooklyn Nets sixth man’s own brand of K8IROS shoes, which were painted beautifully with illustrations of Hussle. Dinwiddie is a part of the long list of NBA players who hail from Los Angeles. So when he shared photos of the shoes on social media, he made his connection to both the city and Nip known. “Fun fact,” Dinwiddie wrote in an Instagram post. “We went to the same grade school 🙏🏾.”

James Harden

The sneakers worn by James Harden of the Houston Rockets during a game against the Los Angeles Clippers on April 3 at the Staples Center in Los Angeles. Andrew D. Bernstein/NBAE via Getty Images

No NBA player shared a bond with Hussle quite like Houston Rockets star James Harden. Back in October 2016, when he returned to his hometown for a matchup with the Lakers at Staples, Hussle came through to support, wearing a pair of Harden’s first signature sneakers to the game. Less than two years later, on the night Harden was named the 2018 NBA MVP, Hussle joined him to celebrate, taking Instagram videos with the man of the hour and his new trophy. They both deemed each other L.A. legends, so when the news of Nip’s death reached Harden, he was devastated. “It doesn’t seem real,” said Harden after the Rockets played the Clippers in L.A. on April 3. That night, he wore a gold pair of his Harden Vol. 3s, on which he wrote a few Nip-inspired messages, including the word “Prolific,” a reference to opening of the 2018 track “Victory Lap” — I’m prolific, so gifted / I’m the type that’s gon’ go get it. Harden rapped the line in the tunnel of the arena before taking the floor and dropping a game-high 31 points. During a postgame interview, one reporter asked Harden about his Instagram post from the previous day that featured a photo of him and Hussle with the caption, “BRO!!!! Where did you go?? We had some s— we was working on!!!! Please don’t leave. ON GOD imma make sure I finish what we started.” What did Harden mean? What exactly were they working on together? “You’ll see,” he responded.

Nipsey Hussle’s Puma partnership was strong and authentic He repped the iconic brand as an accomplishment for his city and its people


Nipsey Hussle wears Puma gear while hosting a party at Gold Room in Atlanta on April 7, 2018.

Prince Williams/WireImage

“See my granny on a jet, some s— I’ll never forget / Next day we flew to Vegas, with my Puma connects”

Nipsey Hussle, “Racks in the Middle” (feat. Roddy Ricch & Hit-Boy)


On Christmas Day 2017, Nipsey Hussle pulled up to Staples Center in style. For a game between his beloved hometown Los Angeles Lakers and the Minnesota Timberwolves, the 6-foot-3-inch Hussle broke out a throwback Magic Johnson jersey that he paired with some fresh Puma Suedes in a Lakers purple colorway, with gold stripes and white laces. As he watched the game from courtside with partner Lauren London, cameras snapped photos of his kicks.

“It’s more of a realistic partnership outside of just cutting a check and supporting product. It’s a deeper, more dynamic relationship.” — Nipsey Hussle

Yet Hussle wasn’t just showing off a new pair of shoes. He was actually teasing a major move that he and Puma had been working on for the new year. In mid-January 2018, the West Coast MC arrived at L.A.’s Power 106 for an appearance on The Cruz Show. And with him, he brought a stack of paper and a pen. Before the interview began, Hussle had something huge to share.

“We announcing our partnership with Puma,” he said live on air. “It’s a big situation. We’re gonna be doing co-branding products with my company, The Marathon Clothing. Obviously, I’m gonna be an endorser of the brand … and, you know, it’s gonna be multilayered. So big shout-out to Puma! … I’m ’bout to ink this paperwork right now. Let me put my signature on here … don’t show the amount!”

The deal represented a strategy and willingness on the part of Puma to put on for the culture by embracing the most respected figures in music and entertainment. Hussle joined fellow brand ambassadors such as Rihanna, The Weeknd, Big Sean, Meek Mill and Jay-Z (who became the creative director of Puma basketball in June 2018). But truly, nobody repped Puma quite like Hussle. It was apparent how much pride he took in being a part of the iconic brand that had become a staple of lifestyle footwear and apparel.

Puma sweatsuits and sneakers became as essential to Hussle’s everyday swag as his straight-back braids, picked-out beard and body mural of tattoos.

Puma sweatsuits and sneakers became as essential to Hussle’s everyday swag as his straight-back braids, picked-out beard and body mural of tattoos. He rocked Puma during shows, on private jets and, of course, in photo shoots for the brand’s ads. But most importantly to Hussle, the partnership led to collaboration within the community he so tirelessly sought to positively impact. With his Puma partners, Hussle designed and sold special-edition Puma products, from T-shirts and hoodies to pairs of Clydes, at his The Marathon Clothing store on Slauson Avenue in the Crenshaw area of Los Angeles. It was outside of this store that Hussle was shot and killed on March 31 at the age of 33.

As the community of L.A. and the worlds of music and sports mourned the death of the man born Ermias Asghedom and known as Nipsey Hussle tha Great, so did Puma.

“We’re extremely saddened by the passing of Nipsey Hussle,” the Puma brand said in a statement. “Beyond being a part of the Puma family, Nipsey was a talented musician, father, entrepreneur, community leader and inspiration to us all.”

View this post on Instagram

Rest in Peace 🙏

A post shared by PUMA (@puma) on Mar 31, 2019 at 6:14pm PDT

Unlike some celebrity endorsers, Hussle had a genuine connection with Puma. The artist often made that known. “It’s not a one-way situation,” Hussle told brand consultant Ray Polanco Jr. during 2019 NBA All-Star Weekend in Charlotte, North Carolina. “It’s … more authentic. … It’s more of a realistic partnership outside of just cutting a check and supporting product. It’s a deeper, more dynamic relationship.”

Hussle noted that the shoe wouldn’t be personally branded. Instead, it would represent his store, and by extension his city and its people.

Hussle’s deal with Puma came at a very pivotal time in his life and career. A month after signing with the brand, he delivered his first and only studio album: the long-awaited, Grammy-nominated and now classic Victory Lap, which dropped during NBA All-Star Weekend last year in his city of Los Angeles. On his Instagram throughout 2018, Hussle primarily posted about three things. He encouraged folks to cop his album, promoted Marathon Clothing and showed Puma love that the brand always reciprocated. Hussle also became the face of multiple brand campaigns, including one for a collab on a collection with COOGI and another for the relaunch of the 1980s-era Puma California. “An L.A. classic,” the ad on display at Foot Locker read, “reborn on Nipsey Hussle.”

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THE MARATHON X PUMA 🏁

A post shared by Nipsey Hussle (@nipseyhussle) on Jun 7, 2018 at 11:09am PDT

In October 2018, Hussle collaborated with Puma to refurbish and vividly repaint the basketball courts at 59th Street Elementary School, as well as donate $10,000 on behalf of the brand and The Marathon Clothing store, where Puma Clydes with “TMC” featured on the tongues first went on sale last summer.

“The various programs he founded and led in his neighborhood of Crenshaw will have a lasting impact on generations to come,” Puma continued in its statement after Hussle’s death. “He will be deeply missed, and our thoughts are with his family and loved ones.”


When DeMarcus Cousins returned to the court in January, nearly a year after rupturing his Achilles tendon, the four-time NBA All-Star played his first game back with the Golden State Warriors wearing a Nipsey Hussle-inspired player exclusive that included the phrase “The Marathon Continues” on the midsoles. The following day, Puma threw a party for Hussle to celebrate his 2019 Grammy nomination. The brand even commissioned sneaker customizer Mache to create 36 pairs of special Puma RS-X Trophies that Hussle could give to the people who helped the album come to life. The event was hosted almost a year to the day that Hussle signed with the brand.

That fruitful first year of partnership paved the way for even stronger commitment from Puma to the rapper turned brand ambassador, which he revealed (again on Power 106) in what is now one of his final recorded interviews, this time on the L.A. Leakers program. Hussle announced a new deal for 2019 that would yield multiple co-branded collections with The Marathon Clothing, the first of which was scheduled to drop this fall and include apparel, accessories and a sneaker. But Hussle also noted that the shoe wouldn’t be personally branded. Instead, it would represent his store, and by extension his city and its people.

“It won’t be no Nipsey Hussle Puma shoe,” he said. “It’ll be a Marathon Puma shoe.”

Hopefully, this marathon of a partnership continues. We need that collection, and that sneaker, in memory of the late, great Nipsey Hussle — one of the realest, ever.

Nipsey Hussle loved the culture — and basketball was his favorite Tragically, the artist went from courtside to being inked on players’ shoes in remembrance

From celebrity basketball games to Los Angeles Lakers games with Young Jeezy and YG, Nipsey Hussle was an unabashed lover of basketball and a huge fan of his hometown team. Legendary Laker and current president of the franchise’s basketball operations, Magic Johnson, mourned Hussle yesterday. “I was so proud of Nipsey Hussle,” Johnson wrote on Instagram, “who became an astute businessman and created jobs for people who lived in South Central.”

The relationship between the game and the Grammy Award-nominated Hussle was deep: He performed at halftime at the Staples Center; helped Russell Westbrook‘s foundation at Thanksgiving; partied with James Harden and Baron Davis (and Odell Beckham Jr.); and refurbished, with Puma, a basketball court in his own beloved Crenshaw neighborhood.

Most indelible, though, are the many images of Hussle and his longtime partner, Lauren London, sitting courtside at Lakers games. They seemed a kind of royalty, yes, but more like good people who made good with their creative work — people who’d created a family with each other. In these troubled times, the couple modeled for us a deep, fun and glamorous love. And then Hussle would stand to chop it up with Denzel Washington, or some other legend.

On Monday night, Hussle’s name was scrawled on the sneakers of NBA players across the league. In remembrance. The sadness and disbelief continue. As Johnson himself said: “Nipsey Hussle’s legacy will last forever.”

Rappers Nipsey Hussle (left) and Trinidad James (right) attend a celebrity basketball game at Crenshaw High School on June 6, 2015, in Los Angeles.

Photo by Maury Phillips/WireImage

From left to right: Nipsey Hussle, Young Jeezy and YG attend a basketball game between the Houston Rockets and the Los Angeles Lakers at Staples Center on Oct. 26, 2016, in Los Angeles.

Photo by Noel Vasquez/GC Images

Denzel Washington (left) and Nipsey Hussle (right) attend a basketball game between the Houston Rockets and the Los Angeles Lakers at Staples Center on Oct. 26, 2016, in Los Angeles.

Photo by Noel Vasquez/GC Images

Nipsey Hussle attends a basketball game between the Houston Rockets and the Los Angeles Lakers at Staples Center on Oct. 26, 2016, in Los Angeles.

Photo by Noel Vasquez/GC Images

Nipsey Hussle (right) greets Houston Rockets star James Harden (left) at Staples Center on Oct. 26, 2016, in Los Angeles.

Photo by Noel Vasquez/GC Images

Russell Westbrook (right) and rapper Nipsey Hussle (second from right) serve Thanksgiving dinner at Russell Westbrook and Why Not? Foundation’s fifth annual Thanksgiving dinner on Nov. 21, 2016, in Los Angeles.

Photo by Lilly Lawrence/Getty Images

Nipsey Hussle attends a basketball game between the Oklahoma City Thunder and the Los Angeles Lakers at Staples Center on Nov. 22, 2016, in Los Angeles.

Photo by Noel Vasquez/Getty Images,

Nipsey Hussle (left) and Lauren London (right) attend a basketball game between the Los Angeles Lakers and the Minnesota Timberwolves at Staples Center on Dec. 25, 2017, in Los Angeles.

Photo by Allen Berezovsky/Getty Images

Nipsey Hussle (right) shakes hands with Julius Randle (left) of the Los Angeles Lakers before a game between the Lakers and the Minnesota Timberwolves at Staples Center on Dec. 25, 2017, in Los Angeles.

Photo by Josh Lefkowitz/Getty Images

Rapper Nipsey Hussle attends a basketball game between the Los Angeles Clippers and the Denver Nuggets at Staples Center on Jan. 17, 2018, in Los Angeles.

Photo by Allen Berezovsky/Getty Images

From left to right: Dom Kennedy, Baron Davis, Jay 305 and Nipsey Hussle attend Hussle’s private debut album release party hosted by James Harden at The London West Hollywood at Beverly Hills, California, on Feb. 16, 2018.

Photo by Earl Gibson III/Getty Images

Nipsey Hussle attends the annual YG and Friends Daytime Boogie Basketball Tournament at the Shrine Auditorium on Feb. 17, 2018, in Los Angeles.

Photo by Scott Dudelson/Getty Images

Nipsey Hussle watches from courtside at the Toyota Center in Houston on March 3, 2018.

Photo by Bob Levey/Getty Images

Nipsey Hussle performs during halftime of a game between the Los Angeles Clippers and the Cleveland Cavaliers on March 8, 2018, at the Staples Center in Los Angeles.

Photo by Adam Pantozzi/NBAE via Getty Images

Nipsey Hussle performs during the launch of EA Sports’ NBA Live 19 at Goya Studios in Los Angeles on Aug. 24, 2018.

Photo by Tommaso Boddi/Getty Images for EA NBA Live 19

From left to right: James Harden, Nipsey Hussle and Odell Beckham Jr. attend Rihanna’s fourth annual Diamond Ball benefiting the Clara Lionel Foundation at Cipriani Wall Street on Sept. 13, 2018, in New York.

Photo by Kevin Mazur/Getty Images for Diamond Ball

Nipsey Hussle poses with kids at the Nipsey Hussle x PUMA Hoops Basketball Court Refurbishment Reveal Event on Oct. 22, 2018, in Los Angeles.

Photo by Jerritt Clark/Getty Images for PUMA

Jay-Z of Roc Nation Sports (left) and Nipsey Hussle attend the PUMA x Nipsey Hussle 2019 Grammy Nomination Party at The Peppermint Club on Jan. 16 in Los Angeles.

Photo by Vivien Killilea/Getty Images for PUMA

Montrezl Harrell of the Los Angeles Clippers wrote a tribute to Nipsey Hussle on his basketball sneakers.

The shoes of Dwyane Wade of the Miami Heat on April 1 with a message commemorating rapper Nipsey Hussle, who was shot and killed on March 31.

Photo by Maddie Meyer/Getty Images

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Just got to know you! Rest in Paradise 🙏🏽 @nipseyhussle

A post shared by Wardell Curry (@stephencurry30) on Mar 31, 2019 at 7:53pm PDT