Look around and it might feel like we’re in a golden age of rap tours.
Rhyme greats De La Soul recently finished a European tour billed The Gods of Rap with the legendary Public Enemy, Wu-Tang Clan and Gang Starr’s DJ Premier. And the summer concert season is set to feature even more high-profile hip-hop shows.
West Coast giant Snoop Dogg is headlining the Masters of Ceremony tour with such heavyweights as 50 Cent, DMX, Ludacris and The Lox. Lil Wayne is doing a string of solo gigs and will launch a 38-city tour with pop punk heroes blink-182 starting June 27. Stoner rap fave Wiz Khalifa will headline a 29-city trek on July 9. The reunited Wu-Tang Clan continue their well-received 36 Chambers 25th Anniversary Celebration Tour, and Cardi B will be barnstorming through the beginning of August.
With all this rap talent on the road, The Undefeated decided to take a crack at ranking the 20 greatest hip-hop tours of all time.
Our list was compiled using several rules: First and foremost, the headliners for every tour must be from the hip-hop/rap genre. That means huge record-breaking, co-headlining live runs such as Beyoncé and Jay-Z’s On the Run II Tour were not included, given Queen Bey’s rhythm and blues/pop leanings. We also took into account the cultural and historical impact of each tour. Several artists, ranging from Run-DMC and Salt-N-Pepa to MC Hammer and Nicki Minaj, were included because they broke new ground, beyond how much their tours grossed. For years, hip-hop has battled the perception that it doesn’t translate well to live performance. This list challenges such myopic ideas.
With only 20 spots, some of rap’s most storied live gigs had to be left off the list. Many were casualties of overlap, such as Run-DMC and the Beastie Boys’ memorable 1987 Together Forever Tour and the Sizzling Summer Tour ’90, which featured Public Enemy, Heavy D & the Boyz, Kid ’n Play, Digital Underground and Queen Latifah. The 12-date Lyricist Lounge Tour, a 1998 showcase that featured Big Punisher, The Roots, De La Soul, Black Star, Common, Black Moon’s Buckshot and Fat Joe, also just missed the cut.
You may notice that Tupac Shakur and The Notorious B.I.G. are missing from the list. But this was no momentary lapse of sanity. ’Pac’s and Biggie’s brief runs took place when rap shows were beginning to become a rarity, leaving most of their memorable stage moments to one-off shows. Dirty South royalty Outkast’s strongest live outing, when Big Boi and Andre 3000 reunited in 2014, was not included because it was less of a tour and more of a savvy festival run.
There are other honorable mentions: Def Jam Survival of the Illest Tour (1998), which featured DMX, the Def Squad, Foxy Brown, Onyx and Cormega; the Ruff Ryders/Cash Money Tour (2000); Anger Management 3 Tour with Eminem and 50 Cent (2005); J. Cole’s Dollar & A Dream Tour (2013); and Drake’s Aubrey & The Three Migos LIVE! tour (2018).
With that said, on with the show!
20. Pinkprint Tour (2015)
Nicki Minaj, featuring Meek Mill, Rae Sremmurd, Tinashe and Dej Loaf
The most lucrative hip-hop trek headlined by a woman also served as the coronation of Nicki Minaj as hip-hop’s newest queen. What made The Pinkprint Tour such a gloriously over-the-top affair was its seamless balance of dramatic Broadway-like theater, silly high jinks and a flex of artistic ferocity. One moment Minaj was in a black lace dress covering her eyes while mourning the loss of a turbulent union during “The Crying Game.” The next, she was backing up her memorable appearance on Kanye West’s “Monster” as the most wig-snatching guest verse of that decade. And the Barbz went wild.
Gross: $22 million from 38 shows
19. The Damn. Tour (2017-18)
Kendrick Lamar, featuring Travis Scott, DRAM and YG
When you have dropped two of the most critically lauded albums of your era in Good Kid, M.A.A.D City (2012) and To Pimp a Butterfly (2015), there’s already an embarrassment of riches to pull from for any live setting. But Kendrick Lamar understood that to live up to his bold “greatest rapper alive” proclamation he also needed populist anthems to turn on the masses. The Damn. album and world tour presented just that, as he led his followers each night in an elevating rap-along. It kicked off with a martial arts film, a cheeky nod to Lamar’s Kung Fu Kenny alter ego, before launching into the chest-beating “DNA.”
Gross: More than $62.7 million from 62 shows
18. Summer Sixteen Tour (2016)
Drake and Future
This mammoth, co-headlining tour was a no-brainer: Drake, the hit-making heartthrob, Canada’s clap-back native son and part-time goofy Toronto Raptors superfan. And Future, the self-anointed Atlanta Trap King, gleeful nihilist and producer, whose slapping, codeine-addled bars made him a controversial figure on and off record. The magic of this yin/yang pairing shined brightest when they teamed up to perform such tracks as “Jumpman” and “Big Rings” off their industry-shaking 2015 mixtape What a Time to Be Alive. When the smoke settled, Drake and Future walked away with the highest-earning hip-hop tour of all time.
Gross: $84.3 million from 54 shows
17. Salt-N-Pepa Tour (1988)
Featuring Keith Sweat, Heavy D & the Boyz, EU, Johnny Kemp, Full Force, Kid ’n Play and Rob Base
It may seem preposterous in this outspoken, girl-power age of Cardi B, Lizzo, Megan Thee Stallion, Kash Doll, Young M.A, Tierra Whack and City Girls, but back in the early ’80s, the thought of a “female” rhyme group anchoring a massive tour seemed out of reach. That was before the 1986 debut of Salt-N-Pepa, the pioneering group who’s racked up a plethora of groundbreaking moments and sold more than 15 million albums. The first female rap act to go platinum (Hot, Cool & Vicious) and score a Top 20 hit on the Billboard 200 (“Push It”), Salt-N-Pepa led a diverse, arena-hopping showcase that gave the middle finger to any misogynistic notions. And Salt, Pepa and DJ Spinderella continue to be road warriors. They’re currently on New Kids on the Block’s arena-packing Mixtape Tour.
Encore: Opening-act standouts Heavy D & the Boyz would co-headline their own tour the following year off the platinum success of their 1989 masterpiece Big Tyme.
16. Glow in the Dark Tour (2008)
Kanye West, featuring Rihanna, N.E.R.D, Nas, Lupe Fiasco and Santigold
Yes, Kanye West has had more ambitious showings (2013-14’s button-pushing Yeezus Tour) and more aesthetically adventurous gigs (the 2016 Saint Pablo Tour featured a floating stage, which hovered above the audience). But never has the Chicago-born visionary sounded so hungry, focused and optimistic than he did on his first big solo excursion, the Glow in the Dark Tour.
Before the Kardashian reality-show level freak-outs and MAGA hat obsessing, West was just a kid who wanted to share his spacey sci-fi dreamscape with the public, complete with a talking computerized spaceship named Jane. Even the rotating opening acts — topped off by the coolest pop star on the planet, Rihanna — were ridiculously talented.
Gross: $30.8 million from 49 shows
15. I Am Music Tour (2008-09)
Lil Wayne, featuring T-Pain and Keyshia Cole
Between 2002 and 2007, Young Money general Lil Wayne was hip-hop’s hardest-working force of nature, releasing an astounding 16 mixtapes. Then Weezy broke from the pack with the massively successful I Am Music Tour. The bulk of Lil Wayne’s 90-minute set was propelled by his career-defining 2008 album Tha Carter III, which by the show’s second leg had already sold 2 million copies. By the time T-Pain joined the New Orleans spitter for a playful battle of the featured acts, Lil Wayne’s takeover was complete.
Gross: $42 million from 78 shows
14. Hammer Don’t Hurt ’Em Tour (1990-91)
MC Hammer, featuring En Vogue and Vanilla Ice
With 15 background dancers, 12 singers, seven musicians, two DJs, eight security men, three valets and a private Boeing 727 plane, MC Hammer’s world tour was eye-popping. Rap fans had never seen anything of the magnitude of the Hammer Don’t Hurt ’Em stadium gigs, which recalled Parliament-Funkadelic’s army-size traveling heyday in the 1970s.
Each night the Oakland, California, dancing machine, born Stanley Burrell, left pools of sweat onstage as if he was the second coming of James Brown. If the sight of more than 30 folks onstage doing the Running Man, with MC Hammer breaking into his signature typewriter dance during “U Can’t Touch This,” didn’t make you get up, you should have checked your pulse.
Gross: $26.3 million from 138 shows
13. Things Fall Apart! Tour (1999)
Each gig was a revelation. This was no surprise given that Philadelphia hip-hop collective The Roots, formed by longtime friends drummer Questlove and lead lyricist Black Thought, had a reputation for being unpredictable. Still, it’s ironic that a group known for being the ultimate road warriors — they were known for touring 45 weeks a year before becoming the house band on The Tonight Show Starring Jimmy Fallon in 2014 — is represented on this list by one of their shortest tours.
But the brilliant Things Fall Apart club and hall sprint, which took place throughout March 1999, proved to be an epic blitz fueled by the band’s most commercially lauded material to date, Questlove’s steady percussive heart and the inhuman breath control of Black Thought.
Encore: Neo soul diva Jill Scott, who co-wrote The Roots’ breakout single “You Got Me,” gave fans an early taste of her artistry as she joined the band onstage for some serious vocal workouts.
12. House of Blues’ Smokin’ Grooves Tour (1996)
The Fugees, Cypress Hill, A Tribe Called Quest, Busta Rhymes, Ziggy Marley and Spearhead
While gangsta rap was topping the charts, the hip-hop industry faced a bleak situation on the touring front. Concert promoters were scared to book “urban” acts in large venues. Enter the House of Blues’ Kevin Morrow and Cara Lewis, the booking agent who achieved mythic status when she received a shout-out on Eric B. & Rakim’s 1987 anthem “Paid in Full.” The pair envisioned a Lollapalooza-like tour heavy on hip-hop and good vibes. The first ’96 incarnation came out of the gate with Haitian-American rap trio The Fugees, multiplatinum weed ambassadors Cypress Hill, A Tribe Called Quest and Busta Rhymes.
Encore: The series, which has also featured Outkast, The Roots, Lauryn Hill, Gang Starr, The Pharcyde, Foxy Brown and Public Enemy, is credited with opening the door for a return to more straight-ahead hip-hop tours led by Jay-Z, DMX and Dr. Dre.
11. Watch the Throne Tour (2011-12)
Jay-Z and Kanye West
In better times, Jay-Z and Kanye West exhibited lofty friendship goals we could all aspire to, with their bromance popping on the platinum album Watch the Throne. Before their much-publicized fallout, Jay-Z and West took their act on the road for the mother of all double-bill spectacles.
Two of hip-hop’s greatest traded classics such as the ominous “Where I’m From” (Jay-Z) and soaring “Jesus Walks” (West) from separate stages on opposite sides of the venue. Those lucky enough to catch the tour can still recall the dream tag team launching into their encore of “N—as in Paris” amid roars from thousands of revelers.
Gross: $75.6 million from 63 shows
10. The Miseducation Tour (1999)
Lauryn Hill, featuring Outkast
In 1998, Lauryn Hill wasn’t just the best woman emcee or the best emcee alive and kicking. The former standout Fugees member was briefly the voice of her generation as she rode the multiplatinum, multi-Grammy success of her solo debut The Miseducation of Lauryn Hill. By February 1999, it was time to take the show on the road. Hill and her 10-piece band went beyond the hype, especially when they tore through a blistering take of the heartbreaking “Ex-Factor.”
Encore: Outkast (Atlantans Andre 3000 and Big Boi) rocked the house backed by some conspicuous props, including two front grilles of a Cadillac and a throwback Ford truck, kicked off their own headlining Stanklove theater tour in early 2001.
9. No Way Out Tour (1997-98)
Sean “Puff Daddy” Combs, Lil’ Kim, Ma$e, Busta Rhymes, Foxy Brown, 112, The Lox, Usher, Kid Capri, Lil’ Cease and Jay-Z
The Los Angeles Times headline spoke volumes: “Combs to Headline Rare Rap Tour.” Combs, of course, is Sean “Diddy” Combs, the music, fashion, television and liquor mogul who Forbes estimates now has a net worth of $820 million. But back then, the hustler formerly known as Puff Daddy was struggling to keep his Bad Boy Records afloat after the March 9, 1997, murder of Brooklyn, New York, rhyme king The Notorious B.I.G.
But out of unspeakable tragedy rose Combs’ chart-dominating No Way Out album and an emotional all-star tour. Despite suggestions that large-scale rap shows were too much of a financial gamble, Puffy rallied the Bad Boy troops and a few close friends and proved the naysayers wrong. The No Way Out Tour was both a cathartic exercise and a joyous celebration of life. “It’s All About the Benjamins” shook the foundation of every building as Combs, The Lox and a show-stealing Lil’ Kim made monetary excess look regal. And the heartfelt Biggie tribute “I’ll Be Missing You,” which was performed live at the 1997 MTV Video Music Awards, had audiences in tears.
Gross: $16 million
8. Hard Knock Life Tour (1999)
Jay-Z, featuring DMX, Redman and Method Man
Jay-Z stands now as hip-hop’s most bankable live draw. In 2017, the newly minted billionaire’s 4:44 Live Nation production pulled in $44.7 million, becoming America’s all-time highest-grossing solo rap jaunt. It’s a long way from the days of Jay-Z lumbering through performances in a bulletproof vest when he was last off the bench on Puff Daddy’s No Way Out Tour.
Surely the seeds of Jay-Z’s evolution as a concert staple were first planted on his Hard Knock Life Tour, which was documented in the 2000 film Backstage. This was a confident, full-throated Shawn Carter, and he would need every ounce of charisma, with Ruff Ryders lead dog DMX enrapturing fans as if he were a Baptist preacher at a tent revival and the duo of Redman and Method Man rapping and swinging over crowds from ropes attached to moving cranes. What a gig.
Gross: $18 million
7. Bring the Noise Tour (1988)
Public Enemy and Ice-T, featuring Eazy-E & N.W.A. and EPMD
There has always been a controlled chaos to a Public Enemy live show. Lead orator Chuck D jolted the crowd with a ferocity over the intricate, combustible production of the Bomb Squad while clock-rocking Flavor Flav, the prototypical hype man, jumped and zigzagged across the stage.
DJ Terminator X cut records like a cyborg and never smiled. And Professor Griff and the S1Ws exuded an intimidating, paramilitary presence. Armed with their 1988 watershed black nationalist work, It Takes a Nation of Millions to Hold Us Back, an album many music historians consider to be the pinnacle hip-hop statement, Public Enemy spearheaded arguably the most exciting rap tour ever conceived.
Encore: Along for the wild ride was the godfather of West Coast rap, Ice-T, who was putting on the rest of the country to Los Angeles’ violent Crips and Bloods gang wars with the too-real “Colors.” N.W.A. was just about to set the world on fire with their opus Straight Outta Compton. Eazy-E, Ice Cube, Dr. Dre, MC Ren and DJ Yella unleashed a profanity-laced declaration of street knowledge that was instantly slapped with parental advisory stickers. And Erick and Parrish were making dollars with their rough and raw EPMD joint Strictly Business.
6. Nitro World Tour (1989-90)
LL Cool J, featuring Public Enemy, Eazy E & N.W.A., Big Daddy Kane, Too $hort, EPMD, Slick Rick, De La Soul and Special Ed
In early ’85, LL Cool J was a 16-year-old rhyme fanatic living in his grandparents’ Queens, New York, home. Three years later, the kid who became Def Jam Records’ signature artist with his iconic B-boy manifesto Radio was the most successful solo emcee on the planet with more than 4 million albums sold and counting. LL Cool J was also headlining some of the hottest events of rap’s golden era. And he was at his cockiest love-me-or-hate-me peak during the Nitro Tour.
But not even LL Cool J was ready for the monster that was N.W.A. The self-proclaimed World’s Most Dangerous Group completely hijacked the spotlight when N.W.A. was warned by officials not to perform their controversial track “F— the Police” at Detroit’s Joe Louis Arena. A minute into the song, cops stormed the stage and shut down Eazy-E and crew’s volatile set, a wild scene that was later re-created in the 2015 N.W.A. biopic Straight Outta Compton.
Encore: A few months before the Detroit gig, N.W.A. was booed during a Run-DMC show at New York’s Apollo Theater. “We all had watched Showtime at the Apollo, so we all knew if it went bad what was gonna happen,” Ice Cube explained on the Complex story series What Had Happened Was … “We hit the stage, and as soon as they saw the Jheri curls, all you heard was ‘Boo!’ I mean, before we even got a line out, they was booin’. I guess they just wasn’t feeling the Jheri curls.”
5. The World’s Greatest Rap Show Ever (1991-92)
Public Enemy, DJ Jazzy Jeff & The Fresh Prince, Queen Latifah, MC Lyte, Geto Boys, Kid ’n Play, Naughty by Nature, A Tribe Called Quest, Leaders of the New School and Oaktown’s 3.5.7.
Props to the promoter who put together this awesome collection of hip-hop firepower for a tour that at least aimed to live up to its tagline. What stands out the most was the early acknowledgment of rap’s reach beyond the East and West coasts. The significance of including Houston’s Geto Boys, for instance, cannot be overstated.
Scarface, Willie D and Bushwick Bill carried the flag for Southern hip-hop, winning over skeptical concertgoers with their raw dissection of ’hood paranoia, “Mind Playing Tricks on Me,” which had become a favorite on Yo! MTV Raps. Jazzy Jeff and The Fresh Prince proved they could still rock the house with PG-rated material. (It helped that Will Smith had just begun the first season of NBC’s The Fresh Prince of Bel-Air.) Queen Latifah busted through the testosterone with the empowering “Ladies First.” And Naughty by Nature frequently knocked out the most crowd-pleasing set of the night with their promiscuous anthem “O.P.P.”
Encore: The World’s Greatest Rap Show Ever made its Jan. 3, 1992, stop at New York’s Madison Square Garden less than a week after nine people were fatally crushed at a hip-hop charity basketball game at City College of New York. Before Public Enemy’s powerful message of black self-determination, Heavy D, an organizer of the doomed event, made a plea for unity. Fans were certainly listening. The gig was a resounding, peaceful triumph.
4. Def Jam Tour (1987)
LL Cool J, Whodini, Eric B. & Rakim, Doug E. Fresh and the Get Fresh Crew, and Public Enemy
From 1986 to 1992, New York’s Def Jam Records was the premier hip-hop label. Its roster of artists, which included Public Enemy, the Beastie Boys, EPMD and Slick Rick, was unparalleled in range and cultural dominance. So when it came time for partners Russell Simmons and Rick Rubin to spread the Def Jam gospel on its first international tour, the imprint’s biggest star, LL Cool J, was chosen to lead the way. And he didn’t disappoint.
James Todd Smith strutted out of a giant neon boombox sporting a Kangol hat, dookie rope gold chain and Adidas jacket. Of course, that jacket would soon be thrown to the floor as a shirtless Ladies Love Cool James tore through his ’85 single “Rock the Bells” as if it were the last song he would get to perform.
For many overseas, their first taste of American rap also included DJ Eric B. & Rakim, who were killing the streets with their 1987 masterpiece Paid In Full. Almost overnight in Germany, France, Norway and the Netherlands, hip-hop became the new religion.
Encore: This was the first proper world tour for Public Enemy, who had just dropped their 12-inch single “Rebel Without a Pause.” Although they were the opening act, Chuck D and his posse stole the show, establishing their standing as global behemoths. The now-legendary show at London’s Hammersmith Odeon can be heard throughout It Takes a Nation of Millions to Hold Us Back.
3. Up In Smoke (2000)
Dr. Dre, Snoop Dogg, Ice Cube, Eminem, Tha Dogg Pound, Warren G and Nate Dogg, and Xzibit
As over-the-top, profane spectacles go, the Up In Smoke Tour has few rivals. Detroit’s Eminem stormed the stage wearing a red jumpsuit with “County Jail” stitched on the back. Ice Cube, before being joined by his Westside Connection cohorts, Mack 10 and WC, emerged from a cryogenic chamber. Hennessy-sipping and weed-toking Dr. Dre and Snoop Dogg rode out in a hydraulically juiced lowrider. There was a 15-foot talking skull!
The multimillion-dollar stage design put the concert industry on notice that not only could rap shows attain the lavish production values of the best rock shows, they could surpass them. It was also an emphatic statement that the largely West Coast rap dignitaries knew how to throw a party. And there still isn’t another hip-hop song that matches the first 20 seconds of Dre’s “Next Episode” in concert.
Gross: $22.2 million from 44 shows
2. Raising Hell Tour (1986)
Run-DMC, featuring LL Cool J, the Beastie Boys and Whodini
There’s a reason Run-DMC is hailed as the greatest live hip-hop act of its era. They understood that less is always more. Because of their stripped-down beats and rhymes, the group amplified the genius of every aspect of their concert presentation up to 11. Jam Master Jay’s scratching was more thunderous than the other DJs on the 1s and 2s. Run’s pay-me stage presence commanded respect. And D had the throat-grabbing voice of God. They wore Godfather hats, black jeans and shoelace-less Adidas sneakers. The Hollis, Queens, crew was the personification of cool.
LL Cool J was just 18 during the Raising Hell Tour, but he was coming after Run-DMC’s crown every night. The hotel-wrecking Beastie Boys co-piloted rap’s bum-rush into Middle America, scaring parents wherever they landed. And Whodini brilliantly straddled the line between electro funkateers and around-the-way dudes representing BK to the fullest.
As “Walk This Way,” Run-DMC’s genre-shifting Aerosmith collaboration, exploded on the pop charts, vaulting the Raising Hell album to 3 million copies sold (the first hip-hop album to go triple platinum), ticket sales followed. The 45-city tour affirmed hip-hop’s cultural takeover.
Encore: The image of Joseph Simmons commanding 20,000-plus fans to hold up their sneakers during a performance of “My Adidas” at a New York show is still a surreal sight.
1. Fresh Fest (1984)
Kurtis Blow, Run-DMC, Whodini, The Fat Boys, Newcleus & the Dynamic Breakers, New York City Breakers, Turbo and Ozone
Ricky Walker had an idea: The concert promoter wanted to put together the first national rap music and break-dancing tour. In 1984, hip-hop had moved on from its underground beginnings in the Bronx. Run-DMC had just dropped their self-titled debut, and their “Rock Box” became the first rap video to received play on MTV. Breakin’, the first break dancing movie to hit the big screen, pulled in nearly $40 million at the box office on a minuscule $1.2 million budget. Walker saw the future.
He called New York impresario Simmons to tap some of his Rush Productions talent, which included heartthrob Brooklyn trio Whodini, rap’s first solo superstar Kurtis Blow, the comedic Fat Boys and, of course, the hottest hip-hop act in the country, Run-DMC. But when it came time to promote the first show, billed as the Swatch Watch NYC Fresh Fest Festival, in Greensboro, North Carolina, Walker was laughed out of the room by a radio ad man.
Rap was still viewed by many record industry power brokers as a passing fad. In a 1985 interview with Billboard magazine, Walker recalled the salesperson pleading with him. “You’re a friend of mine,” he said. “Can’t I talk you out of doing this show?”
Walker’s instincts, however, proved to be dead-on. Fresh Fest moved 7,500 tickets in four hours. The tour, which also featured some of the best street dancers on the planet, such as Breakin’ stars Boogaloo Shrimp and Shabba Doo, as well as the synth funk-rap group Newcleus, not only did brisk business at mid-level venues but also sold out 20,000-seat arenas in Chicago and Philadelphia. Like the pioneering rock ‘n’ roll shows of the ’50s conceived by Cleveland radio DJ Alan Freed, the Fresh Fest proved that rap could be a serious and profitable art form. The rest is hip-hop history.
Gross: $3.5 million
In 2015, a couple of economists coined a term to describe the decline in life expectancy among middle-aged white Americans due to elevated rates of suicide, drug use and alcoholism. They called these untimely deaths, which they tied to a lack of opportunity among whites lacking a college degree, “deaths of despair.”
The Last Black Man in San Francisco, which opens in theaters Friday, is not about working-class white people. But it is very much about despair that’s not so different from that described by the economists.
The film, directed by Joe Talbot and written by Talbot and Rob Richert, tells the story of actor Jimmie Fails, who plays a version of himself in the film. Jimmie has been crashing on the bedroom floor of his best friend, Montgomery Allen (Jonathan Majors), for some time as he tries to stake a claim on a multilevel Victorian house in San Francisco that his grandfather once owned. His father, Jimmie Fails Sr. (Rob Morgan), eventually lost it, and Jimmie Jr.’s childhood became pockmarked by lack and uncertainty.
The house, now worth several millions of dollars, is occupied by an older white woman who doesn’t treat it with the regard Jimmie believes it deserves. So he makes surreptitious improvements — trimming hedges, touching up paint — to honor both the house and his grandfather, who supposedly built it at the turn of the 20th century.
Produced by Brad Pitt’s Plan B with A24 and Talbot’s company Longshot Features, The Last Black Man in San Francisco joins Jimmie and Monty at a crucial point: The woman who lives in the Fails house is forced to move out because of family circumstances, and before it can go on the market, Jimmie occupies the property he believes is rightfully his, even though he has no money and no deed. Instead, Jimmie has righteousness and lore on his side — until he doesn’t. Capitalism holds no romance or respect for moral abstractions; only financial assets are revered, and Jimmie has next to none.
The Last Black Man appears to be a story about robbery via gentrification in one of the American capitals of income inequality, and it is. But it’s more than that. Stories about gentrification are also stories about the loss of identity, about the loss of the place a set of people once called home.
The Last Black Man in San Francisco has a scab to pick off a bigger wound.
Monty and the needy curmudgeon Grandpa Allen (played by Danny Glover in one of the best performances of his career) live across the street from Bayview-Hunters Point, an area that is a case study in environmental racism. The movie opens with a shot of a little black girl, no more than 6 or 7, in a dress skipping along the same stretch of street being traversed by a man in a hazmat suit. Jimmie and Monty are well aware of how race has affected their tenuous positions in society. Such inequality wallpapers their lives. Set off with a Greek chorus of neighborhood ne’er-do-wells who congregate outside the Allen house, the script for The Last Black Man in San Francisco dances with wit, tragedy and originality. It’s punctuated by the kinetic photography of Adam Newport-Berra, whose shots of Jimmie and Monty sharing a skateboard through San Francisco’s steep grades and curving blacktops simultaneously invite snickers and awe.
Jimmie isn’t mourning the fact that drunken tech bros in a chaperoned party trolley pollute the city he loves with obscene chants directed at a nude hippie waiting for the bus. (It’s one of my favorite scenes because of the way it cheekily illustrates how definitions of normalcy are relative.) Jimmie’s despair comes from realizing that the option to participate in a key aspect of the American tradition may have never really existed for him. He’s lost out on the opportunity to homestead a new existence, to create his own myth and live it until what’s true and what’s family lore blends into a triumphant, interesting-at-cocktail-parties truthiness.
Before he moved in with Monty and Grandpa Allen, Jimmie was homeless, and before that, he was a ward of the state. Jimmie’s mother is a former drug addict with whom he barely communicates. James Sr., also in recovery, is a grifter who sells bootleg movies to pay his rent in a single room occupancy building. No wonder Jimmie wants to look back a generation in search of a better story, one that puts him in the lineage of a builder of a Victorian masterpiece and injects some greatness into his veins.
It’s a beautiful, unexpected sort of greatness too, because it’s wrapped up in antique furniture and sunlight streaming through lace curtains. Greatness, for Jimmie, is preserved in a time warp.
In this light, we can see all the complementary aspects of Jimmie’s friendship with Monty, the one man in the world fluent in Jimmie’s particular language of weird. Monty’s a playwright who copes with real life by pretending that he’s actually directing it, a man who hoards old playbills and dresses like an East Coast humanities professor. Once you see past Monty’s surface-level strangeness — and he is, by every objective measure, awfully odd — you see a man who worships the promise and magic of created worlds and their ability to transport as they tell the truth.
When tragedy rocks their world, it’s no wonder that Monty’s grand gesture as he tries to save his closest friend involves staging a play about their lives. It honors Jimmie’s current life but also reminds him that there’s still hope of creating a new one.
The Last Black Man in San Francisco is an exquisite dirge for the loss of a city, of home, of community. But most of all, it mourns the loss of possibility, and for some that load is just too heavy to bear.
Drake, the Toronto native and Raptors fan, has spent the 2019 playoffs blurring the line between superfan and millionaire mascot by giving Raptors coach Nick Nurse massages on the sideline, talking trash to Golden State Warriors stars Stephen Curry and Draymond Green, and trolling opposing fans with Instagram posts. His prominence as a celebrity “ambassador” is a watershed moment for the intersection of rap music and sports.
While this all seems pretty outrageous, it’s not unprecedented. Just 11 years ago, LeBron James and Jay-Z teamed up to take on … DeShawn Stevenson and Soulja Boy in a bizarre, hilarious feud that’s a time capsule for pop culture in 2008.
After James had terrorized Washington Wizards to the tune of 32.7 points, 6.6 assists and 7.9 rebounds per game in the 2006 and 2007 playoffs (besides a timely game-winner in Game 3 of the 2006 series), the Wizards needed any advantage they could get if they wanted to overthrow the King. That’s where Stevenson comes in. The shooting guard was in his eighth year by the time the Wizards and Cleveland Cavaliers met for the third time in the first round, and he decided that getting into James’ head would be his best move.
After a 101-99 regular-season win on March 13, 2008, Stevenson had this bit of trash talk for James: “He’s overrated. And you can say I said that.”
When the first-round playoff matchup between the fourth-seeded Cavs and fifth-seeded Wizards was set, the Stevenson quote came back up. James responded by saying … he wasn’t going to respond. When asked, he said, “With DeShawn Stevenson, it’s kind of funny. It’s almost like Jay-Z [responding to a negative comment] made by Soulja Boy. It doesn’t make sense to respond.”
A bit of context: Soulja Boy mastered the burgeoning world of social media by uploading his songs to MySpace and Napster to create a buzz for himself. His hit “Crank That” created an international dance craze and was No. 1 on the U.S. Billboard Hot 100 for seven weeks in fall 2007. The song was not a lyrical masterpiece: “Yeah, watch me crank that Robocop/ Super fresh, now watch me jock/Jocking on them haters, man.”
Jay-Z, on the other hand, was, and still is, maybe the greatest rapper of all time, a lyrical wizard with multiple classic albums and a rap empire at his feet. He and James struck up a kinship in the player’s rookie year, partly because they shared the DNA of being heirs apparent to greatness: Jay-Z following in The Notorious B.I.G.’s footsteps after his death in 1997 and James being the next Michael Jordan after His Airness’ 2003 retirement. (There was also one other detail: Jay-Z was a minority owner of the New Jersey Nets and may or may not have wanted to court a certain all-time great to the team.) Regardless, James’ meaning was clear — he and Jay-Z were elite and Stevenson and Soulja Boy were one-hit wonders.
Stevenson took James’ comment as a chance to add some spice to the playoffs. When the series went back to Washington for Game 3, Soulja Boy was seated behind one of the baskets. (He may not have had the sauce of someone like Drake to get seats near the bench.) Throughout the game, Soulja Boy was waving towels and doing his Crank That dance. Even Washington’s Caron Butler took a moment to do the dance after a foul. Whatever mojo Soulja Boy offered worked that day, as the Wizards won 108-72.
It was a cute story that could have ended there. But Jay-Z must have felt the need to defend his buddy, and his flair for the dramatic was on full display. Jay-Z was in Oakland, California, performing when the James/Stevenson/Soulja Boy fracas was going down, and he played Oakland, California, legend Too $hort’s “Blow the Whistle” and shouted-out the MC. The crowd erupted, and Jay-Z got the idea to rap over the instrumental.
“LeBron was special to him,” Too $hort said in 2017. “And ol’ boy [Stevenson] stepped on LeBron’s toes talking s— and Jay was like, I’m going to shut this down. And he probably saw the moment where the crowd reacted to the song and then that was on his mind.”
So Jay-Z asked Too $hort for the instrumental. “When Jay called, I was like, ‘It will be there in a couple of hours, man.’ I had no idea what he was going to do with it, but I am glad he did.”
The next night, as Wizards players were partying at the D.C. nightclub Love, the DJ debuted a Jay-Z song rapping over Too $hort’s “Blow the Whistle” instrumental: “Ask my n—- LeBron! We so big we ain’t gotta respond … Who the f— overrated?! If anything they underpaid him. Hatin that’s only gonna make him spend the night out of spite with the chick you’ve been datin’.” Without mentioning Stevenson or Soulja Boy, the intent was clear.
The series went six games, with the overrated James averaging 29.8 points, 9.5 rebounds and 7.7 assists per game. (Stevenson averaged 12.3 points.) Stevenson would eventually find himself on the winning side three years later when his Dallas Mavericks (well, Dirk Nowitzki’s Dallas Mavericks) bested James and the Miami Heat in six games in the NBA Finals. While winning a championship is all good, hundreds of players have won rings. However, not many can say they were dissed by Jay-Z in a song. That moment defined Stevenson’s career almost as much as his championship.
The Warriors aren’t without their own contingent of rap stars who will be waving towels in Oracle Arena come Game 3. From E-40 to Too $hort and even MC Hammer, the Bay Area hip-hop scene is ready to lend support and maybe its own batch of troll-y Instagram posts.
Drake’s relationship with the Warriors seems a bit more amicable than that between the parties involved in the 2008 feud. But as the series progresses and the trash talk ramps up, we may yet see a magical musical moment in this NBA Finals. If it’s anything like Jay-Z’s effort, it could be the stuff of legend.
OAKLAND, Calif. — Kevin Durant hasn’t been the only showstopper in Oakland these playoffs.
On Sunday, former U.S. Secretary of State Condoleezza Rice and other NBA fans were asked to wait by an Oracle Arena security guard as another VIP departed: Paul Kagame, the president of Rwanda.
A big NBA and Golden State Warriors fan, Kagame watched the Warriors’ 104-100 victory over the Houston Rockets in Game 1. Only after Kagame and his entourage were gone were Rice and others allowed to leave.
NBA commissioner Adam Silver was thankful for Kagame’s show of support.
“President Kagame and his family are very knowledgeable NBA fans, and we appreciate his support and that of other African leaders to grow the game across the continent,” Silver told The Undefeated.
Kagame was given tickets by the NBA, a league official confirmed. He was accompanied by about a dozen people, including his own personal security and Oracle Arena security, when he arrived during the first quarter, sources said. It was a scene reminiscent of the fashionably late arrivals of Prince, Jay-Z, Beyoncé and Rihanna that have caused commotions at Warriors games in recent seasons. A restroom was also cleared for Kagame to use during the game for safety reasons.
“That is cool that someone like that will show us some love,” Durant said to The Undefeated.
In August 2018, Kagame helped open the Giants of Africa camp in Rwanda’s capital, Kigali, with Silver, Toronto Raptors president Masai Ujiri, NBA deputy commissioner Mark Tatum and NBA Africa managing director and Sports for Education and Economic Development founder Amadou Fall.
“President Kagame shared with us that he is a strong proponent of using sports, and basketball in particular, as a platform to promote physical and mental well-being across the continent and that he also sees the sports industry as an economic engine for future growth in Africa,” Silver said.
Ujiri, a native of Nigeria, added that Kagame has been “key to the development of the game on the continent.”
“He’s always been a big fan of sports, but I think the past few years his interest and love for basketball has grown more and more,” Ujiri said. “I know he loved basketball when I talked to him one time and he said he had been watching our game at odd hours in Rwanda. He asked me about load management.”
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Kagame also attended the 2019 NBA All-Star Weekend in Charlotte, North Carolina, as well as previous All-Star festivities in Los Angeles in 2018 and Toronto in 2016, a source said.
Rwanda is expected to have a professional club in the NBA’s new 12-team Basketball Africa League (BAL) when it debuts in January 2020. Silver said Kagame has shown the NBA plans for a new arena in Kigali that will be used as a home market for the BAL.
“When you talk about progressive and visionary,” Ujiri said, “that is President Kagame.”
NEW YORK — Kyler Murray beat one of the best marketing departments in the world to the punch.
Last November, in the thick of his Heisman Trophy-winning season at the University of Oklahoma, the 21-year-old phenom quarterback posted a photo on his social media accounts so recognizable that it didn’t need a caption. Murray re-created Bo Jackson’s iconic 1989 Nike ad down to every detail — the marbled backdrop, flexed muscles, shoulder pads and a wooden baseball bat propped up on strong shoulders.
In a creative way, Murray illustrated the undeniable connection between him and Jackson, two generational dual-sport athletes. Jackson is the only player in history to be named an All-Star in football and baseball, having played in both the NFL and Major League Baseball from 1986 to 1994 (three years before Murray was born). Yet, unlike Jackson, who became the face of Nike’s cross-training division in the late 1980s surrounding the launch of the brand’s timeless “Just Do It” campaign, Murray decided to focus on one sport. “The young man from Oklahoma,” Jackson said in January, “should just go with his heart.”
He ultimately chose football despite being selected as an outfielder by the Oakland Athletics with the No. 9 overall pick in the 2018 MLB draft. Murray agreed to a contract with the club that included a reported $4.66 million signing bonus and permission to play football at Oklahoma for one more year. During the 2018 college football season, he started at quarterback in all 14 games for the Sooners, hoisted the Heisman after throwing for 4,361 yards and 42 touchdowns and leading the team to the College Football Playoff. A month after declaring for the NFL draft, Murray took to Twitter to announce that he’d be “fully committing” his life and time to being a pro quarterback.
On the eve of the draft, before the Arizona Cardinals selected Murray with the top pick, Nike made it official, signing the dual-threat quarterback from Bedford, Texas, along with 26 players (and counting) as part of the brand’s 2019 class of NFL rookies. At Oklahoma, Murray wore Nike on both the baseball diamond and gridiron, before the school’s football program switched to Jordan Brand uniforms last year. In celebration of the new partnership, Murray rocked a Great Gatsby-themed 1-of-1 pair of Air Jordan 1 lows onstage at the draft, featuring “Nike K1″ on the tongues of each shoe.
“We admire the energy and commitment that Kyler Murray brings to the game on and off the field, and we’re excited to welcome him and the entire rookie class to the Nike family,” a brand spokesperson told The Undefeated. “We feel strongly that their dedication to the game will continue to inspire the next generation of athletes.”
Kyler Murray’s custom Air Jordan 1 Low for tonight’s draft. The green light post is a symbol of his dreams and what he hopes to accomplish in his career. pic.twitter.com/RdnkM4nbvp
— Darren Rovell (@darrenrovell) April 25, 2019
Roughly 40 percent of the players in the NFL are endorsed by the multibillion-dollar sportswear company. And now Nike might just have its next superstar athlete in Murray. Within several hours after the announcement that he’d been signed, Murray appeared in his first Nike commercial — a one-minute spot depicting his journey from playing three sports as a kid to reaching the NFL.
“I think he’ll understand once he gets an opportunity to be on Nike’s campus, all the things that will be afforded to him,” free agent and five-time Pro Bowl defensive tackle Ndamukong Suh told The Undefeated at Nike’s New York headquarters ahead of the draft. “The most important thing I would tell him is, ‘Just go out there and focus on your task at hand with being a professional, and everything else will fall in line for you.’ ”
Suh’s evaluation of the young, highly touted quarterback? “He’s definitely elusive and very athletic,” Suh said. “I haven’t had a chance to truly watch him play. Maybe this year I’ll have an opportunity to hit him.”
— Kyler Murray (@TheKylerMurray) April 24, 2019
Detroit Lions cornerback Darius Slay, another Nike athlete, has watched Murray quite a bit. And the two-time Pro Bowler and 2017 first-team All-Pro selection is already impressed.
“I think he’s gonna be a killer in this league,” Slay told The Undefeated. “I can just see his competitiveness — how he operates, how he carries himself … He’s a baseball guy, so you know he got a strong arm. And the thing about baseball players is they got great vision. To see that little ball, hit that little ball and catch that little ball at a fast pace. How this game is … I think it’s made for him.”
The 5-foot-10, 207-pound Murray reminds Slay of two veteran NFL quarterbacks. “He’s a more athletic Drew Brees,” Slay said, “and you can see him as the next Russell Wilson.”
Wilson — who just became the highest-paid player in the NFL after signing a four-year, $140 million contract extension with the Seattle Seahawks — is also endorsed by Nike. He and Cleveland Browns wide receiver Odell Beckham Jr. are the only Nike athletes in the NFL to have their own cleats and signature lifestyle shoes. In 2017, after Beckham Jr. signed the richest NFL shoe deal in history, Nike delivered the Special Field Air Force-1 Mid “OBJ.” He also recently teased another signature sneaker that’s on the way. And on the red carpet at the 2018 ESPYS, the Seahawks star debuted his Nike Dangeruss Wilson 1. Maybe Murray will eventually join Beckham and Wilson and get the Nike signature treatment.
“He’s gonna have his own shoe,” Slay said, “sooner or later.”
Until then, the ads will keep coming — only now he has a brand behind him to do them. The marketing possibilities surrounding Murray already seem fruitful, especially if he lives up to the dream he shared in his debut Nike commercial.
“Honestly,” Murray said. “I want to be the best that ever played the game.”
It is not uncommon to see Los Angeles Clippers coach Doc Rivers and owner Steve Ballmer talk hoops before a game. Ballmer typically peppers Rivers with questions about his beloved Clippers as if he is a member of the media. Rivers shares details and typically throws in a joke that makes the fun-loving Ballmer smile.
It is a way different dynamic from what Rivers had with the team’s previous owner, Donald Sterling. Rivers told The Undefeated he has not spoken to his old boss since TMZ released audio on April 26, 2014, of Sterling making racist comments to his then-girlfriend.
“There is no need to,” Rivers said. “I don’t know why or what he was thinking or whatever. … It doesn’t matter to me. It’s already been done and said. I haven’t heard from him. It’s not like I am mad. But why? We don’t need to talk.”
Five years ago, on April 29, 2014, the controversial owner was banned for life by the NBA for his comments in what was one of the strongest penalties in American sports history. He was later forced to sell the team.
At that time, the Clippers were also pursuing an NBA title. They were the No. 3 seed in the 2014 Western Conference playoffs facing an up-and-coming Golden State Warriors team in the first round. The Clippers took a 2-1 lead in the best-of-seven series with a 98-96 victory in Oakland on April 24. But two days later, their momentum came to a crashing halt after Sterling’s remarks became public.
News traveled fast within the organization. Game 4 was the following day. How would Rivers & Co. respond to their owner being involved in one of the biggest scandals in sports?
The Undefeated looks back at the franchise’s last days under Sterling, five years later, through the recollections of those who endured it.
‘THEY TOLD ME IT WASN’T A BIG DEAL’
Sterling has a long history of racist behavior and had been sued on two occasions for allegedly declining to rent apartments to African Americans and Hispanics. He was also sued in 2009 by former Clippers general manager Elgin Baylor, who accused him of age and racial discrimination. There is also a well-known story of the Clippers owner once going into his team’s locker room after a game while players were dressing and telling his friends, “Look at those beautiful black bodies.”
Rivers said he first caught wind on April 23, 2014, that Sterling had made some controversial comments but was told by a Clippers executive they “weren’t a big deal.” Rivers alerted his players during a team meeting at the Four Seasons Hotel in San Francisco that the story was expected to come out, but he didn’t have details to offer.
Blake Griffin: “We remember having a meeting and Doc was saying what was happening. When he explained it, I don’t think everyone understood the magnitude of what it was going to be.”
Doc Rivers: “I was misled in that whole thing, and that is a story for the book one day. But I was told there was a story coming out and it wasn’t a big deal beforehand. I had a chance two days before to look at it. But they told me it wasn’t a big deal.”
Ryan Hollins: “Doc said that Sterling said something stupid with racial undertones to a woman, but it was not expected to be that big of a deal as it ended up being.”
Rivers: “I took this job. I knew there was going to be risk. I clearly didn’t know there was going to be that type of risk.”
‘THOSE WORDS HURT, THOSE WORDS PIERCED’
At 10 p.m. PDT on April 24, 2014, TMZ released a recording in which a married Sterling made racial comments to his girlfriend V. Stiviano, criticizing her for putting pictures on social media with well-known African Americans, including former Los Angeles Lakers star Magic Johnson and then-Los Angeles Dodgers outfielder Matt Kemp.
TMZ reported that the private taping of Sterling’s racist rant took place on April 9, 2014, after Stiviano posted a picture of her with Johnson on Instagram.
Some of Sterling’s racist audio excerpts released by TMZ included:
“It bothers me a lot that you want to broadcast that you’re associating with black people. Do you have to?”
“You can sleep with [black men]. You can bring them in, you can do whatever you want. The little I ask you is not to promote it on that … and not to bring them to my games.”
“I’m just saying, in your lousy f—— Instagrams, you don’t have to have yourself with, walking with black people.”
“… Don’t put him [Johnson] on an Instagram for the world to have to see so they have to call me. And don’t bring him to my games.”
A stunned Rivers finally listened to the audio just before it was released.
“One of our PR guys heard it an hour and a half before it came out and he said, ‘Doc, I think you need to see this video,’ ” Rivers said. “And I went to see it and I was incensed. I was pissed. I didn’t really know what to do.”
Rivers quickly called a late-night team meeting at the hotel to talk about the Sterling report. Wearing a Clippers T-shirt, Rivers entered the meeting room, where incensed players were waiting.
Griffin: “We pretty much found out exactly what it was with everyone else.”
Willie Green: “We all got the news at the same time as the reports were coming out. We were shocked to hear it, and we all heard rumors. To hear the actual words that he said were shocking.”
Hollins: “When it came out, I was blindsided. We didn’t know it was going to be like that. We were told that he made some comments that were racially charged, but we didn’t know what they were. I guess the one that struck us was the Magic Johnson stuff, the black guy in the building. When we heard those words, those words hurt. Those words pierced.”
Rivers: “I let them know I was black too. It was funny. They were pissed at everybody, including me. That is one of the things that broke the ice. I said, ‘By the way, guys, my name is Glenn Rivers. I’m from Maywood, Illinois, and I’m black.’
“The other thing I said is I need you to trust me. I will allow you guys to choose what you want me to say, but I need you to trust me and have one voice. If I have learned one thing about racism, and I’ve been through a lot of things with racism, they never want to go after the guy that says this stuff like Sterling. They want to go after the persecuted. Everyone wants to know how the persecuted will respond rather than focusing on the guy that did something.”
Matt Barnes: “What he said was more of a shake-my-head situation than being mad. I thought he finally got caught up with this bum-a– chick no one liked. As far as the racial comments, I’ve heard much worse and have had worse done to me, so it wasn’t that big of a deal. I thought he wasn’t the only owner that felt that way. He was just the only one dumb enough to get caught saying it.”
Chris Paul: “I remember meeting as a team and Doc asking us how we wanted to handle it. We agreed that we would have just one voice and let that voice with Doc. I absolutely agreed with that.”
Rivers: “I was so concerned that someone from our team would say something crazy and then they were the story. And that is what we talked about. From DJ [DeAndre Jordan] to Blake, they decided what they wanted to do. They let me be the voice, and that was huge for us because we got through that without any other controversy.”
After the Sterling news broke, Rivers said Sterling and then-Clippers president Andy Roeser were not available. Roeser later took a leave of absence on May 6, 2014, and never returned to the position.
Hollins: “I was in the elevator with the man [Sterling] right after it came out. It was awkward. I shook his hand like normal. To me, the news didn’t change anything for me. We knew. Everyone knew his mindset. Man, that elevator ride took a while. He was fighting someone on the elevator. He didn’t understand. He was like, ‘This is business as usual.’ He was saying he was going to be at [Game 4]. ‘See you tomorrow.’
“To this day, he might not see the severity. He doesn’t see it as racism. For Donald’s mindset, it was like, ‘This is for me and this is for you.’ This is not necessarily that I am better than you. It was like, ‘This is what you do and this is what I do.’ ”
Rivers: “I was by myself. … I had no one to run stuff by. And a lot of people don’t know that [NBA commissioner] Adam [Silver] texted me saying, ‘This is my private number. Text me every second that you need something.’ That was huge.”
‘PEOPLE WERE CALLING US TO BOYCOTT’
The Clippers practiced at the University of San Francisco’s War Memorial Gym on the eve of Game 4 on Saturday, April 26, 2014. The venue was the home of former Dons and NBA legend Bill Russell, who faced a lot of racial discrimination while playing for the Boston Celtics.
Rivers told a media horde that Sterling’s racist statements were not going to distract his team. Paul and Griffin also addressed the media. And while Rivers voiced that his players would not be distracted, it was quite the contrary. They were getting so many calls and texts from family and friends that it was impossible for them to block it out.
Paul: “There were a whole lot of people in our ears. Everybody’s phone was going crazy, saying this and saying that. They were telling what you should and shouldn’t do. For us, we were trying to stay together as much as possible. And whatever we did, we wanted to do it together as a team.”
Hollins: “It was so awkward, man. You are trying to focus on the job at hand. Then you have a game to play. There was a lot of energy in different places. It was kind of weird. And honestly, it divided our team. It divided a lot of stuff we were doing. A lot of people got too focused on it. Other people in their mind weren’t too focused on it. And then basketball was there. You’re getting torn in different places, and then your friends and family are saying certain things. But I don’t think we aired it all the right way.”
Griffin: “As far as distractions go, I don’t know if there could have been a bigger thing. Everybody was calling for us to do something. At one point I had to stop answering questions from people I was close to just because it was the playoffs. Doc was always talking to us about keeping your box. You got your family, but everything else goes outside the box. That was crazy because people were calling for us to boycott, and then we had to make a decision.”
There was an uncomfortable buzz in Oracle Arena on April 27, ahead of Game 4. There were rumors that Jordan and Barnes specifically, and perhaps the Clippers as a whole, would boycott the game. Warriors forward Draymond Green also told The Undefeated that he heard the Clippers players considered not playing. The Warriors were in the other locker room awaiting word on what the Clippers were going to do and planned to support them.
Barnes said Rivers left it up to the players to decide whether they wanted to boycott and just asked that they make a uniform decision. Ultimately, the Clippers players determined as a whole that their quest for a title was bigger than Sterling.
Draymond Green: “I remember the awkwardness of the whole time from when it was released to leading to the game. … Everyone seemed antsy. The most important thing was everyone was standing with them. Guys on our team were standing with them. It was a sad situation. Obviously, it didn’t just affect them, although they were playing on the team he owned. It was bigger than that. It was about our culture as a whole. It was crazy.”
Warriors guard Klay Thompson: “I felt bad for those guys. They were in a tough position. … It was definitely a possibility that they boycotted the game, and it would’ve been completely justified.”
Jordan: “I wasn’t going to play. I felt like that was a representation of us. And for me, obviously being a black player, I didn’t want to go out there and represent that. That isn’t what I am about. My teammates, I will keep their names to myself, but they agreed with me on that — and they weren’t all black.
“I wasn’t being negative or anything, but I was standing for something bigger than myself. But ultimately, when you’re a player coming up, you’re not like, ‘Oh, I want to compete for this.’ You want to do it for your teammates. So ultimately, that swayed me to go out there and fight for my guys.”
Griffin: “We never played for Sterling anyway. It wasn’t like we were going out representing Sterling. We were representing our families, the city of Los Angeles and our fans. It all took care of itself in the end. We took the appropriate stand.”
Willie Green: “The best thing for us to do was play. We had a meeting, we decided to come out, play and represent the city of Los Angeles and each other. We stayed together and tried to win.”
Barnes: “Not playing was briefly discussed, but I think we all came to the realization that we’re never playing for Donald in the first place. … Plus, we felt we had a championship-caliber team that year. … I have zero regrets.”
Hollins: “We could’ve not played. But I didn’t join the league for Donald Sterling. There are so many more racist people; he was just the one that got caught. I play for my family. I play for my city. It was weird. That is how I feed my kids, doing this. If you had a racist boss, you’re not going to participate [in your job]? It was just funny. People were telling me to give up on a couple million dollars, a couple hundred thousand, or whatever it might be, in my career for someone who is racist.”
Paul: “It was weird. It was kind of eerie. There is a part of you that is saying don’t play. Then there is a part that says if you don’t, you can be letting each other down. We are not playing for them. We’re playing for each other. It was different.”
The Clippers looked solemn as they ran out for warm-ups to a sold-out crowd before the game started. Yes, they were going to actually play in the nationally televised game on a Sunday despite the Sterling cloud hovering over the team. The Clippers made a statement when they took off their warm-up jackets with “Clippers” on them and tossed them at midcourt. The players then engaged in warm-ups donning long-sleeved red T-shirts turned inside out so the team nickname would not be seen.
The Clippers’ blue jerseys said “Los Angeles” on the front, and the players wore black socks and armbands. The Warriors routed the Clippers, 118-97, in Game 4 to even the series at 2-2.
Griffin: “I just remember the chaos, but with every situation I try to remember something positive. I just remember coming out here taking our warm-ups off and turning them inside out. I remember getting the cheers from the fans here, and at that time that didn’t [usually] happen. It was kind of in the middle of us clashing.”
Hollins: “I don’t know if throwing our shirts off did anything, honestly.”
Paul: “It was easy to say it was hard to play because we got smacked. But I don’t remember too much about that game.”
Hollins: “It was Game 4, and we were better than Golden State then. We were going to come in and take care of business and mess everything up. But they didn’t hold anything back. They let us have it. They had that energy.”
Jordan: “Do I regret playing? No, I don’t regret playing. We got our a– whooped up in Golden State anyway. I am glad I played because those group of guys, they will be connected for life.”
STERLING BANNED BY NBA
Rumors were circulating that Clippers players were considering sitting out of Game 5 on April 29, 2014, in Los Angeles. Players on other teams around the league were considering sitting out as well. NBA sponsors were threatening to leave their partnership with the league. Meanwhile, several current and former NBA players, including former NBA star and then-Sacramento mayor Kevin Johnson, Kareem Abdul-Jabbar, Steve Nash, Tyson Chandler, A.C. Green and Norm Nixon took part in a union rally in L.A., ready to respond to word of Sterling’s punishment expected that day.
The pressure was on Adam Silver, who had replaced longtime NBA commissioner David Stern on Feb. 1, 2014. Silver came down hard on Sterling, announcing the Clippers owner was banned for life from any association with the NBA and the Clippers and was fined an NBA maximum $2.5 million. NBA owners later gave the needed vote to force Sterling to sell the team.
Many of the Clippers players got the news at their practice facility.
Paul: “I remember all those guys going to City Hall and saying something. It was a weird space for us because we were not only the team involved, but we were playing. Doc was trying to not only lock us in on the series and the game but what we were trying to do, and not use that as an out. I remember the first game back. It was unreal. Everybody wore black.”
Griffin: “Adam Silver, through Doc, told us he was going to handle the situation, and he did. We did what we were supposed to do. We were playing for something much bigger than Sterling. It was never our intent.
“We got together and handled it the best way we could have. As a team, you start training camp and go through the pain of the regular season. And you play basketball to get to the playoffs. For us to boycott the playoffs and ultimately lose a playoff series, it wouldn’t have been fair to us. You have to think somewhat selfishly.”
Draymond Green: “I didn’t think anyone was going to play. But once Adam made his announcement, it was so strong that at that point there was no reason for anyone to say anything about the stance.”
Thompson: “Everyone was really happy with how quickly Adam Silver reacted. That was great standing up for all the players on racism, institutionalism and all of that crap. Adam had our back.”
Rivers: “He was the right guy at the right time. My mama always said, ‘You’re right where you are supposed to be.’ That was my mother’s favorite saying. Adam was at the right spot at the right time.”
Hollins: “For Adam Silver, that was his strongest, ‘I’m here.’ Instead of being in the background and shying away from difficult decisions, he made a big decision moving on from Donald.”
The Clippers went on to defeat the Warriors in Game 5 and won the series in seven games. However, their title hopes ended after they lost to the Oklahoma City Thunder in six games in the second round.
On May 29, 2014, former Microsoft chief executive Ballmer won a bidding war for ownership of the Clippers, purchasing the team for a then-NBA record $2 billion.
FIVE YEARS LATER
No current players are left from the 2013-14 Clippers team. Paul was granted a request to be traded to the Houston Rockets on June 29, 2017. Griffin was re-signed by the Clippers to a five-year, $173 million deal that same summer but was traded to the Detroit Pistons on Jan. 29, 2018. Jordan is two teams removed after playing for the Dallas Mavericks and New York Knicks this season. Willie Green is an assistant coach with the Warriors. Barnes is retired. And Hollins is a television sports analyst for the Clippers and NBA.
After losing to the Clippers in that first-round series in 2014, Golden State has been to the NBA Finals every year since and won three championships. Barnes, who was on the Warriors’ title team in 2017, said, “I knew then they were going to be a problem.”
Rivers, meanwhile, is the last man standing on the Clippers and enjoying perhaps his finest coaching performance this season. The Clippers hope to be a major player in free agency this summer with the ability to sign two major free agents.
On Wednesday night, the Clippers are back in Oracle Arena to play the Warriors during Game 5 of their first-round series.
Jordan: “We had our opportunities. We had six years to us three, J.J. [Redick] and Jamal [Crawford]. We had really good teams, but we just couldn’t get over the hump. That happens after a while. Either you keep it going and believe in it or revamp, which ultimately they decided to do.”
Hollins: “Ballmer has gone all in. Before, Blake, DJ and Chris would get the preferential treatment, the massages, whatever that may be. The 15th man gets that now. The 15th man gets a scouting report, access to training. It’s just on another level. He’s really invested into the squad. It’s not surprising the success that he is having. Even the young guys.”
Rivers: “When I came here, no free agent would say they want to play for the Clippers. Now, every free agent says they want to play in L.A. And they don’t mean the other team [the Lakers], they mean both. To me, that is a big measure of success of where the franchise has become. The next step is getting [free agents] and then winning.”
Is this the best week the NFL has had in recent memory? Just before 8 p.m. Tuesday when the final happy hours on the East Coast were wrapping, news dropped that megastar New York Giants wide receiver Odell Beckham Jr. was traded to the Cleveland Browns. Beckham, the most popular and influential player in the NFL, who is entering the second year of a five-year deal worth $90 million, was previously said to be a Giants made man.
“We didn’t sign Odell,” Giants general manager Dave Gettleman said just days ago at the NFL combine, “to trade him.” So much for that. But what was New York’s heartbreak became Cleveland’s new love affair. No one was more ecstatic than Beckham’s close friend, former college teammate and fellow Pro Bowl receiver Jarvis “Juice” Landry.
Reactions, both of joy and pain, were instantaneous.
“I am no more a Giants fan!!!” a friend’s uncle vented in a group chat. “I am officially done with their a–.”
“My nerves is way too bad for this s—,” was another comment at Instagram. “@obj, I’m headed to Cleveland as well.”
LeBron James, Ohio’s most famous son, posted “OH MY!! … S*#% just got REAL!!”
As if that weren’t enough, not even five hours later, Le’Veon Bell announced his signing with the New York Jets. The deal not only ends Bell’s self-imposed exile from football — he sat out the entire 2018 season with the Pittsburgh Steelers over contractual disputes — but finds the talented dual threat running back making $52.5 million over four years with $35 million guaranteed. Including incentives, the maximum value of the contract could be north of $60 million. The deal has been widely panned, mostly because Bell’s yearlong exodus resulted in a financial setback. “That’s a good deal for the Jets considering what it could’ve been or should’ve been for Le’Veon Bell,” said ProFootballTalk’s Mike Florio.
For context, NBA players such as Marvin Williams, Ian Mahinmi, Bismack Biyombo and Chandler Parsons all earn more annually than the three-time Pro Bowl Bell. Roster dynamics notwithstanding, it’s hard to rationalize how the NBA/NFL compensation divide makes sense.
There’s synergy, though, in both moves. Beckham departs for the Browns, who now figure to have the most offensive firepower in the league aside from the Kansas City Chiefs. And Bell enters New York as the biggest AFC East acquisition since the New England Patriots traded for Randy Moss in 2007. Both changes detonate on the heels of the transaction that started it all: Antonio Brown’s trade to the Oakland Raiders.
Which begs the question. Is this the best week the NFL has had in recent memory?
The NBA’s summer of 2010 free agency, when Chris Bosh and James joined Dwyane Wade at the Miami Heat, changed the landscape of the NBA offseason. Besides superstars changing teams, there’s also the fervor the NBA has been able to generate, year-round, about its changes.
The NFL hasn’t been able to mimic that sort of excitement. Reasons are aplenty. Collective bargaining agreements and the overall nature of the business in football place more power in management’s hands than that of its workforce. Of equal importance are the issues that have plagued the NFL for the last decade.
Football is a violent sport, physically and psychologically. The list of issues include but are not limited to head trauma and chronic traumatic encephalopathy, domestic violence and “Deflategate.” There’s also the human rights debate spearheaded by Colin Kaepernick, and other players’ protests. All have taken a public relations toll on football. Some fans have left the sport altogether, and negative headlines have, in many ways, come to define America’s most popular sport in the 24/7 media-driven world.
But now, especially with Kaepernick having settled with the NFL, there’s real football to talk about. The moves of Brown, Beckham and Bell are now the subplot of conversations about NFL player mobility, front office business and the chilling disconnect between both.
At least for now, the reasons for the hot football chatter feels strictly X’s and O’s. And there’s a poetic sense of role reversal with the NBA as well: heading into the Super Bowl, the biggest news in sports was Anthony Davis’ trade demand to the Los Angeles Lakers. This all but made Patriots-Rams a supporting character in America’s best drama: the NBA.
The sheer mundanity of the Super Bowl didn’t help. Now, with NBA hysteria centered on James all but guaranteed to miss his first postseason since YouTube’s rookie year (2005) and concerns about the Golden State Warriors appearing vulnerable, it’s the NFL that has commandeered headlines that can be used to promote its brand, rather than having to protect it from stuff like Patriots owner Robert Kraft’s legal situations.
The questions are compelling. How could Pittsburgh lose the two best players at their respective positions? Is Brown — arguably the league’s most enigmatic personality and no stranger to controversy, both on and off field — ready for a reboot out west? How might Brown’s strong-arming of the Steelers, praised by many in and around the league, set a precedent? How much is Steelers quarterback Ben Roethlisberger to blame for what happened in Pittsburgh? Did the grossly underpaid Bell sitting out a season hurt him financially?
And, importantly, are we ready to live in a world where the Cleveland Browns are bullies? The answer is we better be. Beckham at worst took a trip with his guys to Miami after winning the NFC East in 2017, dished out the fade to a sideline net and mimicked urinating like a dog after a touchdown celebration. Despite the Giants getting a better compensation package for Beckham than the Steelers got for trading Brown, what’s the logic of trading a Hall of Fame talent like Beckham — under contract, who wanted to be in New York while still very much in his prime — and jettisoning one of the most passionate fan bases in football just days after letting safety Landon Collins bounce to Washington?
They bout to be doing routines like TLC in the “Creep” video https://t.co/TeMHa2vPMg
— #OneBrownBruh (@CheerwinePapi) March 13, 2019
Narratives drive sports because America loves drama. The prospect of each superstar on a new squad is intoxicating. Brown paired with head coach Jon Gruden in what could be a rebirth and redemption season for both. Bell in New York gives the Jets its best offensive player since the days of Hall of Fame running back Curtis Martin.
Then there’s the most provocative move: Beckham in Cleveland. Beckham’s massive, one-of-one popularity — he’s still the most followed NFL entity, player or team, on Instagram by a considerable margin — coincides with the Browns’ unpopular decision to sign Kareem Hunt last month. The former Kansas City Chiefs’ talented, yet controversial running back re-enters the league, under uber-strict financial parameters, on the heels of a video of him shoving and kicking a woman at Cleveland hotel last year.
Meanwhile, running back Nick Chubb isn’t a media darling a la Saquon Barkley, whom Beckham instantly embraced as a younger bro in New York, but a savage nonetheless. Baker Mayfield, who in just his inaugural season became the best Browns quarterback since Bernie Kosar, presents an instant upgrade at signal-caller, making the Giants’ decision to stick with future Hall of Famer but over-the-hill Eli Manning over Beckham even more confounding.
The powerhouse point in Beckham’s trade to Cleveland is the reunion with high school and LSU teammate Landry. Not since the days of James and Dwyane Wade in Miami has there been a potentially more explosive and highlight-laden tandem of best friends. Aside from James, Beckham’s arrival is the biggest culture shift in Cleveland sports in the last 30 years. That’s not hyperbole. That’s a fact.
Superstars changing teams. Doing so with chips on their shoulders. And shifting the balance of power in the process. The script reads like entrees on the NBA’s menu. However fleeting the moment could ultimately prove to be, the NFL is currently the belle of the media ball. Even the most on-the-fence NFL outsider has to admit these past 96 hours have been fun. If the NFL was really about that life and really wanted to keep this momentum going, though, it’d make Kansas City vs. Cleveland a Monday Night game. On second thought, maybe we shouldn’t jinx it.