The NCAA doesn’t have a Rich Paul problem. It has a problem with black men. The move to regulate agents looks like yet another effort to police black mobility and freedom

The NCAA doesn’t have a Rich Paul problem. The problem is that its structure is designed to regulate the freedom of athletes to turn pro in primarily black sports but not in white ones.

And an entity that now preaches the importance of college graduation for agents doesn’t have the same righteous energy for black athletes at its most lucrative institutions.

Earlier this week, the NCAA implemented what was immediately labeled the “Rich Paul Rule,” after the man who represents NBA players LeBron James, Anthony Davis, Draymond Green, John Wall, Ben Simmons and 2019 first-round draft picks Darius Garland and Darius Bazley. The new regulations require that agents interested in representing players who are considering declaring for the NBA draft now must have a bachelor’s degree, be certified with the National Basketball Players Association for at least three years and take a comprehensive in-person exam at NCAA headquarters in Indianapolis. Paul, who never attended college, is one of many agents affected by this rule — but unquestionably the most prominent.

The NCAA’s move was instantly lambasted as hypocritical and vindictive. “The world is so afraid of ground breakers.…This is beyond sad & major B.S.,” tweeted comedian Kevin Hart. James, Paul’s biggest client, longtime friend and confidant, could only laugh at the NCAA’s energy, saying, “Nothing will stop this movement and culture over here.”

Chris Rock explained the context for the NCAA mandate years ago. “We’re only 10% of the population,” he said on 2004’s Never Scared. “We’re 90% of the Final Four!”

Only basketball must adhere to the new NCAA mandate. The actual text doesn’t mention race. Nevertheless, the writing is not just written on the wall, it’s been carved. It’s a “race-neutral” rule that isn’t race-neutral. This comes with historical precedence that the NCAA knows all too well.

One of the worst-kept secrets in sports is how top-tier college football and basketball programs directly benefited from desegregation. Before integration, the vast majority of top black athletes had no choice but to attend historically black colleges and universities (HBCUs). Once the larger and richer predominantly white schools began to integrate, HBCUs couldn’t compete. But there’s been a parallel development too: The graduation rates for black athletes at top sports programs remain consistently and embarrassingly low.

Agent Rich Paul (right), seen here with LeBron James (left), is a threat. To the status quo. To the hierarchy of power.

Photo by Jerritt Clark/Getty Images for Klutch Sports Group

Shaun R. Harper, executive director of the University of Southern California’s Race and Equity Center, found that, overall, black male athletes graduate at higher percentages than black males who are not involved in sports. But that’s not true for the NCAA’s wealthiest leagues: the Power 5 of the ACC, Big Ten, Big 12, Pac-12 and SEC.

“The [NCAA] has claimed in television commercials that black male student-athletes at Division I institutions graduate rates are higher than black men in the general student body,” the report says. “This is true across the entire division, but not for the five conferences whose member institutions routinely win football and basketball championships, play in multimillion-dollar bowl games and the annual basketball championship tournament, and produce the largest share of Heisman Trophy winners.”

And an entity that now preaches the importance of college graduation for agents doesn’t have the same righteous energy for black athletes at its most lucrative institutions.

Black men made up 2.4% of the Power 5 student population but 55% and 56%, respectively, of its football and basketball teams. Of those numbers, 55% of black male athletes graduated in under six years, compared with 60% of black men in the overall undergraduate population and 76% of all college graduates.

“Over the past two years, 40% of these universities have actually had black male student-athlete graduation rates that have declined,” Harper said. “We’re supposed to be getting better, but actually 40% of these places have gotten worse.”

Meanwhile, the debate over paying college athletes is sharply divided by race. Most whites are against “pay to play,” while most blacks strongly support it because the current system exploits a largely black athletic base.

In the NBA, the sport is still primarily black. (The Institute for Diversity and Ethics in Sport found that during the 2015-16 season, 81.7% of NBA players were people of color and 74.3% were black.) But black athletes have significant power and influence over everything from where they play to who coaches them to the structure of their contracts.

This shifting power dynamic is beginning earlier and earlier too. Bazley skipped college last year to become a million-dollar intern with New Balance. R.J. Hampton and LaMelo Ball, both touted as 2020 lottery picks, are taking their talents to Australia for a year before declaring for the NBA draft. Hampton has already inked a shoe deal with Li-Ning.

As Yahoo’s Dan Wetzel noted, the new rule’s standard doesn’t apply to college hockey players or baseball players, who can be drafted out of high school but can choose to attend college if their draft placement doesn’t appeal to them.

If this wasn’t about a young black man who achieved his success out of the mud and then empowered other black men to recognize their worth in spite of an organization that has for years manipulated their talents for the organization’s gain, if this wasn’t about yet another American institution attempting to police black mobility and freedom, then it’s difficult to see what the actual reasoning is.

This brings the discussion back to Paul and James. It’s often been said there is a Jay-Z lyric for any situation in life. Perhaps the most fitting here is a bar from Jay’s 2001 album The Blueprint, which entered the Library of Congress in March: All I need is the love of my crew / The whole industry can hate me, I thugged my way through, he pledged on “All I Need.” In essence, this has been the motto for Paul, James and the two other members of their inner circle, Maverick Carter and Randy Mims.

When James cut ties to agent Aaron Goodwin in 2005, eyebrows raised and many said that the young basketball phenom had risked his career before it truly tipped off. At the time, it was easy to understand why, given that Goodwin had helped the 2003 No. 1 overall draft pick obtain a bevy of endorsements, including Bubblicious chewing gum, Upper Deck trading cards, Sprite, Powerade and, most gaudy of them all, a seven-year, $90 million shoe deal with Nike. Few believed in James’ vision when he turned to three of his childhood friends to chart the course of his career on and off the court.

“James’ switcheroo a youthful mistake,” the Chicago Sun-Times wrote.

“I will promise you really ugly things will happen,” said former NFL player turned financial adviser Jim Corbett. “This is a big mistake, a bad decision that is going to cost LeBron.”

Which leads us to another Jay lyric, this one from 2009’s “Already Home”: And as for the critics, tell me I don’t get it / Everybody can tell you how to do it, they never did it. Thanks to the friends he entrusted with his career nearly 15 years ago, James is not only the most powerful player in basketball history but also a player in Hollywood, fashion, education and politics.

Money and power elicit respect, as elucidated by Kimberly Jones. But they also open the door for fear and angst. President Donald Trump took shots at LeBron on Twitter last August after the launch of his I Promise School in Akron, Ohio, saying it was hard to make “LeBron look smart” and weighed in on the NBA’s most contested debate, saying he preferred Michael Jordan over James — which Jordan quickly rebuffed. The two were labeled “mob bosses” by an unnamed Western Conference general manager last season after public attempts to move Anthony Davis to the Lakers (a move that eventually happened).

From left to right: Anthony Davis, LeBron James, Rich Paul, Ben Simmons and Miles Bridges attend the Klutch 2019 All Star Weekend Dinner Presented by Remy Martin and hosted by Klutch Sports Group at 5Church in Charlotte, North Carolina, on Feb. 16.

Photo by Dominique Oliveto/Getty Images for Klutch Sports Group 2019 All Star Weekend

Rich Paul is a threat. To the status quo. To the hierarchy of power. And to the image of an industry that is still dominated by white males and has long exercised fiscal and moral authority over black athletes.

Basketball altered its rules to make it harder for three players who made the game look too easy (i.e., they dominated the white players too much): Bill Russell, Wilt Chamberlain and Kareem Abdul-Jabbar. Maybe the NCAA didn’t implement this rule with Paul as its sole motivation. Just like maybe the NCAA wouldn’t be so open to criticism if it made the education of players a higher priority.

Unfortunately, the NCAA addressed a perceived problem while never addressing its own. Sometimes sports really is a reflection of life.

LeBron’s chess moves, Westbrook vs. Embiid: The 8 NBA All-Star storylines to follow Will Quavo be Celebrity Game MVP? Will Ric Flair be courtside?

Professional sports’ premier soap opera is the NBA, and it invades Charlotte, North Carolina, this weekend for its 68th All-Star Game. But narrowing things to just the game is a disservice to the infinite dramatic possibilities of the weekend: Thursday through Sunday is an amalgamation of the NBA and pop culture so thorough that no other major American sports league could ever hope to measure up. What makes the NBA the melodramatic provocateur it is are the dramas. Some are obvious. Some aren’t. Some are, at best, are truly just pipe dreams. The following eight stories could spice up an already very hot weekend.


One: The All-Star method to LeBron’s All-Star madness

For LeBron James, this year’s All-Star draft was a riveting moment in a career filled with them. As fate, and Giannis Antetokounmpo’s draft strategy would have it, James’ gang is chock-full of soon-to-be free agents — and Anthony Davis, who, unless you’ve been living under a rock the last two weeks or so, you’ve heard has requested a trade — preferably to Los Angeles. While the Lakers came up short in the Davis sweepstakes, Los Angeles, and in particular James and agent Rich Paul, received backlash for what many, including LaVar Ball, dubbed as destroying whatever chemistry the Lakers had left. An improbable Rajon Rondo game-winner in Boston has temporarily quelled critics, but a 23-point dump trucking in Philly brought L.A. back to earth and staring in the face of what will be a race to eighth after the All Star break — if they hope to make the playoffs. So best believe James is using All-Star Weekend for business far beyond just the next few weeks of this season. One would be safe to bet a lot of general managers around the league are none too happy about James’ public chess moves.

Bonus: Just like Dwyane Wade, we’re all looking forward to that final lob he tosses up to James. A fitting swan song to one of the game’s all-time great friendships.

Two: Westbrook and Embiid: reunited — and it doesn’t feel so good

Instagram Photo

By far the funniest moment of the entire All-Star draft was the trade that sent Russell Westbrook to Team Giannis and Ben Simmons to Team LeBron. On the surface, it’s James getting his fellow Klutch brethren in Simmons. But the trade really matters for one reason — and one reason only. Westbrook and Joel Embiid, two of the NBA’s most beloved personalities, are now forced to be teammates.

But, Westbrook and Embiid aren’t fond of each other. At all. The drama began in December 2017 during a triple overtime instant classic between the Oklahoma City Thunder and Philadelphia 76ers. When the Sixers and Thunder squared off, Embiid waved goodbye to Steven Adams and Westbrook — after each fouled out. Oklahoma City ultimately won, leaving Westbrook to return the favor by waving at Embiid. Fast-forward to last month: In another Thunder win, Embiid landed on Westbrook following a blocked shot attempt. Embiid said it wasn’t on purpose. Westbrook believed otherwise. When asked if the two were cool off the court, Westbrook kept it funky. “F— no.” When asked what the issue between the two was, Embiid’s was sarcastic. “I don’t why he was so mad. I have no idea,” the Sixers superstar said. “But he’s always in his feelings, so I have no idea.” Seeing these two on the court at the same time should be absolute comedy. Will they play nice? Or will they freeze each other out? We won’t have to wait long to see them square off again as opponents, though. The Sixers travel to Oklahoma City on Feb. 28, where they hope to get a win versus the Thunder for the first time in 11 years.

Three: Ric Flair, Charlotte’s (Un]official Ambassador

To be the man, you gotta [honor the man at All-Star Weekend]…

OK, so that’s not exactly how the quote goes, but the truth remains the same. Of all the celebrities linked to Charlotte, there is but one who sits at the mountaintop. In a perfect world, Richard Morgan Fliehr, known to the world as Ric Flair, would be front and center at All-Star Weekend festivities. Flair’s wild life has been documented most recently with the critically acclaimed 30 for 30 Nature Boy. There will be many black music stars and fans in town for All-Star, most notably Meek Mill and J. Cole, who are headlining the official halftime show, and hip-hop loves Flair. Think 2012’s “We Ball” with Dom Kennedy and Kendrick Lamar. Think of 2018’s Offset, 21 Savage and Metro Boomin’s “Ric Flair Drip” the video that actually starred the former world champion. There’s a possibility Offset could be in town — Charlotte’s just a stone’s throw from Atlanta — and a reunion of sorts could take place. Nevertheless, Flair is a prime candidate for unofficial All-Star Weekend ambassador. Hope he’ll rock a “Free 21 Savage” shirt.

There’s also this: So much of Flair’s DNA is visible in current NBA All-Stars. James’ obsession for the dramatic is as must-see-TV as Flair. Stephen Curry and Klay Thompson’s threat from 3 is as crippling as Flair’s figure-four leg-lock. Westbrook’s fashion sense — need more be said? Also Flair is an undeniable fan favorite on a lifetime victory lap akin to Dwayne Wade and Dirk Nowitzki. Charlotte shouldn’t just want Flair courtside for Sunday’s game. Charlotte needs Flair courtside for Sunday’s game.

Four: Can Quavo go back-to-back into the Celebrity Game record books?

Quavo, reigning Celebrity Game MVP, looks to join Terrell Owens and Kevin Hart as the only players to be named most valuable more than once. Hart, like Young Jeezy and trapping, won it four years in a row. Take away the actual professional basketball players (Ray Allen, A’ja Wilson, Jay Williams), and look at this year’s rosters. Famous Los has already set his sights on the crown, but Quavo will again be the best hooper on the court. Huncho’s silky lefty game is only enhanced by his ability to finish at the rim and get to the free throw line at will — a la James Harden. Also: former Carolina Panthers/future Hall of Fame wide receiver (and one of the all-time great trash talkers in any sport) Steve Smith is on the opposing squad. A Smith-Quavo back-and-forth could be the closest iteration of Harden vs. Draymond Green at All-Star.

Five: Stephen Curry’s Homecoming

The two-time MVP will be a huge part in this weekend’s festivities given his deep and direct ties to the Queen City. His father, Dell, was a sharpshooter for the Charlotte Hornets for 10 seasons. And while Stephen Curry was born in Akron, Ohio (making it one of the most unexpected birthplaces of basketball royalty), Charlotte is where Curry grew up. He attended high school in Charlotte. And because no big-time schools thought much of him, Curry attended Davidson College, about 30 minutes away from downtown Charlotte — and put the school on the basketball map with unparalleled March Madness performances a decade ago. He returns to the city he calls home as the greatest shooter of all time, nearly a surefire lock to obliterate Allen’s all-time 3-point record and future Hall of Famer with three championships (and counting) to his name. Curry and younger brother Seth are both in the 3-point contest, and Curry’s presence in Sunday’s big game has the running narrative of MVP.

Six: Bombs Over Charlotte: A 3-point contest for the ages

There’s reigning champion Devin Booker. There are the aforementioned Curry brothers. Damian Lillard is made for moments like these. Buddy Hield, Joe Harris and Danny Green can all catch fire at a moment’s notice. Khris Middleton, who almost assuredly will have teammate Giannis Antetokounmpo courtside cheering him on. All-Star starter Kemba Walker has home court advantage. And there wouldn’t be an angry person in the world if Nowitzki walked away with the crown. The point being is this: There is no wrong selection here. Just enjoy the light show.

Seven: Happy birthday, Michael Jordan

Michael Jordan turns 56 on Feb. 17, the day of the All-Star Game, and expect the greatest to ever do it to be treated like the royalty he is all weekend long. Jordan’s been waiting for this weekend since 2017, when Charlotte was originally supposed to host the midseason pilgrimage, but due to the discriminatory HB2, known as the “bathroom bill,” Charlotte’s look was postponed. But this year? Here are three Jordan dream scenarios in no particular order:

  1. Similar to James Davis above, I, too, receive an ultra exclusive invite to whatever Saturday night party Jordan is hosting. Bringing my own cigars, Mike and I chop it up about a variety of topics. About how I found the address to his fan club in an old Sports Illustrated Kids. About how I think his “Flu Game” is really his “Hangover Game” — which is no knock on him. It’s actually more impressive.
  2. Someone snaps a picture of Jordan and Bill “I don’t play defense” Murray. While Jordan did most of the work versus the Monstars in Space Jam, let the record show Murray has the most important assist in world history. It’s high time we acknowledge Murray for the hero he is.
  3. Like last year, the game comes down to its final possession. And James, with Jordan courtside, takes the final shot …

Eight: Charlotte ‘Going Bad’ on ’em anyway?

For anyone not familiar with All-Star Weekend, it’s a continuous barrage of parties, sponsored events and open bars. There is, of course, a vital need for music at these events. And if there’s one song most likely to become the unofficial anthem of the weekend, it’s Meek Mill and Drake’s “Going Bad” which officially dropped last week. Sitting at No. 15 on the Billboard Hot 100 as of Feb. 9, don’t be surprised if it jumps a few slots with an expected All-Star push. Meek is of course one of the two headliners for Sunday’s All-Star Game, along with home state titan J. Cole. Meek will also serve as the MC of pregame introductions with his and Drake’s hit likely playing some role in the moment. It’s a nice setup too, for the Central Intercollegiate Athletic Association (CIAA), the nation’s oldest historically black college conference. The organization has held its annual basketball tournament in the Queen City since 2004. Because of its residency in Charlotte (which ends next year and is headed to Baltimore in 2021), the city is an annual mecca for celebrities such as 21 Savage, Cardi B, Odell Beckham Jr., Rick Ross, Bria Myles, Lil Wayne, DC Young Fly and more. Last year’s CIAA tournament netted north of $50 million, according to the Charlotte Regional Visitors Authority. This year’s tournament kicks off Feb. 26.

How Meek Mill opened Sixers owner Mike Rubin’s — and so many others’— eyes to a broken criminal justice system From counted out to counted on: The rapper’s new freedom comes with reality’s nightmare — and a chance to change lives

And why I’m rappin’ like I got somethin’ to prove…

— Meek Mill, 2017’s “1942 Flows


Meek Mill told him. Meek made clear the harsh realities of the criminal justice system. Philadelphia 76ers co-owner Michael Rubin only wishes he had believed Meek sooner.

But now of course, Rubin — billionaire entrepreneur and minority owner of the New Jersey Devils and Crystal Palace FC, as well as the Sixers — has entered the pop cultural lexicon because of his close friendship with the Philadelphia MC born Robert Rimeek Williams. The two met while sitting courtside at the 2015 NBA All-Star Game in New York City.

But 48 hours before the Sixers’ season officially ended with a 114-112 Game 5 Eastern Conference semifinal loss in Boston, Rubin leaned forward over a round table in the Director’s Lounge at Wells Fargo Center. It was an hour before Game 4’s tipoff and VIPs maneuvered, ordering specialty cocktails.

But Mike Rubin is thinking back to conversations he and Meek had about the polarity of their realities. “Meek used to always say to me, ‘There’s two Americas.” I’d be like, ‘Dude, there’s one America.’ He was right,” Rubin says. “I was wrong. There’s America, and then there’s black America. I didn’t agree with him, but he proved to be right.”


Meek Mill’s lawyer, Brian McMonagle, who represented Bill Cosby before removing himself from that case, knew something was off when he entered the Philadelphia courtroom of Judge Genece E. Brinkley. Everyone was nervous, especially Meek. McMonagle saw six sheriff’s deputies. The hair on the back of his neck stood up.

“That told me she’d made her mind up, independent of any argument she was about to hear,” McMonagle says from his 19th-floor office overlooking Rittenhouse Square. It’s at “the heart of Center City’s most expensive and exclusive” neighborhood, essentially an alternate universe away from the North Philly blocks that cultivated Meek. “And obviously once you heard the sentence, it was like a punch in the throat.” On Nov. 6, 2017, Meek Mill was sentenced by Judge Brinkley to two to four years in the State Correctional Institution at Camp Hill on a probation violation. Dirt bike riding (popping wheelies) was involved.

An entire courtroom was in shock. Meek immediately began removing his jewelry. For McMonagle, it was the first time in his 33 years of practicing law that he, the district attorney and the probation department were all on the same page — and the judge refused to accept the will of the parties. The case sparked national headlines and inspired rallies and the hashtag #FREEMEEK, simultaneously providing yet another glimpse into a criminal justice system that had haunted Meek since he was 19 — and the community from which he comes for far longer.

“They talking about ‘Free Meek’ and some of them got family members in jail? They supported me?”Meek Mill

During his time in the belly of the beast, Meek became larger than just a cult-y musical icon in his hometown of Philadelphia. He became a local sports Yoda. His 2012 “Dreams & Nightmares (Intro)” had long been revered in hip-hop circles for its energy, fearlessness and unabashedness. So it made sense that the Eagles adopted the record as their theme song en route to the franchise’s first-ever Super Bowl victory. Likewise, Ben Simmons, Joel Embiid and Markelle Fultz all visited Meek in prison — as the Sixers made it as close to the NBA Conference finals as they have since Allen Iverson’s apex. James Harden visited Meek as well. Julius Erving, Kevin Hart and several Eagles players showed up at rallies and lent their voices to the cause of securing Meek’s release, and to the larger cause at hand.

But neither money nor celebrity shielded Meek. In many ways, it seemed to make him more of a target. “I would’ve never discussed [the criminal justice system] with my daughter before,” says Mike Rubin, the sincerity in his voice impossible to ignore. “We got in the car and Meek told me a really scary story about how he grew up that I told my daughter last night. She couldn’t believe it. For me, it was eye-opening. Sometimes … you have moments in life that change your perspective.”

Last November changed Rubin’s view of life in America. He says he’s dedicating much of his focus and energy moving forward — and not just with Meek — to addressing what he calls “a completely broken system.”

Meek has been locked up several times before. As he said from the stage in a Tidal One-of-One conversation with Angie Martinez, “I just turned 31; I’ve been on probation since I was 19.”

Some of these arrests were perhaps warranted. But the root of the charges date back to 2007 when a member of Philly’s Narcotics Field Unit claimed Meek sold crack to an informant. Per Meek’s cousins, who were with him at the time, the arrest was abominable. “It was like three cops — two of them had his feet, and one of them had his arms,” Rasson Parker told Rolling Stone this year. “They basically used his head as a battering ram [to break through the door].”

Profane. Intense. It’s the zeitgeist of Meek’s catalog and a serious candidate for the greatest intro in rap history.

Meek met prison’s revolving door in 2008 and again in 2014. In 2016, he was sentenced to 90 days of house arrest for traveling without permission, forced to wear an ankle monitor, banned from recording music or traveling outside of Philadelphia. Others times he was violated for things like an altercation he got into after refusing to take a picture with a St. Louis airport employee. The charges varied, but there was one constant: Every probation violation he had was brought by Judge Brinkley, who is black. Her interest in him has been consistent.

Once inside, because of his celebrity status, Meek was placed in a mental health ward instead of in the larger general population of the prison. Incarcerated essentially for participating in a fight he didn’t start, and for popping wheelies on city streets, Meek was living beside people who smeared their own feces on walls. Per McMonagle, early on, Meek entered a prison meeting room appearing disheveled. “I thought while I was in there,” Meek told McMonagle, “that I had gone insane and didn’t know it.”

Even with one gold and two platinum albums, Meek remains rap’s quintessential underdog. It’s a role he’s comfortable in. “I’m in the business of proving people wrong,” he says en route to his conversation with Martinez. “Anytime people went against me, doubted me or actually offended me, it gave me the energy to go harder and win. I always had that drive growing up.” Meek played basketball growing up — but you can see why sports teams would love his energy.

Meek began his rap career street battling. Berks Street in North Philly was his first stage. From there, he created a steady barrage of mixtapes, starting with 2008’s Flamers. He signed to Rick Ross’ Maybach Music Group in 2011, and to Roc Nation for management a year later, but the last three years of his career in particular have been a roller coaster. There was a high-profile beef with Drake, a high-profile relationship and breakup with Nicki Minaj. And now Meek has emerged — with help from his lawyers, from Mike Rubin and from the community surrounding him — on the other side of his recent prison stint as a new ideogram for the conversation surrounding criminal justice reform.’

Part of the mantra of his critically acclaimed 2017 Wins & Losses album is that growing up in the ghetto teaches you to cherish the wins and learn from the losses. “[It’s] beautiful,” says Meek. “I come from poverty, living without barely anything to my name, to making money and being able to take care of my family and travel the world. … I always reflect back to where I came from and where I’m at now, and it’s not too bad.”

It’s not without its dramas either. Nearly three years have passed since he and Drake experienced their very public falling-out. Meek, during the summer of 2015, held the No. 1 album in the country with Dreams Worth More Than Money. He also essentially accused Drake of not writing his rhymes (which remains a touchy subject in hip-hop circles), and while Drake was dubbed victorious in the virtual squabble thanks in part to his Grammy-nominated battle record “Back To Back,” Meek’s assertion that he didn’t write his own rhymes has been a thorn in Drake’s otherwise invincible side ever since.

“That beef was pretty much a social media thing,” producer Jahlil Beats says from his South Philadelphia studio. Jahlil has worked with Meek on more than 100 songs, and he’s also a co-producer with Rick Ross and Boi-1da of 2012’s Dreams and Nightmares, the album that features “Dreams and Nightmares (Intro),” an opener to the project that became an anthem — in meetings, in the locker room, on the field — for the Eagles. It’s also been on every Philly music lover’s gym playlist and car speakers for the past six years. I’m ridin’ ’round my city with my hand strapped on my toast/ Cause these n— want me dead and I gotta make it back home/ Cause my mama need that bill money/ My son need some milk/ These n— tryna take my life, they f— around, get killed/ You f— around, you f— around, you f— around, get smoked/ Cause these Philly n— I brought with me don’t f— around, no joke, no. Profane. Intense. It’s the zeitgeist of Meek’s catalog and a serious candidate for the greatest intro in rap history.

Maybe that’s the reason Meek’s most high-profile visitor, New England Patriots owner Robert Kraft, showed up two weeks before his April 24 release. Kraft witnessed the power of the song firsthand at this year’s Super Bowl as the Eagles charged the field at U.S. Bank Stadium in Minneapolis. And the Boston Globe headline? “Who is rapper Meek Mill and why is Robert Kraft visiting him in prison?”

Asked perhaps because Kraft is one of the most visible team owners in a league at odds with exiled quarterback Colin Kaepernick, whose protests for criminal justice reform helped lay groundwork for the activism around Meek’s recent incarceration and present-day activism. Kaepernick has defended Meek, calling him a victim of systemic oppression — a huge example of why the QB took a knee in the first place. In January, from behind bars, Meek donated $10,000 to Youth Services Inc. — an organization committed to servicing at-risk kids, teenagers and their families — as part of Kaepernick’s Million Dollar Challenge.

A source close to Kraft believes that his prison visit with Meek carried a binary opportunity. One: narrative change. Still suffering from fallout within the team because of his team’s unavoidable tie with President Donald Trump, Kraft may have wanted to demonstrate that he, and hence the Patriots, were in some way committed to the cause of criminal justice reform. Two? To perhaps help a young man he views as a friend. Although he isn’t completely familiar with all the details of Meek’s long, exasperating legal history, Kraft and Meek have social ties that go back at least a few years — as noted in a 2015 Rick Ross Instagram caption as #hoodbillionaire, as well as another this year in which Ross said the Patriots honcho was “signed to MMG.”

Michael Rubin recalls, in particular, a private jet conversation Meek and Kraft had about race, culture and how people treat each other. “Meek was really deep in his thoughts. … [Kraft] was really charged up to go see [Meek],” Rubin says.

“This whole situation is bigger than Meek Mill,” says Jahlil Beats. “We’re fighting for something … fighting for a change … [Kraft] could be [using it as public relations], but it’s bigger than that. It’s bigger than whatever people will gain from it. I get it, but I don’t think we should even be focused on that type of stuff. Because at the end of the day, it’s bringing the cause to the forefront.”

Jahlil has been working with Meek since his 2009 Flamers 3 mixtape and has produced/co-produced some of his biggest records: “Make ’Em Say,” “Willy Wonka,” “I’ma Boss” with Rick Ross, “Amen” with Drake and “Burn” with Big Sean. Meek’s time in and out of prison has led to Beats pursuing real estate and entrepreneurship opportunities that includes bringing the first DTLR store to his hometown of Chester, Pennsylvania.

Loyalty to Meek, though, still drives the producer. “We got about 100 records together. I’m so invested in Meek’s stuff that when he takes a hit, we all take a hit. This dude helped change my life. If he’s not out here doing his thing, and I can’t work with him, then how can we eat?”

Meek has survived public embarrassment on multiple fronts. He checked into rehab to battle Percocet addiction. But for Meek, what timelines dub failures are the opposite. As he told Angie Martinez, “If you follow me, you know I stay with ups and downs.”

Travel restrictions and ultimately prison stints prohibited Meek from marketing the brutally honest 2017 Wins & Losses project in the manner it deserved. But W&L did permeate the 12-month news cycle that is the NBA. The album’s second song, “Heavy Heart,” became the soundtrack many speculated LeBron James used to send subliminal shots toward former teammate Kyrie Irving when news broke that Irving wanted out of Cleveland.

Even Drake was shouting, “Free Meek!” from Australia a week after his former nemesis was sent to prison. Meek’s energy speaks to the fervor of so many young black men and women from similar upbringings. Some escape their harsh conditions. Some become ghosts of the streets. But the underlying pain in Meek’s music is what speaks to a generation — one seen every day in courtrooms, prison visitation cycles and living in sheer fear of law enforcement. There’s comfort experiencing shared pain together. That’s the story of Meek’s music: fervent, pained, real. It’s the story of being black in America, no matter where you’re from.


Meek’s prison-to-courtside odyssey the day he was released? An instantly classic, and unfortunate, hip-hop moment. Questionably imprisoned rapper gets out of prison, is flown by helicopter to Wells Fargo Center to be welcomed as prodigal son at the clinching game of his hometown team’s first round of the NBA playoffs. It’s one of those hood superhero tales that will expand exponentially as years pass — like Tupac flying straight to Los Angeles, in 1995, to begin recording what became his All Eyez On Me. Or Gucci Mane recording his homecoming ode “First Day Out The Feds” on, indeed, his first day out of prison in 2016. However triumphant, it’s part of the grizzliness of rap, and how society views the art and those who specialize in it, that being incarcerated underlines profiles.

But Meek has re-entered a society with new influence. “I’m different,” is what he told Angie Martinez on Wednesday. “We have hashtags and move on. Let’s not move on from this.” Meek’s philanthropic history is well-documented, even in prison. Now he is even more ready and willing to speak out about an issue that has defined his entire adult life. The magnitude of his support hit him while he was still in prison.

“I saw people standing out in the rain for me when they didn’t even know me. [That] changed my life,” he told Martinez. “They talking about ‘Free Meek’ and some of them got family members in jail? They supported me?”

Freedom is subjective, especially for Meek. “I ain’t felt free since I was 19,” he said. He’ll continue to fight until he’s completely exonerated. But now it’s more about helping those without the luxury of his celebrity. “If that was me in Starbucks, on probation,” he said with regard to the recent racial profiling controversy in his hometown, “I would have actually been found in technical violation.”

This topic can’t just live in the virtual world, though. For Meek, it can’t just be an internet conversation. It has to be rooted in real-life pain and real-life consequences. It’s that responsibility that weighs heavy on him, but one many believe could be the best revelation for him. “Meek is our sacrifice. His words are like scriptures,” says Boom 103.9’s DJ Amir. He and Meek’s relationship dates back to their teenage years. “He had to be held accountable for those actions even though if he ain’t do it [yet] as a boss your workers are still your liability. I think he understands that now. I think everything’s gonna look good for the future.”

That future is now. Pennsylvania Gov. Tom Wolf joined Meek in an intense news conference calling for criminal reform. On Tuesday, Meek delivered a ‘powerful’ speech at the Innocence Project gala in New York City. Meanwhile, Rubin promises he and Meek have “some pretty impressive plans” set to be announced in the “not too distant future.”

“There’s America, and then there’s black America.” — 76ers co-owner Michael Rubin

For Meek — and really for race relations moving forward, period — it’s about having the authentic painful conversations. The systematically inflicted pain Meek shares with so many, along with the passion it has birthed, is his story to tell. Through music, especially. The vehicle that’s driven Meek all the way from the back lots of North Philly to present-day stardom. “Some people trying to put me in a box,” he said. “I’m not going to be Martin Luther King Jr. I’m still gonna be Meek Mill. ”

Yet, he knows music can spread a message donations can’t buy. Jahlil Beats is excited to rejoin Meek in the studio. He compares their chemistry to that of DMX and Swizz Beatz in the early 2000s. “His voice is more important than anything,” says Jahlil. “With this album, it has to be about that. Even down to the requests of the production he’s been asking us to do, it’s a lot of big strings and a lot of uplifting vibes. He really has something to say.

Before getting up, he has one more thought. “I know he been through a lot of things, but this is something different. He’s doing interviews, but the music is how he’s really going to get to the people.”

Rozier (29 pts), Tatum (28) help Celtics beat 76ers 117-101 (Apr 30, 2018)

BOSTON (AP) Terry Rozier scored 29 points and first-year Celtics forward Jayson Tatum scored 28 to outplay redshirt rookie Ben Simmons and lead the Boston Celtics to a 117-101 victory over the Philadelphia 76ers in Game 1 of the Eastern Conference semifinals on Monday night.

Can the Philadelphia 76ers really get to the Finals, though? Shaq and Penny say yes The Magic did it in ‘95, and the Penny/Shaq era has a lot in common with Philly in 2018

The Philadelphia 76ers, after “trusting” the “process,” have completed their first playoff series victory since 2012. It happened in five games over the Miami Heat, and sharpshooter J.J. Redick led the charge with 27 points. But Tuesday night in Philly was far more than a series victory. It was a moment.

The presence of Meek Mill at courtside (he arrived via helicopter), in his first public appearance since being released from prison hours earlier, added to an already momentous occasion for a franchise on the way up. The rapper’s much-debated sentence stemmed from a probation violation in November of 2017 and made him the newest face of criminal justice reform.

The calls for his freedom rivaled those for Lil’ Boosie and for Gucci Mane in years past. And Meek (Robert Rihmeek Williams) graduated to something of a Philly sports yoda during his time in the belly of the beast. His 2012 “Dreams and Nightmares (Intro)” ignited the Philadelphia Eagles on the way to their first Super Bowl. And the 76ers have long been Meek’s loudest supporters — from Julius “Dr. J” Erving to current players raising awareness to his friendship with Sixers minority owner Michael Rubin.

Kellerman compares Simmons-Embiid to Penny-Shaq

Max Kellerman has not seen a young duo like Ben Simmons and Joel Embiid since Penny Hardaway and Shaquille O’Neal.


Hall of Famer Shaquille O’Neal and Anfernee “Penny” Hardaway (the new head coach at the University of Memphis) fail miserably at containing the pride in their voices. Both recognize Joel Embiid and Ben Simmons as the most dynamic young point guard and center combo since the mid-1990s, when they turned Orlando into the cultural capital of the brief post-Jordan basketball world.

Both sets of teammates are first and third overall picks — O’Neal and Simmons being the top picks in 1992 and 2016, respectively; Hardaway and Embiid were No. 3 in 1993 and 2014. Penny was originally drafted by the Golden State Warriors and then immediately traded to Orlando for Chris Webber.

“Joel makes Ben’s game easier and Ben makes Joel’s game easier. Just like Shaq and I. It was poetry in motion.” — Penny Hardaway

“When I demanded they bring in Penny,” says Shaq, “I was thinking we were gonna be the new Magic Johnson and Kareem [Abdul-Jabbar]. I already knew what I wanted because I had a good point guard [Scott Skiles], but he was older. … We’d have to build defensive schemes around him — like when guards posted him up, we had to double. I just got tired of doing all that. I was like, we need to get somebody who can play everybody straight up.”

“It’s great having a star opposite your position because it makes [the game] easier,” says Hardaway. “Joel makes Ben’s game easier and Ben makes Joel’s game easier. Just like Shaq and I. It was poetry in motion.” Through nostalgia-tinted glasses the working relationship seems much longer, but O’Neal and Penny played together for only three seasons in Orlando.

O’Neal sees parts of himself in Embiid, 24, and confidence is near the top of that list. Stylistically, Embiid has drawn comparisons to Hakeem Olajuwon. But it’s the intangibles that place a smile on Shaq’s face when discussing Embiid. “The way he dominates the game, the way he’s very outspoken,” O’Neal says. “He’s very loved in the community [that drafted him] too.”

Hardaway stops short of saying he sees himself in Simmons, but he does, however, impart some advice to the floor general whose athleticism and floor vision get co-signs from some of the game’s legends. “[To Ben, I’d say] don’t get too ahead of yourself. Always keep that chip on your shoulder. Don’t ever think that you’ve arrived.”

Simmons, 21, follows in the line of big, pass-first point guards like Hardaway and the prototype Magic Johnson (LeBron James, too, if you’re considering him a point guard). Simmons, through five games this postseason, has exhibited poise and fearlessness beyond his years, and the fluidity in his game is very reminiscent of Hardaway. The clearest difference between Simmons and his basketball prophyte is Hardaway’s superior shooting — a skill that this year’s presumptive at least co-Rookie of the Year will attack this offseason.

“The [biggest] lesson I learned was don’t celebrate until the job is done.” — Shaq

Much like the Golden State Warriors and the Kevin Durant-, Russell Westbrook- and James Harden-led Oklahoma City Thunder, this current 76er iteration is the 2010s’ newest “young team.” They’re the new cool kids everyone wants to be around. They’re embedded in the cultural discourse, much like Shaq and Penny before them.

Shaq dropped platinum rap albums, kicked it with Biggie Smalls and entered Hollywood while Penny became a marketing deity in part because of his shoes and the immortal “Lil’ Penny” character voiced by Chris Rock. Both Embiid and Simmons have forged a kinship with Meek Mill. Embiid has been knighted basketball’s premier and peerless trash-talker and has the most notable crush on Rihanna since … Drake? And Simmons is dating R&B starlet Tinashe.

With each completed step of the process, Philly’s “Neon Boudeaux” and “Butch McRae” — Shaq and Penny’s characters in 1994’s Blue Chips — continue to add to the cultural kismet Sixer basketball has accumulated since the days of Allen Iverson. O’Neal has been behind that same wheel. In 1995, when they got to the Finals, the Magic were still a very young team, having only been in the league since 1989. Philly, by virtue of several unwatchable, “embarrassing” seasons, played like one. From 2013-16, the Sixers won a total of 47 regular-season games. They won 50 this year alone.

Carrying the weight of an entire organization when you’re technically not old enough to legally rent a car comes with its own war stories. And many are picking Philly to advance to the Eastern Conference finals. TNT analyst and Hall of Famer Charles Barkley said Tuesday night that the Sixers “have everything” needed to beat any team in their path. Many peg them as the first Eastern Conference team in nearly 3,000 days that will defeat LeBron James in the postseason — provided The King and his ragtag collection of merry men advance that far. Some are bold enough to predict a 76ers championship parade this summer. James told Simmons four years ago that he could be better than him — if Simmons “[did] the work.”

“The word potential,” Hardaway says, “can be dangerous because it’s saying you have the ability to be something.” The ability to be something and actually becoming the superhero of your wildest dreams are different realities. Shaq and Penny realized their joint potential, even if they didn’t punctuate it completely with a championship that seemed inevitable at their partnership’s peak. Both carry those battle wounds.

“The [biggest] lesson I learned was don’t celebrate until the job is done,” O’Neal says with a faint sigh. O’Neal, Hardaway and the 1995 Orlando Magic hold the distinction of being the last team to defeat a Michael Jordan-led team in the postseason. “I go back to what happened after we beat Mike and [the Chicago Bulls] … we already thought we had won the championship. But Houston, who had won the year before, knew what it took to win, and we didn’t. … As a young guy, you really don’t know what it takes to win a championship.”

Shaq and Penny were swept by the Houston Rockets in the 1995 Finals. A year later, they were swept by Jordan’s Bulls in the Eastern Conference finals. And later in the summer of 1996, O’Neal migrated west to begin the next chapter of his career with the Los Angeles Lakers and an uber-confident 18-year-old rookie named Kobe Bryant. Just like that, Orlando dreams turned into nightmares.

But Joel Embiid and Ben Simmons can still put a championship crack in the Liberty Bell. It’s all about moments. Embiid starting in his first All-Star Game is one. Simmons potentially winning Rookie of the Year is another. Tuesday night was big too. But if “trusting the process” is to be taken at face value, then it shouldn’t be about late May or potentially early June. It should just be about the next moment — Game 1 against either the Boston Celtics or Milwaukee Bucks. The advice for them from their predecessors is as simple as it is complex.

“The only thing I can say to [Ben and Joel] is don’t take this time for granted, like it’s going to happen next year because you’re a young team,” Hardaway says. “Right now, with the run they’re on, they have to be careful of saying, ‘If we don’t win the next round, we’re gonna have next year.’ You gotta do it now.” Through basketball osmosis, that advice has already permeated into Philly’s locker room. Embiid told reporters prior to Game 5 that he believed Philly’s “time is now.”

Shaq and Penny are more personally invested in Simmons and Embiid’s success — they want Philly’s dynamic duo to surpass them. “Hopefully they can stick together and not have any petty problems,” Shaq says. “You know, not worry about who’s getting paid the most.” He pauses. “I think if they stay together…they’re gonna be very hard to beat.”

Meek Mill sat courtside as guest of honor beside fellow Philly native Kevin Hart. The moment was one of the wildest “fresh outta jail” fables since Tupac was released from prison in October 1995, caught a cross-country flight from New York to Los Angeles and began recording his behemoth album All Eyez On Me the same night. The day began with Meek in a cell and ended with his first live look at the city’s two newest basketball demigods.

Embiid and Simmons combined for 33 points, 22 rebounds, 7 assists, 4 steals and 2 blocks. Both, like Meek, continue to etch their names in the city’s cultural history.