Golden State’s Draymond Green will miss the next few games with a torn ligament in his left index finger, another blow to an already depleted Warriors
The NCAA doesn’t have a Rich Paul problem. The problem is that its structure is designed to regulate the freedom of athletes to turn pro in primarily black sports but not in white ones.
And an entity that now preaches the importance of college graduation for agents doesn’t have the same righteous energy for black athletes at its most lucrative institutions.
Earlier this week, the NCAA implemented what was immediately labeled the “Rich Paul Rule,” after the man who represents NBA players LeBron James, Anthony Davis, Draymond Green, John Wall, Ben Simmons and 2019 first-round draft picks Darius Garland and Darius Bazley. The new regulations require that agents interested in representing players who are considering declaring for the NBA draft now must have a bachelor’s degree, be certified with the National Basketball Players Association for at least three years and take a comprehensive in-person exam at NCAA headquarters in Indianapolis. Paul, who never attended college, is one of many agents affected by this rule — but unquestionably the most prominent.
The NCAA’s move was instantly lambasted as hypocritical and vindictive. “The world is so afraid of ground breakers.…This is beyond sad & major B.S.,” tweeted comedian Kevin Hart. James, Paul’s biggest client, longtime friend and confidant, could only laugh at the NCAA’s energy, saying, “Nothing will stop this movement and culture over here.”
Chris Rock explained the context for the NCAA mandate years ago. “We’re only 10% of the population,” he said on 2004’s Never Scared. “We’re 90% of the Final Four!”
Only basketball must adhere to the new NCAA mandate. The actual text doesn’t mention race. Nevertheless, the writing is not just written on the wall, it’s been carved. It’s a “race-neutral” rule that isn’t race-neutral. This comes with historical precedence that the NCAA knows all too well.
One of the worst-kept secrets in sports is how top-tier college football and basketball programs directly benefited from desegregation. Before integration, the vast majority of top black athletes had no choice but to attend historically black colleges and universities (HBCUs). Once the larger and richer predominantly white schools began to integrate, HBCUs couldn’t compete. But there’s been a parallel development too: The graduation rates for black athletes at top sports programs remain consistently and embarrassingly low.
Shaun R. Harper, executive director of the University of Southern California’s Race and Equity Center, found that, overall, black male athletes graduate at higher percentages than black males who are not involved in sports. But that’s not true for the NCAA’s wealthiest leagues: the Power 5 of the ACC, Big Ten, Big 12, Pac-12 and SEC.
“The [NCAA] has claimed in television commercials that black male student-athletes at Division I institutions graduate rates are higher than black men in the general student body,” the report says. “This is true across the entire division, but not for the five conferences whose member institutions routinely win football and basketball championships, play in multimillion-dollar bowl games and the annual basketball championship tournament, and produce the largest share of Heisman Trophy winners.”
Black men made up 2.4% of the Power 5 student population but 55% and 56%, respectively, of its football and basketball teams. Of those numbers, 55% of black male athletes graduated in under six years, compared with 60% of black men in the overall undergraduate population and 76% of all college graduates.
“Over the past two years, 40% of these universities have actually had black male student-athlete graduation rates that have declined,” Harper said. “We’re supposed to be getting better, but actually 40% of these places have gotten worse.”
Meanwhile, the debate over paying college athletes is sharply divided by race. Most whites are against “pay to play,” while most blacks strongly support it because the current system exploits a largely black athletic base.
In the NBA, the sport is still primarily black. (The Institute for Diversity and Ethics in Sport found that during the 2015-16 season, 81.7% of NBA players were people of color and 74.3% were black.) But black athletes have significant power and influence over everything from where they play to who coaches them to the structure of their contracts.
This shifting power dynamic is beginning earlier and earlier too. Bazley skipped college last year to become a million-dollar intern with New Balance. R.J. Hampton and LaMelo Ball, both touted as 2020 lottery picks, are taking their talents to Australia for a year before declaring for the NBA draft. Hampton has already inked a shoe deal with Li-Ning.
As Yahoo’s Dan Wetzel noted, the new rule’s standard doesn’t apply to college hockey players or baseball players, who can be drafted out of high school but can choose to attend college if their draft placement doesn’t appeal to them.
If this wasn’t about a young black man who achieved his success out of the mud and then empowered other black men to recognize their worth in spite of an organization that has for years manipulated their talents for the organization’s gain, if this wasn’t about yet another American institution attempting to police black mobility and freedom, then it’s difficult to see what the actual reasoning is.
This brings the discussion back to Paul and James. It’s often been said there is a Jay-Z lyric for any situation in life. Perhaps the most fitting here is a bar from Jay’s 2001 album The Blueprint, which entered the Library of Congress in March: All I need is the love of my crew / The whole industry can hate me, I thugged my way through, he pledged on “All I Need.” In essence, this has been the motto for Paul, James and the two other members of their inner circle, Maverick Carter and Randy Mims.
When James cut ties to agent Aaron Goodwin in 2005, eyebrows raised and many said that the young basketball phenom had risked his career before it truly tipped off. At the time, it was easy to understand why, given that Goodwin had helped the 2003 No. 1 overall draft pick obtain a bevy of endorsements, including Bubblicious chewing gum, Upper Deck trading cards, Sprite, Powerade and, most gaudy of them all, a seven-year, $90 million shoe deal with Nike. Few believed in James’ vision when he turned to three of his childhood friends to chart the course of his career on and off the court.
“James’ switcheroo a youthful mistake,” the Chicago Sun-Times wrote.
“I will promise you really ugly things will happen,” said former NFL player turned financial adviser Jim Corbett. “This is a big mistake, a bad decision that is going to cost LeBron.”
— bomani (@bomani_jones) August 7, 2019
Which leads us to another Jay lyric, this one from 2009’s “Already Home”: And as for the critics, tell me I don’t get it / Everybody can tell you how to do it, they never did it. Thanks to the friends he entrusted with his career nearly 15 years ago, James is not only the most powerful player in basketball history but also a player in Hollywood, fashion, education and politics.
Money and power elicit respect, as elucidated by Kimberly Jones. But they also open the door for fear and angst. President Donald Trump took shots at LeBron on Twitter last August after the launch of his I Promise School in Akron, Ohio, saying it was hard to make “LeBron look smart” and weighed in on the NBA’s most contested debate, saying he preferred Michael Jordan over James — which Jordan quickly rebuffed. The two were labeled “mob bosses” by an unnamed Western Conference general manager last season after public attempts to move Anthony Davis to the Lakers (a move that eventually happened).
Rich Paul is a threat. To the status quo. To the hierarchy of power. And to the image of an industry that is still dominated by white males and has long exercised fiscal and moral authority over black athletes.
Basketball altered its rules to make it harder for three players who made the game look too easy (i.e., they dominated the white players too much): Bill Russell, Wilt Chamberlain and Kareem Abdul-Jabbar. Maybe the NCAA didn’t implement this rule with Paul as its sole motivation. Just like maybe the NCAA wouldn’t be so open to criticism if it made the education of players a higher priority.
Unfortunately, the NCAA addressed a perceived problem while never addressing its own. Sometimes sports really is a reflection of life.
Last year, Justify won horse racing’s Triple Crown and retired undefeated. He is a descendant of previous Triple Crown winners, including Seattle Slew, Secretariat and War Admiral. And he is a four-legged reminder of a trend that’s racing through elite pro sports: Justify, like his two-legged counterparts, is a descendant of former stars in his sport.
More and more athletes are entering the family business: sports. If current trends continue, we may see favorite son or daughter categories in The ESPYS or publications that look back on the year in sports.
In April’s NFL draft, Nick Bosa joined his brother, Joey, and father, John, as football players who were first-round draft picks. Earlier this month, Bobby Witt Sr. and Jr. became the first father-and-son duo to be picked among the first three selections in the Major League Baseball draft when Bobby Jr. was selected second overall by the Kansas City Royals. Meanwhile, Stephen Curry and Klay Thompson of the Golden State Warriors have led their team to its fifth consecutive NBA Finals. Both men’s fathers enjoyed long NBA careers.
Now it could be that sports scientists will discover a jump shot gene or pass rushing in the DNA of second-generation athletes. Perhaps the ability to hit major league pitching can be passed down too. Maybe there is something innate and inheritable that has led to multiple generations of Boones in baseball, the Mannings in football and the Unsers in auto racing.
But we know that Nick Bosa, Curry, baseball’s Vlad Guerrero Jr. (son of Hall of Famer Vlad Sr.) and other second-generation athletes had fathers who could show them the ropes in their chosen profession, which is to say that big-time sports, like other endeavors in our country, favor young people whose families can help them succeed and show them how.
At the same time, we see fathers — and it is mainly fathers — who seek to groom their sons or daughters for sports stardom: the Williams sisters in tennis or the Ball brothers in basketball, for example.
During the various pro drafts, we see such fathers give a special look to their drafted children, a look that should be familiar to parents who have attended their kids’ college graduations. It’s a look that says, “This is the end.” It’s a look that says, “This is the beginning.” It’s a look that says, “We did it.”
Of course, as society changes, so do our families: Would-be male sports stars such as Kevin Durant and Draymond Green are just two of many men inside and outside of sports who have been nurtured by strong, resourceful and resilient women, especially black women. And the NBA’s LeBron James continues to invent himself as a man, a father and a businessperson while withstanding the scrutiny and sometimes the scorn of the media. And, like legions of others outside of sports, he has done so without his biological father showing the way, a feat comparable to anything the Los Angeles Lakers forward pulls off on the basketball court.
The world of big-time sports appears so seductive and compelling that it is understandable when some fathers want a chance to see if they can endure the spotlight and not melt under its heat.
But fathers and others don’t have to resort to stunts such as catching a baseball in major league stands while holding a child (the stupid guy trick of sports fans) to get our attention. They can use sports and their ups and downs to give our children “the talk.” I’m talking about the one best delivered in a whispered but confident voice after our children lose a game. It is the one where the elders tell the children they can come back from defeat, they can withstand the end of the world and try again and again, that there can be triumph beyond numbers on the scoreboard.
Becoming good at delivering that talk might not land the elders on the sports highlight shows. But it could earn them a vote for most valuable dad, parent or guardian, at least in their households.
Happy Father’s Day.
Drake, the Toronto native and Raptors fan, has spent the 2019 playoffs blurring the line between superfan and millionaire mascot by giving Raptors coach Nick Nurse massages on the sideline, talking trash to Golden State Warriors stars Stephen Curry and Draymond Green, and trolling opposing fans with Instagram posts. His prominence as a celebrity “ambassador” is a watershed moment for the intersection of rap music and sports.
While this all seems pretty outrageous, it’s not unprecedented. Just 11 years ago, LeBron James and Jay-Z teamed up to take on … DeShawn Stevenson and Soulja Boy in a bizarre, hilarious feud that’s a time capsule for pop culture in 2008.
After James had terrorized Washington Wizards to the tune of 32.7 points, 6.6 assists and 7.9 rebounds per game in the 2006 and 2007 playoffs (besides a timely game-winner in Game 3 of the 2006 series), the Wizards needed any advantage they could get if they wanted to overthrow the King. That’s where Stevenson comes in. The shooting guard was in his eighth year by the time the Wizards and Cleveland Cavaliers met for the third time in the first round, and he decided that getting into James’ head would be his best move.
After a 101-99 regular-season win on March 13, 2008, Stevenson had this bit of trash talk for James: “He’s overrated. And you can say I said that.”
When the first-round playoff matchup between the fourth-seeded Cavs and fifth-seeded Wizards was set, the Stevenson quote came back up. James responded by saying … he wasn’t going to respond. When asked, he said, “With DeShawn Stevenson, it’s kind of funny. It’s almost like Jay-Z [responding to a negative comment] made by Soulja Boy. It doesn’t make sense to respond.”
A bit of context: Soulja Boy mastered the burgeoning world of social media by uploading his songs to MySpace and Napster to create a buzz for himself. His hit “Crank That” created an international dance craze and was No. 1 on the U.S. Billboard Hot 100 for seven weeks in fall 2007. The song was not a lyrical masterpiece: “Yeah, watch me crank that Robocop/ Super fresh, now watch me jock/Jocking on them haters, man.”
Jay-Z, on the other hand, was, and still is, maybe the greatest rapper of all time, a lyrical wizard with multiple classic albums and a rap empire at his feet. He and James struck up a kinship in the player’s rookie year, partly because they shared the DNA of being heirs apparent to greatness: Jay-Z following in The Notorious B.I.G.’s footsteps after his death in 1997 and James being the next Michael Jordan after His Airness’ 2003 retirement. (There was also one other detail: Jay-Z was a minority owner of the New Jersey Nets and may or may not have wanted to court a certain all-time great to the team.) Regardless, James’ meaning was clear — he and Jay-Z were elite and Stevenson and Soulja Boy were one-hit wonders.
Stevenson took James’ comment as a chance to add some spice to the playoffs. When the series went back to Washington for Game 3, Soulja Boy was seated behind one of the baskets. (He may not have had the sauce of someone like Drake to get seats near the bench.) Throughout the game, Soulja Boy was waving towels and doing his Crank That dance. Even Washington’s Caron Butler took a moment to do the dance after a foul. Whatever mojo Soulja Boy offered worked that day, as the Wizards won 108-72.
It was a cute story that could have ended there. But Jay-Z must have felt the need to defend his buddy, and his flair for the dramatic was on full display. Jay-Z was in Oakland, California, performing when the James/Stevenson/Soulja Boy fracas was going down, and he played Oakland, California, legend Too $hort’s “Blow the Whistle” and shouted-out the MC. The crowd erupted, and Jay-Z got the idea to rap over the instrumental.
“LeBron was special to him,” Too $hort said in 2017. “And ol’ boy [Stevenson] stepped on LeBron’s toes talking s— and Jay was like, I’m going to shut this down. And he probably saw the moment where the crowd reacted to the song and then that was on his mind.”
So Jay-Z asked Too $hort for the instrumental. “When Jay called, I was like, ‘It will be there in a couple of hours, man.’ I had no idea what he was going to do with it, but I am glad he did.”
The next night, as Wizards players were partying at the D.C. nightclub Love, the DJ debuted a Jay-Z song rapping over Too $hort’s “Blow the Whistle” instrumental: “Ask my n—- LeBron! We so big we ain’t gotta respond … Who the f— overrated?! If anything they underpaid him. Hatin that’s only gonna make him spend the night out of spite with the chick you’ve been datin’.” Without mentioning Stevenson or Soulja Boy, the intent was clear.
The series went six games, with the overrated James averaging 29.8 points, 9.5 rebounds and 7.7 assists per game. (Stevenson averaged 12.3 points.) Stevenson would eventually find himself on the winning side three years later when his Dallas Mavericks (well, Dirk Nowitzki’s Dallas Mavericks) bested James and the Miami Heat in six games in the NBA Finals. While winning a championship is all good, hundreds of players have won rings. However, not many can say they were dissed by Jay-Z in a song. That moment defined Stevenson’s career almost as much as his championship.
The Warriors aren’t without their own contingent of rap stars who will be waving towels in Oracle Arena come Game 3. From E-40 to Too $hort and even MC Hammer, the Bay Area hip-hop scene is ready to lend support and maybe its own batch of troll-y Instagram posts.
Drake’s relationship with the Warriors seems a bit more amicable than that between the parties involved in the 2008 feud. But as the series progresses and the trash talk ramps up, we may yet see a magical musical moment in this NBA Finals. If it’s anything like Jay-Z’s effort, it could be the stuff of legend.
It is not uncommon to see Los Angeles Clippers coach Doc Rivers and owner Steve Ballmer talk hoops before a game. Ballmer typically peppers Rivers with questions about his beloved Clippers as if he is a member of the media. Rivers shares details and typically throws in a joke that makes the fun-loving Ballmer smile.
It is a way different dynamic from what Rivers had with the team’s previous owner, Donald Sterling. Rivers told The Undefeated he has not spoken to his old boss since TMZ released audio on April 26, 2014, of Sterling making racist comments to his then-girlfriend.
“There is no need to,” Rivers said. “I don’t know why or what he was thinking or whatever. … It doesn’t matter to me. It’s already been done and said. I haven’t heard from him. It’s not like I am mad. But why? We don’t need to talk.”
Five years ago, on April 29, 2014, the controversial owner was banned for life by the NBA for his comments in what was one of the strongest penalties in American sports history. He was later forced to sell the team.
At that time, the Clippers were also pursuing an NBA title. They were the No. 3 seed in the 2014 Western Conference playoffs facing an up-and-coming Golden State Warriors team in the first round. The Clippers took a 2-1 lead in the best-of-seven series with a 98-96 victory in Oakland on April 24. But two days later, their momentum came to a crashing halt after Sterling’s remarks became public.
News traveled fast within the organization. Game 4 was the following day. How would Rivers & Co. respond to their owner being involved in one of the biggest scandals in sports?
The Undefeated looks back at the franchise’s last days under Sterling, five years later, through the recollections of those who endured it.
‘THEY TOLD ME IT WASN’T A BIG DEAL’
Sterling has a long history of racist behavior and had been sued on two occasions for allegedly declining to rent apartments to African Americans and Hispanics. He was also sued in 2009 by former Clippers general manager Elgin Baylor, who accused him of age and racial discrimination. There is also a well-known story of the Clippers owner once going into his team’s locker room after a game while players were dressing and telling his friends, “Look at those beautiful black bodies.”
Rivers said he first caught wind on April 23, 2014, that Sterling had made some controversial comments but was told by a Clippers executive they “weren’t a big deal.” Rivers alerted his players during a team meeting at the Four Seasons Hotel in San Francisco that the story was expected to come out, but he didn’t have details to offer.
Blake Griffin: “We remember having a meeting and Doc was saying what was happening. When he explained it, I don’t think everyone understood the magnitude of what it was going to be.”
Doc Rivers: “I was misled in that whole thing, and that is a story for the book one day. But I was told there was a story coming out and it wasn’t a big deal beforehand. I had a chance two days before to look at it. But they told me it wasn’t a big deal.”
Ryan Hollins: “Doc said that Sterling said something stupid with racial undertones to a woman, but it was not expected to be that big of a deal as it ended up being.”
Rivers: “I took this job. I knew there was going to be risk. I clearly didn’t know there was going to be that type of risk.”
‘THOSE WORDS HURT, THOSE WORDS PIERCED’
At 10 p.m. PDT on April 24, 2014, TMZ released a recording in which a married Sterling made racial comments to his girlfriend V. Stiviano, criticizing her for putting pictures on social media with well-known African Americans, including former Los Angeles Lakers star Magic Johnson and then-Los Angeles Dodgers outfielder Matt Kemp.
TMZ reported that the private taping of Sterling’s racist rant took place on April 9, 2014, after Stiviano posted a picture of her with Johnson on Instagram.
Some of Sterling’s racist audio excerpts released by TMZ included:
“It bothers me a lot that you want to broadcast that you’re associating with black people. Do you have to?”
“You can sleep with [black men]. You can bring them in, you can do whatever you want. The little I ask you is not to promote it on that … and not to bring them to my games.”
“I’m just saying, in your lousy f—— Instagrams, you don’t have to have yourself with, walking with black people.”
“… Don’t put him [Johnson] on an Instagram for the world to have to see so they have to call me. And don’t bring him to my games.”
A stunned Rivers finally listened to the audio just before it was released.
“One of our PR guys heard it an hour and a half before it came out and he said, ‘Doc, I think you need to see this video,’ ” Rivers said. “And I went to see it and I was incensed. I was pissed. I didn’t really know what to do.”
Rivers quickly called a late-night team meeting at the hotel to talk about the Sterling report. Wearing a Clippers T-shirt, Rivers entered the meeting room, where incensed players were waiting.
Griffin: “We pretty much found out exactly what it was with everyone else.”
Willie Green: “We all got the news at the same time as the reports were coming out. We were shocked to hear it, and we all heard rumors. To hear the actual words that he said were shocking.”
Hollins: “When it came out, I was blindsided. We didn’t know it was going to be like that. We were told that he made some comments that were racially charged, but we didn’t know what they were. I guess the one that struck us was the Magic Johnson stuff, the black guy in the building. When we heard those words, those words hurt. Those words pierced.”
Rivers: “I let them know I was black too. It was funny. They were pissed at everybody, including me. That is one of the things that broke the ice. I said, ‘By the way, guys, my name is Glenn Rivers. I’m from Maywood, Illinois, and I’m black.’
“The other thing I said is I need you to trust me. I will allow you guys to choose what you want me to say, but I need you to trust me and have one voice. If I have learned one thing about racism, and I’ve been through a lot of things with racism, they never want to go after the guy that says this stuff like Sterling. They want to go after the persecuted. Everyone wants to know how the persecuted will respond rather than focusing on the guy that did something.”
Matt Barnes: “What he said was more of a shake-my-head situation than being mad. I thought he finally got caught up with this bum-a– chick no one liked. As far as the racial comments, I’ve heard much worse and have had worse done to me, so it wasn’t that big of a deal. I thought he wasn’t the only owner that felt that way. He was just the only one dumb enough to get caught saying it.”
Chris Paul: “I remember meeting as a team and Doc asking us how we wanted to handle it. We agreed that we would have just one voice and let that voice with Doc. I absolutely agreed with that.”
Rivers: “I was so concerned that someone from our team would say something crazy and then they were the story. And that is what we talked about. From DJ [DeAndre Jordan] to Blake, they decided what they wanted to do. They let me be the voice, and that was huge for us because we got through that without any other controversy.”
After the Sterling news broke, Rivers said Sterling and then-Clippers president Andy Roeser were not available. Roeser later took a leave of absence on May 6, 2014, and never returned to the position.
Hollins: “I was in the elevator with the man [Sterling] right after it came out. It was awkward. I shook his hand like normal. To me, the news didn’t change anything for me. We knew. Everyone knew his mindset. Man, that elevator ride took a while. He was fighting someone on the elevator. He didn’t understand. He was like, ‘This is business as usual.’ He was saying he was going to be at [Game 4]. ‘See you tomorrow.’
“To this day, he might not see the severity. He doesn’t see it as racism. For Donald’s mindset, it was like, ‘This is for me and this is for you.’ This is not necessarily that I am better than you. It was like, ‘This is what you do and this is what I do.’ ”
Rivers: “I was by myself. … I had no one to run stuff by. And a lot of people don’t know that [NBA commissioner] Adam [Silver] texted me saying, ‘This is my private number. Text me every second that you need something.’ That was huge.”
‘PEOPLE WERE CALLING US TO BOYCOTT’
The Clippers practiced at the University of San Francisco’s War Memorial Gym on the eve of Game 4 on Saturday, April 26, 2014. The venue was the home of former Dons and NBA legend Bill Russell, who faced a lot of racial discrimination while playing for the Boston Celtics.
Rivers told a media horde that Sterling’s racist statements were not going to distract his team. Paul and Griffin also addressed the media. And while Rivers voiced that his players would not be distracted, it was quite the contrary. They were getting so many calls and texts from family and friends that it was impossible for them to block it out.
Paul: “There were a whole lot of people in our ears. Everybody’s phone was going crazy, saying this and saying that. They were telling what you should and shouldn’t do. For us, we were trying to stay together as much as possible. And whatever we did, we wanted to do it together as a team.”
Hollins: “It was so awkward, man. You are trying to focus on the job at hand. Then you have a game to play. There was a lot of energy in different places. It was kind of weird. And honestly, it divided our team. It divided a lot of stuff we were doing. A lot of people got too focused on it. Other people in their mind weren’t too focused on it. And then basketball was there. You’re getting torn in different places, and then your friends and family are saying certain things. But I don’t think we aired it all the right way.”
Griffin: “As far as distractions go, I don’t know if there could have been a bigger thing. Everybody was calling for us to do something. At one point I had to stop answering questions from people I was close to just because it was the playoffs. Doc was always talking to us about keeping your box. You got your family, but everything else goes outside the box. That was crazy because people were calling for us to boycott, and then we had to make a decision.”
There was an uncomfortable buzz in Oracle Arena on April 27, ahead of Game 4. There were rumors that Jordan and Barnes specifically, and perhaps the Clippers as a whole, would boycott the game. Warriors forward Draymond Green also told The Undefeated that he heard the Clippers players considered not playing. The Warriors were in the other locker room awaiting word on what the Clippers were going to do and planned to support them.
Barnes said Rivers left it up to the players to decide whether they wanted to boycott and just asked that they make a uniform decision. Ultimately, the Clippers players determined as a whole that their quest for a title was bigger than Sterling.
Draymond Green: “I remember the awkwardness of the whole time from when it was released to leading to the game. … Everyone seemed antsy. The most important thing was everyone was standing with them. Guys on our team were standing with them. It was a sad situation. Obviously, it didn’t just affect them, although they were playing on the team he owned. It was bigger than that. It was about our culture as a whole. It was crazy.”
Warriors guard Klay Thompson: “I felt bad for those guys. They were in a tough position. … It was definitely a possibility that they boycotted the game, and it would’ve been completely justified.”
Jordan: “I wasn’t going to play. I felt like that was a representation of us. And for me, obviously being a black player, I didn’t want to go out there and represent that. That isn’t what I am about. My teammates, I will keep their names to myself, but they agreed with me on that — and they weren’t all black.
“I wasn’t being negative or anything, but I was standing for something bigger than myself. But ultimately, when you’re a player coming up, you’re not like, ‘Oh, I want to compete for this.’ You want to do it for your teammates. So ultimately, that swayed me to go out there and fight for my guys.”
Griffin: “We never played for Sterling anyway. It wasn’t like we were going out representing Sterling. We were representing our families, the city of Los Angeles and our fans. It all took care of itself in the end. We took the appropriate stand.”
Willie Green: “The best thing for us to do was play. We had a meeting, we decided to come out, play and represent the city of Los Angeles and each other. We stayed together and tried to win.”
Barnes: “Not playing was briefly discussed, but I think we all came to the realization that we’re never playing for Donald in the first place. … Plus, we felt we had a championship-caliber team that year. … I have zero regrets.”
Hollins: “We could’ve not played. But I didn’t join the league for Donald Sterling. There are so many more racist people; he was just the one that got caught. I play for my family. I play for my city. It was weird. That is how I feed my kids, doing this. If you had a racist boss, you’re not going to participate [in your job]? It was just funny. People were telling me to give up on a couple million dollars, a couple hundred thousand, or whatever it might be, in my career for someone who is racist.”
Paul: “It was weird. It was kind of eerie. There is a part of you that is saying don’t play. Then there is a part that says if you don’t, you can be letting each other down. We are not playing for them. We’re playing for each other. It was different.”
The Clippers looked solemn as they ran out for warm-ups to a sold-out crowd before the game started. Yes, they were going to actually play in the nationally televised game on a Sunday despite the Sterling cloud hovering over the team. The Clippers made a statement when they took off their warm-up jackets with “Clippers” on them and tossed them at midcourt. The players then engaged in warm-ups donning long-sleeved red T-shirts turned inside out so the team nickname would not be seen.
The Clippers’ blue jerseys said “Los Angeles” on the front, and the players wore black socks and armbands. The Warriors routed the Clippers, 118-97, in Game 4 to even the series at 2-2.
Griffin: “I just remember the chaos, but with every situation I try to remember something positive. I just remember coming out here taking our warm-ups off and turning them inside out. I remember getting the cheers from the fans here, and at that time that didn’t [usually] happen. It was kind of in the middle of us clashing.”
Hollins: “I don’t know if throwing our shirts off did anything, honestly.”
Paul: “It was easy to say it was hard to play because we got smacked. But I don’t remember too much about that game.”
Hollins: “It was Game 4, and we were better than Golden State then. We were going to come in and take care of business and mess everything up. But they didn’t hold anything back. They let us have it. They had that energy.”
Jordan: “Do I regret playing? No, I don’t regret playing. We got our a– whooped up in Golden State anyway. I am glad I played because those group of guys, they will be connected for life.”
STERLING BANNED BY NBA
Rumors were circulating that Clippers players were considering sitting out of Game 5 on April 29, 2014, in Los Angeles. Players on other teams around the league were considering sitting out as well. NBA sponsors were threatening to leave their partnership with the league. Meanwhile, several current and former NBA players, including former NBA star and then-Sacramento mayor Kevin Johnson, Kareem Abdul-Jabbar, Steve Nash, Tyson Chandler, A.C. Green and Norm Nixon took part in a union rally in L.A., ready to respond to word of Sterling’s punishment expected that day.
The pressure was on Adam Silver, who had replaced longtime NBA commissioner David Stern on Feb. 1, 2014. Silver came down hard on Sterling, announcing the Clippers owner was banned for life from any association with the NBA and the Clippers and was fined an NBA maximum $2.5 million. NBA owners later gave the needed vote to force Sterling to sell the team.
Many of the Clippers players got the news at their practice facility.
Paul: “I remember all those guys going to City Hall and saying something. It was a weird space for us because we were not only the team involved, but we were playing. Doc was trying to not only lock us in on the series and the game but what we were trying to do, and not use that as an out. I remember the first game back. It was unreal. Everybody wore black.”
Griffin: “Adam Silver, through Doc, told us he was going to handle the situation, and he did. We did what we were supposed to do. We were playing for something much bigger than Sterling. It was never our intent.
“We got together and handled it the best way we could have. As a team, you start training camp and go through the pain of the regular season. And you play basketball to get to the playoffs. For us to boycott the playoffs and ultimately lose a playoff series, it wouldn’t have been fair to us. You have to think somewhat selfishly.”
Draymond Green: “I didn’t think anyone was going to play. But once Adam made his announcement, it was so strong that at that point there was no reason for anyone to say anything about the stance.”
Thompson: “Everyone was really happy with how quickly Adam Silver reacted. That was great standing up for all the players on racism, institutionalism and all of that crap. Adam had our back.”
Rivers: “He was the right guy at the right time. My mama always said, ‘You’re right where you are supposed to be.’ That was my mother’s favorite saying. Adam was at the right spot at the right time.”
Hollins: “For Adam Silver, that was his strongest, ‘I’m here.’ Instead of being in the background and shying away from difficult decisions, he made a big decision moving on from Donald.”
The Clippers went on to defeat the Warriors in Game 5 and won the series in seven games. However, their title hopes ended after they lost to the Oklahoma City Thunder in six games in the second round.
On May 29, 2014, former Microsoft chief executive Ballmer won a bidding war for ownership of the Clippers, purchasing the team for a then-NBA record $2 billion.
FIVE YEARS LATER
No current players are left from the 2013-14 Clippers team. Paul was granted a request to be traded to the Houston Rockets on June 29, 2017. Griffin was re-signed by the Clippers to a five-year, $173 million deal that same summer but was traded to the Detroit Pistons on Jan. 29, 2018. Jordan is two teams removed after playing for the Dallas Mavericks and New York Knicks this season. Willie Green is an assistant coach with the Warriors. Barnes is retired. And Hollins is a television sports analyst for the Clippers and NBA.
After losing to the Clippers in that first-round series in 2014, Golden State has been to the NBA Finals every year since and won three championships. Barnes, who was on the Warriors’ title team in 2017, said, “I knew then they were going to be a problem.”
Rivers, meanwhile, is the last man standing on the Clippers and enjoying perhaps his finest coaching performance this season. The Clippers hope to be a major player in free agency this summer with the ability to sign two major free agents.
On Wednesday night, the Clippers are back in Oracle Arena to play the Warriors during Game 5 of their first-round series.
Jordan: “We had our opportunities. We had six years to us three, J.J. [Redick] and Jamal [Crawford]. We had really good teams, but we just couldn’t get over the hump. That happens after a while. Either you keep it going and believe in it or revamp, which ultimately they decided to do.”
Hollins: “Ballmer has gone all in. Before, Blake, DJ and Chris would get the preferential treatment, the massages, whatever that may be. The 15th man gets that now. The 15th man gets a scouting report, access to training. It’s just on another level. He’s really invested into the squad. It’s not surprising the success that he is having. Even the young guys.”
Rivers: “When I came here, no free agent would say they want to play for the Clippers. Now, every free agent says they want to play in L.A. And they don’t mean the other team [the Lakers], they mean both. To me, that is a big measure of success of where the franchise has become. The next step is getting [free agents] and then winning.”
LeBron James (and what’s left of) the Los Angeles Lakers stagger into Toronto on Thursday night to take on the Raptors. At this point, the Lakers have more of a realistic chance to land Zion Williamson than to make the playoffs, which takes much of the luster out of what was supposed to be a late-season meeting between two playoff-bound squads. Kawhi Leonard, Kyle Lowry, Marc Gasol and Pascal Siakam aim to keep Toronto within reach of the Milwaukee Bucks for the Eastern Conference’s top seed. And while it’s the longest of shots, Drake is always a subplot at courtside — although he’d have to jet over from Paris on his off day from his Assassination Vacation European tour to make it happen.
In addition to the fact that he announced today the OVO Athletic Centre, “the official training facility for the Toronto Raptors,” the Scorpion rapper has a multitude of reasons to hop on a Cessna and pull up to Scotiabank Arena. Drake has been the Raptors’ global ambassador since 2013, and he doesn’t pass up many opportunities to see his friend James up close and personal.
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Introducing the OVO Athletic Centre, the official training facility for the Toronto Raptors. just wanted to add that I am so proud of my brothers and so proud to be from this city I swear this one feels like a high school dream and it’s a blessing to be able to raise up the levels and make the human mind stretch when it comes to thinking about what is possible in your lifetime!! Much love to everyone involved
A post shared by champagnepapi (@champagnepapi) on Mar 14, 2019 at 8:25am PDT
Plus, Drake — who is currently sitting on Billboard’s pop singles charts for the 193rd (!) time, for his “Girls Need Love (Remix)” collaboration with Summer Walker — has long been a fountain of sports references and analogies. What we have here is a vault of those Drake sports lyrics. An anthology, if you will. The references span a range of sports, athletes and moments dating back well over a decade. This isn’t all the looks, but the best and the most of them. So grab a drink. Order some food. Spark up. Get comfortable. We’re going to be here for a while.
Below you’ll find 57 songs, in chronological order, dating to 2007’s Comeback Season up to the current day. Some you’ll remember. Some you’ve probably forgotten. And some you may have never known existed. What’s not up for question, though, is the power and legitimacy of Drake’s co-sign. “When your favorite rapper puts your name in a song,” 2014 NBA MVP Kevin Durant said, “it makes you feel like you made it.”
“Going In For Life” (2007)
If Hov is Jordan, I guess I’m cool with Pippen / ’Til I mention that I wanna play a new position / No team playin’, no screen settin’ / Because I wanna win games / Coach, I’m through assistin’ …
Less than two years before he became a household name, Drake’s sights were already set on rap’s pinnacle. And he knew how to get there: He’d have to look Jay-Z in the eyes. The two artists’ on-again, off-again friendly war of words/peacetime admiration has deep roots.
Drake feat. Lil Wayne — “Ignant S—” (2009)
The same n—a I ball with / I fall with/ On some southern drawl s— / Rookie of the Year / ’06, Chris Paul s— …
Chris Paul’s presence is felt throughout So Far Gone. He’s actually on the outro of the Lil Wayne and Santigold-assisted “Unstoppable.” Meanwhile, earlier on Gone, Drake calls his own shot, dubbing himself rap’s best newcomer — just like Paul, the former Wake Forest Demon Deacon, had been a few years beforehand in the NBA.
“Say What’s Real” (2009)
And to my city I’m the 2-3 …
Jordan or James — both apply here. Drake wasn’t the first musical artist to put Canada on the map; names such as Kardinal Offishall, Nelly Furtado and Tamia predate Aubrey Graham. That being said, it’s hard to say the notoriety and legacy Drake brings to his own city aren’t similar to the legacy of 23 in Chicago and Cleveland, both of whom are big fans of Toronto’s figurative 23.
“The Calm” (2009)
Tryna enjoy myself with Tez in Miami at the game / I just wish he knew how much it really weighed like Dwyane …
“You know,” Dwyane Wade told me last month in Miami, face beaming with pride, “I was on So Far Gone. That was so cool. That’s when I first heard of Drake.” Such is true, the landmark mixtape’s somber standout is the on-wax meeting of Drake and Wade.
Gucci Mane feat. Drake — “Believe It Or Not” (2009)
OK, I’m all about it, all for it / I’m All-Star Team Jordan, small forward / I’m never putting up a shot unless it calls for it / No hesitation so I’m shooting if I draw for it …
“9AM In Dallas” (2010)
I’m nervous / But I’ma kill it cause they ’bout to let the realest team in / Throwing up in the huddle, n—a, Willie Beamen / But still throwing touchdown passes/ In tortoise frame glasses hoping that someone catch it …
The first installment in Drake’s famed time/location series. Nearing the end of the decade, it’s fascinating to hear some of the anxiety and uncertainty in his lyrics. Who could’ve really predicted all of this?
Drake feat. Alicia Keys — “Fireworks” (2010)
I’m flying back home / For the Heritage Classic …
The first song on Drake’s first studio album, Thank Me Later, is positioned there for a reason. In the first verse of “Fireworks,” he goes into his fear that fame would eventually drive him and Lil Wayne apart. The second verse is about Rihanna. And the third verse focuses on the relationship with his parents and being the product of a divorced household separated by an international border. The Heritage Classic, by the way, began in 2003 and is one of the NHL’s storied outdoor regular-season games — in Canada.
“Thank Me Now” (2010)
And that’s around the time / That your idols become your rivals / You make friends with Mike / But gotta A.I. him for your survival / Damn, I swear sports and music are so synonymous / ’Cause we wanna be them / And they wanna be us …
One of Drake’s most popular and lasting lines speaks to how the cultures of sports and music have always been intertwined — tip your cap to Master P, who not only opened the door but also brought the marriage mainstream in the ’90s. Not a single lie was told.
“You Know, You Know” (2010)
Game time b—- I hope you’re proud of us / King James s— watch me throw the powder up …
Tell your girlfriend /That I can pull some f—ing strings / So we’re courtside / When LeBron get a f—ing ring …
Back when Drake and Kanye West were on speaking terms, they created this gem, which came with a duo of powerhouse LeBron references — it’s Drake’s most high-profile athlete friendship.
Nicki Minaj feat. Drake — “Moment 4 Life” (2010)
Young Money the Mafia that’s word to Lil’ Cease / I’m in the Dominican, Big Papi Ortiz …
Rick Ross feat. Chrisette Michele & Drake “Aston Martin Music” (2010)
Which one of y’all got fleets on your key chains? / The seats for these Heat games?
Drake, who originally played post-hook duties on Rick Ross’ “Aston Martin,” obviously had more to say as OVO’s top dog released his own verse called “Paris Morton Music” — dedicated to a model of the same name whom he ended up making two songs about. By the time the official video dropped, Ross made the executive decision to add Drake’s verse. Smart move. Also, sitting courtside during the Miami Heat’s “Big Three” era was the ultimate flex.
Rick Ross feat. “Made Men” (2011)
I’m in the condo posted watching Miami kill / I might just walk to the arena and watch it for real …
Yes, in case you haven’t caught on to the trend yet, we’re in the Miami Heat era of Drake’s career.
“Over My Dead Body” (2011)
Are these people really discussing my career again? / Asking if I’ll be going platinum in a year again / Don’t I got the s— the world wanna hear again? / Don’t Michael Jordan still got his hoop earring in?
This picture, taken in 2011, actually does feature Michael Jordan rocking a hoop earring. There’s your answer(s).
“Under ground Kings” (2011)
I swear it’s been two years since somebody asked me who I was / I’m the greatest man / I said that before I knew I was …
You might’ve heard someone say that before. Rest in peace, Muhammad Ali.
“The Ride” (2011)
I’m out here messing over the lives of these n—as / That couldn’t fuck with my freshman floater …
There’s an argument to be made that “The Ride” is a top-three Drake song, ever. I am more than willing to have that discussion. Just not on social media.
Drake feat. Tyga & Lil Wayne — “The Motto” (2011)
My team good, we don’t really need a mascot / Tell Tune, “Light one, pass it like a relay” / YMCMB, you n—as more YMCA …
Rick Ross feat. French Montana & Drake — “Stay Schemin’” (2012)
Kobe ’bout to lose $150M’s / Kobe my n—a, I hate it had to be him / B—- you wasn’t with me shootin’ in the gym (B—- you wasn’t with me shootin’ in the gym!)
For as popular as this line became — and it was extremely popular around the time that rumors were rampant that Kobe Bryant and his wife were barreling toward divorce — the misogyny in the lines is something Drake grew to regret. Bryant’s wife, Vanessa, was none too pleased, especially as the lyric became a true cultural moment.
“I love when immature kids quote a rapper that has never been friends with Kobe and knows nothing about our relationship,” Vanessa Bryant shot back. “I don’t need to be in the gym. I’m raising our daughters, signing checks and taking care of everything else that pertains to our home life.” She wasn’t done. “I really wish people would stop, think and then realize that they are being sucked into someone’s clear intention to monetize and gain attention off of our family’s heartache. This is real life. I hold down our home life so my husband can focus on his career. It’s a partnership.”
Bench players talking like starters / I hate it …
I’ve reached heights that even Dwight Howard couldn’t reach …
The Howard comment is true. Drake and Howard were young superstars at one point, but the two have seen their careers veer in different directions over the past eight years. But the bench players and starters bar? A critique very applicable in so many walks of life. We’ll just leave it at that.
DJ Khaled feat. Drake, Rick Ross & Lil Wayne — “No New Friends” (2013)
H-Town my second home like I’m James Harden / Money counter go *brrr* when you sellin’ out the Garden …
Since we’re on the topic, earlier this season, reigning NBA MVP James Harden dropped a career-high 61 points on the New York Knicks in Madison Square Garden. The mark tied with Bryant for the most points scored by an opponent vs. the Knicks.
PARTYNEXTDOOR feat. Drake — “Over Here” (2013)
I’m back boy for real / I’m that boy for real / I got hits, n—a / You just a bat boy for real …
This one doesn’t normally get mentioned when Drake’s best guest verses are debated. But it should.
“5AM In Toronto” (2013)
Some n—a been here for a couple / Never been here again / I’m on my King James s— / I’m tryin’ to win here again …
A lot has been made of Drake’s supposed sports curse. But here’s one instance where Drake hit the nail on the head in an installment of his time/location series. This song was released in March 2013, and the Heat went on to repeat as NBA champions in a thrilling seven-game series against the San Antonio Spurs three months later. As for the aforementioned James, he secured his second consecutive Finals MVP award as well with a 37-point, 12-rebound (and game-icing jumper) virtuoso performance in Game 7.
French Montana feat. Rick Ross, Drake & Lil Wayne — “Pop That” (2013)
OVO, that’s major s— / Toronto with me that’s mayor s— / Gettin’ cheddar packs like KD / OKC, that’s player s— …
It’s 2019, so it’s not a stretch to proclaim this now. **plants flag** You’d be hard-pressed to find many better party anthems of the 2010s.
“Furthest Thing” (2013)
I had to Derrick Rose the knee up ’fore I got the re-up …
Drake, like former NBA MVP Rose, had his own very public stint of injuries. The artist embarked on his America’s Most Wanted tour in 2009 with a torn ACL, MCL and LCL. Drake fell and reinjured his leg again at a performance in Camden, New Jersey. The diagnosis from Lil Wayne (who actually does have a song called “Dr. Carter”), saw it happen firsthand: “That n—a really got a bad leg.”
“Worst Behavior” (2013)
I’m with my whole set, tennis matches at the crib / I swear I could beat Serena when she playin’ with her left …
Outrageous boasts and hip-hop go together like Nick Cannon and paychecks. But, yeah … no. Sounded good, though. No denying that.
“0 to 100 / The Catch Up” (2014)
Been cookin’ with sauce / Chef Curry with the pot, boy / 360 on the wrist, boy / Who the f— them n—as is, boy …
F— all that rap-to-pay-your-bills s— / Yeah, I’m on some Raptors-pay-my-bills s— …
No need for an apology to the wife of an NBA superstar this time around. This is the song that ignited Drake’s short-lived beef (over beats) with Diddy and also gave credence and aura to the nickname “Chef Curry” — which Stephen and Ayesha Curry both parlayed, on and off the court. For context, Ayesha Curry’s already on her third International Smoke restaurant.
Nicki Minaj feat. Chris Brown, Drake & Lil Wayne: “Only” (2014)
Oh, yeah, you the man in the city when the mayor f— with you / The NBA players f— with you / The badass b— doing makeup and hair f— with you …
No shade at all for this next sentence. But Minaj could really use a single like this in 2019.
“Draft Day” (2014)
Draft day, Johnny Manziel / Five years later, how am I the man still?
Well, Drake can still attest to being a marquee attraction a half-decade later. Johnny Football? Not so much. Manziel, to whom the song was dedicated (and who is mentioned by 2 Chainz in his new song “NCAA”), was an incredibly hyped NFL rookie at the time. A Heisman Trophy winner from Texas A&M, Manziel was undeniably one of the most popular, and controversial athletes of his generation. Manziel spiraled out of the NFL after two years with underwhelming play on the field. And just last month, Manziel was kicked out of the Canadian Football League.
“10 Bands” (2015)
I get boxes of free Jordans like I played at North Carolina / How much I make off the deal? / How the f— should I know?
In terms of Cocky Drake, consider this one of his best bars to date. You can feel the disgust in his voice.
“6 Man” (2015)
Boomin’ out in South Gwinnett like Lou Will / 6 man like Lou Will / Two girls and they get along like I’m … (Louuu) Like I’m Lou Will / I just got the new deal …”
It’s time we put Lou Williams in the conversation of all-time great sixth men, if we haven’t already. But while this line immortalized Williams, the NBA’s new all-time leading scorer off the bench and a rapper himself, he played it cool with his response to Sports Illustrated’s Lee Jenkins. “I hear about it every day. Every single day,” he said. “More players do that than you know. I was just the first person to have it mentioned in a song.” Somehow, that’s not surprising. Like, at all.
“6PM In New York” (2015)
Every shot you see them take at me they all contested / Allen Iverson shoe deal / These n—as all in question …
Given all the athletes Drake has referenced over the years, it’s low-key wild that he hasn’t mentioned Iverson more. But both entries on this list (see above) are definitely impressive.
Fetty Wap feat. Drake — “My Way” (Remix) (2015)
They should call me James / ’Cause I’m going hard in this b—- …
What’s true: This was one of the biggest records of that year and a day party mainstay. What’s also true: It’s far more fun to drunkenly recite than it is impressive to just read on the screen.
Meek Mill feat. Drake — “R.I.C.O.” (2015)
OVO, East End, Reps Up, we just might get hit with the R.I.C.O. / Everyone home for the summer, so let’s not do nothing illegal / I go make $50 million then I give some millions to my people / They gon’ go Tony Montana and cop them some Shaq at the free throws …
Drake and Mill’s beef, which started almost immediately after the release of this song in the summer of 2015, dented both careers. But perhaps one of the most innocent bystanders was this song — it never received the video and push it more than deserved.
“Charged Up” (2015)
Come live all your dreams out at OVO / We gon’ make sure you get your bread and know the ropes / I get a ring and I bring it home like I’m Cory Joe …
Cory Joe is, of course, Cory Joseph, the Toronto native who won the 2014 NBA title with the San Antonio Spurs and later signed with his hometown Raptors. But when you think about it, this wasn’t the first time a Spur found himself smack-dab in the middle of a high-profile Drake beef.
“Back To Back” (2015)
Back to back for the n—as that didn’t get the message / Back to back, like I’m on the cover of Lethal Weapon / Back to back, like I’m Jordan ’96, ’97, whoa!
It was never confirmed whether this video of Jordan dancing (exactly how you’d expect Jordan to dance) to “Back to Back” was real. But it does go to show how deeply the Meek beef permeated pop culture.
Future & Drake — “Big Rings” (2015)
This game is different / You only get one shot when n—as gon foul on you …
With the Meek beef still very much on the minds of everyone, Drake continued to take the reins of the narrative by teaming up with Future for a collaborative album. While Drake’s presence was felt on 10 of the 11 tracks, the lingering effects of his fallout with Meek, and the ghostwriting accusations that haunted him, resonated within Drake’s aggression.
Future & Drake — “Scholarships” (2015)
I’m ballin’ outta control, keep on receiving the scholarships / Mail coming to the house / N—a please watch your mouth / I’m the one without a doubt, yeah / And I rock Kentucky blue on these hoes / Drafted, I’m getting choose by these hoes …
No matter how many No. 1 hits he amasses, Drake still has to redeem himself from this moment while wearing said Kentucky blue.
Future & Drake — “Jumpman” (2015)
I hit the Ginobili with my left hand up like, “Woo!”
Jumpman, Jumpman, Jumpman, f— was you expecting? (woo!) / Chi-Town, Chi-Town Michael Jordan just said text me (woo!)
Jumpman, Jumpman, live on TNT I’m flexing (ooh!) / Jumpman, Jumpman they gave me my own collection (ooh!) … Mutombo with the b—-es, you keep getting rejected (woo!)
If nothing else, there should at least have been a video for this project. Nike could’ve fronted the budget and just made it an informal infomercial.
“30 For 30 Freestyle” (2015)
S— is purely for sport, I need a 30 for 30 / Banners are ready in case we need to retire your jersey / I got a club in the Raptors arena / Championship celebrations during …
Peyton and Eli when n—as called me they brother the season start / And I don’t wanna see you end up with nothing / Y’all throw the word “Family” around too much in discussion / Rookie season, I would’ve never thought this was coming / They knees give out and they passing to you all of a sudden / Now you the one getting buckets …
With a title such as this one, there had to be a slew of sports-related lyrics.
“Summer Sixteen” (2016)
And I blame my day ones / You know Chubbs like Draymond …
Golden State running practice at my house …
Yes, now we’ve entered the Golden State portion of Drake’s discography. And no one was more appreciative than Draymond Green, who views his mention as a career-defining moment.
“Weston Road Flows” (2016)
A lot of people just hit me up when my name is mentioned / Shout out to KD, we relate / We get the same attention / It’s raining money, Oklahoma City Thunder / The most successful rapper 35 and under / I’m assuming everybody’s 35 and under / That’s when I plan to retire, man, it’s already funded …
I used to hit the corner store to get Tahiti Treat / Now the talk at the corner store is I’m TBE / The best ever, don’t ever question, you know better …
Drake gives a nod to Floyd Mayweather Jr. with the TBE nod. But it’s Drake’s Kevin Durant mention that raises the most eyebrows. Perhaps Drake knows something we don’t? He and KD are close, and the impending megastar free agent has long called Drake his favorite rapper. The two-time NBA champion revealed last June that he could realistically, as Drake says of himself, envision himself retiring at 35. “This game, your craft, you have to continue studying,” Durant said. “No matter how much you enjoy it, nobody wants to be in school that long. I know I don’t. At some point, you have to be ready to graduate. Thirty-five, that’s just a number in my mind.”
“Still Here” (2016)
I gotta talk to God even though he isn’t near me / Based on what I got, it’s hard to think that he don’t hear me / Hittin’ like that 30 on my jersey, man, I’m gifted …
Conversations with God. Comparing himself to the greatest shooter who ever lived. Drake’s confidence was higher than telephone wires.
“Pop Style” (2016)
MVP, MVP, ’09 all the way to ’16 / Even next season looking like a breeze / Lot of y’all ain’t built for the league …
Drake wasn’t the MVP every year from 2009-16, but he was certainly in the conversation. “Pop Style” also rings off in concerts something serious.
Me and Niko used to plot on how to make a change / Now me and Kobe doin’ shots the night before the game / Still drop 40 with liquor in my system …
This was when we received confirmation Drake and the Bryant family were still cool. Drake and Kobe, at least.
YG feat. Drake — “Why You Always Hatin?” (2016)
I’m a star like Moesha’s n—a / Runnin’ up the numbers like Ayesha’s n—a …
A subtle Fredro Starr mention here. And Ayesha Curry’s husband was for sure running up the numbers in 2016. That was the year he become the only unanimous MVP in NBA history. Speaking of Steph …
“4PM In Calabasas” (2016)
We established like the Yankees / This whole f—ing game thankless …
OVO, the rap game Bronx Bombers? Drake thought so, even if the industry would never acknowledge it as such. Regardless, “4PM” remains one of Drake’s sharpest cuts, with a tidal wave’s worth of Diddy disses throughout.
“Free Smoke” (2017)
I took the team plane from Oracle / Mama never used to cook much / Used to chef KD / Now me and Chef, KD / Bet on shots for 20 G’s …
Drake albums are always a big cultural event from coast to coast. Needless to say, in 2017, this song was anything but a fan favorite in the Cleveland area. Especially in Quicken Loans Arena.
“Fake Love” (2017)
Soon as s— gets outta reach / I reach back like 1-3 …
To date, this remains the lone Odell Beckham Jr. reference in Drake’s catalog. And that’s a wild stat, given their very public bromance.
Lil Wayne feat. Drake — “Family Feud” (2017)
Super Bowl goals, I’m at the crib with Puff / He got Kaepernick on the phone / He in a whole different mode …
An oft-forgotten collab between Drake and Lil Wayne. It was also one of the earliest nods to the fact that Drake and Meek were, behind the scenes, putting bad blood behind them even as Meek sat in prison. I need my paper long like “A Milli” verse / Or too long like a sentence from a Philly judge, he rhymed. F— is the point in all the beefin’ when we really blood?
“Diplomatic Immunity” (2018)
’Cause n—as started talkin’ to me like I’m slowin’ down / Opinions over statistics, of course …
Like Sanders on the Detroit Lions/ Get a run around and I’ll bury you where they won’t find ya …
This is a hard track Drake dropped at the start of 2018 along with the Grammy-winning “God’s Plan.” Both songs were a welcome change of pace, his first new ones since dropping More Life almost a year earlier. But for as tough as Drake’s “Diplomatic Immunity” is, the above phraseology will always belong to the royal family of Harlem. Not even Drake can overtake that.
I just took it left like I’m ambidex’ / B—-, I move through London with the Eurostep (Two) / Got a sneaker deal and I ain’t break a sweat / Catch me ’cause I’m goin’ (Outta there, I’m gone) / How I go from 6 to 23 like I’m LeBron?
Money for revenge, man, that’s hardly an expense / Al Haymon checks off of all of my events / I like all the profit, man, I hardly do percents …
While never confirmed, it is widely speculated that the “revenge” line is confirmation of Pusha T’s suspicion that Drake was offering money for dirt on him. Regardless, “Nonstop” peaked at No. 2 on the Billboard’s Hot 100. But it’s unclear how many people who chant the “6 to 23” line understand its real meaning. Drake’s from Toronto, which he calls “the 6.” Drake’s got his own sneaker deal — just like No. 23 for the Lakers.
“8 Out of 10” (2018)
Miss makin’ ’em pay / Helipad from Will Smith crib straight to the stage / Three Forum shows, but I played Staples today …
All in a day’s work.
“Mob Ties” (2018)
Lead the league in scoring, but man look at my assists …
Lightly similar to Jay-Z’s High school crossover, waved away picks / Music is the same s—, gave away hits from 2000’s “Best of Me” (remix). Somewhere, on the slim chance he’s even aware the line exists, NBA great Nate “Tiny” Archibald is smiling. He was living that same life during the 1972-73 season with the Kansas City-Omaha Kings when he led the league in scoring (34) and assists (11.4). That’s the only time in league history that’s happened.
“Sandra’s Rose” (2018)
They don’t have enough to satisfy a real one / Maverick Carter couldn’t even get the deal done …
Louisville hush money for my young gunners / Rick Pitino, I take ’em to strip clubs and casinos …
Just when Rick Pitino maybe thought the Adidas pay-for-play scandal that got him ousted as head coach at Louisville was in the rearview mirror, here comes a mention on the most streamed album of 2018.
Drake feat. Jay-Z — “Talk Up” (2018)
This isn’t that, can’t be ignoring the stats / Based off of that, they gotta run me the max / They gotta run me the max / They gotta double the racks …
In other words, the mindstate of every big-name free agent this spring or summer, from Le’Veon Bell to Kevin Durant to Kyrie Irving and others. Look what knowing your worth did for Bryce Harper: $330 million later, he’s set for life.
Drake feat. Future — “Blue Tint” (2018)
Way this s— set up, I live like Ronaldo / But I never been in Madrid, whoa …
It’s impossible to believe Drake has never been to Madrid, considering he’s toured the world several times over. Not exactly the thing I was expecting to have in common with Drake, but alas.
Lil Baby feat. Drake — “Yes Indeed” (2018)
My cousins are crazy / My cousins like Boogie / Life is amazing / It is what it should be / Been here for 10, but I feel like a rookie …
One of the most popular Instagram captions of the past year. Going back through the list, too, it appears the only Golden State Warrior who hasn’t been name-dropped in a song by Drake is Klay Thompson.
“Fire In The Booth” (2018)
El chico, this verse is the explanation for the large ego / $100 mil’ hands free like Ronaldinho …
Click the link to the song. How Charlie Sloth didn’t blow a vein in his neck is both a blessing and scary.
André Holland’s eyes were wide open.
A lifelong sports fan — college hoops and professional basketball strike his fancy — Holland enjoyed the game. Loved basketball. The mechanics of seeing larger-than-life players running the ball up and down the court, leaping in the sky and landing an on-the-mark hook shot, alley-oop, slam dunk, you name it, was the ultimate payoff.
Then came the recent college basketball protests. Then he picked up Harry Edwards’ 1968 The Revolt of the Black Athlete. And then, as they might say, Holland woke up. “The inequities in sports made me re-evaluate,” said the Alabama native, a transformative actor who has been in some of the best films of the past few years: 2013’s 42 (the Jackie Robinson biopic that introduced the world to Chadwick Boseman), Selma (Ava DuVernay’s 2014 Martin Luther King Jr. biopic) and Barry Jenkins’ Oscar-winning Moonlight.
“[I] realized that there’s been a long history of athletic athlete activism,” said Holland, who had a nugget of a film idea. “I wanted to explore that and … do my part in pushing conversations forward.”
How he’s hoping to do that is with his new High Flying Bird, directed by Academy Award winner Steven Soderbergh and written by Oscar winner Tarell Alvin McCraney. The two men brought his nugget to life. The film is about a sports agent who, during a lockout, pitches his rookie basketball client an intriguing and controversial business opportunity: taking the power out of NBA owners’ hands by selling a one-on-one game to a streaming outlet — rather like what we see in the boxing world.
“I’ve always been interested in the business of sports,” said Soderbergh. “And when it came to the NBA in particular, I always wondered … [when] they go through contract negotiations … why don’t these guys own a bigger piece of this, if not own the game outright? As technology developed, especially in the last five to 10 years, and streaming for a wide audience became viable, I returned to the idea of, wow, you really could start a league and finance it by selling all of the streaming by subscription or by advertising revenue. … That was the popping-off point. Can we come up with … a what-if story in which somebody decides, let’s stick our toe in the water of what it would be like to set up a player-based entity … apart from the NBA? What kind of forces would mobilize to keep that from happening?”
High Flying Bird, which is set to stream on Netflix on Friday, is a disrupter. It’s the kind of film that sparks conversation, and maybe some change. Holland also is the film’s executive producer, and in a way the film’s throughline of taking control mirrors his own career in Hollywood. Holland is a leading man. And this is his shot. And like the crafty sports agent he plays in High Flying Bird, he created his own opportunity.
“Just wanting more out of my career,” said Holland, “wanting more than acting, I’m having to take a cold, hard look at the landscape, and … it didn’t look so hopeful. I felt this need to create my own opportunities, and that’s probably what we all have been doing … and need to do more of. Not wait on people to open doors for us, but find those doors, create those doors ourselves.”
In this what-if narrative that Soderbergh pauses at key moments to intersplice real-life NBA players — Donovan Mitchell, Karl-Anthony Towns, Reggie Jackson — talking through their own truths, Holland’s character has recently discovered that his client, who happens to be No. 1 draft pick Erick Scott (played by Melvin Gregg), has taken out a high-interest loan and, because of the lockout, he can’t pay it back now that there aren’t any checks coming in. Much of the film feels very thriller-heist — an Ocean’s Eleven-, Crash-, Magic Mike-style Soderbergh staple — but set in the fast-paced world of organized professional sports.
McCraney began working on the script amid the NFL/Colin Kaepernick controversy, protests and the sex abuse scandal in USA Gymnastics. “It was … a strange time,” said McCraney. “There [were] moments where black athletes were looking at the way they were being treated. And then this book, Harry Edwards’ … the 50th anniversary edition of the book was coming out. … It was definitely in the air, and we wanted to make sure that we were talking about it.”
— André Holland
So much of what we’re seeing unfold in real sports storylines centers on power struggle — whether that be social injustices and/or players vs. owner infrastructure. Both are in play in Soderbergh’s fictional world of basketball and make for a compelling story that, even with mixed early reviews, holds beautifully.
“Look, you love the game,” McCraney said. “You love going down the court, you love screaming at people to catch the ball, run the block out. But those people have to get up the court with all the victories that they made [or didn’t make]. That may affect them financially, may affect them in their interpersonal relationships … the fact that there’s a team owner and that they’re called ‘owners’ — that has implications. That has interpersonal implications. We need to continue to look at that.”
The film feels like activism in a lot of ways. The slavery comparisons between professional basketball are overarching. No way did they want that message to be subtle.
“The majority of the folks who [are] on the court are black in the NBA. The majority of the owners who are making surmountable living are white, older men. I think between myself and André and Soderbergh … we want to bring [about that] conversation,” McCraney said. “Also, just to have questions. André, I believe, asked a question like ‘What if all the black players decided they weren’t gonna play? What does that do?’ ”
What it’s doing for now is being a compelling film that also co-stars Sonja Sohn as the attorney representing the head of the players’ association. “Athletes bring a story of competition and someone’s rise into fame in the world of sports. It’s the ultimate hero’s journey,” Sohn said. “Everybody can relate to that dream, and I think in particular a lot of young men without opportunities … latch on to that dream.”
That’s what Holland is hoping for: that people latch on and listen. And if change is evoked? “I hope it inspires people to exercise their own interest in whatever field or situation is in front of them. The NBA is the system we looked at for this particular film, but … it’s just an examination of systems that we sometimes take for granted,” Holland said. “At the center of it is, what if we did control [our] own s—? What if we just controlled all our own stuff? What might that look like? Regardless of the industry.”