Comedian and actor Dave Chappelle will be honored with this year’s Mark Twain Prize for American Humor from the Kennedy Center.
It is the nation’s highest honor for comedy, and as a recipient, Chappelle, 45, joins the ranks of previous winners Julia Louis-Dreyfus, Richard Pryor, Whoopi Goldberg, and Lily Tomlin. The Washington, D.C. performing arts venue announced the decision Tuesday afternoon.
The honor is especially meaningful for Chappelle because he’ll be feted in his hometown of Washington, D.C. He started sneaking into comedy clubs when he was 14 and spent years honing his craft at the DC Improv Comedy Club.
It’s also special because Chappelle tried, somewhat unsuccessfully, to memorize Twain’s words to audition for a spot at his alma mater, the Duke Ellington School of the Arts. In spite of Chappelle’s addled memory, and lackluster acting abilities, the selection committee for the public high school saw something in him, and Chappelle graduated in 1991. In 2015, he returned home to surprise graduates as that year’s commencement speaker.
Chappelle didn’t have an interest in acting at the time, and like many a comedian, he’s had turns in not-so-great films and some better ones. He’s come quite a ways since Half Baked. Robin Hood: Men In Tights arguably remains a slapstick classic. He was totally believable as the sensible George “Noodles” Stone in A Star Is Born, one of the best films of 2018.
“Dave is the embodiment of Mark Twain’s observation that ‘against the assault of humor, nothing can stand,’” Kennedy Center president Deborah Rutter said in a press release. “For three decades, Dave has challenged us to see hot-button issues from his entirely original yet relatable perspective. Dave is a hometown hero here in Washington, D.C., where he grew up. We’re so looking forward to welcoming him back home.”
Chappelle has mystified his public since 2005, when he bailed on his eponymous Comedy Central sketch show after two seasons, at what then was the height of his commercial success. But he has eased back into public life with sold-out shows at Radio City Music Hall and his Juke Joint series, which combines music and comedy and other forms of live performance. He also recorded two specials for Netflix, both released in 2017: Equanimity and The Bird Revelation.
The gala and ceremony for the Mark Twain Prize will take place October 27 at the Kennedy Center and will air on PBS on Jan. 6, 2020.
Washington, D.C., apparently is the capital of the Gentrification Nation too.
Want to see the effects? Just take a stroll through the environs near Howard University’s main campus these days and you reflexively say, “My, how times have changed.”
Gone are many of the decaying structures and dilapidated blotches of disrepair. And gone are some of the small black businesses and shops that were the lifeblood of a once-vibrant community.
Look up and you will see high-rise thickets of fancy apartment complexes dotting the landscape around Howard, which in recent years has sold some of its properties near campus to raise funds. Look down and you will see the new cafes and coffee shops.
Those are signs of gentrification, not only in Washington but also in cities such as Houston, home of Texas Southern University, another historically black institution.
To understand the change of scenery around Howard, you must study the metamorphosis of Washington as a whole.
Gentrification sweeps through D.C.
Check the city’s gentrification numbers. According to the National Community Reinvestment Coalition, which advocates economic support for economically distressed locales, Washington had the highest intensity of gentrifying neighborhoods in the United States between 2000 and 2013.
Furthermore, Washington’s population was 71.1% black in 1970; in 2015, that number had plummeted to 48.3% during this new age of gentrification and black displacement. Also, the white population in areas surrounding Howard’s main campus was about 4% in 2000; by 2015, it had increased more than sixfold.
Of the eligible tracts for gentrification, Washington leads the nation with a 40% intensity rate; second is San Diego, double digits behind at 29%; third is New York at 24%.
Gentrification can mean new residents. With different cultural likes, dislikes, habits. And behavior.
Such as dog walking.
Howard students know this firsthand. And they don’t like it.
Because their campus has been a dog park for some area residents — white pet owners.
Students say it’s their grass and their walkways, regardless of the gentrification projects that have altered the landscape surrounding the university.
“Seeing dogs on campus isn’t an uncommon thing. I have seen them relieve themselves and the owners don’t pick it up,” Kenneth Fling, a freshman psychology major from Buffalo, New York, told The Undefeated outside on a breezy, blue-sky day at the main campus. “Here, we take the culture of our campus and our community very seriously.”
The first part of Fling’s comment is a key point of contention among many Howard students: non-student pet owners allowing their dogs to defecate and urinate on campus apparently without taking any responsibility.
On “The Yard” — that priceless, grassy commons — which students consider hallowed territory, the pulse of their universe.
Call this situation Howard’s get-off-my-lawn moment.
It would be foolhardy to believe that Howard was the nation’s only historically black college or university in a dense urban spot feeling the effects of a culture clash that’s exacerbated by gentrification. Travel about 1,500 miles southwest of Washington to Houston, the nation’s fourth-largest city.
There, Texas Southern University is in the throes of its own challenges that, in some respects, are more problematic than the dog issue at Howard.
While the hot topic at Howard is about the pets, the concern at Texas Southern is about the pocketbooks.
According to the Houston Defender, a black-owned newspaper in the city, the number of black residents in the Third Ward, as of 2017, had decreased by at least 10% while the white population had doubled, as education and income levels have risen. Other effects of gentrification can include an increase in home and property values, an improvement in safety matters and a rise in credit ratings for residents.
However, on the other side of the ledger … well, let Sherridan Schwartz, a visiting professor in the Barbara Jordan-Mickey Leland School of Public Affairs at Texas Southern, tell it:
“In recent years,” Schwartz told The Undefeated, “luxury development and gentrification have made the Third Ward mostly unaffordable to the faculty and staff of TSU [except for a few executive-level administrators with higher incomes]. Now those employed by TSU have to find more affordable housing farther away, primarily in Houston’s suburbs like Pearland and Missouri City.”
To compound the gentrified problems, public transportation, especially bus service, can be affected in a negative way. Food and utility prices can skyrocket.
Also, in some neighborhoods around Texas Southern, similar to incidents in Washington, new residents have vehemently complained about publicly played music, lingering crowds, noise and block parties — often staples of many predominantly black communities.
Darnell Latney knows all about those staples.
For 48 years, Latney has been a part of Georgia Avenue, a street that directly borders Howard’s main campus. He’s seen the full scope of changes on this thoroughfare, which stimulate much-heated debate in the neighborhood, Latney said. A barber for 22 years, he works at Joseph’s Barber Shop, mere steps away from the university. And he is adamant about what he calls a disservice to a longtime predominantly black community encompassing Howard.
“It’s all about economics and raising the tax base,” Latney passionately told The Undefeated. “They are just using gentrification to get rid of black people in this area. We are not being displaced but replaced.
“At one time, D.C. wasn’t like this at all, from about the 1990s on back. Now everything is so expensive that the average black person can’t afford it. Georgia Avenue is a long street. It used to be an 80% black neighborhood that catered to 80% black businesses. Not anymore. I’ve seen a lot of black businesses close down in the past six years on Georgia Avenue — all because of gentrification. And this dog stuff is another sign of what’s going on around here.”
The tension regarding Howard’s dog controversy ratcheted up even more when dog owner Sean Grubbs-Robishaw, a white man who lives nearby in the Bloomingdale neighborhood, announced it was time to relocate.
No, not him — the 152-year-old Howard campus should depart, he proclaimed.
In an interview with television station Fox 5 DC, Grubbs-Robishaw, who admitted to traversing Howard’s various open patches of grass with his dog to reach a nearby reservoir that’s a popular spot for pet owners, barked, “So, they’re in part of D.C., so they have to work within D.C. If they don’t want to be within D.C., then they can move the campus. I think we just need to work together, and I don’t think it should be a he or there or here . . . it’s our community, and that’s how it should be.”
Yes, he jolted us when he said “move the campus,” the higher-education domain of such illustrious Howard alumni as poet Paul Laurence Dunbar, singer Roberta Flack, former U.S. Secretary of Agriculture Mike Espy and California Sen. Kamala Harris. And note that Grubbs-Robishaw has since been derisively referred to by a hashtag on social media: #GentrifyingGeorge.
“They [dog owners] just don’t realize that this is sacred ground,” Hidaya, a Howard student who didn’t want her last name used, told The Undefeated.
The temperature of these dog days had gotten so hot that several media outlets, from Essence magazine to MTV News to The Guardian newspaper in England, have carved out space for coverage. And a petition has even been started to effect change regarding the dog debate.
Ironically, while students and dog owners on Howard’s main campus have been in the midst of a seemingly adversarial relationship, on the university’s so-called West Campus, located in a traditionally wealthier community that houses Howard’s law and divinity schools about 3 miles away, students and dog owners have maintained a symbiotic association.
“We do events each year when, during final exams, area dog owners bring their dogs over so we can pet them,” second-year law student James Walker III of Atlanta told The Undefeated.
For stress relief.
Does it work?
“I don’t partake in it myself, but I’m sure it helps, as the data has shown it works,” said Walker, whose parents both graduated from Howard’s School of Law.
Final exams are scheduled this week and next.
West campus students, neighbors get along better
Walker said it isn’t unusual to see dogs on the grounds of Howard’s West Campus, a predominantly white area off Connecticut Avenue, and added there’s a communal environment with the neighbors.
There doesn’t appear to be an antagonistic relationship with the surrounding West Campus community, he said.
There could be three reasons, besides the communal engagement:
- The much smaller West Campus is a bit more isolated than the more open and sprawling main campus, which, of course, draws more foot traffic.
- The dog owners on the west side appear to be very responsible in picking up waste material from their dogs.
- The West Campus isn’t in the crosshairs of gentrification projects, unlike the main Howard campus.
The dog conundrum on the main campus became so polarizing that university president Wayne A.I. Frederick publicly announced that pet owners are prohibited from bringing their animals on the grounds.
He said: “We recognize that service animals are a necessary aspect of modern-day life and we will accommodate them as needed. We appreciate pet owners respecting our campus by not bringing pets on to the private areas. Howard is a private institution nestled in the heart of an urban city and we’ve shared a long-standing positive relationship with our evolving community for more than 150 years, which we look forward to continuing in the future.”
However, a few students indicated that they still have seen some non-student pet owners and dogs on the main site after the release of the president’s message, although freshman Fling observed, “I have seen a decline in dogs on campus.”
The animal regulations imposed by city’s Department of Health, in association with the mayor’s office, appear to be on Frederick’s side.
Alison Reeves, interim director and public information officer in the office of communications and community relations for DC Health, told The Undefeated, after consultation with the agency’s general counsel, that “the leash law applies to dogs off of their own fenced property. The pet waste laws apply to anyone off of their own property. Whether anyone is or is not allowed on Howard’s campus is a function of whatever rules Howard would have in place and provide notice of to the public. Any person on private property could be considered to be trespassing if not allowed on the property, but that would be up to Howard to enforce.”
Much of this issue between dog owners and students revolves around respect and reverence in the nation’s capital, which now doubles as the Gentrification Capital.
Howard freshman Ahzaria Garris, a criminology major from Norfolk, Virginia, told The Undefeated:
“It’s the principle behind the situation with the dog owners. They don’t interact with us; they don’t even look our way. They seem to keep tunnel vision, minding their business and just hurrying along. If they interacted with us and actually cared about the school, it would be different.”
Simply put, Howard students don’t want their main campus to go to the dogs.
The constant worry for critics is that no matter how much you see, no matter how finely attuned your culture radar is, you could miss something special, especially movies that don’t have a huge promotional budget behind them. I confess this almost happened to me with Fast Color, which I didn’t see until the Tuesday after it opened.
Do not risk making the same mistake. See this before it exits theaters!
Fast Color is a superhero film like few others, possessing emotional depth, uninterested in violence, and full of images of rural America that remind me of celebrated directors such as Ang Lee (Brokeback Mountain), Ridley Scott (Thelma & Louise) and Terrence Malick (Badlands).
Except this unnamed part of America, which could easily be home to Superman’s human parents, is the purview of black women. They occupy a farmhouse that is enlivened by strains of Nina Simone singing “New World Coming.”
Fast Color is about a family blessed with a matrilineal gift: They’re able to take things apart and reassemble them. But the women — Bo (Lorraine Toussaint), her daughter Ruth (Gugu Mbatha-Raw) and her granddaughter Lila (Saniyya Sidney) — are not engineers. What they do is transform objects down to their elemental states, turning bowls and cigarettes and even car repair tools from three-dimensional objects into piles of glittering, lively sand that resemble nebulae. And then, when it suits them, they reassemble them. There are rules, of course. The women can’t reassemble what’s already broken, only that which is whole.
Fast Color is a film about female power and those who seek to study and contain it. It doesn’t have the millions of dollars required to make the superhero tentpoles that DC and Marvel have thrust upon moviegoers. But I’d argue that it’s better for it — a limitation on the whizbang spectacle of constant special effects provides opportunity to appreciate stunning performances from Toussaint, Mbatha-Raw and Sidney.
Bo and Ruth are each running away from reality in one way or another. Although Bo possesses a family diary detailing how her maternal forebears tried to make sense of their power, Bo is wedded to a farmhouse in the hopes of keeping her granddaughter safe. She doesn’t offer the full story of the family’s past to her daughter or her granddaughter — the abilities she’s inherited have been more trouble than anything else. At least, they have for Ruth.
A weary Bo tells Ruth, “I’ve been seeing the colors for 52 years.” The magic just isn’t that big a deal to her anymore.
Ruth, on the other hand, is returning home after missing years of her daughter’s childhood. She’s haunted by powers that have gone wrong and are quieted only by substance abuse. The recovering addict is unable to conjure the light that comes so easily to her mother and daughter. Instead, Ruth is overcome by seizures that turn into earthquakes, which attract the attention of authorities and unscrupulous scientists. The film reaches its apex when those who want to study her and bottle her powers converge on the family farmhouse and, once again, Ruth must run.
Yes, the typical superhero movie tropes are there: individuals saddled with unwanted, potentially destructive powers who are sought after by Science Villains; a fading middle America in crisis and in desperate need of transformation; unexplained phenomena. It’s just that the approach is completely, blessedly different.
Written by Julia Hart and her husband, Jordan Horowitz (perhaps best known as the producer of La La Land who informed Oscar viewers that Moonlight had won best picture), Fast Color is the film that finally makes complete use of Mbatha-Raw’s spectacular talents. It combines the wonder and adventure of Mbatha-Raw’s tenure on Doctor Who with her gentle maternalism in A Wrinkle in Time and the gutsiness of the title character she played in Belle.
But in portraying a woman with superpowers she cannot control, Mbatha-Raw reaches something deeper, something spiritual, as each torturous earthquake forces her to lash herself to something solid while she rides out her seizures. That spirituality is heightened by cinematographer Michael Fimognari, who focuses on the exquisite desolation of a place deprived of water but not life. In Fast Color, mystery is in the earth, in the heavens and everything in between, and it’s up to Bo, Ruth and Lila to unlock them and maybe save the world.
Hart and Horowitz’s script left the door open for a sequel, and I hope it gets made. Fast Color is an exceptional, poetic ride that cries out for further exploration.
Professional sports’ premier soap opera is the NBA, and it invades Charlotte, North Carolina, this weekend for its 68th All-Star Game. But narrowing things to just the game is a disservice to the infinite dramatic possibilities of the weekend: Thursday through Sunday is an amalgamation of the NBA and pop culture so thorough that no other major American sports league could ever hope to measure up. What makes the NBA the melodramatic provocateur it is are the dramas. Some are obvious. Some aren’t. Some are, at best, are truly just pipe dreams. The following eight stories could spice up an already very hot weekend.
One: The All-Star method to LeBron’s All-Star madness
For LeBron James, this year’s All-Star draft was a riveting moment in a career filled with them. As fate, and Giannis Antetokounmpo’s draft strategy would have it, James’ gang is chock-full of soon-to-be free agents — and Anthony Davis, who, unless you’ve been living under a rock the last two weeks or so, you’ve heard has requested a trade — preferably to Los Angeles. While the Lakers came up short in the Davis sweepstakes, Los Angeles, and in particular James and agent Rich Paul, received backlash for what many, including LaVar Ball, dubbed as destroying whatever chemistry the Lakers had left. An improbable Rajon Rondo game-winner in Boston has temporarily quelled critics, but a 23-point dump trucking in Philly brought L.A. back to earth and staring in the face of what will be a race to eighth after the All Star break — if they hope to make the playoffs. So best believe James is using All-Star Weekend for business far beyond just the next few weeks of this season. One would be safe to bet a lot of general managers around the league are none too happy about James’ public chess moves.
Two: Westbrook and Embiid: reunited — and it doesn’t feel so good
By far the funniest moment of the entire All-Star draft was the trade that sent Russell Westbrook to Team Giannis and Ben Simmons to Team LeBron. On the surface, it’s James getting his fellow Klutch brethren in Simmons. But the trade really matters for one reason — and one reason only. Westbrook and Joel Embiid, two of the NBA’s most beloved personalities, are now forced to be teammates.
— Joel Embiid (@JoelEmbiid) February 8, 2019
But, Westbrook and Embiid aren’t fond of each other. At all. The drama began in December 2017 during a triple overtime instant classic between the Oklahoma City Thunder and Philadelphia 76ers. When the Sixers and Thunder squared off, Embiid waved goodbye to Steven Adams and Westbrook — after each fouled out. Oklahoma City ultimately won, leaving Westbrook to return the favor by waving at Embiid. Fast-forward to last month: In another Thunder win, Embiid landed on Westbrook following a blocked shot attempt. Embiid said it wasn’t on purpose. Westbrook believed otherwise. When asked if the two were cool off the court, Westbrook kept it funky. “F— no.” When asked what the issue between the two was, Embiid’s was sarcastic. “I don’t why he was so mad. I have no idea,” the Sixers superstar said. “But he’s always in his feelings, so I have no idea.” Seeing these two on the court at the same time should be absolute comedy. Will they play nice? Or will they freeze each other out? We won’t have to wait long to see them square off again as opponents, though. The Sixers travel to Oklahoma City on Feb. 28, where they hope to get a win versus the Thunder for the first time in 11 years.
Three: Ric Flair, Charlotte’s (Un]official Ambassador
To be the man, you gotta [honor the man at All-Star Weekend]…
OK, so that’s not exactly how the quote goes, but the truth remains the same. Of all the celebrities linked to Charlotte, there is but one who sits at the mountaintop. In a perfect world, Richard Morgan Fliehr, known to the world as Ric Flair, would be front and center at All-Star Weekend festivities. Flair’s wild life has been documented most recently with the critically acclaimed 30 for 30 Nature Boy. There will be many black music stars and fans in town for All-Star, most notably Meek Mill and J. Cole, who are headlining the official halftime show, and hip-hop loves Flair. Think 2012’s “We Ball” with Dom Kennedy and Kendrick Lamar. Think of 2018’s Offset, 21 Savage and Metro Boomin’s “Ric Flair Drip” the video that actually starred the former world champion. There’s a possibility Offset could be in town — Charlotte’s just a stone’s throw from Atlanta — and a reunion of sorts could take place. Nevertheless, Flair is a prime candidate for unofficial All-Star Weekend ambassador. Hope he’ll rock a “Free 21 Savage” shirt.
There’s also this: So much of Flair’s DNA is visible in current NBA All-Stars. James’ obsession for the dramatic is as must-see-TV as Flair. Stephen Curry and Klay Thompson’s threat from 3 is as crippling as Flair’s figure-four leg-lock. Westbrook’s fashion sense — need more be said? Also Flair is an undeniable fan favorite on a lifetime victory lap akin to Dwayne Wade and Dirk Nowitzki. Charlotte shouldn’t just want Flair courtside for Sunday’s game. Charlotte needs Flair courtside for Sunday’s game.
Four: Can Quavo go back-to-back into the Celebrity Game record books?
Quavo, reigning Celebrity Game MVP, looks to join Terrell Owens and Kevin Hart as the only players to be named most valuable more than once. Hart, like Young Jeezy and trapping, won it four years in a row. Take away the actual professional basketball players (Ray Allen, A’ja Wilson, Jay Williams), and look at this year’s rosters. Famous Los has already set his sights on the crown, but Quavo will again be the best hooper on the court. Huncho’s silky lefty game is only enhanced by his ability to finish at the rim and get to the free throw line at will — a la James Harden. Also: former Carolina Panthers/future Hall of Fame wide receiver (and one of the all-time great trash talkers in any sport) Steve Smith is on the opposing squad. A Smith-Quavo back-and-forth could be the closest iteration of Harden vs. Draymond Green at All-Star.
Five: Stephen Curry’s Homecoming
The two-time MVP will be a huge part in this weekend’s festivities given his deep and direct ties to the Queen City. His father, Dell, was a sharpshooter for the Charlotte Hornets for 10 seasons. And while Stephen Curry was born in Akron, Ohio (making it one of the most unexpected birthplaces of basketball royalty), Charlotte is where Curry grew up. He attended high school in Charlotte. And because no big-time schools thought much of him, Curry attended Davidson College, about 30 minutes away from downtown Charlotte — and put the school on the basketball map with unparalleled March Madness performances a decade ago. He returns to the city he calls home as the greatest shooter of all time, nearly a surefire lock to obliterate Allen’s all-time 3-point record and future Hall of Famer with three championships (and counting) to his name. Curry and younger brother Seth are both in the 3-point contest, and Curry’s presence in Sunday’s big game has the running narrative of MVP.
Six: Bombs Over Charlotte: A 3-point contest for the ages
There’s reigning champion Devin Booker. There are the aforementioned Curry brothers. Damian Lillard is made for moments like these. Buddy Hield, Joe Harris and Danny Green can all catch fire at a moment’s notice. Khris Middleton, who almost assuredly will have teammate Giannis Antetokounmpo courtside cheering him on. All-Star starter Kemba Walker has home court advantage. And there wouldn’t be an angry person in the world if Nowitzki walked away with the crown. The point being is this: There is no wrong selection here. Just enjoy the light show.
Seven: Happy birthday, Michael Jordan
Michael Jordan turns 56 on Feb. 17, the day of the All-Star Game, and expect the greatest to ever do it to be treated like the royalty he is all weekend long. Jordan’s been waiting for this weekend since 2017, when Charlotte was originally supposed to host the midseason pilgrimage, but due to the discriminatory HB2, known as the “bathroom bill,” Charlotte’s look was postponed. But this year? Here are three Jordan dream scenarios in no particular order:
- Similar to James Davis above, I, too, receive an ultra exclusive invite to whatever Saturday night party Jordan is hosting. Bringing my own cigars, Mike and I chop it up about a variety of topics. About how I found the address to his fan club in an old Sports Illustrated Kids. About how I think his “Flu Game” is really his “Hangover Game” — which is no knock on him. It’s actually more impressive.
- Someone snaps a picture of Jordan and Bill “I don’t play defense” Murray. While Jordan did most of the work versus the Monstars in Space Jam, let the record show Murray has the most important assist in world history. It’s high time we acknowledge Murray for the hero he is.
- Like last year, the game comes down to its final possession. And James, with Jordan courtside, takes the final shot …
Eight: Charlotte ‘Going Bad’ on ’em anyway?
For anyone not familiar with All-Star Weekend, it’s a continuous barrage of parties, sponsored events and open bars. There is, of course, a vital need for music at these events. And if there’s one song most likely to become the unofficial anthem of the weekend, it’s Meek Mill and Drake’s “Going Bad” which officially dropped last week. Sitting at No. 15 on the Billboard Hot 100 as of Feb. 9, don’t be surprised if it jumps a few slots with an expected All-Star push. Meek is of course one of the two headliners for Sunday’s All-Star Game, along with home state titan J. Cole. Meek will also serve as the MC of pregame introductions with his and Drake’s hit likely playing some role in the moment. It’s a nice setup too, for the Central Intercollegiate Athletic Association (CIAA), the nation’s oldest historically black college conference. The organization has held its annual basketball tournament in the Queen City since 2004. Because of its residency in Charlotte (which ends next year and is headed to Baltimore in 2021), the city is an annual mecca for celebrities such as 21 Savage, Cardi B, Odell Beckham Jr., Rick Ross, Bria Myles, Lil Wayne, DC Young Fly and more. Last year’s CIAA tournament netted north of $50 million, according to the Charlotte Regional Visitors Authority. This year’s tournament kicks off Feb. 26.
Former NFL linebacker Darryl Haley’s ultimate goal was never to play in the NFL.
“It was to actually get into college,” he said. “Because you have to ask yourself, ‘How am I going to get out of the inner city?’ My feeling was that if I get a shot to go to college, I’m going to do all right. If I can get out of L.A., if I can survive L.A. — which I loved, but nevertheless — I could definitely survive college.”
The youngest of six children, the Los Angeles native finished high school at 15 after taking summer classes and testing out of pertinent subjects. Recruited by several different schools, he chose the University of Utah.
“It was a small enough place that I was able to handle mentally, from a maturity standpoint. Then, once the football thing came around, that, to me, that was natural because at the end of the day, I just can’t get beat.”
As an offensive lineman, he played six seasons for the New England Patriots, the Cleveland Browns and the Green Bay Packers.
Since leaving the game, he’s taken his first love, music, and used it to help military veterans with post-traumatic stress disorder and school-age children through his nonprofit organization Music at the Monument.
“Music at the Monument started as a music therapy program to assist veterans with PTSD,” Haley said. “We invite people out, agencies, organizations, individuals, to disseminate information or assist in any way they can with veterans with PTSD. They’re really enjoying it, but for us, it’s to create a level of awareness while people are enjoying fabulous music.”
His passion for music started when he was 6 years old.
“My mother always had music playing in the house. She had all different genres of music playing. So whenever you woke up in the morning, you heard music. You heard music throughout the day, then you definitely heard music before you went to bed. So I kind of grew up with music.”
He began to recruit bands to perform all genres of music.
“Everywhere from hip-hop to rock, punk, R&B, bluegrass, jazz, country,” Haley said. “Over the last couple of years, we’ve developed some pretty phenomenal relationships with the catalog. We have about 85 to 100 bands or groups or choirs that will perform at Music at the Monument, so I chose to use my love of music to begin to find a way to give back to our military personnel who are suffering from some of these unseen injuries.”
Haley also works hand in hand with the National Park Service as its ambassador, traveling across the country to national parks and monuments to hold events that bring people together. His efforts aim to encourage those who rarely visit national parks to experience the public spaces and learn about healthy lifestyles.
The former Ironman triathlete also owns and operates a bed and breakfast in Luray, Virginia, outside of Washington, D.C. The Darryl Haley Bed & Breakfast creates an environment for guests to focus on fun and fitness, providing an opportunity for the former athlete to put his 25 years of personal fitness training experience to use.
In 1989, Haley relocated to the Washington, D.C., metro area. Holding a bachelor’s degree in human kinetics from the University of Utah and earning a degree in computer science from George Washington University, according to his personal website, he began a career after football as a corporate fitness trainer, technology marketing specialist and strategic business development consultant.
While preparing for Music at the Monument, which kicks off May 4, Haley spoke with The Undefeated about music, starting college at 15 and life after football.
When did you go back to your musical roots to start Music at the Monument?
I went back to my music roots once I stopped playing … you begin to understand that freedom is not free. You begin to understand that while you get to go to college, without a care in the world, your tuition’s being paid, all you’ve got to do is books and ball. I began to create and develop and understand more of what was the need of what was going on with our servicemen and women of our U.S. armed forces. The thing becomes, when they’re coming back home, how do we begin to bridge that gap between civilians and our military personnel who are coming back to be reintegrated into our communities.
How does your program provide resources to residents outside of the military?
You begin to get kids involved in symphonic bands. You begin to get kids involved in symphonies and orchestras. Don’t just play music, begin to read music. If you’re reading music, you’re going to understand mathematics; therefore, you begin to go to class. You begin to have this whole new world of reality, of acceptance through music again.
Music is a part of all cultures. Where words fail, music speaks. It’s the medium. Now, for this year, in 2018, as we’ve done over the last five years, we do have symphonic bands who are coming out from high schools. We have the Prep Academies who will be coming out and performing. What we want to do, and our goal, is to give them a platform to perform.
How did you get involved in sports and football?
Football was an interesting start because I was actually a baseball player. I started playing baseball when I was 7, and there were a lot of guys in my neighborhood who all played baseball. You had Darrell Jackson for the Minnesota Twins, Ozzie Smith, Eddie Murray, we all went to the same high school. My junior year going into my senior year, a buddy of mine passed away from diabetes. I swore never to play baseball again. I had never played football, other than flag, so I went out for the football team. I had my baseball spikes on, not knowing they actually had to wear cleats. My thing was, ‘Hey, this ain’t going to be very complicated — the ball moves, I get to hit you,’ and from there, that’s how I started playing.
Then I had a guy who actually hit me and I said, ‘Oh, no, no, no, that can’t happen again.’ My thing was, ‘Let’s play offense.’ And playing offense, playing offensive tackle, I get to move first, I get to deliver the blow first.
How did you manage starting college at the age of 15?
It’s a different kind of thing happening. What I mean by that is, you have some guys who have gone on missions, and so they come back and these guys are 22, 24, 25. Your teammates [are] already married, with a family, and have kids and you’re just kind of going, ‘Wow, OK. This is interesting.’ They’re definitely much more mature, definitely much more mature physically and mentally. But for me, coming out at 15, I was already 6-4, about 250, so my thing was very simple. This is about books and ball. And my thing was, if I stayed focused for the next four years on books and ball, everything else is going to work out. And it did.
Did you experience culture shock?
I wanted to keep my mind open … I’m willing to understand and learn and get out of my comfort zone and be uncomfortable in a place where there is a culture shock. You do get called the N-word. Let’s keep it real for a minute. I’m not going to dwell on that, but it did happen. It wasn’t my problem, it was somebody else’s to have to deal with, because I’m here.
What was your transition into the NFL like for you?
Well, let me say first, Utah back then is not the Utah it is today. Utah is a little bit of a powerhouse. So, back in the day, I’m talking early ’80s, late ’70s, so for me going to school there, again, it was fun. The fact that I did stay focused, when I came out of Utah, I was always rated in the top three linemen in the country. That was really cool.
Then when I got drafted, I got drafted in the second round. The 55th player taken. The phone call came in. I wasn’t expecting it. I wasn’t looking for it, and it was Dick Steinberg on the phone. He said, ‘Hello, Darryl, this is Dick Steinberg and we have just drafted you to the New England Patriots.’ And Ron Meyer was the head coach at the time. I hung the phone up. I thought somebody was playing. I just hung up. I was like, ‘Yeah, right.’
Then, they called back and they said, ‘Nah, this is the real deal.’ Once I got to New England, I fell in love with New England like I did with Utah because then you begin to understand all the different culture and in history.
What did you love most about the NFL?
The camaraderie and the level of competition. The level of competition — on any given Sunday, that is such a true statement — on any given Sunday, you’re lining up against the best of the best. When you line up and say, ‘I’m the best at my position today,’ and then the same person on the other side of the ball is saying the same thing, the level of competition was just absolutely fabulous.
Was it hard to leave the game?
No. Absolutely not. I was not that player who said, football is the beginning, the middle and the end of life. My thing was to always remember where I came from, but was to get in, first, in college, to get an education. Two, get enough years in the National Football League to get vested and have some savings. After that, I felt like I was going to be OK regardless. I just wanted to create enough of a beginning to give myself a start.
When and why did you decide to make D.C. home?
When we used to come here and play against the Redskins. I loved playing against the Redskins because when we played against the Redskins, back in the day, they were that powerhouse. They had the Hogs, they had the defensive line, they had the Three Amigos, they had the Dexter Manleys, the Charles Manns, the Dave Butz, the [Wilber] Marshalls, I mean, they were bringing it all day, every day.
I just thought it was the most exciting, electrifying moment. Then, when I began to understand that, OK, this is also the nation’s capital. You have the White House, you have the Capitol, you have Arlington Cemetery, the Lincoln Memorial. From the Lincoln Memorial, you’ve got the Jefferson Memorial, the Reflecting Pool. Then you begin to look at it in the sense of our whole culture and history runs right up from the Arlington Cemetery to the Capitol.
Then you begin to understand, everything that happens in the world is coming through Washington. I was like, ‘Wow, that’s a really cool spot. I’m going to go back.’