After ‘Get Out’ and #MeToo, Steven Soderbergh’s ‘Unsane’ is all too unnerving Horror movies don’t need a monster in a hockey mask when real life is already so scary

This article contains spoilers.

Add Steven Soderbergh’s new film, Unsane, to the ranks of psychological horror-thrillers that double as documentaries. Those of us who’ve seen Get Out or read too many shiver-inducing tales of #MeToo can never consume horror the same way again.

Partly this is because what constitutes horror is being expanded by our broadening understanding of history. The Netflix series Mindhunter draws on the real-life story of FBI agents developing a framework to understand the motives of serial killers. (Hint: It’s misogyny. It’s always misogyny.) The Handmaid’s Tale draws on the fear of state control over women’s bodies. Get Out, a tale about white body snatchers, reminds you that George Washington used to wear his own slaves’ teeth. All of it is more frightening than dudes in hockey masks or sporting razor blades for fingernails.

The Boogie Monster isn’t It. It’s us.

Is it even possible now to see a woman on screen being gaslit by a man without thinking about other women who have been silenced and discredited by being labeled as hysterical? #MeToo has unveiled a matrix of oppression obscured by a status quo in which women have been encouraged to second-guess ourselves, our abilities and our own perceptions of reality.

Now there’s a new movie about a woman going through the same thing.

Unsane follows Sawyer Valentini (Claire Foy) as she tries to escape her stalker, David Strine (Joshua Leonard). She’s moved hundreds of miles away from him, deleted her Facebook account, changed her phone number and found a new job. And yet, she cannot stop wondering if he’s still surreptitiously monitoring her every move, so she goes to see a therapist at a mental health facility. Once there, Sawyer falls into a trap, signing documents without fully reading them. Those documents allow the facility to hold her until its doctors decide she’s no longer a threat to herself or others. Against her will, Sawyer is thrown into a ward with people dealing with illnesses far more pronounced than her own post-traumatic stress disorder. She makes friends with another person in the ward, Nate Hoffman (Jay Pharoah), who’s checked himself in, supposedly to get treatment for an opioid addiction. Nate turns out to be an undercover journalist who rightly suspects that the hospital is trumping up violent symptoms of mental illness so that it can hold patients until their insurance runs out.

It’s like the for-profit prison industry, but for “crazy” people! Ain’t capitalism grand?

When Sawyer calls 911, the police show up but breezily dismiss her accusations without even talking to her. Sawyer’s reaction changes from impertinent “I was told by AppleCare” to full-on maniacal when she realizes that her stalker is working in the facility under an assumed name.

Everything gets worse from there.

The central question of Unsane is supposed to be whether Sawyer is actually being stalked or whether she’s a victim of her own paranoid delusions. But an America in which Harvey Weinstein gaslights Rose McGowan with ex-Mossad agents has rendered that question moot. I didn’t sit through Unsane wondering whether Sawyer was really experiencing what she said she was. I went straight to wondering how she was going to manage to escape it, or if she, and all of us, would be stuck in a padded cell until we learn to submit to white patriarchal hegemony.

It’s like the for-profit prison industry, but for “crazy” people! Ain’t capitalism grand?

There’s a lynching in Unsane. It’s no more literal than Get Out is literally a movie about American slavery. But a deconstructed lynching is a lynching all the same. David is a fragile white man who feels threatened by the rapport between Sawyer and Nate. She belongs to him, not anyone else. And certainly not a black man.

Pharoah didn’t audition for that part, he told me recently. Soderbergh reached out to his agent and said it was expressly for him. Which means Nate didn’t become black because Pharoah was cast to play him. His blackness is as essential to his character as Foy’s and Leonard’s whiteness is to theirs. Even without that nugget of information, it’s impossible to watch Unsane after seeing Get Out and not think about how its themes are complicated by race and gender.

But just to be sure, I watched Gaslight, the 1944 George Cukor thriller about a woman named Paula (Ingrid Bergman) whose husband systematically tries to convince her that she’s mentally unwell so that he can search for and steal some valuable jewels left to her by her aunt. It’s the film that’s responsible for why we now identify the act of trying to convince someone they’re crazy by continually denying what they know to be true as “gaslighting.”

Gaslight remains unnerving, but there’s a quaintness to it. The villain, Gregory Anton (Charles Boyer), is ultimately in pursuit of some high-priced baubles. Gaslighting is a means to an end. For Unsane’s David, gaslighting is the point. David is insecure, delusional and violent in a world that never assumes he might be any of those things because he has the good fortune of being straight, white, male and cunning. He is the ultimate benefactor of the suspension of doubt. David is fearsome because he walks freely among us — as a Proud Boy, a 4Chan-er, a disgruntled member of the manosphere.

Shot on an iPhone, often with a fisheye lens, Unsane turns its audience into voyeurs peeking in on the private hell of Sawyer’s life. We’re so busy trying to figure out whether this woman is actually crazy that we miss the ways we’re all silent bystanders, complicit and distracted, as one disturbed and empowered man slowly and methodically takes over his own little corner of the universe.

Oh, sure, he’s eventually discovered. But the damage he’s wrought before it happens is lasting and real.

‘The Quad’ recap, Episode 8: Good vs. evil Noni Williams and Cecil Diamond reunite as Eva Fletcher continues down a dark path

Season 2, Episode 8 — The Quad: The Beautiful Struggle

Alas! After two weeks of waiting to see whether coach Eugene Hardwick met his demise, a call to Eva Fletcher confirms that Hardwick is physically OK. After a shooting at his home, which left one burglar dead, Hardwick and his wife are at the police station giving statements. Fletcher is trying her hardest to get herself off her couch to meet her colleague. She appears to be in a haze, most likely from the medicine she’s been taking, and asks daughter Sydney to drive her to the station. Her odd behavior causes Sydney to worry and question whether Fletcher’s going to the police station is a good idea given her current state and history with the officers.

Although Hardwick seems to be grateful for the support, his wife, Venus, on the other hand, seems to have a bit of an attitude with Fletcher. Once the couple makes it home, Hardwick tries to reassure Venus that everything is fine, although it’s not. Hardwick escaped physical harm during the incident, but he was the one who killed the burglar. It’s evident that Hardwick has suffered trauma after he’s seen having flashbacks of the incident. Instead of being honest about these thoughts, Hardwick tries his hardest to suppress them and continues on with his day.

Back on campus, Noni Williams finally confronts Cecil Diamond, who brushes off her comment that he’s a “bad man” to discuss the upcoming symphonic band competition. Diamond couldn’t care less about Williams’ concerns since his focus is on winning and getting back at Clive Taylor. Williams knows she doesn’t want to fall back under Diamond’s spell, but with a little musical challenge from her former mentor, Williams realizes how much she misses the band. She feels needed by Diamond and later shows up to practice for the upcoming event. She quickly realizes things are not how they used to be as she struggles to learn her part for a split between herself and bandmate Kiara. Williams doesn’t have the strength to stand up to Diamond but instead lets all of her frustrations out to her best friend, Ebonie Weaver. Weaver, however, is upset to see her friend going back to Diamond after what he’d put them both through, and even more upset after Williams lies about being back in the band.

In the dorms, Cedric Hobbs and Weaver have been spending more time together working on their music, which seems to be a good move for the emerging best-friends-turned-couple. Hobbs brings some good news to Weaver: His aunt has acquired studio time for them at the same studio where OutKast recorded one of their top albums, Stankonia. All they need is a vocalist for their track and things will be all set.

But, of course, things were going too smoothly in Hobbs’ life. It wouldn’t be normal without drama. So for vocals, Hobbs turns to his ex-girlfriend Bronwyn — the girl to whom he made clear he didn’t want after sleeping with Weaver. She’s still rightfully angry at him and has questions about the nature of his relationship with Weaver, but she goes to the studio anyway to sing the chorus for their track.

Things immediately go sideways when Weaver and Williams show up at the studio and see Bronwyn with Hobbs. Bronwyn, sensing the tension in the room, asks to speak to Hobbs privately. She again asks if their breakup was because of Weaver. Hobbs assures her that he and Ebonie are still just friends, but he wants to know why it matters so much to Bronwyn. After a dramatic buildup, Bronwyn reveals that she’s pregnant. In a later conversation, she tells Hobbs there’s a good chance she may not keep the baby — her body, her choice.

Between Hobbs and Williams, Weaver has been stressed. While on her way to support Williams in the symphonic band competition, Weaver has a nosebleed and begins to vomit. They are the lasting effects from the trauma she experienced after being severely beaten, and Williams volunteers to go to the hospital with her best friend. After Weaver returns home from the hospital, Hobbs attempts to check on her but is met with a cold shoulder. Who can blame Weaver?

At the event, Diamond is not a happy camper (but when is he ever?). What was supposed to be a Kiara and Williams split performance would have to be a solo since Williams is nowhere to be found. As the band begins to play and Kiara prepares for the solo, Williams emerges from the crowd and the two bandmates begin to play together. The performance earns Diamond and the band a first-place finish.

But, of course, it wasn’t over. After gloating about his win, Diamond confronts Taylor with the information Williams found. Diamond threatens to out Taylor as a fraud, which causes him to step down from his position as band director.

It’s been a quiet episode for Fletcher, but definitely not without drama on her end. After meeting up with Hardwick at the police station, Fletcher decides to check on her colleague in his office. At first she appears to be supportive and helpful, even suggesting therapy before getting to the real reason she’s there. Fletcher asks Hardwick why a loan shark attacked him in his home, then boldly asks the coach if he has a gambling problem. Shocked that she knows more than he wanted her to know, Hardwick becomes defensive.

Fletcher continues her day still trying to settle the score with the new merger and manage life without pills. She assures the doctor she’s dating that she’s fine and no longer needs them. She later repeats the same lie to Sydney, who challenges her mother’s words by throwing the pills out. Once Fletcher realizes what’s happening, she desperately tries to stop her daughter from emptying the rest. The two argue, which results in Fletcher asking Sydney to return her house keys. The relationship was just getting back on track, but Fletcher’s pill addiction may cause her to lose it all — family included.

Penny Hardaway reveals his plans for the team as University of Memphis head coach ‘Everything I do, I do it for the city’

Anfernee “Penny” Hardaway wants to see fans back in the stands at basketball games to cheer on his alma mater, the University of Memphis. And that’s one of his goals as the new head coach of the team, as he explained after addressing hundreds of attendees at Tuesday’s news conference in Memphis, Tennessee.

“The city raised me,” Hardaway told The Undefeated. “I’ve been very successful at basketball, and everything I do, I do it for the city, and I’m just excited to be in this position. I look forward to the fans coming back to the FedExForum, packing the house like we did in the Coliseum and in the Pyramid. I’m looking forward to those days coming back. I’m excited. I hope that everybody’s riding the waves, and I hope that I can put Memphis back on the map.”

The Mid-South Coliseum was home to the Tigers from 1966-91. The team moved to The Memphis Pyramid once it was built. It remained the home of Tigers basketball from 1991 until 2004, when the FedExForum opened.

Hardaway assumed the position vacated by Tubby Smith on the cusp of a three-peat victory with his East High School Mustangs. As the high school’s head coach, the NBA legend and local Memphis icon won his third straight state title (2016, 2017 and 2018) in Murfreesboro on March 17 at the Class AAA State Championship game. Hardaway focused on his team’s competition, never confirming plans to take on a new role until the school’s announcement on Monday.

Memphis Tigers cheerleaders handed out souvenirs celebrating their new head coach at a news conference and rally announcing Penny Hardaway’s new role for the University of Memphis men’s basketball team.

For many fans, Hardaway has returned home — a place he holds dear to his heart. It’s the same place where his hoop dreams became a reality that thrust him into NBA stardom, a place where fans cheered him on, teammates urged him to play harder and his former coach, the late Larry Finch, who was also once a player at the then-Memphis State University, believed that he would do great things in life.

For Hardaway, his job as Memphis’ new head coach is divine intervention.

“God ordained this whole process into being what it is today …,” Hardaway said. “I believe in all of that. The timing is perfect right now. The city needs it, and the city is responding. I feel great.”

Hardaway has a high level of respect for Smith and his coaching history. Smith’s two-season stint ended in his firing after closing out the 2017-18 season with a declining attendance for the sixth straight year, ultimately contributing to the need for a new plan. The announced average was 6,211 fans through 18 home games toward the close of the 2017-18 season at the FedExForum, which holds 18,119.

According to The Commercial Appeal, the school averaged more than 16,000 fans and ranked among the top 10 in the country in average attendance just four years ago. During former coach Josh Pastner’s final season, the announced team average was 12,028 (2015-16).

Hardaway’s success with Team Penny, his AAU program, gives him exemplary knowledge of new recruits and their talents. Although he has no college coaching experience, his passion for basketball lends a level of confidence for a hopeful resurgence of the Memphis basketball program.

Penny Hardaway hugs Vickie Finch, the widow of former University of Memphis player and head coach Larry Finch, after a news conference and rally announcing Hardaway’s new role as head coach for the University of Memphis men’s basketball team.

Hardaway said the hardest part of his upcoming journey is learning the NCAA rules and regulations.

“I have to make sure I don’t have any infractions or break any rules,” Hardaway said. “I have my compliance people on speed dial to make sure. I think that will be the hardest part. I’m focused, and there are so many rules and regulations.”

Hardaway is the university’s 19th coach and the third Tiger alum named head coach for the program, after Wayne Yates (1974-79) and Finch (1986-97).

Elliot Perry, Hardaway’s friend and former Tigers player and director of player support for the Memphis Grizzlies, thinks this is one of the biggest hires the program has made in its history.

“I’m in love with the hire,” Perry said. “I played for Coach Finch, one of the best players to ever play there. And the impact that he made and how much he poured into my life he’s poured into Penny’s life as well, and Penny will do the same thing for his players. You’re talking about a guy who played high school here and played in college at Memphis. [He’s] certainly one of the best players to ever play in our program, and now he’s the head coach. He will run the program, orchestrate the program, curate the program like it’s his own child. That’s why it’s so significant.”

Hardaway told the crowd of more than 100 at the news conference that his passion for Memphis basketball is what encouraged him to accept the position.

“You know it wasn’t easy to bring me here because of my experience with college basketball,” he said. “But I told everyone all I had to do was have the Memphis blood in me and the heart and the passion for winning basketball. As a coach, my style, we’re going to get after them. I know that’s what we love. We’re going to play hard-nosed basketball, running, jumping, pressing everywhere and winning games. Losing is not an option for us. I really want to hit the ground running. I know people are saying to be patient and to do this first and to do that first, but I’m not wired that way. I go all or nothing.”

Penny Hardaway speaks at a news conference and rally announcing his new role as head coach of the University of Memphis men’s basketball team.

Andrea Morales for The Undefeated

The two-time All-American and four-time NBA All-Star inherits a 40-26 record accumulated during the past two seasons under Smith. This season, the Tigers finished 21-13 after a American Athletic Conference Championship semifinal loss to top-seeded Cincinnati.

“I’m not just coming here to be a face,” Hardaway said at the news conference. “I’m coming here to make a difference, with the help of getting the fans back in the stands like it was back in the old-school days. I am dedicated to this team that just finished this season. Like I told those kids in the locker room, it was kind of unfair a little bit to them that nobody really showed up, but those days are gone. Also bringing some really good talent here that the city of Memphis would love to see on a nightly basis.”

Hardaway’s ongoing support of the University of Memphis is evident in his $1 million donation in 2008 to the Penny Hardaway Hall of Fame Building, which opened in August 2011. He graduated from college in May 2003 with a bachelor’s degree in professional studies.

Fans line the second-floor balcony at a news conference and rally announcing Penny Hardaway’s new role as head coach for the University of Memphis men’s basketball team. Photos of Hardaway line the balcony.

Hardaway was picked third in the 1993 NBA draft by the Golden State Warriors but was traded to the Orlando Magic for the rights to Chris Webber, the draft’s top overall pick.

The 6-foot-7 point guard played in the NBA from 1993 to 2008 with the Magic, Phoenix Suns, New York Knicks and Miami Heat.

Hardaway’s notoriety goes back to his senior year in 1990 at Treadwell High School in Memphis, where he averaged 36.6 points and 10.1 rebounds. His time at Memphis State University is in the books. He spent two seasons with the Tigers and led the team to two NCAA tournament appearances, including the Elite Eight in 1992. His achievements include two career triple-doubles, and he ranks 17th in scoring. Hardaway won a gold medal with the 1996 U.S. Olympic team in Atlanta.

The woman behind CoverGirl’s ‘I am what I make up’ marketing campaign Ukonwa Ojo added Ayesha Curry and Issa Rae as brand ambassadors

When Ukonwa Ojo left Nigeria for the United States to attend the University of North Carolina, Chapel Hill, she had no clue she’d eventually become global senior vice president for Coty Inc.’s CoverGirl brand, but she knew she had a dream.

“My parents were gutsy enough to let me move to America by myself to follow my dream,” said Ojo. “I always knew that I wanted to work in business, and America was like the nirvana of business.”

Fast-forward to the present day, where that same bravery kicked in when Ojo, who joined CoverGirl in the fall of 2016, gave the brand a makeover by changing its slogan, “Easy, Breezy, Beautiful CoverGirl,” to “I Am What I Make Up” after just a year at the company. Ojo and her team added more brand ambassadors to round out their roster. Along with singer Katy Perry, the new CoverGirl ambassadors included chef and author Ayesha Curry, who is half of a power couple with NBA All-Star Stephen Curry; Issa Rae, the creator of HBO’s Insecure; fitness guru Massy Arias; 69-year-old model Maye Musk; and professional motorcycle racer Shelina Moreda.

It wasn’t an easy decision, but the feedback has been incredible and allowed CoverGirl to bring a lot of innovation to market with bolder colors, deeper tones and glitter with a spring collection that will launch 114 new products.

Making tough decisions isn’t new for Ojo, who decided to change her career after working nearly six years in the finance department at paper company MeadWestvaco. A finance and accounting major in college, she was good at math but realized that she wasn’t in love with it and couldn’t see herself doing it for the rest of her life. Then she heard about brand management.

“I realized that what I didn’t like about finance was that I worked alone most of the time. But with brand management, I’m constantly collaborating and building together with so many departments,” said Ojo. “I’m a classic extrovert, so I get energy from other people.”

Ojo earned an MBA at Northwestern University and, while there, interned at General Mills, where she spent seven years. She handled marketing for brands such as Betty Crocker, Honey Nut Cheerios and Progresso from 2004-11. Later, she worked on branding for the French’s mustard portfolio, as well as Durex and K-Y in London for the British multinational consumer goods company Reckitt Benckiser until 2015. She stayed in London and joined Unilever as senior global director for Knorr, the food and beverage brand, before moving to New York as a CoverGirl senior vice president. With more than 20 years of marketing and brand management experience, she now oversees the cosmetic brand’s global strategy, advertising and communications.

The Undefeated visited Ojo at Coty’s offices in the Empire State Building to learn more about CoverGirl’s evolution, how she exemplifies why “you are what you make up” and why she lives by her Instagram bio, “working hard, playing harder and praying hardest.”

What is a typical day like for you?

There is no typical day, which is one of the things I love about this job and the beauty industry: It’s so fast-paced. I can be looking over the innovation within production operations, presenting to our board of directors or the executive committee, reviewing a pitch from our media partners who may have an amazing idea to meeting with our sales team on how we’re going to drive growth for that quarter. The scope of my role is so broad that it keeps things interesting and my brain challenged.

What’s the most rewarding and challenging part of your job?

The brand means so much because of the impact it has on culture, and that creates such a rewarding feeling for us. The challenge derives from that same responsibility of running such an iconic brand. Whatever you do, you know you’re standing on the shoulders of giants and that you’re pushing culture forward through the brand and the business.

What was behind the decision to change CoverGirl’s slogan from “Easy, Breezy, Beautiful CoverGirl” to “I Am What I Make Up”?

The decision came from really listening to people. I learned how makeup is so much more than cosmetic, and every day when they stand in front of the mirror with their makeup bag they are actually creating who they wanted to be that day. Women play so many different roles in society, and our makeup changes based on those roles because it’s a form of self-expression, and there’s a story behind each look. We realized that some of these looks weren’t so easy, breezy, and in some ways that was limiting us to go on that journey with her to create whoever she wanted to be that day.

How has CoverGirl evolved in how it chooses ambassadors?

It’s never easy picking a CoverGirl because of the legacy and history of what it stood for. It’s one of the hardest things we do as a team because it’s far more than just beauty that meets the eye. We’ve historically always stood for inclusiveness and diversity, but it was primarily limited to ethnicity. We wanted to continue to celebrate ethnic diversity but also the beauty that comes in all ages and vocations. A lot of our CoverGirls usually come from the entertainment industry as models and actresses, but we thought, ‘How awesome would it be to show women in various roles that are pushing society forward?’

Why did you choose Ayesha Curry, Issa Rae, Massy Arias, Maye Musk and Shelina Moreda?

We loved that Ayesha Curry was a chef, entrepreneur, a mom and a wife and was playing these roles in such an inspiring way. Massy Arias, a fitness sensation that could kick anyone’s butt at any time, is balancing that with brand-new motherhood and the ups and downs that come with that and was still thriving on that journey. And then we have Issa Rae, who we loved because she was really pushing the boundaries in Hollywood about what entertainment should look and feel like. She’s a director, producer, writer, actress and just a strong role model for women. [Model] Maye Musk exemplifies how even at 69 years old you can still do what you love and inspire at that same time. Shelina Moreda is the first woman to have raced at the Indianapolis Motor Speedway and at the Zhuhai International Circuit in China.

We just wanted to show all of the different ways that women really thrive in society and have that be an inspiration to us and other women out there.

How can we increase diversity in managing advertising and brand campaigns?

I believe it’s a combination of not knowing that this is a career path and how there’s still a long ways to go on representation on all levels in this field. That’s why I try to be visible in my role, whether that’s with mentoring, participating on panels and speaking engagements so African-Americans not only know but see that this is a path here for them too. Brands, especially those that impact culture, have to have diversity in front and behind the camera to authentically push diversity and inclusivity. I’m very intentional at building a strong and diverse team.

Is it better to be feared or loved as a leader?

I don’t subscribe to fear and would never want to generate that on my team. If I had to pick a word, it would be respect, and I would choose that over being loved. As a leader, you’re going to make decisions that people aren’t always going to love, but if they respect you and you’re transparent, then they’ll recognize that your intent is right.

What is your advice to young women who don’t feel beautiful because they compare themselves to what they see on social media and in Hollywood?

Beauty really does come in every shape, size, ethnicity and vocation. It’s so important that we champion that and show how beauty is confidence. People try to water it down to an idealized vision of beauty. But at the end of the day it is confidence, and when you learn to accept who you are, you will automatically perfect beauty into the world.

What would be your personal theme song and why?

“Live Your Life” by T.I. featuring Rihanna, because I believe in writing your own rules. People could have statistically said where I should end up or what a senior executive should look or lead like. I love challenging those notions. Like our slogan says, ‘you are what you make up,’ and you can become whoever you want to be.

Two for Tuesday: WNBA great Swin Cash and activist Coretta Scott King Recognizing women of accomplishment during Women’s History Month

During National Women’s History Month, The Undefeated will recognize two women every Tuesday. This week’s Two for Tuesday features basketball Olympic gold medalist Swin Cash and civil rights activist Coretta Scott King.

Swin Cash

Jennifer Pottheiser/NBAE via Getty Images

WNBA star Swin Cash retired from the game in June 2016 after completing her third season with the New York Liberty. Cash, who became one of the most influential players in the league, had a 15-year pro basketball career that included many titles, accolades and high scores that made history. Now she is director of franchise development for the Liberty, a post she’s held since 2017.

The McKeesport, Pennsylvania, native led the University of Connecticut women’s basketball team to national titles (2000 and 2002). She led two teams to three WNBA championships (Detroit Shock 2003 and 2006, Seattle Storm 2010). The 38-year-old boasts two Olympic gold medals (2004 Athens Games and 2012 London Games). Cash’s days on the hardwood included 5,119 points (15th in league history) and 2,521 rebounds (10th) in regular-season WNBA action.

The wife, mother and league executive was selected by the Shock in the 2002 WNBA draft, and she spent six seasons with that team. Besides playing with the Storm and Liberty, she spent time on the floor with the Chicago Sky and the Atlanta Dream.

Coretta Scott King (1927-2006)

Wally McNamee/CORBIS/Corbis via Getty Images

Activist, mother and civil rights worker Coretta Scott King owns many titles. Widely known for working alongside her husband, Martin Luther King Jr., in the 1960s, she labored for peace and justice organizations and fought for social and economic change before her death in 2006.

After the murder of her husband on April 4, 1968, in Memphis, Tennessee, King continued the fight on behalf of equal pay for sanitation workers and led her husband’s planned march through Memphis.

King founded and served as president and CEO of the Martin Luther King Jr. Center for Nonviolent Social Change. She participated in demonstrations against apartheid in South Africa and fought for 15 years to formally recognize King’s birthday as a federal holiday.

Born on April 27, 1927, in Marion, Alabama, King received her bachelor of arts in voice and music from the New England Conservatory of Music in Boston in 1954. She was a member of Alpha Kappa Alpha sorority. The couple had four children: Yolanda (1955-2007), Martin Luther III, Dexter and Bernice. The surviving siblings are activists and manage the King Center and their father’s estate.

Migos madness: the ultimate bracket of Migos songs The best Migos song ever? Here’s the Skrrrt 16 — you decide

There’s no denying it at this point. If Quavo, Offset and Takeoff, collectively known as the hip-hop supergroup Migos, woke up tomorrow and decided they were done with rap, they’d already have more than enough material for a greatest hits album. We’re pleased to report they aren’t, but that doesn’t mean we can’t have fun with their extensive catalog anyway.

Sports and Migos go together like the Jheri curl and Soul Glo in Coming To America. Look no further than LeBron James’ Instagram Stories, Kevin Durant giving Quavo a game-worn jersey during the Golden State Warriors’ annual Atlanta stop, Los Angeles Laker Lonzo Ball’s playlist and, most importantly, Quality Control’s trophy case featuring Quavo’s All-Star Celebrity Game MVP award that he deservedly won last month in Los Angeles.

With the Sweet 16 tipping off this weekend, it’s only right, with the Three Wise Migos themselves, that we unveil the “Skrrrt 16.” It’s exactly what you think it is too: a March Madness-style bracket curated by us (The Undefeated) and them (Migos). And just like the actual NCAA tournament, there are a plethora of snubs — “John Wick,” “Say Sum,” “Slippery,” “Too Hotty” and more — but Migos just has too many dope records.

We need your help with narrowing down these 16 into the ultimate one. The conversation is happening at Twitter. Have your friends get with our friends and we can fill a bracket before the weekend. Without further ado, let’s get to it and break down the regions …

Culture I Region

  1. Bad and Boujee” (2016) — This is the top overall seed of the bracket — and for good reason. Despite all the surefire hits the Migos have to their name, “Bad & Boujee” is the only one that went to No. 1 on the Billboard Hot 100. The dynasty the track sparked all began in August 2016, when Quality Control got out of a deal with 300 Entertainment. “The rest,” the label’s chief operating officer, Kevin “Coach K” Lee, said recently, “is history.” The record took off and catapulted the group into another stratosphere of influence, complete with countless memes and an iconic shout-out from Donald Glover on the Golden Globes stage. “Bad and Boujee” is the undefeated heavy favorite to win this bracket.
  2. T-Shirt” (2017) — This was a tough one for the selection committee. We had to decide between making “T-Shirt” a No. 1 seed (which it probably should be) or placing the track as a No. 2 seed in the Culture region, with an epic matchup against “Bad and Boujee” in play for the Elite 8. Not to get ahead of ourselves, but “B&B” vs. “T-Shirt” in the second round would settle an often debated question that even the greatest of hip-hop connoisseurs have failed to settle: Which one is the best track on Culture? Perhaps its stunning The Revenant-meets-the-trap-themed video will give “T-Shirt” the slight edge.
  3. What The Price” (2017) — You can’t tell me Takeoff yodeling, “WHAT THE PRIIIICE” doesn’t sound like Mufasa from The Lion King. This is hip-hop opera, if we’re being honest with ourselves. It’s such a classic Migos cut, and superstrong 3-seed, setting the stage for a huge matchup with “T-Shirt” in the opening round of Skrrrt 16. Is a potential upset brewing? We shall see.
  4. Bando” (2012) — Fun fact: The Migos and the 2017 NFL Offensive Rookie of the Year, running back Alvin Kamara of the New Orleans Saints, all grew up together in Nawf Atlanta. And one story that Kamara always recounts is his memory of the then-up-and-coming rappers going to nightclubs every weekend to perform one song, and one song only, hoping to catch their big break. That song? “Bando,” which is where it all really began for the hip-hop trio. You’ve gotta respect how far Quavo, Offset and Takeoff have come since this early banger.

Culture II Region

  1. Stir Fry” (2018) — It’s a No. 1 seed for a reason. In what will likely go down as Culture II’s biggest hit, the Pharrell-produced number was also their third-highest charting single — No. 8 on the Billboard Hot 100. The wide appeal of “Stir Fry,” while still remaining true to the group’s eccentric dynamic, is undeniable; it was the NBA’s official theme song of All-Star Weekend. Hard to deny that résumé a No. 1 seed.
  2. MotorSport” (2018) — Cardi B’s aggression blended with her simultaneous public displays of affection for Offset. Nicki Minaj’s follow-up that (temporarily, at least) quelled rumors of long-standing beef between the two rap stars. The three Migos crafted a futuristic trap monster that set the stage for Culture II.
  3. Walk It Talk It” (2018) — The most intoxicating music video of 2018 has arrived, and we’re only three months into the year. On March 18, while teams in the NCAA tournament were fighting for spots in the Sweet 16, the Migos dropped the visuals for their Culture II track “Walk It Talk It” in the form of a Soul Train-themed masterpiece, which features Jamie Foxx as the Don Cornelius-inspired host of the fictional program Culture Ride, the hip-hop trio as a swaying band swagged out in ruffled suits on top of platform shoes, and the song’s featured artist, Drake, coming to the stage rocking a Jheri curl. Co-directed by Daps and Quavo, the video even features a version of a Soul Train line, down which Offset pops and locks. Everybody and they mama surely took a break from hoops to watch this when it was released Sunday. Foxx, Quavo, Offset, Takeoff and Drake — that’s a starting five right there, boy.
  4. Handsome and Wealthy” (2014) — Catch this in the club, day party or cookout and it instantly becomes a choir rehearsal that your church aunts and grandpas would likely not approve of. One of the group’s earlier smashes, it still goes, and bless Offset forever for his closing spiritual: I know why you came in this club tonight / Looking for a n—a that’s gon’ change your life. Those bars leading directly into Quavo’s hook? Glorious. Simply glorious. “MotorSport” might be in trouble.

NAWF Region

  1. Fight Night” (2014) — Seven months before the drop, and ensuing success, of “Handsome and Wealthy,” the Migos delivered an absolute smash with the certified gold “Fight Night” — the group’s highest-charting pre-“Bad and Boujee” single, which spent 16 weeks on the Billboard Hot 100, peaking at No. 69 in September 2014. Also, if you had any doubts about Takeoff’s abilities in the booth, he squashed all of them by absolutely floating on the intro, hook and first verse of “Fight Night.” He opens with four masterful bars — If you know me, know this ain’t my feng shui / Certified everywhere, ain’t gotta print my résumé / Talking crazy, I pull up, andale / R.I.P. to Nate Dogg, I had to regulate and carries the track the rest of the way. Don’t sleep on “Fight Night,” which has all the components of a deep run.
  2. Freak No More” (2014) — And now for the biggest sleeper in the pool: 2014’s club anthem “Freak No More.” This trap ballad, which never truly got the mainstream play it deserved (likely because of title and content), is the perfect combination of rapping and singing, with the choppiness of verses transitioning into Quavo’s suave crooning on the chorus. This is an early example of the now-proven fact that Quavo can carry a track not only as an MC but also as the ultimate hook man. You can’t tell us that you’ve never caught some twerk — or, for the of-age crowd, thrown some ones — while this served as the soundtrack to the moment. Watch out, “Fight Night” … “Freak No More” is a borderline No. 1 seed, coming for the upset.
  3. Wishy Washy” (2014) — If you go back and look at the video, in particular at Offset, here’s something you’ll never be able to unsee: He looks like a regular-height Joel Embiid. Same hairstyle and everything. True story. Regardless, this standout from the 2014 project Rich N—a Timeline didn’t get much radio play because, well, you hear the subject matter. But let’s just say it lived and thrived in the ecosystem of Atlanta’s (strip) clubs without a hitch.
  4. Cocoon” (2016) — There’s a prophetic aura that surrounds the Migos’ non-album single “Cocoon,” which dropped on May 5, 2016, before the August release of “Bad and Boujee” and the group’s magnum opus Culture in January 2017. Be myself at the top like a cocoon (aye, like cocoon) / … We the wave, we the wave, typhoon (wave, aye, typhoon), Quavo spits on the track’s hook as a quasi-prediction of the rapid rise to superstardom the three rappers would soon experience — and their need to protect themselves (like a cocoon) once they reached the top. Obviously, in the end, the Migos back up these braggadocious bars. While “Cocoon” might be a forgotten track that some consider a throwaway, it’s definitely worthy of a Skrrrt 16 bid.

YRN Region

  1. Versace” (2013) — The most incredible aspect of this song is its staying power: The song’s flow influenced the entire game. A Drake feature, in 2013, was like the Bermuda Triangle. He annihilates the feature so effectively that the song becomes his, and the original artists are left to wonder where they go from here. Drake undeniably put the remix in the figure-four leglock with one of the standout verses of his career — and one of the better features of the decade, if we’re really keeping it a bean. But Migos absorbed the publicity and became stronger. They really are the rap Voltron. If that’s not No. 1-worthy, then nothing is.
  2. Hannah Montana” (2013) — If you’ve ever seen them perform this song live, especially at a festival, then the reaction this still gets a half-decade later is nothing short of amazing. Miley Cyrus (aka Hannah Montana) has since handed her struggle-twerk card in, giving the title a different context now. But the allusion to “Hannah Montana” as a drug reference was brilliantly cunning. The fact many outside of rap didn’t get the reference was the closest (and most unintentionally funny) hip-hop magic trick since Dave Chappelle’s revelation about “skeet skeet” in the early 2000s.
  3. Pipe It Up” (2015) — “Look at My Dab” didn’t make the cut in the field of the Skrrrt 16, but “Pipe It Up” (which actually dropped first) is certainly puttin’ on for the Migos-created dab — the hottest dance in the past decade. It even inspired the group’s own brand of potato chips. Back in 2015, it was hard to find a highlight during Carolina Panthers quarterback Cam Newton’s MVP-winning season without the second single off the group’s debut studio album, Yung Rich Nation, playing over top of it. That’s a winning formula from the song that features the refrain “Pipe It Up” 92 times. Far from lyrical genius, yes, but the track sure does make you wanna dab.
  4. One Time” (2015) — A strong 2015 for the Migos brought us the culture-shaking dance records “Look At My Dab” and “Pipe It Up,” but it all began with “One Time,” which features a repetitive party hook: Smoke one one time (smoke one) / Drink some one time (drink, drink) / Lemme f— some one time (smash) / Tear the club one time (turn the club up). Opening with all three members of the group passed out on the couch after a night of Lord knows what, the music video is definitely inspired by 2009’s The Hangover and brings a similar infectious energy.

Many believe Austin, Texas’ troubled racial history is behind deadly bombings Families of victims Draylen Mason and Anthony House are prominent in city’s African-American community

Three deadly bombings within 10 days in the Texas capital of Austin, victimizing three African-Americans and one Hispanic, have, shockingly and revealingly, peeled back the layers of a deep-rooted history of racial strife in a city considered, at least on the surface, among the most liberal and progressive in the state, if not the entire country.

“It’s almost like, ‘Do the bombings uncover another side of Austin?’ It’s that other side that people really don’t get that I think is a national story.”

The speaker is Joseph C. Parker, an attorney licensed to practice law in Texas and federal courts and senior pastor at David Chapel Missionary Baptist Church in East Austin. A longtime community activist whose father marched with Martin Luther King Jr., Parker drew parallels between the deadly bombings in Austin and the ones that terrorized his hometown of Birmingham, Alabama, five decades earlier.

“When the bombings were happening when I was growing up in Birmingham, it was a segregated city and a racist city. When you contrast the image of Birmingham, which we negatively referred to as ‘Bombingham,’ there were killings all across the South. But now you come to the 21st century, and to have bombings in Austin, Texas, raises a different contrast than bombings in the 1960s in Birmingham,” Parker said March 16 after it was revealed that Austin police received 236 suspicious package reports in 24 hours and a total of 735 as of Sunday since March 12, when two package bombs exploded — one killing Draylen Mason, 17, and critically injuring his mother. A second explosion killed 75-year-old Esperanza Herrera. Authorities connected those bombings to the first package bomb that killed Anthony Stephan House, 39, on March 2.

The families of Mason and House are prominent in the African-American community. House and Mason both attended Wesley United Methodist Church, where Mason’s stepfather, Freddie Dixon, was a minister for more than 20 years. Dixon is friendly with Mason’s grandfather, Norman Mason, who operates a dental practice in Austin. A high school senior, Mason was a talented bassist who had been accepted to the prestigious Baker School of Music at the University of Texas. Mason’s grandmother, LaVonne Mason, is a co-founder of the Austin Area Urban League.

On Monday, interim Police Chief Brian Manley said, “We are clearly dealing with what we expect to be a serial bomber at this point.”

Austin police have been joined by more than 500 federal agents from the FBI and Bureau of Alcohol, Tobacco, Firearms and Explosives, and a reward of $115,000 has been offered for information leading to the arrest of the perpetrator. “It’s clear to everybody involved this is creating terror in our community, this is creating fear,” Manley said during a community forum on March 15.

After another explosion Sunday in a different part of Austin in which two men in their 20s were hospitalized but in good condition, officials didn’t know if the latest bombing was connected to the first three.

The race of the victims was not released. This time, a suspicious backpack was left near the scene of the explosion. In another incident during the weekend, police arrested a man early Sunday morning who they said emailed a bomb threat that forced the cancellation of a concert by The Roots at the city’s popular South by Southwest music festival.

Said Parker, who is among a group of attorneys who filed four landmark lawsuits last month challenging the winner-take-all method that states use to allocate their Electoral College votes:

“How does that happen here? I believe it’s race-based, but it may be disclosed later that’s not the real reason. People just don’t know. Who’s doing this? Why are they doing this? In my mind, my upbringing, coming up in Birmingham when bombings were taking place, this brings that back for me. When people speak of Austin, they speak of it being a progressive city, a Texas city different from any other place in the state. I love Austin. But there are still some race challenges here, and I believe it is because we have not dealt appropriately with the issue of race in this country.”

Austin acknowledged as much two years ago when Mayor Steve Adler formed a task force in response to racially motivated incidents involving African-Americans and police. One involved the fatal shooting of 17-year-old David Joseph that resulted in a $3.25 million settlement to the teenager’s family — the largest payout in the city’s history as a result of lethal police force. In another incident, Officer Bryan Richter’s forceful arrest of Breaion King led to an HBO documentary, Traffic Stop.

Headed by Huston-Tillotson University president Colette Pierce Burnette and Austin Independent School District superintendent Paul Cruz, the task force found in its initial report that Austin faces severe systematic and institutional racism as a result of racially motivated city policies and ordinances.

In 1928, Austin created a “Negro District,” which resulted in black residents being forced to move east of what is now Interstate 35. Whites took over property west of Interstate 35 once held by blacks. In later years, through gentrification, whites acquired desirable real estate held by blacks closer to downtown.

Much of the distrust and anger in the African-American community can be traced to that history.

Last September, statues of Confederate leaders were removed from the University of Texas campus near the state Capitol. Five months later, the Austin school board voted 7-2 to remove the names of men who served in either the Confederate military or government from five campuses. Trustee Ted Gordon, the only African-American on the school board, put forward the motion.

“Austin, Texas, is viewed nationally as a very prosperous city. But it’s also a white city, that’s very clear,” said Nelson Linder, president of the Austin region’s NAACP branch since 2000. “The policies here have never really treated black people right.”

“There’s an issue with the system continually justifying its behavior. The leadership is OK with always apologizing,” said Fatima Mann, executive director of the grass-roots organization Counter Balance: ATX, who attended the forum. “On top of that, how Anthony [House] was treated. Blacks never get to be the victim, even when we are victimized.”

Linder, who indicated the intended target was another person who might have been connected to House and Mason, said Austin’s poor race relations contributed to black skepticism about the police investigation into the bombings. It was days before police told the public that the explosion that killed House had been caused by a package, and more than a week before authorities warned the public to beware of suspicious packages.

“I’m asking people to keep an open mind. Let’s be willing to follow the facts and go where they lead us,” said Linder, who hired House to build and maintain the NAACP’s website a decade ago. “For me, being involved in the investigation, there’s a force out there targeting families who are connected, and they’re doing it in a very professional manner. We [can’t] be biased ourselves because the folks being killed are black. So while we have these issues of equity and racism, we have to have the ability to not let what we’ve experienced govern all of our ideas. Yet, knowing who we are and the history of what we’ve gone through, that’s a challenge.”

Two for Tuesday: Hall of Famer Cheryl Miller and journalist Ida B. Wells Recognizing women of accomplishment during Women’s History Month

During National Women’s History Month, The Undefeated will recognize two women every Tuesday. This week’s Two for Tuesday features basketball Olympic gold medalist Cheryl Miller and writer and journalist Ida B. Wells.

Cheryl Miller

Miller was born and raised in Riverside, California, the third of five children. She and her younger brother, Hall of Famer Reggie Miller, became basketball stars. Now the youngest women’s basketball coach at Cal State Los Angeles, Miller has carved a name for herself in basketball history.

During high school, she was celebrated for scoring 3,405 points overall and averaging nearly 37 points per game, and for setting a California high school record with 105 points in one game. A four-time All-American, Miller attended USC, where she led her team to NCAA championships in 1983 and 1984.

After graduating, the 6-foot-2 Miller was drafted by several pro leagues, including the United States Basketball League, a men’s league. She was a key component of the 1984 U.S. Olympic women’s basketball team that won a gold medal. She got her first head coaching job in 1993 at her alma mater.

She has also been an NBA sideline reporter and was head coach and general manager of the WNBA’s Phoenix Mercury. In 2014, Miller was named the women’s basketball coach at Langston University. She was enshrined in the Naismith Memorial Basketball Hall of Fame in 1995 and in 1999 was inducted into the inaugural class of the Women’s Basketball Hall of Fame. In 2010, Miller was also inducted into the FIBA Hall of Fame for her success in international play.

Ida B. Wells (1862-1931)

Lynching was at an all-time high in the United States in the 1890s when journalist and activist Ida B. Wells launched an anti-lynching crusade that helped lead to a mass exodus from the South to the Midwest.

Living and working in Memphis, Tennessee, as a journalist, Wells’ friend was one of three black men murdered during a lynching in the city in 1892. Wells responded with an editorial in the Free Speech.

“There is therefore only one thing left that we can do; save our money and leave a town which will neither protect our lives and property, nor give us a fair trial in the courts, but takes us out and murders us in cold blood when accused by white persons,” she wrote.

After an array of public protests, black citizens began to leave Memphis. According to, “about 20 percent of the city’s black population (approximately 6,000 people) left. Following death threats and the destruction of the Free Speech‘s offices, Wells herself was among those who exited Memphis.”

Wells was traveling to New York when the Free Speech’s offices were destroyed. Receiving a message that she would be killed if she returned to Memphis, she remained in New York working as a journalist while bringing light to the evils of lynching and other injustices faced by blacks in the South.

Born into slavery in 1862 in Holly Springs, Mississippi, Wells moved to Memphis after her parents died of yellow fever. She later attended Fisk University in Nashville, Tennessee. After facing many of her own experiences with social injustice, she returned to Memphis and started writing about race and politics under the pen name of “Iola.” Wells later published the Memphis Free Speech and Headlight newspapers. She also worked as a schoolteacher in Memphis.

She joined forces with poet and author Frances Harper and national civil rights activist Mary Church Terrell to form the National Association of Colored Women in 1896.

In ‘A Wrinkle In Time,’ Oprah appears as the earthly deity she’s been for years Guru, self-help maven and fabulously kitted angel

It’s pretty amusing that a science fiction film based on a book published in 1962 is the one that delivered a role in which Oprah basically plays … herself.¹

How much was this a factor in drawing people to the cineplex? Unclear. A Wrinkle in Time took in $33.3 million at the box office this weekend. But the imagery itself, and the context behind it, is still worth examining.

The first time Oprah appears on screen in A Wrinkle in Time, it’s a breathtaking stunt. She materializes in the backyard of the Murry house as the shimmering, larger-than-life Mrs Which, rising to a height of 30 feet, with a crown of curly, platinum blond hair and fabulously bejeweled eyebrows. Her bottom half never quite fully materializes, giving her an ethereal quality. Mrs Which is the oldest and wisest of the Mrs W’s, which include Mrs Who (Mindy Kaling) and Mrs Whatsit (Reese Witherspoon), by a billion or so years.

But upon meeting her, it’s impossible not to think, “Someone finally found a way to visually render Oprah’s role in our culture!”

Throughout her career as an actress, Oprah has brought empathy and dignity to the black women whom society actively overlooks, from Ms. Sofia in The Color Purple to Deborah Lacks in The Immortal Life of Henrietta Lacks to Sethe in Beloved.

Mrs Which is a guardian seraph to Meg Murry (Storm Reid), the girl who must travel through space and time to find and rescue her lost father, a famous NASA physicist who’s been missing for four years. Mrs Which is patient and firm with Meg, who’s having trouble loving herself and having faith in her own abilities. Where Mrs Whatsit grows impatient with Meg’s typical teen-age sullenness and doubt, Mrs Which offers realism and gentle reassurance. She repeatedly urges Meg to “be a warrior.” IRL, Oprah may not have an army of warriors for peace, but she does have an Angel Network. The movie isn’t explicit in labeling the Mrs W’s as angels, although that happens in the book, which was heavily influenced by author Madeleine L’Engle’s many years in the Episcopal Church.

Oprah’s role as a quasi-religious figure in America is legendary. She was ahead of many Americans in publicly declaring herself as spiritual rather than an adherent of a specific religious dogma. In doing so, she broadened Americans’ tolerance for religious practice that doesn’t rely on organized religion, and she may even be something of a prophet herself.

“I know some people have called Billy Graham America’s pastor, but in many ways, in a more realistic sense, Oprah is America’s pastor,” said the Rev. Broderick Greer, an Episcopal theologian at St. John’s Cathedral in Denver.

In attempting to parse Oprah’s role as The Oprah Winfrey Show was drawing to a close, The New York Times’ Mark Oppenheimer once called her a “child of poverty” who became “the leader of a worldwide cult.”

Greer said he thinks of her as more of a “guru.” He noted that, like L’Engle, fundamentalist Christians have seen Oprah as a threat, and sometimes that threat was due to Oprah’s race and gender. She was used as a “bogeyman” in sermons, he said, and church leaders would caution their audiences against listening to her.

“I know some people have called Billy Graham America’s pastor, but in many ways, in a more realistic sense, Oprah is America’s pastor.”

“She was seen as being too powerful. She had too much influence,” Greer said.

“Throughout Christian history, women had been very specifically and methodically marginalized by the church. They’ve been called crazy,” he continued. “That has been the struggle of a hyper kind of masculinized, Western Christian church culture: ‘I just can’t believe that this kind of lesser being is saying something that’s profound and life-changing. I need to do everything within my power to make sure that the least amount of people possible hear her.’ ”

So it’s notable that Oprah created a flock of her own, espousing love, generosity and compassion through television without the fire and brimstone of Pat Robertson or Jim Bakker. Oprah exposed people to the teachings of Eckhart Tolle, Ed Bacon and Brené Brown. She’s helped remove the stigma associated with talk therapy.

“I do know how my mom and aunt and my deceased grandmother understood her, and it was a black woman with agency they could identify with,” Greer said. “Throughout the ’70s and ’80s, they watched Phil Donahue every day, and took his expertise and followed his taste. Sometime in the late ’80s, early ’90s, that shifted, and they were able to see someone who looked like them, who sounded like them, who came from a similar background, say, ‘I have agency. I’m the host. I’m not the sideshow or the sidekick. I am the host.’ ”

Those are good things, right? Well, yes. But with great power comes great responsibility, and when you consider Oprah’s grounding in journalism, maybe she let us down sometimes. Especially because as we’ve invested in her and her recommendations on our own roads to self-actualization, Oprah has led us down some dubious paths.

Remember The Secret?

The reason you don’t have the life you want is because you just haven’t visualized it hard enough!

Iyanla Vanzant?

Who needs to be licensed as a therapist when you can call yourself a “life coach” and do whatever you want?!

Dr. Phil?

He’s not even an MD, people!

OK, fine. Oprah’s track record as a spiritual leader is a mixed bag. But somehow, her ultimate message that it’s possible to transcend suffering, and even find beauty in that transcendence, that we’re all capable of doing good in the world and that spreading love and light is a worthwhile cause, has gotten through and made her a figure who inspires intense admiration.

And it’s because for decades, we sat in front of the television on weekday afternoons and took part in The Church of Oprah. She’s flawed, sure. But Mrs Which is a powerful visualization of the best Oprah has given us. I’m glad there’s an image that so fittingly captures her contributions with a swoosh of wind or a wrinkle of time.

How LeBron James plays when his most famous fans are at the game Beyoncé, Jay-Z, Diddy, Rihanna and Drake all bring out a very different LBJ

So we’re courtside when LeBron get a f— ring/ Yeah, I bet I be there / I be there.

Drake, from his 2010 “You Know, You Know

A man of his word, Drake was in fact present in 2013 at Miami’s American Airlines Arena when LeBron James captured his second ring with the Heat, beating the San Antonio Spurs in a dramatic Game 7. Whether Drake was actually there with someone else’s girlfriend, as the song alludes, is a discussion for another time. But the line is powerful because sitting courtside for a LeBron game, especially a championship game, is as big a status symbol as there is in all of sports. How does he do, though, as a player when Drake and other big stars are courtside?

Does the je ne sais quoi of being courtside, so central to the allure of the NBA, affect James’ stat line? Actually, it kind of does. This is relevant because the league flaunts courtside culture — especially during the Cavaliers’ annual two-night Hollywood extravaganza. It kicks off in a few hours with the Clippers playing host, and then on Sunday with Lonzo Ball and the Lakers (both part of a six-game road swing). With both games televised and taking place at Staples Center, where he captured his third All-Star Game MVP last month, chances are more than a handful of stars will be courtside for The King’s annual Tinseltown pilgrimage.

LeBron’s love for music and music’s love for him is a well-documented two-way street. But how does ’Bron hold up when his most famous musical fans are in attendance? By cross-referencing photo archives and box scores, what we have here is a very unofficial representation of LeBron’s performances when Beyoncé, Jay-Z, Diddy, Rihanna, Drake and Usher (and their combined 62 Grammys) pull up on him at his places of business. It’s good to be The King. And apparently, it’s just as good to watch him — up close and personal.


Rapper Jay-Z and Beyonce look over at LeBron James #6 of the Miami Heat and the Eastern Conference during the 2013 NBA All-Star game at the Toyota Center on February 17, 2013 in Houston, Texas.

Scott Halleran/Getty Images

Research conducted on 17 games from April 14, 2004, to June 16, 2016

LeBron’s record: 11-6 (.647)

LeBron’s averages: 31.5 points, 5.9 rebounds, 6.0 assists, 1.9 steals (52.3 FG%)

LeBron’s biggest game: Game 6 of the 2016 NBA Finals vs. Golden State Warriors (June 16, 2016) — 41 points, 8 rebounds, 11 assists, 4 steals and 3 blocks on 59.3 FG% (W)

Beyoncé and Jay-Z attend a lot of games together, but it was more revealing to break the stats down separately — especially as Jay-Z attended some of his games solo. The 11-6 record is slightly misleading, as five of those six losses came early in LeBron’s career. LeBron has actually won nine of his last 10 games with Blue, Sir and Rumi’s mom courtside. There’s the 49-point masterpiece he unleashed on Brooklyn in the conference semifinals that she witnessed firsthand, husband by her side, on May 12, 2014 (only hours after footage was released of the now-infamous elevator scene). There was the royal meeting seven months later when she and Jay-Z again visited the Barclays Center to watch ’Bron (who’d returned to Cleveland earlier that summer), along with Prince William and his wife, Kate Middleton, Duchess of Cambridge, nearby. And the aforementioned decisive Game 6 win over the Warriors in the 2016 Finals.

All jokes and tinfoil hat conspiracies aside, one thing’s for sure and two things for certain. The King, at least as the past decade has shown, nearly always puts on a show and walks away victorious when The Queen is nearby. Rumors of an On The Run 2 tour with Beyoncé and Jay surfaced this week. Just judging by the Cavs’ erratic play pretty much all season long (aside from an early winning streak), ’Bron might want to persuade the couple to hold off on the running until the summer.


LeBron James #23 of the Cleveland Cavaliers shakes hands with Jay-Z during the game against the Brooklyn Nets on December 8, 2014 at the Barclays Center in the Brooklyn borough of New York City.

Jesse D. Garrabrant/NBAE via Getty Images

Research conducted on 30 games from November 5, 2003, to June 1, 2017

LeBron’s record: 19-11 (.621)

LeBron’s averages: 30.5 points, 7.4 rebounds, 6.9 assists, 1.7 steals (49.2 FG%)

LeBron’s biggest game: Game 6 of the 2016 NBA Finals vs. Golden State Warriors (June 16, 2016) — 41 points, 8 rebounds, 11 assists, 4 steals and 3 blocks on 59.3 FG% (W)

JAY-Z is the celebrity who has been linked to LeBron James for the longest length of time. The two are so close Jigga once recorded a diss song on ‘Bron’s behalf—aimed at DeShawn Stevenson and Soulja Boy during a 2008 playoff series versus the Washington Wizards. We first learned of their friendship when James visited (but never played at) Rucker Park in 2003 as a guest of Jay’s Reebok-sponsored team at the Entertainers Basketball Classic (EBC). The championship game against Fat Joe’s Terror Squad team actually never happened due to a blackout in New York City. The infamous moment became fodder for the 2004 smash record “Lean Back.” Dating back even further, an 18-year-old pre-draft LeBron allowed ESPN’s The Life into his Hummer as he rapped, word for word, JAY-Z’s “The Ruler’s Back.” Jay-Z also attended LeBron’s first home opener in November 2003, a loss against fellow rookie Carmelo Anthony and the Denver Nuggets.

In his 2001 Blueprint manifesto “Breathe Easy” Jay-Z raps that he [led] the league in at least six statistical categories / best flow, most consistent, realest stories, most charisma / I set the most trends and my interviews are hotter … Holla! A decade and a half later, add a likely seventh: Most LeBron Games Attended by an MC. As with LeBron when Beyoncé attends, the majority of the losses Jay-Z witnessed came early in James’ career, as he lost five of the first seven. But since the start of the 2008-09 season, LeBron is 12-2 in 14 games with Jay nearby. And Jay-Z has been on hand for several LeBron classics, including two 50-point games at Madison Square Garden and a mammoth 37-14-12 triple-double in Game 5 of the 2009 Eastern Conference finals (a series LeBron and the Cavs lost in six). Interestingly enough, both Jay-Z and Bey were at Game 3 of the 2010 Eastern Conference semifinals on the road against the Boston Celtics. That was the last game that James won as a member of the Cavaliers until his return in 2014.


LeBron James #6 of the Miami Heat speaks with Recording Artist Sean P. Diddy Combs prior to the New York Knicks , Miami heat game on December 6, 2012 at American Airlines Arena in Miami, Florida.

Issac Baldizon/NBAE via Getty Images

Research conducted on six games from Feb. 4, 2009, to June 12, 2017

LeBron’s record: 4-2 (.666)

LeBron’s averages: 32.7 points, 8.0 rebounds, 7.7 assists, 1.5 steals, 1.3 blocks (54.4 FG%)

LeBron’s biggest game: Feb. 4, 2009 @ New York Knicks — 52 points, 9 rebounds, 11 assists on 51.5 FG% (W)

If I were a once-a-century basketball player with a flair for the dramatic, it’s difficult to imagine a celebrity more fun before whom to put on a light show than Sean Combs. Barack and Michelle Obama, maybe? Maybe. Diddy has never not been on the pop cultural scene since he became a household name in the early ’90s jump-starting artists like Jodeci and Mary J. Blige (and, of course, The Notorious B.I.G. — who was tragically murdered 21 years ago today). So it seems odd the Bad Boy Records founder hasn’t been to more LeBron games.

Although King James lost the last two games that Diddy attended, LeBron absolutely puts on a show in front of the man who invented the remix. Yes, it’s the smallest sample size, but James averages the most points in front of Puffy, a man no stranger to putting numbers on the board himself. Diddy was in attendance on James’ legendary night in Madison Square Garden nine years ago, only 48 hours after Kobe Bryant’s 61-point masterpiece, when The King set one of the gaudiest stat lines of his career: 52 points, 9 rebounds and 11 assists. But really, the whole evening was only a subplot for the real story: One of the all-time great memes was born that night — and even if by proxy, we have LeBron to thank.


Rihanna watches as LeBron James #23 of the Cleveland Cavaliers plays against the Golden State Warriors during Game One of the 2015 NBA Finals at ORACLE Arena on June 4, 2015 in Oakland, California.

Ezra Shaw/Getty Images

Research conducted on nine games from Jan. 16, 2010, to June 1, 2017

LeBron’s record: 4-5 (.444)

LeBron’s averages: 30.6 points, 8.1 rebounds, 5.8 assists, 0.9 steals (52.9 FG%)

LeBron’s biggest game: Game 1 of 2013 opening round vs. Milwaukee Bucks (April 21, 2013) — 27 points, 10 rebounds, 8 assists on 81.8 FG% (W)

I went back and verified these numbers at least five times. The math just wasn’t adding up. And, to be honest, it’s still not. For one, Rihanna, the most famous King James celebrity superfan on the planet, had to have sat courtside at more than nine games. Then again, it’s not like Rihanna’s work ethic doesn’t put her on the same plateau as James — so maybe it’s due to scheduling conflicts? There’s no way The Bad Girl sports a sub-.500 LeBron record. But that’s what the archives reveal.

The last two games she attended were the Game 1s of the 2015 and 2017 Finals. The former was an Oakland thriller soured by Kyrie Irving’s series-ending knee injury. The latter was also in the Bay, but new to the scene was a (near) 7-foot pterodactyl named Kevin Durant — with whom RiRi engaged in some in-game banter. The 2017 battle has also since become known as “The Jeff Van Gundy Goes Rogue” game, thanks to Rihanna. She missed the 2016 Finals preparing for the international leg of her ANTI tour. Photo archives show she hasn’t attended a Cavs game this season, although she may be saving her mojo to right the wrongs of playoffs past. She has, however, name-dropped The King in her and N.E.R.D.’s recent “Lemon”: The truck behind me got arms / Yeah, longer than LeBron. So, yes, the support very much remains.


Drake talks to LeBron James #23 of the Cleveland Cavaliers during an NBA game between the Cleveland Cavaliers and the Toronto Raptors at the Air Canada Centre on November 25, 2015 in Toronto, Ontario, Canada.

Vaughn Ridley/Getty Images

Research conducted on 18 games from Oct. 28, 2009, to Jan. 11, 2018

LeBron’s record: 12-6 (.666)

LeBron’s averages: 30.4 points, 8.7 rebounds, 6.5 assists, 1.7 steals (50.7 FG%)

LeBron’s biggest game: Game 5 of 2016 NBA Finals @ Golden State Warriors (June 13, 2016) — 41 points, 16 rebounds, 7 assists, 3 steals and 3 blocks on 53.3 FG%

They’ve partied together, worked together and made music together. Aubrey Drake Graham and LeBron James have been connected ever since Graham released the genre-bending 2009 mixtape So Far Gone. Since then, Ebony and half-Ivory are lightning rods in a pop culture universe in which both are kings of their crafts. Given Drake’s love of basketball, and the seemingly endless LeBron mentions in his catalog, 18 games feels like a lowball, although Drake has been courtside for two games that altered the narrative of James’ career: the aforementioned 37 points and 12 rebounds in Game 7 vs. the Spurs in 2013 and the robust 41-16-7-3-3 he unleashed on the Warriors in Game 5 of the 2016 Finals, a win that sparked the greatest comeback in NBA history.

Drake and LeBron have fun at each other’s expense in the moment. During the 2016 Eastern Conference finals, Drake openly mocked the Cavs via Instagram. Of course, the trolling proved short-lived, and to be quite honest, Drizzy probably should have left ’Bron alone. By the end, all that was left was LeBron taunting Drake during a game and the Cavs advancing to their second consecutive Finals. Fast-forward a year later, after a Cavs sweep of the Raptors, James asked Drake where the margarita move was afterward. The Cavs and Raptors have played only once this season, a 34-point blowout by Toronto, and Aubrey was there to see the drubbing. The two squads square off again in Cleveland on March 21. Only “God’s Plan” knows whether the Toronto rapper/singer/actor will bring More Life to the seasonal rematch with his courtside presence.

Jack Nicholson

Jack Nicholson hugs LeBron James at a basketball game between the Miami Heat and the Los Angeles Lakers at Staples Center on March 4, 2012 in Los Angeles, California.

Noel Vasquez/Getty Images

Research conducted on seven games from February 15, 2007, to March 19, 2017

LeBron’s record: 6-1 (.857)

LeBron’s averages: 30.7 points, 6.7 rebounds, 5.9 assists, 1.7 steals (55.4 FG%)

LeBron’s biggest game: January 17, 2013: Heat @ Lakers — 39 points, seven rebounds, eight assists, three steals on 68.0 FG% (W)

You’d think Nicholson—the West Coast equivalent of Spike Lee at Madison Square Garden —would be at every game, but alas. And here’s the thing, if you’re a faithful Lakers fan making preparations for The Great LeBron Chase of Summer 2018, you absolutely need Jack. Of everyone on this list, LeBron has the highest winning and field goal percentages in front of Nicholson. I’m pretty sure a call from him would work better than engaging in billboard warfare with Cleveland and Philadelphia.


LeBron James #23 of the Cleveland Cavaliers celebrates in front of musician Usher in Game One of the Eastern Conference Semifinals against the Boston Celtics during the 2010 NBA Playoffs on May 1, 2010 at Quicken Loans Arena in Cleveland, Ohio.

David Liam Kyle/NBAE via Getty Images

Research conducted on 28 games from March 8, 2005, to June 7, 2017

LeBron’s record: 15-13 (.536)

LeBron’s averages: 28.9 points, 7.9 rebounds, 7.9 assists, 1.7 steals (43.7 FG%)

LeBron’s biggest game: Game 7 of 2016 NBA Finals @ Golden State Warriors (June 19, 2016) — 27 points, 10 rebounds, 11 assists, 2 steals and 3 blocks on 37.5 FG%

By organization hierarchy, Usher has technically been LeBron’s boss for nearly a decade. The man who gave the world the greatest back-to-back album rollout in R&B history with 2001’s 8701 and then his magnum opus, 2004’s Confessions, became a minority owner of the Cavaliers in 2005. Usher’s been present for a handful of dynamic LeBron performances: 47 points against Dwyane Wade, Shaquille O’Neal and the Heat in 2006; the infamous “crab dribble” game in Washington that same year; the game-winning 3 against Orlando in the 2009 Eastern Conference finals; and the signature defensive play of ’Bron’s lifetime, aka “LeBlock” in Game 7 of the 2016 Finals.

Unexplainably true, though, is LeBron’s field goal percentage with Usher courtside. It’s way lower in comparison to the other five. At 43.7 percent, the next closest is with Jay-Z present, at 49.2 percent. However many times I looked at the games, stats and factors involved (road games, playoffs, defensive matchups, etc.) there’s no other reason than the fact someone had to be the odd A-lister out — though Raymond is the only one on this list who can say they won a ring with LeBron.