‘Marshall’ turns Thurgood into the contemporary hero Americans want, but ignores the one he was Not enough of the real NAACP lawyer shows up in Chadwick Boseman’s portrayal

Marshall, the new film from director Reginald Hudlin about the late Supreme Court justice Thurgood Marshall, comes from a production company called Super Hero Films.

It’s an appropriate moniker, given that the star of Marshall is Chadwick Boseman — or, as he’s sure to be known after February, Black Panther. But it’s also appropriate given the way Marshall presents the man once known as “Mr. Civil Rights” as a swashbuckling, arrogant, almost devil-may-care superhero attorney barnstorming the country in pursuit of justice and equality.

Written by Connecticut attorney Michael Koskoff and his son, Joseph, Marshall is not the story of the first black Supreme Court justice’s entire life. The movie takes place decades before Marshall was ever nominated to the court. Instead, Marshall provides a snapshot of young Thurgood through the course of the Connecticut trial of Joseph Spell (Sterling K. Brown), a black chauffeur who was arrested in 1940 for the rape, kidnapping and attempted murder of his white boss, Eleanor Strubing (Kate Hudson).

Marshall, at the time an attorney in the NAACP’s civil rights division and seven years out of Howard University School of Law, travels to Connecticut to defend Spell. When the white judge presiding over the case refuses to let Marshall be the lead lawyer on the case, Marshall enlists a local Jewish attorney, Sam Friedman (Josh Gad), as the puppet for his legal ventriloquism. Marshall feeds Friedman his strategy, arguments and ideas and sits on his hands as he watches Friedman clumsily make his way through them.

Hudlin ends the film with an image of Marshall after he’s pulled into a train station in the Deep South. A mischievous smile creeping across his face, he grabs a paper cup to get a drink of water from a whites-only water fountain. Marshall tips his hat to an older black gentleman who’s watching, clearly astonished, and continues on his way.

The scene exposes how Marshall is more of an exercise in reflecting contemporary black attitudes about race and rebellion than it is connected to the way Marshall enacted that rebellion in his life as an NAACP lawyer, solicitor general under Lyndon Johnson, and then as a member of the Supremes. It’s certainly ahistorical. The real Marshall was a skilled politician, which made him an effective courtroom lawyer. He was charmingly persuasive, according to those who knew him, able to persuade white Southerners to do his bidding even against the wishes of fire-breathing racist sheriffs.

“He wasn’t an activist or a protester. He was a lawyer,” Marshall’s NAACP colleague, attorney Jack Greenberg, said in a 1999 documentary that asserts Marshall always followed the rules of the segregated South during his many trips there.

In any fictive portrait based on true life, a certain amount of interpretation is expected. But Marshall fundamentally changes our understanding of Marshall as a person and a real-life superhero. Thanks to accounts from family, colleagues and biographers such as Juan Williams, we know Marshall was smart, strategic and conscious of preserving his life and safety so that he could live to fight another day.

Hudlin superimposes modern conceptions of black heroism onto a period courtroom drama. He’s not the first to do so, of course. Both the 2016 adaptation of Roots and the now-canceled WGN series Underground told historical stories calibrated for a modern audience that wants and deserves to see black characters exhibit agency over their fates. Combined with the decision to cast the dark-skinned Boseman and Keesha Sharp as Marshall and his wife, Buster, Hudlin’s choices feel reactive to the colorism and racism in modern Hollywood. That choice ends up flattening an aspect of Marshall that certainly had an effect on his life: his privilege as a light-skinned, wavy-haired lawyer who grew up as the middle-class son of a Baltimore woman with a graduate degree from Columbia and a father who worked as a railway porter.

If ever there was a couple who fit the profile of the black bourgeoisie, it was Thurgood and Buster Marshall. Casting Boseman and Sharp may be a way to thumb one’s nose at the screwed-up obsession with skin tone that pervaded the black elite in the early 20th century and continues to block opportunities in modern-day Hollywood, but it also erases part of our understanding of how Marshall moved through the world.

Marshall possessed a terrific legal mind and used it to hold the country accountable to its founding ideals. He was a pioneer for daring to think that equality could be achieved by challenging the country’s institutions, but he also expressed a deep reverence for and faith in them. He would have been seen by whites in the South as a Northern agitator, and he knew it — the real Thurgood slept with his clothes on in case a lynch mob decided to confront him in the middle of the night. Altering Marshall so much in a movie meant to celebrate him ends up cheapening the gesture. It’s like making a biopic about Barack Obama and turning him into Jesse Jackson. He just wasn’t that type of dude.

It wouldn’t matter so much that Boseman’s Marshall strays so far from the real man if it wasn’t for the fact that Marshall tends to exist now mostly as a Black History Month factoid (even though multiple biographies have been written about his life and work).

Thurgood, a 2011 HBO movie starring Laurence Fishburne, goes too far in the opposite direction. Clips of Fishburne show a stiff and overly reverential character better suited for a museum video re-enactment or a Saturday Night Live sketch.

I sound like the story of Thurgood Marshall is a Goldilocks conundrum. Fishburne-as-Marshall was too stiff. Boseman-as-Marshall was too loose. Maybe a third attempt will get it just right.

Every time I see a film by a black director or that stars black people and I love it unreservedly, I experience a mélange of awe, reverence and respect that comes from witnessing an amazing work of art. And then comes the wave of relief.

Because the stakes are so high — every so-called “black film” must succeed to secure another! — you feel some kind of way about having to type all the reasons a film doesn’t work, knowing that those words have consequences but still need to be expressed. In short, it’s the feeling of “I don’t know if I like this, but I need it to win.”

I hate this feeling. If ever there was a selfish reason for wishing the film industry would hurry up and achieve racial and gender parity, this is it.


Hudlin’s directorial oeuvre is squarely commercial. His gaze is unfussy, with few stylistic flourishes, likely influenced by his past 15 years directing episodic television. His last movie was Wifey, a TV movie starring Tami Roman. His last feature was the 2002 romantic comedy Serving Sara, starring Matthew Perry and Elizabeth Hurley, but he’s probably best known for Boomerang, House Party and The Ladies Man. Thus it’s no surprise that Hudlin directs Marshall as a crowd-pleaser, but the nuances of Marshall’s life get lost.

What’s disappointing about the way Marshall is translated for the big screen is that real-life heroes come in a variety of forms. They’re complicated. They’re not saintly, nor are they all hot-headed crusaders. And that’s OK.

One of the most admirable aspects of Loving was that it was a historical drama with the patience to tell the story of Richard and Mildred Loving, portrayed by Joel Edgerton and Ruth Negga, as the quiet, country people they were. They seem as unlikely a pair to make civil rights history in the film as they were when they lived. But Loving came from the Focus Features division of NBCUniversal, a production house known for unconventional work. Marshall is not an art house film, and I don’t think it needed to be to tell Marshall’s story. Hidden Figures was another historical drama meant for wide consumption. It’s not perfect, but Hidden Figures was so full of charm that it overcame the white saviorism added to Kevin Costner’s character, which didn’t exist in Margot Lee Shetterly’s book.

The shortcomings that separate Marshall from Hidden Figures and Loving are the same ones that give it the feeling of a TV movie. Aside from focusing on one specific area of Marshall’s life rather than the whole of it, Marshall does little to escape or subvert some of the most irritating biopic tropes.

For instance, the screenwriters jam Boseman’s mouth full of exposition about his accomplishments rather than demonstrating them. He rattles them off to Friedman in the form of a verbal resume.

The movie includes a nightclub scene that functions as little more than a non sequitur to shout, “HEY, THURGOOD MARSHALL WAS FRIENDS WITH ZORA NEALE HURSTON AND LANGSTON HUGHES. DID YOU KNOW ZORA AND LANGSTON HAD AN ICY RELATIONSHIP? BECAUSE WE DID!”

The three aren’t around long enough to discuss anything substantive. Their interaction doesn’t serve as foreshadowing for some other part of the movie. They’re just there because they all lived in Harlem. It’s little more than fat to be trimmed in a nearly two-hour movie.

But the most obvious weak point may lie in the flashbacks to the interactions between Strubing and Spell, which are filled with so much melodrama that they’d be perfectly at home on Lifetime. It’s not that those tropes don’t have their place. It’s just not on a screen that’s 30 feet high.

Boseman, as watchable as ever, makes Marshall a winking, confident wisecracker with a disarming smile. He’s full of smarts and bravado, communicating the real off-hours aspects of Marshall’s ribald sense of humor.

In the future, though, I hope screenwriters and filmmakers have more faith in the capacity of audiences to appreciate all kinds of heroes. As tempting as it is to superimpose modern politics onto historical figures, it can be more edifying to simply let them breathe so that we can appreciate their efforts within the context of their own times. Such context allows us to more fully understand the cost of their struggles and celebrate them all the more for winning.

Daily Dose: 10/10/17 Mike Ditka is living in a fantasy world

The last time I was at the White House, it was to hang out at SXSL, President Barack Obama’s innovation conference on the South Lawn. Tuesday, I’ll be there to see the Pittsburgh Penguins meet President Donald Trump. Life changes.

While California has so many perks, the downsides are vicious. Beautiful weather, lovely terrain and generally agreeable people, to a certain extent. But there’s also the ever-present risk of earthquakes and wildfires. Now, in the Northern California wine country, an outbreak of blazes has killed 11 people. Thousands of buildings and acres of property have been damaged since 11 fires started burning. The photos from this disaster are really quite humbling, and officials say it could eventually be the worst in the history of the state.

It always amazes when people expose their own privilege. So when HBO’s Amanda Seales told folks on Twitter that if they’re spending money on Jordans and Nike suits as opposed to a passport that they’re losing, it ruffled some feathers. Why? Because the nonsensical respectability politics that come with this notion that traveling is the only thing that can broaden your horizons are extremely harmful. Not just because how people spend their money is their business, but for very real concerns, otherwise.

You know how people always reference their grandfathers? Typically when bringing up someone with a wildly outdated social view, or a stance that’s so misinformed, you presume they got it from a fake source? Well, Mike Ditka has seemingly become that guy. The old Chicago Bears player, coach and NFL Hall of Famer said in a radio interview that the United States hasn’t seen social oppression in the last 100 years, which is a nice round number to be wrong about on two fronts.

The U.S. men’s national soccer team has another qualifier Tuesday night. Last week, the Americans faced Panama in a game they effectively had to win to keep their chances to get to the next World Cup from being completely distant, and they won. So, in Tuesday night’s tilt against Trinidad and Tobago, the stakes are still high. If they win, they’re in the World Cup. Alas, there’s one problem. The field is absolute garbage. The stadium was flooded by storms, and that’s when all the finger-pointing began. The team isn’t using that as an excuse, though.

Free Food

Coffee Break: Nintendo’s new classic SNES console features a couple of dozen games and is a good enough retro toy for most people to cop and play with on their own, sans adjustments. But some folks always want to take things to the next level, and it turns out that hacking those modules is easier than you might think.

Snack Time: Gilbert Arenas is always involved in some foolishness, and his latest stunt with Mia Khalifa is exactly that. He aired her out over a DM slide, which is so petty and pointless.

Dessert: Here’s the official trailer for Star Wars: The Last Jedi. I don’t love it, but it’s just a trailer.

Rapper Dupre ‘Doitall’ Kelly now wants to do politics and join the Newark, New Jersey, City Council Member of ’90s group Lords of the Underground says arts and culture can create jobs

It was the early ’90s. 1993 to be exact. Whitney Houston’s “I Will Always Love You” was top of the charts. “Whoomp There It Is” by Tag Team was rocking clubs. “That’s The Way Love Goes” by Janet Jackson was the swoon fest of probably the decade. And this was all according to Billboard‘s top charts. Meanwhile, BET crowned Lords of the Underground, a hip-hop trio from Newark, New Jersey, as the best rap group for hits from their album released March 6 of that same year, Here Come the Lords.

Twenty-four years later, group member Dupre “Doitall” Kelly has traveled the world, achieved fame, and is now bringing his talent back to his hometown. He is running for another title — an at-large council seat in Newark. If elected next year, he will be the first platinum-selling hip-hop artist to be elected to public office in a major U.S. city.

Newark is no stranger to being led by men within the arts community, as poet Ras Baraka, son of the late Amiri Baraka, serves as mayor. Kelly is a native of Newark’s West Ward, where he attended public school and honed his craft as a rapper. He attended Shaw University, a historically black university in Raleigh, North Carolina, where he became a member of the Alpha Phi Alpha fraternity. With his group he earned platinum and gold success, and as an actor he appeared in hit shows such as The Sopranos, Oz and Law & Order.

He currently serves as co-founder and executive director of 211 Community Impact, a nonprofit that promotes literacy, good health and giving. Alongside a host of other organizations in early 2017, Kelly helped raise funds to purchase a lift bus for children at John F. Kennedy School in Newark.

After a meeting with his campaign staff, Kelly spoke with The Undefeated about his run for City Council.


How did you decide to engage in politics?

My decision was made because of my journey through living the hip-hop culture and seeing how it has grown into a culture that influences and inspires the world. I decided, why not use it to help my community on an elected-official level?

Why is it important for hip-hop to have representation in government?

It is super important to have someone at the table of politics that understands and speaks the language of the community. For the last 20 years, hip-hop culture has been the most popular on this planet and is indeed a movement by definition. Hip, meaning in the now, and hop being a form of movement. If looked at that way, you can see that hip-hop is the now movement.

How do you feel about Jay-Z’s latest album?

I feel like it’s part of the evolution of hip-hop. The points and subjects Jay chose to address with a feel of honesty were topics that a 25-year-old Jay-Z would have never talked about. The experiences that he has encountered on his journey, using hip-hop as the vehicle allowed him to articulate to the rest of the hip-hop community and beyond in such a way that in my mind displayed his genius.

Do you hope more people within the hip-hop culture engage in local government?

Yes, I pray so. I hope to be the spark that ignites the flame of any and everyone who has a platform that can galvanize citizens in every city. If that happens, we can really effectively make changes in our communities.

What plans do you have for the city of Newark?

I plan on making a greater investment into our youth by bringing new innovative ideas that will generate revenue through arts and culture that can be used to spur job creation. Keep our young people engaged and residents invested into making the quality of life better for everyone in every ward of the great city of Newark, New Jersey.

What did people say when you decided to run?

It depends on which person you or I ask. When asking seasoned political figures, they would say, ‘Maybe you should wait until the next election to be ready.’ If you asked a person from 35 to 55 years old, they would say, ‘You have my vote and I’m with you.’ If you asked a 25- to 34-year-old, they would say, ‘You are going to win this by a landslide,’ but clearly don’t know what it takes to enter into a political race, let alone win one. If you ask an 18- to 24-year-old, they want to know more about me and once they find out, by searching the internet and doing their research of what I have done in the community, they also say that they are with me. The 60-year-olds-and-over residents want to know who I am, but more importantly where I stand on certain issues and policies.

Interesting theory based upon age ranges. How old are you?

Well, if you have heard the classic Lords of the Underground single ‘Funky Child,’ the intro begins with ‘The year is 1971.’ … I will let you math experts figure out what age that makes me. [Laughs.]

Who are you mirroring this campaign off?

I am mirroring chess players like grandmaster and Hall of Famer Maurice Ashley and Garry Kasparov.

What is your mission statement for your campaign?

My mission is [to] add on to the great things that are happening in the city of Newark, New Jersey, and help create bigger and better opportunities for the residents, entrepreneurs and local businesses. I also will talk to the people of the community in every ward to work on a solution to get residents to come from out of their individual silos, making every neighborhood in the entire city inclusive. When people love their city, they can change it.

As someone passionate about our home teams, will the New Jersey Devils win the Stanley Cup this year?

Absolutely. (Laughs)

Daily Dose: 10/4/17 Kennedy Center creates its first hip-hop season

All right, gang, there’s another Around The Horn appearance Wednesday for moi, my second of the week, which won’t even be my last one.

Things are changing at the Kennedy Center. The nationally renowned performing arts center has long been the purview of so-called fine arts, your ballets, operas and stage plays of the world. But now that jazz and hip-hop have been part of the scene for some time, they are officially being brought into the fold. New hip-hop director Simone Eccleston has been working with A Tribe Called Quest’s Q-Tip, KenCen’s first artistic director of hip-hop, and now we’ve got a full season of the culture. It’s so great to see us in these spaces.

Birmingham, Alabama, has a new mayor. And not just any old candidate. They’ve got Randall Woodfin, who, at 36 years old, is the youngest person to hold the position in more than a hundred years. Why does this matter? For one, he beat a guy who’s been in local Alabama politics for 40 years in William Bell. Secondly, he was also backed by Bernie Sanders. Meaning, if some wave of momentum in the South can suddenly overtake ballot boxes, we could finally see some things moving forward in that part of the country.

It feels like everything Larry Wilmore touches turns to gold. Even though his late-night show with Comedy Central was canceled, we all recognized its necessity, and it was certainly not a conceptual failure overall. Of course, he’s one of the lead writers of ABC’s black-ish, which is a hit by any measure of television or social capital. Now, teaming up with the great Viola Davis, they’ll be creating a comedy series called Black Don’t Crack, which will center on three sorority sisters who are reconnecting after years apart. YES.

Giannis Antetokounmpo is one of the most exciting players in the NBA. He’s also a big-time family person, considering their journey to where they are now. Unfortunately, he recently lost someone very important to him: his father. His dad was a soccer player and helped G and his brother become the ballers they are today. Their relationship was one that the Milwaukee Bucks fostered, and they also helped try to get his family over from Greece. The timetable for Giannis’ return is now up in the air. Hope this season isn’t a wash for him.

Free Food

Coffee Break: These days, we keep music in only a couple of different ways. Most people keep them on hard drives, some people keep them on their phones, and others don’t even bother with that and just stay in the cloud. Now, we’re encoding music onto DNA. Miles Davis is one of the first to have that done for his work.

Snack Time: Fixing things isn’t easy. And that’s just assuming you’re allowed to. But with so many products under various warranties and agreements, people want their right to repair back.

Dessert: If you don’t like food podcasts, I don’t know what to tell you. Here’s a good episode.

O.J. Simpson is a relic in a new culture that celebrates unapologetic blackness The Juice re-enters American society at its most divided since his ‘Trial of the Century’

O.J. like, “I’m not black, I’m O.J.” / Okay / House n—a, don’t f— with me / I’m a field n—a with shined cutlery.

— Jay-Z, 2017’s “The Story of O.J.


Fate has a fetish for O.J. Simpson. Oct. 1 is nearly 22 years to the day of both his acquittal after the double-murder trial that captivated the world and nine years since being sentenced for armed robbery and kidnapping in Las Vegas. Both happened on an Oct. 3. And now the sharp winds of the judicial and correctional system once again gust in the direction of the 1968 Heisman Trophy winner. After serving nine years, the man known as “Prisoner 1027820” in Nevada’s Lovelock Correctional Center is free.

Emphasis on free. Because what does it mean? What has it ever meant? And can O.J. Simpson, in particular, ever truly obtain freedom? He re-enters American society at its most divided since his “Trial of the Century,” and we are right now in an era defined by social, cultural and racial injustices — and the resistance and protests against them. The line between sports, culture and politics is as blurred and polarizing as it’s been since the 1960s. And the black world that Simpson sought to escape via football and a white wife is a world he can no longer run from — if he ever could. “The heartbreaking truth is,” says columnist and author Rochelle Riley, “O.J. Simpson is coming out of prison, and having to wake up black.”


Simpson’s former employer, the National Football League, looks a lot different from the one that existed before his 2008 conviction. There are Ezekiel Elliott’s crop tops and Dez Bryant’s custom Air Jordan cleats, Richard Sherman’s and Marshawn Lynch’s locks, and Odell Beckham’s Head & Shoulders-endorsed blond hair. There’s the NFL’s more cautious style of play apropos of player safety. Some aspects remain the same though — like the ongoing issue of the league’s embarrassing, harmful and erratically applied discipline for domestic violence offenders.

The NFL’s biggest lightning rod isn’t even in the league. Colin Kaepernick’s kneeling protest, intended to shine light on police brutality and the inequalities that persist within the criminal justice system, has reverberated far beyond football. Athletes like LeBron James, Stephen Curry, soccer star Megan Rapinoe, Oakland A’s rookie Bruce Maxwell and the WNBA’s Indiana Fever have lent support to the exiled former Super Bowl signal-caller.

Kaepernick’s won adoration from and influenced Stevie Wonder, Tina Lawson, Chuck D, Carlos Santana, Kendrick Lamar, Cardi B, J. Cole and others. Jay-Z donned a custom Colin Kaepernick jersey on the season premiere of Saturday Night Live, as Nick Cannon rocked a classic one at a recent St. Louis protest after the acquittal of Police Officer Jason Stockley for the killing of Anthony Lamar Smith. His No. 7 San Francisco 49ers jersey is now in New York City’s Museum of Modern Art, and the National Museum of African American History and Culture announced in May that various Kaepernick items will be featured in future exhibits.

There’s no hierarchy in terms of the pain of dealing with black death, but it’s no secret Travyon Martin stands out. He’s this generation’s “Trial of the Century.”

The NFL also sits embroiled in a beef with President Donald Trump over protests inspired by Kaepernick — the same Donald Trump who entertained the idea of a reality show with Simpson back in 2008. And while we’re on reality shows, Simpson enters a world dominated by Kardashians. Keeping Up with the Kardashians has been a fixture in American pop culture since its premiere, 10 years ago this month. The family became famous during the fracas of Simpson’s first trial, where attorney Robert Kardashian — Simpson’s close friend and father of Kim, Khloe, Kourtney and Rob — was part of O.J.’s legal “Dream Team.” Kim’s husband, the Adidas designer and Grammy awardwinning producer/rapper/cultural live wire Kanye West, references Simpson in 2016’s “THat Part”: I just left the strip club, got some glitter on me/ Wifey gonna kill me, she the female O.J.

Where we are now is this: Athletes and entertainers (and many, many others) have called the president of the United States outside of his name — and the president and his supporters clap back, tit for tat. There’s a culture war going on, and while it’s different from the 1960s and ’70s, it’s a vibe O.J. is all too familiar with. He’s seen it move like this before.

Getty Images

Consider the American psyche leading up to the pivotal year of 1967, Simpson’s first season as tailback at the University of Southern California, a private, predominantly white institution surrounded by black neighborhoods in Los Angeles. In 1961, 61 percent of Americans disapproved of the “Freedom Riders.” Fifty-seven percent viewed lunch counter “sit-ins” as hurtful “to the Negro’s chances of being integrated in the South.” The 1963 March on Washington was viewed unfavorably by 60 percent of voters. And by January 1967, 53 percent of voters believed black people, instead of protesting for equal rights, would be better off taking “advantage of the opportunities that have been made available.”

Compare all this to a survey conducted by Global Strategy Group for ESPN from Sept. 26-28, just days before Simpson’s release. A clear racial divide exists: 72 percent of African-Americans strongly or somewhat agree with the protests, which were started by Kaepernick last season. Sixty-two percent of white people strongly or somewhat disagree. Other polls revealed similar numbers.

In 1967, like in 2017, everybody makes the decisions they make. On April 28, 1967, when Muhammad Ali was stripped of his heavyweight title after refusing induction into the U.S. Army, the revolt of the black athlete entered the living rooms of Americans. This was the same year O.J. Simpson rushed into USC immortality and the American consciousness with 1,543 yards and 13 touchdowns. This was the same year that, on Thanksgiving Day, Harry Edwards, a sociology professor at San Jose State, organized the Western Regional Black Youth Conference. The gathering of about 200 people discussed the possibility of boycotting the 1968 Mexico City Olympics. Sprinters Tommie Smith and Lee Evans were there, as was UCLA’s star center Lew Alcindor (who became Kareem Abdul-Jabbar). “Winning gold medals for a country where I don’t have my freedom is irrelevant,” Smith said at the meeting. “So far I have not won my freedom, and I will not turn back from my decision.” Alcindor refused to try out for the Olympic team, prompting critics to label him a national disgrace and an “uppity n—–.”

Though at a Western school, O.J. Simpson didn’t attend the conference. His epic 64-yard touchdown vs. UCLA, less than a week before, propelled USC to the national championship. Edwards had approached Simpson about lending his name and influence to the cause. Simpson disassociated himself from the movement, famously telling Edwards, “I’m not black. I’m O.J.” Smith and Carlos’ decision to speak out hurt their careers, in Simpson’s eyes. He wasn’t going down like that. “He absolutely distances himself from everything, which turns out to be a pretty good career move,” says Dr. Matthew Andrews. “It opens up all these doors in advertising, movies and so on.”

Focus on Sport/Getty Images

The assassinations of Martin Luther King and presidential candidate Robert Kennedy defined 1968. Riots erupted throughout the country. Black America had seemingly reached its breaking point. The defiant and painful image of John Carlos and Tommie Smith’s black power fists at the Mexico City Olympics ingrained itself in sports and American history. Meanwhile, O.J.’s celebrity ballooned as he separated himself from the swelling movement. He won the Heisman in 1968 and was the first overall selection in the 1969 draft. For the next two and a half decades, Simpson enjoyed the fruits of his decision and became one of the most recognizable, marketable and celebrated black men in America.


“You see, O.J. was under that illusion — ain’t been black since he was 17. Under that illusion of inclusion — [until he] got That N—- Wake-Up Call. Only n—- I know that could get on any golf course in America. They loved that boy! He had to come home when it got rough.”Paul Mooney, 1994

Simpson’s goal seemed to be: live a deracinated life. He didn’t want to make white people uncomfortable. He was handsome, charming and safe — and so, with 1969’s Chevrolet deal, became the first black corporate pitchman before playing a down in the NFL. Long after his playing career, Simpson was one of the few black faces on screen, as an actor or a commentator, during the late ’70s and early ’80s. “O.J.’s providing a very meaningful image for black kids in America,” said Ezra Edelman recently. He’s the Oscar-winning director of 2016’s O.J.: Made In America. “He deserves his due for the way he influenced culture, beyond being on trial for murder in 1994 and ’95.”

O.J. Simpson for Hertz, in 1978

Master Tesfatsion, 26, doesn’t remember the “Trial of the Century.” He’s a Redskins beat reporter for The Washington Post, and one of his most recent stories is about cornerback Josh Norman pledging $100,000 to Puerto Rico’s victims of Hurricane Maria. Tesfatsion’s first memory of O.J. is the 1997 civil case that ordered Simpson to pay $25 million to the families of Nicole Brown Simpson and Ron Goldman. Growing up Eritrean-American in Section 8 housing in Irving, Texas, Tesfatsion’s early O.J. knowledge primarily came from the neighborhood. “I just trusted the OGs,” he says. “If everyone on the block was telling you O.J. ain’t do it, what are you supposed to think?”

“O.J. really is this wisp of memory that is not as important because so much has happened since.”

Tesfatsion’s generation? They were kids when Simpson’s criminal trial happened. And they are well-aware of how deeply racial dynamics and police distrust played into Simpson’s case, and into their own lives. “People always think because you have a certain wealth status, whether it’s white people or even black people who are rich, they think they can escape colorism,” says the Arizona State graduate. “O.J. has proven on the highest of levels that that’s not the case.”

Tesfatsion remembers the passion the case evoked in his parents, and what was clearly two different Americas. So many white people mourned the not guilty verdict. So many black people celebrated quietly, or as if it were an NBA Finals victory for the home team. “The heartbreaking point about O.J.,” says Riley, whose The Burden: African-Americans and the Enduring Impact of Slavery is being published in February, “is not whether he got away with murder — if he did — but black Americans have been so mistreated and denied justice so many times and for so long that his acquittal was seen as a needed win.”

Simpson is a poster child for race and the legal system, but for Tesfatsion’s generation, he’s not on whom they hang their hat. Simpson’s verdict now of course has rivals in cases that have come to define this generation’s adulthood. “For a generation and a half, O.J. is not this larger-than-life person who meant so much, and who people paid attention to so much,” says Riley. “[O.J.] really is this wisp of memory that is not as important, because so much has happened since.”

Many of the same factors that came into play during the “Trial of the Century”—black bodies, white superiority complexes, and the assumption of black guilt have defined the cases of the Sandra Blands, Philando Castiles, Tamir Rices and Michael Browns. There’s no hierarchy in terms of the pain of dealing with black death, but it’s no secret Travyon Martin stands out. He’s this generation’s “Trial of the Century.”

“[Trayvon] was mine,” says Tesfatsion. “It was crazy how caught up I was into it.” Zimmerman’s not guilty verdict was delivered on his 22nd birthday. “To expect one thing, and see the other result, you know, as an African-American, the anger that you feel and the disappointment you feel it’s hard to explain.”


The question no one can truly answer is what happens next for O.J. Simpson. Fresh out of jail, he missed the entire presidency of Barack Obama and enters a world driven by Donald Trump — whose Twitter-fueled presidency has roots in the 24/7, reality-TV celebrity obsession culture rooted in the insanity that was his first trial. Rumors of a return to Hollywood even exist.

Former football legend O.J. Simpson signs documents at the Lovelock Correctional Center, Saturday, Sept. 30, 2017, in Lovelock, Nev. Simpson was released from the Lovelock Correctional Center in northern Nevada early Sunday, Oct. 1, 2017.

Brooke Keast/Nevada Department of Corrections via AP

But if there’s one reality starkly different from the one Simpson encountered pre-prison—and the beginning of it was the 24/7 coverage of his trial — it’s the extinction of the veil of anonymity. Does he attempt to live a life of modesty and recluse? Or has a nearly decade-long, state-mandated vacation done little to change him? Simpson’s been called a sociopath, one who craves constant attention strictly on his terms. Yet social media, his lawyers suggest, won’t be an issue for him. But he’s never dealt with the monster that is this iteration of media: social breaks stories and develops narratives before the first byline is written. Cameras don’t just sit on shoulders anymore, they sit in the palms of everybody’s hands. One click equals global broadcast.

Many already aren’t willing to deal with the potential fallout. Florida Attorney General Pam Bondi is attempting to bar him from the state — the same Sunshine State that houses the infamous generational antagonist George Zimmerman.

Dr. Andrews thinks that whatever the case, it will be interesting. “Which O.J. is he going to be? One would argue that pre-trial O.J. would distance himself from what many NFL players are doing. Certainly distancing himself from what Kaepernick’s doing. What Kaepernick did is exactly what [Tommie] Smith and [John] Carlos did in 1968. O.J. wanted no parts of that. [This] O.J. might get it a little more.”

But, Andrews asks, “Do you really want O.J. to be the spokesperson for this battle in racial justice?”

Riley is more than willing to answer. “The most important thing he could do for himself and America is to not answer the question,” Riley says. “To not weigh in and not try and make himself relevant in any way that he shouldn’t.”

It’s not just the NFL, and O.J. Simpson, but America itself that sits at a crossroads. All three face illness they never really addressed let alone medicated. O.J. walked out of prison Sunday a ghostlike relic of injustices he ignored, injustices he experienced and injustices he helped create. There is undeniable irony in karma greeting Simpson more harshly than his generational contemporaries. Ali, Abdul-Jabbar, Smith, Carlos and so many others were in their early 20s fighting demons older than America itself. The athletes were considered pariahs then but stand as saints of progress now. The same will one day be said about Colin Kaepernick. And about those for whom the killings of Trayvon Martin, Sandra Bland, Mike Brown and others inspire a lifetime of resistance and service.

This is the third time O.J. Simpson experiences the first day of the rest of his life. Everybody isn’t that lucky.

Jemele Hill on doing the right thing A lesson from her grandmother: Be better. No matter what.

I don’t remember exactly how old I was, but let’s just say I was 11.

I was spending the night at my grandmother’s house with a couple of my close friends. And they had an idea. A terrible idea.

They wanted me to steal a couple of beers from my grandmother. My grandmother, you see, loved to entertain. She had card parties and hosted all the family gatherings, and so she always had an ample supply of alcohol.

I figured with all the liquor she had, she would never miss a couple of beers. So I got my Ethan Hunt on and stole the beers right out from under my grandmother’s nose. I didn’t even drink it. I just wanted to impress my friends, maybe climb a few spots up the unofficial neighborhood G rankings.

As for Ethan? It took my grandmother less time than it takes to solve a case on Law & Order to figure out beers were missing and I was the culprit.

When she confronted me, I cried and immediately confessed to the crime. My grandmother didn’t whip me. All she said was, “I am extremely disappointed in you,” and walked away.

I was heartbroken because I felt like I had let my grandmother, who was one of my best friends, down. And there is no feeling worse than letting down the people who love and support you.

I had not felt that way since … until two weeks ago when I was sitting in ESPN president John Skipper’s office having the most difficult conversation of my career.

It was the first time I had ever cried in a meeting. I didn’t cry because Skipper was mean or rude to me. I cried because I felt I had let him and my colleagues down.

Since my tweets criticizing President Donald Trump exploded into a national story, the most difficult part for me has been watching ESPN become a punching bag and seeing a dumb narrative kept alive about the company’s political leanings.

If we’re keeping it all the way real, that narrative is often pushed by the folks in the media who benefit most from that notion and all the attention that criticism of ESPN brings.

But this isn’t about that. It’s simply indicative of just how complex things get for people in OUR position — especially if you’re a woman and a person of color.

I can’t pretend as if this isn’t a challenging time in our country’s history. As a career journalist, I can’t pretend that I don’t see what’s happening in our world.

I also can’t pretend as if the tone and behavior of this presidential administration is normal. And I certainly can’t pretend that racism and white supremacy aren’t real and that marginalized people don’t feel threatened and vulnerable, myself included, on a daily basis.

Yes, my job is to deliver sports commentary and news. But when do my duties to the job end and my rights as a person begin?

I honestly don’t know the answer to that.

I do know that we’re clearly living in a time of blurred lines. The president’s recent inflammatory attacks on NFL players, his choice to disinvite the Golden State Warriors to the White House, are just the latest examples of silence being impossible. This is not a time for retreating comfortably to a corner.

Still, Twitter wasn’t the place to vent my frustrations because, fair or not, people can’t or won’t separate who I am on Twitter from the person who co-hosts the 6 p.m. SportsCenter. Twitter also isn’t a great place to have nuanced, complicated discussions, especially when it involves race. Warriors player Kevin Durant and I probably need to take some classes about how to exercise better self-control on Twitter. Lesson learned.

Also, let me be clear about something else: My criticisms of the president were never about politics. In my eyes, they were about right and wrong. I love this country. If I didn’t, I wouldn’t want it to be better.

The events of last weekend showed that the intersection of sports and politics is the most pronounced we’ve seen in decades. Sports always has been intertwined with social change in America. But let’s not forget some of the athletes who instigated that change — Jesse Owens, Wilma Rudolph, Muhammad Ali, Curt Flood and Jackie Robinson — only became beloved icons once history proved them to be right.

In November, I will celebrate my 11th year at ESPN. I’ve grown immensely as a person and a professional during that time and have accomplished things that I never imagined possible.

As I think on it now, I wonder about the real lesson my grandmother, who died seven years ago, wanted me to learn. Sure, not stealing is the obvious takeaway. But maybe the larger point was: Be better. No matter what.

Trump vs. the wide world of sports: a timeline The president’s comments about Stephen Curry as well as the NFL are just the latest in a long and combative, but sometimes cozy, relationship between Trump and sports

As it stands right now, President Donald Trump is at odds with three of the most influential names in pop culture: Colin Kaepernick, Stephen Curry and LeBron James. This, though, is not Trump’s first go-round with the world of sports. The 45th president of the United States’ connection to teams, leagues, players, owners and sporting events has roots. Very deep roots.

Trump’s involvement in the short-lived United States Football League is the president’s introductory claim to sporting fame/infamy. The league lasted from just 1983 to 1985, and its demise is largely placed on Trump’s shoulders. During a 1984 interview, Trump noted that he “could have” purchased the Dallas Cowboys. He believed, however, that the New Jersey Generals were a better investment. As for the “poor guy” who would eventually buy the Cowboys: “It’s a no-win situation for him, because if he wins, well, so what, they’ve won through the years, and if he loses, which seems likely because they’re having troubles, he’ll be known to the world as a loser.” Jerry Jones purchased the Cowboys in 1989 for $140 million. Nearly three decades later, the Cowboys are the world’s most profitable franchise, valued at nearly $5 billion, and Jones, a Trump supporter to the tune of at least $1 million, is now a member of the Pro Football Hall of Fame.

There’s also Trump’s longtime association with boxing. In 1990, Trump took the stand in a trial over contractual disputes with regard to a Mike Tyson-Buster Douglas rematch. (Atlantic City’s Trump Plaza, prior to its shuttering, had been a premiere destination for prizefights.) Golf, too, is a much-chronicled obsession of the president — he owns 17 clubs worldwide. His decades-long involvement in the sports world, which included a failed 2014 bid to purchase the Buffalo Bills, has won him legions of friends and supporters, including golfer John Daly, Dennis Rodman, Bobby Knight, Mike Ditka, retired mixed martial artist Tito Ortiz and UFC president Dana White, and that number has only grown since he announced his intention to run for president of the United States in June of 2015.

The following is a timeline of Trump’s increasingly antagonistic clashes with the world of sports since his candidacy and election.

July 14, 2015 — Candidate Trump takes on the LPGA

A week earlier, candidate Trump stood by controversial comments he’d made surrounding Mexican immigrants. The LPGA Tour was immediately forced to distance itself from the remarks since its British Open would be held at Trump’s Turnberry Alisa course in Scotland. Trump, in response, addressed a letter directly to tour commissioner Michael Wahn. “You have an absolutely binding contract to play the great Turnberry Ailsa course but, based on your rude comment to the press, please let this letter serve to represent that, subject to a conversation with me on the details, I would be willing to let you play the Women’s British Open in two weeks, at another course rather than magnificent Turnberry [which I own].”

Sept. 3, 2015 — Abdul-Jabbar calls Trump a bully; Trump shoots back

Kareem Abdul-Jabbar — the NBA’s all-time leading scorer, a six-time league MVP, author and civil rights activist — wrote a Washington Post column criticizing what he felt was Trump’s lack of respect for the media’s rights. Why is this so ironic? Well, for one, Abdul-Jabbar’s distant relationship with the media has long been documented. And two, Trump’s response was exactly what Abdul-Jabbar was talking about in the first place: attempting to bully a writer. “Now I know why the press has treated you so badly — they couldn’t stand you,” Trump wrote, also in the Post. “The fact is that you don’t have a clue about life and what has to be done to make America great again!”

Sept. 8, 2015 — That’s a “Make America Great Again” hat in Tom Brady’s locker

It’s the hat that’s dogged New England Patriots quarterback Tom Brady ever since. In 2015, only three months into Trump’s candidacy, the #MAGA hat introduced itself to pop culture and hasn’t looked back. Brady probably had no clue how a Trump campaign and ultimately Trump’s presidency would play itself out on the fabric of American history. Back then, it was a gift from a friend who’d occasionally call and, per Brady’s own admission then, offer motivational speeches.

Sept. 18, 2015 — AHL executive: Prove to me you can run a hockey team before the country

One of the most known-unknown vocal Trump critics is Vance Lederman, chief financial officer of the American Hockey League’s Syracuse Crunch (an affiliate of the NHL’s Tampa Bay Lightning). Running a country isn’t exactly the same as running high-end hotels. That’s how Lederman saw it when he challenged Trump to come run his team. “You running for president is like a Brooklyn boy being a professional hockey coach,” he said in a YouTube video. “So, Donald, here is what I’m going to do: I got an invite for you. You’re a big man, you want to be all for the people. I invite you to come to Syracuse to learn how to be a professional hockey coach.” Trump never responded, prompting Lederman to amend his offer. Coaching was off the table. He now wanted Trump to prove he could run a sports team.

Nov. 2, 2015 — Following in George Steinbrenner’s footsteps

On the campaign trail, presidential candidate Trump stopped by Colin Cowherd’s show. Trump said he’s just fine with gambling in sports because “it’s happening anyway.” Fair enough. And, given the chance, he noted that if the circumstances were different, he’d like to buy the New York Yankees — and follow in the footsteps of his “great friend” George Steinbrenner. The Yankees are not for sale, and as the most valuable team in Major League Baseball, one would need in excess of $3.5 billion just to make an offer.

Dec. 7, 2015 — Trump forgets Muhammad Ali and Kareem Abdul-Jabbar ever existed

Dec. 14, 2015 — Trump comes to the defense of Pete Rose

President goes to bat for baseball’s all-time hits king.

July 7, 2016 — MLB’s Latin community wary of a Trump presidency

Major League Baseball has made a commitment to expand its game further into Mexico. One of Trump’s biggest campaign promises was to build a wall along the Mexican border. In a statement that becomes more prophetic by the day, then-San Francisco Giants infielder Ramiro Pena expressed concerns. “It does worry me a lot that he could be elected president,” he said. “For the Latin community … it would make things more difficult when it comes to immigration, based on what he has said. The comments he has made about Mexicans worry you.”

Aug. 29, 2016 — Trump says Kaepernick should find another country to live in

The biggest story in sports over the past year has been Colin Kaepernick and his refusal to stand for the national anthem (for the record, a controversial piece of music when taken literally) last season. “I think it’s a terrible thing, and, you know, maybe he should find a country that works better for him, let him try, it’s not gonna happen,” Trump said. This won’t be the last time the newbie politician addresses the quarterback.

Oct. 30, 2016 — Trump blames NFL ratings decline on the 2016 election … and Kaepernick

That’s because he would do it again two months later, just days before the 2016 election. When reports confirmed the NFL’s ratings had taken a double-digit hit, for Trump, only two things explained the trend. Politics was one, and in a sense he was right. The election was the story in America at the time. This was during the final weeks of the 2016 election, the most volatile and explosive perhaps in U.S. history. The second, Trump asserted, was, “Kaepernick. Kaepernick.”

Nov. 9, 2016 — LeBron searches for answers

LeBron James had officially endorsed Hillary Clinton for president. The day after the election, the four-time MVP joined millions across the country struggling to come to grips with the fact that candidate Trump was now officially President-elect Trump. With Kendrick Lamar’s classic rallying cry, “Alright,” as the soundtrack, ’Bron took to Instagram with an inspiring message. “Minorities and Women in all please know this isn’t the end, it’s just a very challenging obstacle that we will overcome!!” he said. “Even if who’s in office now doesn’t, Know that I LOVE [Y’ALL]!!” This wouldn’t be the last The King would address the 45th president.

Instagram Photo

Nov. 16, 2016 — Mayweather visits Trump at Trump Tower

The photo of Floyd Mayweather, then sporting a 49-0 record, visiting Trump Tower did exactly what seems to be intended: ignite controversy stemming from both men’s past transgressions, in particular with women. Mayweather doubled down on the picture by attending the Trump inauguration two months later. As he’d said a week before to TMZ Sports, “Y’all gonna see me in D.C. looking good. I got a tux and everything ready.” More on Floyd/Trump shortly …

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Dec. 2, 2016 — Trump stiff-arms NFL’s ratings

President-elect Trump again relishes the NFL’s ratings debacle. “Down 20, 21 percent,” he gloated at a rally in Cincinnati, “and it was because of us.” Keyword there being us.

Dec. 5, 2016 — LeBron says no to a stay at a Trump hotel

Don’t expect to see LeBron James at Trump SoHo’s Bar d’Eau — or anyplace else on the property. James and several teammates refused the Trump accommodations during a New York road trip. When asked about his decision? “It’s just my personal preference,” he said.

Dec. 13, 2016 — Jim Brown, Ray Lewis have ‘fantastic’ meeting with Trump

Jim Brown and Ray Lewis are two of the greatest football players to ever live. The Hall of Fame running back and longtime activist and future first-ballot Hall of Fame linebacker have been two of Trump’s most prominent black supporters — and also two of the most prominent black athletes to denounce Kaepernick. Both apparently believe the Trump administration will stimulate economic development in urban areas and “change the whole scheme of what our kids see.” Brown and Lewis’ “fantastic” meeting with Trump two weeks before Christmas came just hours after Kanye West met with the president-elect.

Dec. 19, 2016 — Trump picks Florida Panthers owner Vincent Viola as nominee for Secretary of the Army

Billionaire Wall Street trader Vincent Viola, a 1977 West Point alum, served in the 101st Airborne Division and stayed in the U.S. Army Reserve after his active duty. Also? Viola is the owner of the NHL’s Florida Panthers. Two months later, Viola withdrew his name from consideration, citing the difficulty of “untangling himself from business ties.”

Feb. 8, 2017 — Stephen Curry wasn’t feeling Under Armour’s Trump love

First, Under Armour CEO Kevin Plank called President Trump an “asset” to the country. Second, and almost immediately, the company’s No. 1 ambassador, Steph Curry, denounced the company’s praise. Third, Under Armour released a statement saying the praise was meant from a business perspective only. Curry understood and appreciated the statement, but: “If there is a situation where I can look at myself in the mirror and say they don’t have my best intentions, they don’t have the right attitude about taking care of people,” Curry said. “If I can say the leadership is not in line with my core values, then there is no amount of money, there’s no platform I wouldn’t jump off if it wasn’t in line with who I am … that’s a decision I will make every single day when I wake up. If something is not in line with what I’m about, then, yeah, I definitely need to take a stance in that respect.” Bonus: Former WWE CEO and president Linda McMahon joined the administration in February 2017 as the head of the Small Business Administration.

March 21, 2017 — President Trump takes pride in Kaepernick’s exile

Four days before, Bleacher Report’s Mike Freeman reveals, per an unnamed AFC general manager, that some teams fear Trump’s response should Kaepernick be signed. This was all the 45th commander-in-chief needed to get him riled up. “Our inner cities will find a rebirth of hope, safety and opportunity,” he said during a speech in Kentucky. “Your San Francisco quarterback, I’m sure nobody ever heard of him.” He wasn’t done. “It was reported that NFL owners don’t want to pick him up because they don’t want to get a nasty tweet from Donald Trump. Do you believe that? I just saw that.”

April 19, 2017 — Half of the New England Patriots don’t make the trip to the White House

A total of 68 players were invited to pull up on President Trump at 1600 Pennsylvania Ave. Only 34 made the trip. More than a few of them — most notably Martellus Bennett, who said so before even taking his shoulder pads off after the Patriots’ historic comeback victory in Super Bowl LI — were adamant their motivations for not going were strictly political. Tom Brady, a longtime Trump friend and proponent of Kaepernick’s return to the league, was a no-show as well.

May 14, 2017 — Popovich unloads on Trump

Legendary San Antonio Spurs head coach Gregg Popovich has a well-documented history of going directly at Trump. Pop’s pre-Spurs life — graduation from the Air Force Academy with a degree in Soviet Studies, time spent as an intelligence officer in Eastern Europe — gave added context to his criticisms of the president. Prior to Game 1 of the Western Conference finals vs. the Warriors, Pop gave his own impromptu State of the Union: “… To this day I feel like there’s a cloud, a pall, over the whole country, in a paranoid, surreal sort of way that’s got nothing to do with the Democrats losing the election,” he told reporters. “It’s got to do with the way one individual conducts himself. It’s embarrassing. It’s dangerous to our institutions and what we all stand for and what we expect the country to be. But for this individual, he’s at a game show and everything that happens begins and ends with him, not our people or our country. When he talks about those things, that’s just a ruse. That’s disingenuous, cynical and fake.” Tell ’em how you really feel, Pop.

June 14, 2017 — That’s gonna be a ‘no’ from Steph, dog

While the two-time MVP made news recently about not visiting the White House, let’s not act like he hasn’t been saying the same thing since the Warriors captured their second title in three years. “Somebody asked me about it a couple months ago, a hypothetical, if a championship were to happen: ‘What would I do?’ ” Curry said at his exit interview. “I answered that I wouldn’t go. That hasn’t changed.”

June 30, 2017 — Cubs reportedly wanted Trump to tell recently released catcher Miguel Montero he was “fired”

Backup Chicago Cubs catcher Miguel Montero was already going to be released. Three days prior, he threw starting pitcher Jake Arrieta under the bus after a stolen base fiasco. He was released from the team. On the surface, that was not necessarily a huge deal, but according to baseball savant Peter Gammons, some players and front-office personnel wanted to really rub it in on Montero by having Trump tell him, “You’re fired” (his Apprentice catchphrase) during an unofficial team White House visit. They ultimately decided against doing so.

Aug. 15, 2017 — LeBron, Steve Nash and the sports world react to Trump’s Charlottesville response

The entire country was fixated on the protests in Charlottesville that turned deadly. President Trump’s infamous comment about blame being on “both sides” doused gasoline on an already uncontrollable blaze, leading many athletes to voice their opinion.

Aug. 17, 2017 — Kevin Durant keeps it a buck

If there’s anyone who benefits from Trump going full Trump, it’s Kevin Durant — who recently has been the butt of jokes after his recent Twitter debacle. However, back in his hometown of Seat Pleasant, Maryland, last month, the 2017 Finals MVP let his feelings on visiting the White House be known. “Nah, I won’t do that,” he said. “I don’t respect who’s in office now.”

Sept. 13, 2017 — The White House calls for Jemele Hill’s job

The Six’s Jemele Hill sent the tweets heard ’round the world when she called Trump a white supremacist. The situation, however, spilled overboard when White House press secretary Sarah Huckabee Sanders dubbed the tweets “outrageous” and called for Hill’s job.

Sept. 15, 2017 — Mayweather co-signs Trump’s “locker room talk”

The biggest controversy Trump encountered on the campaign trail was, by far, the leaked audio from his 2005 Access Hollywood appearance, which included the phrase “grab them by the p—y.” Through a chain of events that no one saw coming, the gaffe didn’t cost Trump the election. And one person who didn’t have an issue with the comments was Floyd Mayweather. In the 50-0 champion’s eyes, Trump spoke how “real men” do. “Real men speak like, ‘Man, she had a fat a–. You see her a–? I had to squeeze her a–. I had to grab that fat a–.’ ” This is what Mayweather told Hollywood Unlocked. “So he’s talking locker room talk. Locker room talk. ‘I’m the man, you know what I’m saying? You know who I am. Yeah, I grabbed her by the p—y. And?’ ”

Sept. 22, 2017 — The ‘son of a bitch’ speech

For an administration that operates under anything but the veil of normal presidential decorum, last Friday’s speech was a special breed of aberrant. “Wouldn’t you love to see one of these NFL owners,” he said, “when somebody disrespects our flag, to say, ‘Get that son of a bitch off the field right now. Out. He’s fired! He’s fired!’ ”

Sept. 23, 2017 — Trump takes to Twitter to call out the sports world

On his platform of choice, Trump called out both Stephen Curry and the NFL for, essentially, not “sticking to sports.”

Sept. 23, 2017 — The NBA/NFL claps back at President Trump

While he would later post a video further expressing his thoughts, LeBron James caused all hell to break loose shortly before when he came to the defense of a man he’s squared off against during the past three NBA Finals. ’Bron, who is careful with his words, spared no feelings delivering a certified haymaker (which may or may not affect the fashion world):

Steph then saluted ’Bron for having his back and running the 2-on-1 political fast break with him. All while rhetorically wondering why the president chooses to demean certain individuals and not others.

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The responses came in droves. Dell Curry expressed unwavering support for his son. Kobe Bryant essentially said Trump lacks the #MambaMentality. Chris Paul responded with a two piece and a biscuit.

Draymond Green joined the party. As did his coach Steve Kerr. Kerr doubled back just in case his stance wasn’t clear the first time. Bradley Beal is still searching for answers. J.R. Smith is praying for Barack Obama’s return while seriously contemplating living in the gutter. Damian Lillard used a well-placed sleepover analogy. Commissioner Adam Silver was disappointed the Warriors opted out of a White House visit but said he was proud of the league’s players speaking out on issues resonating with them.

That’s just the NBA. Coincidentally, the University of North Carolina men’s basketball team announced it would no longer be visiting the White House. Oakland Athletics rookie catcher Bruce Maxwell became the first MLB player to kneel for the anthem. As for the NFL, the league released a lukewarm statement, whereas the NFLPA’s was far more direct. The league stands on the cusp of a truly monumental line in the sand. How the players respond Sunday and Monday night is a historic, generational defining moment that will assume immediate residency in the annals of the game’s legacy. Many wasted no time in expressing grievances, including Richard Sherman. Despite his comments regarding Kaepernick as a “distraction” last month, Bills running back LeSean McCoy tweeted, “It’s really sad man…our president is a asshole.” Others, like New Orleans Saints defensive end Cameron Jordan, called to mind Colin Kaepernick’s original protest. Yet, it’s Teresa Kaepernick whose response may have reverberated the most. She is, for the record, the mother of the athlete who helped light a fire to this entire movement.

Can’t get into the Blacksonian? 25 black-centered museums near you Seattle to St. Croix, Memphis to Miami — these art spaces are as vibrant and important as ever

It’s the first anniversary of the opening of Washington, D.C.’s extremely popular National Museum of African American History and Culture (NMAAHC). While visiting the NMAAHC is a life-changing experience, getting in can feel like praying on Willy Wonka’s golden ticket. But while you wait, you can have an amazing museum experience closer to home. There will almost always be must-see exhibits at places such as New York’s Whitney Museum of American Art and Los Angeles’ The Getty Center, but there are a bevy of other museums and galleries around the country that are doing brilliant and important work. This list of museums and galleries — from Miami and Houston to Sao Paulo and Cincinnati — feature new and continuing exhibits around race and identity, saxophonist Sonny Rollins, hip-hop’s golden age, activist grandmothers, salsa as a social movement, black women in silent films, the age of Black Power, Oregon during the civil rights era, African-American umpires, design and technology in the time of slavery, and so much more.

SOUTHEAST

Memphis Brooks Museum of Art

Memphis, Tennessee

Memphis Brooks Museum of Art

Kevin Barre Photography

Tennessee’s oldest and largest art museum is home to a major collection that spans all eras and encompasses all mediums. It also serves as a cultural center, hosting a variety of programs, events and films. The vision: “Transforming lives through the power of art.”

New this winter: Black Resistance: Ernest C. Withers and the Civil Rights Movement. Withers (who has been accused of being an FBI informant) was a prolific photographer who documented everything from the Montgomery bus boycott to the Negro Leagues. It’s estimated that he took almost 2 million photographs over the course of his career. The exhibition focuses on the 50th anniversary of events that took place from March 27 through April 8, 1968, such as striking sanitation workers carrying “I AM A MAN” placards, Martin Luther King Jr. returning to Memphis and the march to Memphis City Hall. On view from Feb. 3 to Aug. 19, 2018.

Muhammad Ali Center

Louisville, Kentucky

The LeRoy Neiman Gallery at the Muhammad Ali Center

Courtesy The Muhammad Ali Center

The Muhammad Ali Center is a museum and education center in The Champ’s hometown of Louisville, Kentucky, and is rooted in his core principles of confidence, conviction, dedication, giving, respect and spirituality. The permanent exhibit tells Ali’s story via interactive exhibits, images and artifacts.

New this fall: Grandmother Power: A Global Phenomenon. The exhibit features photo essays about activist grandmothers from around the world who are working to create a better future for their grands. On view through Jan. 8, 2018.

The Birmingham Civil Rights Institute

Birmingham, Alabama

Courtesy Birmingham Civil Rights Institute

Birmingham, Alabama, was the site of some of the most horrific events of the civil rights era. The Civil Rights Institute is an educational and cultural center dedicated to preserving that bloody and inspiring history. Inside, there’s a Ku Klux Klan robe, as well as the bars of the cell in which Martin Luther King Jr. wrote his “Letter from a Birmingham jail.” The institute is across the street from the Sixteenth Street Baptist Church, the site of the bombing that took the lives of four young girls 54 years ago this month.

New this fall: To create Blood Mirror, Jordan Eagles encapsulated the blood of 59 gay, bisexual and transgender men into a large resin block. The result is a luminous sculpture where viewers can see themselves reflected in the blood. The work is meant to raise awareness about the U.S. Food and Drug Administration’s discriminatory blood donation policy. On view through Dec. 9.

The Harvey B. Gantt Center for African American Arts + Culture

Charlotte, North Carolina

The Harvey B. Gantt Center for African American Arts + Culture is an art and cultural center located in a neighborhood once known as Brooklyn, the epicenter of black life in Charlotte, North Carolina. Named for Harvey B. Gantt, who was the first black student at Clemson University and Charlotte’s first black mayor, the building’s interior is a nod to the biblical story of Jacob’s ladder, while its exterior evokes West African textile patterns and quilt designs from the Underground Railroad era. Aside from great art, the center hosts talks, films and plays.

New this fall: Shows from North Carolina natives Miya Bailey and Sloane Siobhan, and an exhibition curated from the private collection of John and Vivian Hewitt, including work from Jacob Lawrence and Charlotte’s own Romare Bearden. Also of note: the premiere of the Darryl Atwell Collection of African-American Art as Simple Passion, Complex Vision. Atwell’s collection was put together in collaboration with retired NBA player and avid art collector Elliot Perry, and it includes Theaster Gates’ provocative assemblage In the Event of Race Riot XIII. All shows run through Jan. 22, 2018.

The george & leah McKenna Museum of African American Art

New Orleans

Le Musée de f.p.c., the free people of color museum owned by the McKennas.

Courtesy The George & Leah McKenna Museum of African American Art

The George & Leah McKenna Museum of African American Art was born from the private art collection assembled over 30 years by Dwight McKenna and his wife, Beverly Stanton McKenna. The permanent collection includes works by Clementine Hunter, Kerry James Marshall, Jacob Lawrence and many more. The McKennas are also passionate about supporting new and emerging artists. Past exhibitions have included Contemporary Artists Respond to the New Orleans Baby Dolls, The Spirit of Haitian Culture and From Moussor to Tignon: The Evolution of the Head-Tie. Besides owning the art museum, the McKennas own Le Musee de f.p.c., which is dedicated to telling the story of free people of color. They also founded the New Orleans Tribune in 1985. On top of all of that, Dwight McKenna is poised to become the first black coroner of Orleans Parish.

New this winter: The New Orleans 2018 African American Tricentennial Art Exhibition: Painting Our Own Story, Singing Our Own Song. The exhibit will celebrate the city’s 300th birthday and is being put together with the New Orleans chapter of the National Conference of Artists. Artists from around the country were invited to submit work for the show. The show runs from Jan. 13 to Oct. 27, 2018.

Yeelen Gallery

Miami

Yeelen Gallery owner Karla Ferguson stands beside her favorite photograph in Mariette Pathy Allen’s exhibit.

Alessandra Pacheco/Miami Herald/TNS via Getty Images

The contemporary Yeelen art gallery is owned by Karla Ferguson. Originally opened in 2008 in Miami’s Wynwood Arts District, the museum was moved over to Little Haiti in 2013. A slew of galleries have since followed, making Little Haiti the hottest art district in the city. Yeelen doesn’t operate like a typical gallery. Instead of planning shows a year in advance, Ferguson stays open to responding to what’s happening in the moment. In the past, that has included such shows as Woke AF, Black Freedom and TransCuba. “A lot of my curatorial work is based in legal theory and social justice,” she has said. No surprise, given Ferguson’s educational background in law, political science and artist relations. Hurricane Irma knocked Yeelen’s power out for a week and causing water leaks, forcing Ferguson to postpone a planned photography show. She now has her sights set on Art Basel, which hits Miami in December, and she will be up and running for the October iteration of her monthly Afro Beats N Bites day party.

New this fall: A fresh exhibit (still to be determined) will most likely go up around mid-November. Afro Beats N Bites — which combines the culinary arts with visual arts, and a DJ — happens the second Saturday of every month.

NORTHEAST

The Schomburg Center for Research in Black Culture

New York

The “Black Power!” exhibit at the Schomburg Center.

Jonathan Blanc

The Schomburg Center for Research in Black Culture is an award-winning research library and National Historic Landmark. The center preserves, documents and promotes the study of black history and culture with its collection of more than 10 million items. The Schomburg also promotes lifelong learning through a calendar of events, talks and other programming.

New this fall: The unveiling of The Sonny Rollins Collection, which highlights the life and career of the saxophonist. The Black Power! exhibit is a collection of interviews, essays and images covering key areas of the movement, and Power In Print is a presentation of Black Power Movement posters. On view through March 30, 2018.

The Museum of the City of New York

New York

The Museum of the City of New York

Filip Wolak, courtesy of the Museum of the City of New York

The Museum of the City of New York contextualizes all things NYC. The museum also hosts a number of events and educational and public programs.

New this fall: Rhythm & Power: Salsa in New York explores the popular musical genre and its role as a social movement. On view through Nov. 26.

Carnegie Museum of Art

Pittsburgh

Installation view: 20/20: The Studio Museum in Harlem and Carnegie Museum of Art.

Bryan Conley

The steel baron Andrew Carnegie opened an art museum with a vision of collecting “the old masters of tomorrow.” Embodying that mission, the Carnegie Museum of Art makes a good case for being “the first museum of contemporary art in the U.S.” The museum is one of four institutions that make up the Carnegie Museums of Pittsburgh.

Continuing this fall: Co-curated by the Studio Museum in Harlem and the Carnegie, 20/20 aims to prompt discussions about race and identity during this turbulent time. Called “the most important art show in America” by Vogue, the show is made up of works by 40 artists, including Glenn Ligon, Titus Kaphar, David Hammons, Kara Walker and Kerry James Marshall. “There was a point where I marched for Trayvon Martin and Mike Brown, and I just couldn’t be angry anymore,” co-curator Amanda Hunt told ArtNet. “I couldn’t figure out what I could do to start affecting change, either in a more immediate sense or in a collective community sense. So this show represents our power, our purview — this is what we know and have been trained to do, and have voice and ownership of, and a platform for. We’re curators at major institutions in America. And that’s powerful.” On view through Dec. 31.

Reginald F. Lewis Museum of African American History and Culture

Baltimore

Reginald F. Lewis Museum of Maryland African American History building.

Jeffrey Greenberg/UIG via Getty Images

The Reginald F. Lewis Museum of African American History and Culture is dedicated to documenting, preserving and exhibiting the lives of African-Americans in Maryland. Its permanent collection includes photos, artifacts and textiles, as well as expanded collections focused on jazz recordings and military history. And be sure to peep the gift shop, where ESPN Radio’s Freddie Coleman picked up a fly Frederick Douglass T-shirt.

New this fall: Maryland Collects: Jacob Lawrence. The exhibit features 50 prints from private collectors in and around Maryland. “This is an exhibit we put together ourselves,” says Lewis executive director Wanda Draper. “We wanted to bring this community a collection by an esteemed African-American artist that they can’t see anywhere else.” On view through Jan. 7, 2018.

Museum of African American History

Boston

The Nantucket campus of the Museum of African American History.

Courtesy The Museum of African American History

With two campuses, Boston and Nantucket, the Museum of African American History is the largest museum in New England dedicated to African-American history and culture. It includes four historic sites and two Black Heritage Trails.

Continuing this fall: Picturing Frederick Douglass. With a brisk understanding of visual language and its effects, Douglass used his photographic images as a tool to counteract the ways that imagery was often used to create stereotypes about African-Americans. This is the first major exhibition of Douglass photos, many unseen until now. On view in the Abiel Smith School on the museum’s Boston campus through December.

MIDWEST

The DuSable Museum of African American History

Chicago

The exterior of the DuSable Museum of African American History Thursday, Sept. 22, 2016, in Chicago.

AP Photo/Tae-Gyun Kim

You may know the DuSable Museum of African American History as the place where Chance the Rapper is donating his best rap album Grammy. But it’s also one of the oldest and most revered African-American museums in the country. The DuSable is also involved with the Hyde Park Jazz Festival and The Margaret Burroughs Centennial Film Series.

New this fall: Chicago: A Southern Exposure features the work of architectural photographer, critic and DuSable vice president Lee Bey. It’s the first major show dedicated to often overlooked South Side architecture and highlights black architects such as John Moutoussamy and Roger Margerum, alongside the likes of Frank Lloyd Wright and Mies van der Rohe. “The city’s best architecture, outside of downtown, is on the South Side of Chicago,” Bey told New City. “You can tell these things in other places and tell a fine story, but to have it here in a black institution, and to have the story told by black people and have those exhibitions in the context of other exhibitions for and by black people, gives a richer story.” On view through February 2018.

The Charles H. Wright Museum of African American History

Detroit

Self-Portrait, Allie McGhee, 2008, on display at the Charles H. Wright Museum of African American History.

Courtesy Charles H. Wright Museum of AfricanAmerican History

Charles H. Wright, a Detroit doctor who delivered 7,000-plus babies, got the inspiration for opening a museum after visiting a Denmark war memorial. Initially known as I AM (International Afro-American Museum), the Charles H. Wright Museum of African American History opened in 1966 as a small physical location with a traveling mobile-home version. The Wright has grown through the years and is now a cornerstone of Detroit’s Midtown Cultural Center, along with the Detroit Institute of Arts and the Michigan Science Center.

Continuing this fall: Say it Loud; Art, History, and Rebellion. The exhibit is rooted in the Detroit rebellions and the ways in which art has responded to those rebellions and continued events. The exhibit begins outdoors with photos, quotes and a 24-foot sculpture by Charles McGee. Inside, there are works by 40 artists, including Faith Ringgold, Sanford Biggers and Jeff Donaldson. On view through Jan. 2, 2018. (A complementary exhibit, Art of Rebellion: Black Art of the Civil Rights Movement, is up at the nearby Detroit Institute of Arts until Oct. 22.)

 

National Underground Railroad Freedom Center

Cincinnati

Courtesy National Underground Railroad Freedom Center

The National Underground Railroad Freedom Center encourages visitors to remain active participants in the continued struggle for freedom of people everywhere and is involved in combating modern-day slavery and human trafficking. Earlier this year, the center launched the Open Your Mind learning lab, designed to teach visitors about implicit bias.

New this fall: The Kinsey African American Art & History Collection, an exhibit culled from the private collection of Bernard and Shirley Kinsey. It will feature archival material related to Malcolm X and Zora Neale Hurston besides artwork by luminaries such as Richard Mayhew. “Remembering, celebrating, examining and commemorating the black experience … is something we invite all to participate in,” Ashley Jordan, curator at the center, said in a statement. “African-American history is American history.” Opening Nov. 4.

Negro Leagues Baseball Museum

Kansas City, Missouri

Courtesy the Negro Leagues Baseball Museum

Dedicated to preserving the history and legacy of African-Americans in baseball, the Negro Leagues Baseball Museum weaves together black history and baseball history via multimedia displays, photographs and artifacts. “The premise is baseball, but the story is so much larger than the game of baseball,” said museum president Bob Kendrick. “It is America at her worst, but it’s also America at her triumphant best.”

New this fall: An exhibit celebrating African-American umpires from the Negro Leagues to the majors to little league. The exhibit is unnamed as yet but will be dedicated to Bob Motley. Barrier Breakers: From Jackie to Pumpsie will look at the complete integration of baseball, from Jackie Robinson and Larry Doby to Elijah Jerry “Pumpsie” Green. An expanded piece will feature the women of the Negro Leagues — Toni Stone, Mamie Johnson and Connie Morgan — who played with and against the men.

SOUTHWEST

California African American Museum

Los Angeles

Brian Forrest, Courtesy California African American Museum

The California African American Museum does a great job of using art to contextualize historical events; its rich history is reflected in the depth and breadth of its exhibitions. The state of California supported the museum early on, acknowledging the cultural and political impact of California’s African-American community.

Continuing this fall: On view through Oct. 8, Face to Face: Los Angeles Collects Portraiture is an exhibit of 50 works put together from L.A.-based collections. Artists from Titus Kaphar to Mickalene Thomas examine the changing ways in which artists are approaching portraiture. For Center Stage: African American Women in Silent Race Films, the museum screens multiple “race films.” “Directors often created these films in retaliation against disparaging portrayals of African-Americans, to challenge the larger narrative and to get across themes of upliftment, pride and self-sufficiency within the black community,” said co-curator Tyree Boyd-Pates. On view through Oct. 15. For Fade to Black, Gary Simmons combines his signature smudged erasure technique with the titles of “race films” to create an installation in the museum lobby. “Fade to Black provides a nuanced history of black representation in motion pictures from the early to mid-20th century,” Naima Keith, the museum’s deputy director and chief curator, told the Los Angeles Times. “History’s subjective bent is also a strong theme within Gary’s work, and the simple nature of chalk lends itself to his artistic concerns — especially in its suggestion of basic communication, the human hand, education systems and of easily erasable or altered information.” On view through July 21, 2018.

New for fall: We Wanted A Revolution: Black Radical Women 1965-1985 focuses on the intersection of art and activism and includes the work of more than 40 African-American female artists. It touches on every major social movement of the period, including the civil rights and Black Power movements, the women’s movement, the anti-war movement and the gay liberation movement, among others. “This exhibition feels especially relevant for our audiences because it includes women artists working in various parts of the country, not just on the East Coast,” Keith said in a statement. On view Oct. 13 through Jan. 14, 2018.

Museum of the African Diaspora

San Francisco

Courtesy Museum of the African Diaspora

The Museum of the African Diaspora uses contemporary art to help audiences engage with the African diaspora via exhibitions, public programs and events. The vibrant space focuses on cultural expression rooted in four themes: origin, movement, adaptation and transformation.

New for fall: En Mas: Carnival and Performance Art of the Caribbean explores the artistry behind carnival parading, masquerading and procession. The exhibition tracked nine artists — John Beadle, Christophe Chassol, Charles Campbell, Nicolás Dumit Estévez, Marlon Griffith, Hew Locke, Lorraine O’Grady, Ebony G. Patterson and Cauleen Smith — during the 2014 carnival season. On view Sept. 20 to March 4, 2018.

Houston Museum of African American Culture

Houston

The Houston Museum of African American Culture explores and shares the history and culture of African-Americans. Besides exhibits, the museum hosts talks, screenings and other public events.

New for fall: The Telling and the Told: The art of David McGee. Curated by artist Benito Huerta, The Telling and the Told is an exhibit of works on paper and continues McGee’s exploration of the intersection of imagery, politics, race, class and pop culture. On view Nov. 4 to Jan. 12, 2018.

Kansas African American Museum

Wichita, Kansas

The Kansas African American Museum provides a mix of art, history and special programming to engage audiences of all ages. Past exhibitions have included an homage to President Barack Obama’s Midwestern roots and Undefeated: The Triumph of the Black Kansas Athlete. The museum is also spearheading the creation of The Kansas African American History Trail.

New this fall: UNDEREXPOSED: Contemporary Black Women Photographers. These women have often been overlooked for their contributions and creativity. This exhibition looks to rectify that by shining a light on the work of Toni Parks-Parsons, Chandra McCormick, Pat Patterson, Shineta Horton, Labeebah Beruni and Keshia Ezerendu. On view through Dec. 30.

NORTHWEST

Northwest African American Museum

Seattle

The Northwest African American Museum is dedicated to preserving the culture and telling the stories of the African diaspora in the Pacific Northwest. This includes both historical contributions and those being made today by a continuing wave of new immigrants from places such as Somalia, Sudan and Ethiopia.

New this fall: Professor/writer/historian Daudi Abe gives a talk on Emerald Street: Race, Class, Culture, and the History of Hip Hop in the Northwest on Nov. 9.

Oregon Historical Society

Portland, Oregon

Bob Setterberg

The Oregon Historical Society documents the history and culture of the state and presents it via physical and digital exhibits, talks and events. OHS’ commitment to inclusion is evident in its partnerships and programming, which address themes from Native American history, the struggles faced by the Japanese-American immigrant community, and broaching the subject of “Peace in the Middle East” with an assemblage of religious leaders. On view online: Black Athletes Disrupting White Supremacy in Oregon.

Continuing this fall: Racing to Change: Oregon’s Civil Rights Years. The exhibit is presented by the Oregon Black Pioneers and tells the story of the civil rights battles fought by African-Americans in Oregon, particularly sparked by discrimination in housing and employment practices. “No matter what you do in Oregon, you’ll find the footprint of a black person that was there. And that’s all over the state. Black folks weren’t congregated in Portland; 32 of Oregon’s 36 counties had African-Americans in them,” Willie Richardson, board president of the Pioneers, told Portland Architecture blog. “They provided services. They owned land. They did all the things that Oregon laws said they couldn’t have.” On view through June 24, 2018.

INTERNATIONAL

Caribbean Museum Center for the Arts

Frederiksted, St. Croix, U.S. Virgin Islands

Denise Bennerson

The Caribbean Museum Center for the Arts focuses on promoting Caribbean arts and culture through exhibits, events, classes and other programming.

New this fall: Pride Through Art. The exhibit showcases the work of LGBTQ artists and allies, addressing themes of gender identity, society and inclusion. On view Sept. 28 to Nov. 13.

Tate Modern

London

A woman looks at the ‘Did the bear sit under a tree’ painting by Benny Andrews at the exhibition Soul Of A Nation, exploring the art made by African American artists between 1963 and 1983, in London, Tuesday, July 11, 2017. The exhibition started on July 12, 2017 and ends on Oct.22, 2017.

AP Photo/Frank Augstein

If you’re looking for very cool modern art in London, head to the Tate Modern. As part of the Tate group (which also includes the Britain, Liverpool and St. Ives), the Tate’s collection comprises international modern and contemporary art from 1900 through today.

Continuing this fall: Soul of a Nation: Art in the Age of Black Power. The exhibit showcases the ways in which artists responded to events of the day, from the civil rights movement to Black Power, and addresses issues of revolution, pride and solidarity. Artists include Barkley L. Hendricks and Emory Douglas. “The show provides a whole array of American artists who should be part of the art curriculum,” Zoe Whitley, curator of international art at the Tate, told The New York Times. “It shows that black artistic culture at that time was as varied as any other culture. It’s not ‘black’ art, it’s a range of practices.” On view through Oct. 22.

Musee D’art Contemporain

Marseille, France

People look at pictures by US photographer Henry Chalfant “Third Avenue, the Bronx 1084” as they visit the exhibit ‘Hip Hop , un age d’or’ (Hip Hop, a golden age) at the Contemporary Art Museum in Marseille, on May 12, 2017.

Boris Horvat/AFP/Getty Images

Marseille, France, is the hub of hip-hop in southern France — so it’s no wonder that the Musee D’Art Contemporain would host an exhibit around the culture’s origins. You can also get your Jean-Michel Basquiat fix there. Although small, the museum is known to have an impressive collection of modern and contemporary art.

Continuing this fall: HIP HOP: a golden age 1970-1995. The exhibit features many elements of hip-hop culture: graffiti murals, sketchbook pages, racks of spray paint cans, Kangols, shell toes, nameplate belt buckles, a Zulu Nation medallion and even a Wild Style diorama. On view through Jan. 14, 2018.

Museu Afro Brasil

Sao Paulo

The Museu Afro Brasil, a major repository of Afro-Brazilian art, looks at Brazilian art and heritage through the lens of the African diaspora with a focus on (among others) Africa’s diversity and persistence, work and slavery, and Afro-Brazilian religions.

New this fall: Exhibits featuring Baroque masters, geometric forms, and design and technology in the time of slavery.

Ibram Kendi, one of the nation’s leading scholars of racism, says education and love are not the answer Founder of new anti-racism center at American University sees impact of policy, culture on black athletes

It’s a Wednesday night at a bookstore in a well-off part of Washington, D.C., and every seat is taken. More than 100 people spill into the aisles or crowd the stacks past the philosophy and cookbook sections to hear Ibram X. Kendi talk about the racist ideas that founded the nation. About how racial progress is always followed by new and more sophisticated racist progress. And, especially, about the deeply held beliefs that most Americans, including black people and liberal whites, woke up with this morning that they don’t even know are racist and wrong.

For instance, “Black neighborhoods are not more dangerous than white neighborhoods and neither are black people,” Kendi tells the crowd. Layers of racist ideas account for why we think so.

Last year, the 35-year-old scholar became the youngest person to win the National Book Award for nonfiction in 30 years for Stamped from the Beginning, The Definitive History of Racist Ideas in America.

And this year, his moment continues. He’s just moved to Washington, where he is launching the Antiracist Research and Policy Center at American University next week. He’s a historian of racism at a time when our public conversation is fixed on it, when successive presidents have triggered the tribal apprehensions of our Mason-Dixon lines, and when the threat of shoot-you-down, run-you-over racial violence feels as close at hand as the peril to the republic from fake facts and revisionist history. This convergence of circumstances keeps him perpetually on book tour.

Ibram Kendi, right, addresses the audience as Washington Post reporter Wesley Lowery, who was the presenter for the event, stands by.

André Chung for The Undefeated

A diverse group made up a standing-room-only audience during Dr. Ibram Kendi’s recent book promotion event at Politics and Prose.

André Chung for The Undefeated

With the breadth of his scholarship and expanse of his reach, Kendi has been compared to the famed late historian John Hope Franklin, except he wears his locs long and his edges laid. He used to fantasize about a career in the NBA — or, at the very least, on SportsCenter. He’ll hit you back on Twitter.

Just so you know, black people are not inherently better athletes than white people, Kendi says. We only think so because “black people have not only been rendered inferior to white people, they’ve been rendered like animals,” and thus physically superior creatures. It’s an old racist idea that helped justify African-Americans’ suitability for backbreaking labor and medical experiments and the theft of their children. “When we embrace this as part of our identity,” Kendi says, “we don’t understand.” He wants to correct our misunderstandings.

Education, love and exemplary black people will not deliver America from racism, Kendi says. Racist ideas grow out of discriminatory policies, he argues, not the other way around. And if his new center can help identify and dismantle those policies in the U.S. and around the world, he believes we can start to eliminate racism. At least that’s the goal.

As the evening wears on in the crowded bookstore, people line up at microphones to question, challenge or offer up hosannas to this young scholar, who, in many ways, is just getting started.


Ibram Kendi is the new founding director of The Anti-Racist and Policy Center at American University. He is a leading thinker on race and his 2016 book, “Stamped from the Beginning: The Definitive History of Racist Ideas in America” won the National Book Award.

André Chung for The Undefeated

Kendi apologizes for the spare office space he shares with a colleague inside American University’s School of International Service. The walls are bare, and his name has not yet made it outside the door. He’s still unpacking from the move to D.C. with his wife, Sadiqa, a pediatric emergency room physician at Children’s National Health Center, and their 1-year-old daughter, Imani. It’s an ambitiously busy life.

Besides being the founding director of the research center, he’s teaching history and international relations as part of a joint appointment that brought him from the University of Florida, where he was a professor of African-American history.

He’s learning the city, and working on priorities for the center — part think tank, policy shop and incubator for anti-racism strategies — which formally launches next fall. It joins dozens of other customized centers of racial research. One of the earliest and most notable, the W.E.B Du Bois Research Institute at Harvard University, rose to prominence under the leadership of Henry Louis Gates Jr. This year, “year zero,” is to raise funds and recruit researchers, faculty and students.

The goal is to identify inequalities, identify the policies that create and maintain those inequalities, and propose correctives in six areas: criminal justice, education, economics, health, environment and politics. Kendi also hopes to create an online library of anti-racist thinking. He’s still considering initial projects.

But when he talks about racism, he is not still puzzling out his ideas. Kendi has spent thousands of hours reading thousands of documents, including “some of the most horrific things that have ever been said about black people,” to uncover the origins of racist thought. His words are distilled, precise, authoritative. His voice never rises. He is, temperamentally, an antidote to the heat of the subject matter and the hyperbole of the times.

“We have been taught that ignorance and hate lead to racist ideas, lead to racist policies,” Kendi said. “If the fundamental problem is ignorance and hate, then your solutions are going to be focused on education, and love and persuasion. But of course [Stamped from the Beginning] shows that the actual foundation of racism is not ignorance and hate, but self-interest, particularly economic and political and cultural.” Self-interest drives racist policies that benefit that self-interest. When the policies are challenged because they produce inequalities, racist ideas spring up to justify those policies. Hate flows freely from there.

The self-interest: The Portuguese had to justify their pioneering slave trade of African people before the pope.

The racist idea: Africans are barbarians. If we remove them from Africa and enslave them, they could be civilized.

“We can understand this very simply with slavery. I’m enslaving people because I want to make money. Abolitionists are resisting me, so I’m going to convince Americans that these people should be enslaved because they’re black, and then people will start believing those ideas: that these people are so barbaric, that they need to be enslaved, or that they are so childlike that they need to be enslaved.”

Kendi boils racist ideas down to an irreducible core: Any idea that suggests one racial group is superior or inferior to another group in any way is a racist idea, he says, and there are two types. Segregationist ideas contend racial groups are created unequal. Assimilationist ideas, as Kendi defines them, argue that both discrimination and problematic black people are to blame for inequalities.

“The actual foundation of racism is not ignorance and hate, but self-interest.”

Americans who don’t carry tiki torches react viscerally to segregationist ideas like those on display at the white nationalist rally in Charlottesville, Virginia, that left one young counter-protester dead. Assimilationist ideas are more subtle, seductive and coded.

“You can be someone who has no intention to be racist,” who believes in and fights for equality, “but because you’re conditioned in a world that is racist and a country that is structured in anti-black racism, you yourself can perpetuate those ideas,” says Kendi. No matter what color you are.

Anti-racist ideas hold that racial groups are equal. That the only thing inferior about black people is their opportunities. “The only thing wrong with black people is that we think there is something wrong with black people,” a line that Kendi uses like a mantra.

The Blue Lives Matter (the problem is violent black people) Black Lives Matter (the problem is the criminal justice system, poor training and police bias) and All Lives Matter (the problem is police and black people) arguments are extensions of the same, three-way debate (segregationist, anti-racist and assimilationist) that Americans have been having since the founding of the country.

“We’ve been taught American history as a steady march of racial progress,” but it’s always been a dual march of racial and racist progress, which we see from Charlottesville to “their Trump Tower,” Kendi says.

This is the jump-off Kendi uses to frame the most roiling issues of the day. But before he could build that frame, he first had to deal with his own racism.


Ibram Kendi

André Chung for The Undefeated

Kendi was born Ibram H. Rogers in Jamaica, Queens, New York, to parents who’d been student activists and were inspired by black liberation theology. He grew up playing basketball and still is an ardent New York Knicks fan.

The family moved to Manassas, Virginia, where Kendi attended Stonewall Jackson High School (named for the Confederate general) and dreamed of a career on the hardwood. The slim, 6-foot-1 former guard says he specialized in the no-look pass. “I consider the beautiful pass the most beautiful part of the game of basketball,” he says.

Sweet passing aside, his basketball aspirations were irrevocably dashed his sophomore year when he failed to make the junior varsity team. “I was so crushed,” Kendi says.

He studied journalism at Florida A&M University and initially wanted to be a broadcaster or a sportswriter. But after internships at The Mobile Register and The Atlanta Journal Constitution, he began to shift his career focus. He wound up getting a doctorate in African-American studies from Temple University. His first book, on the black student protest movement in the ’60s and ’70s, was published in 2012. He began researching Stamped from the Beginning the following year.

That’s when he started to re-examine some of his most deeply held beliefs about race. “I was born into a world of racist ideas, many of which I had consumed myself,” says Kendi. “I had to come to grips with … some of the things that I imagined and thought,” about black people “and one of the first and most obvious ones was the idea that black neighborhoods are more dangerous than white neighborhoods, which is a very popular idea.”

The highest instances of violent crime correspond with high unemployment and poverty, and that holds true across racial lines, Kendi found. Most white poverty, unemployment and thus violent crimes occur in rural areas, while for blacks those ills are more concentrated in densely populated urban neighborhoods. If impoverished white communities “had five times more people, then that community would have five times, presumably, more violent crime.”

“I was born into a world of racist ideas, many of which I had consumed myself.”

Another racist idea: “I believed that black children were achieving at a lower level than white children. And I believed in the existence of an achievement gap,” says Kendi. Standardized tests prioritize reading and writing as measures of verbal proficiency, as opposed to the wider ability to articulate. And they test subject areas where black schools are vastly underresourced.

“I certainly am somebody who advocates equalizing the resources of school and creating a situation in which we actually live up to our pronouncements that we live in a meritorious society,” says Kendi. “But even if these schools persist in being resourced unequally, that doesn’t necessarily mean that the students in the schools with lesser resources are intellectually inferior to the students with better resources.” He reaches into history to illustrate his point: Just because slaves’ lives were circumscribed, they faced more adversity and they dealt with more violence, that doesn’t mean enslaved people were inferior to people who were free.

A “more lighthearted area” he had to confront was his ideas about dating black women. “Black women were angry, they didn’t know what they want, they’re difficult,” he’d heard. “And from my standpoint, those are some of the things that I said when I was having some difficulties in dating.” When we have negative experiences with individuals, “we often say there’s a problem with that black group,” without realizing those are racist ideas.

Now, he’s a poster child for black love. He and his telegenic wife met on Match.com and debuted their new last name Kendi (“loved one” in the Kenyan language of Meru) at their 2013 wedding in Jamaica, which was featured in Essence magazine.

Mark Anthony Neal, a professor of African and African-American studies at Duke University, calls Kendi part of a vanguard of young black historians, which includes Treva Lindsey at Ohio State and Brittney Cooper of Rutgers, who are transforming the field. Part of what makes him right for the moment is his ability to speak to millennials, who have access to lots of information but can’t always decipher what is good or bad. “What he has written is an accessible history of black folks,” said Neal. In terms of a book for general readers “that covers such a wide historical period, the only thing I can think about in terms of comparison is John Hope Franklin’s From Slavery to Freedom.”

Kendi’s book resonates like the 2015 National Book Award winner, Between the World and Me by Ta-Nehisi Coates, said Neal. “Ta-Nehisi’s was kind of an emotional analysis of what this moment is. Kendi’s was to bring that kind of energy, except to do it in a historical context. I think it’s important to be able to talk about the history of these racist ideas, the impact they’ve had on black people and black life.”

With regard to the most front-and-center issue in sports today, athletes and activism, Kendi says it’s important to remember that the athlete/activists of the 1960s — Muhammad Ali, Jim Brown and Tommie Smith — all spoke out in the context of the Black Power movement, which is “precisely what’s happening now” with Colin Kaepernick and others who were inspired by Black Lives Matter. “We look for athletes to generate movements, when historically athletes have been good at being athletes, which is precisely what they should be good at, and we should be looking to activists to generate movements.” There will then be those athletes who use their platforms to support those movements and ideologies.

Kendi says that while the numbers of black players on the fields, courts and arenas have increased dramatically over the past 50 years, it’s been harder to make shifts at other positions.

“We should determine diversity in sports, just like outside of sports, not by the transient players but by the people who are permanent, like the owners, like the coaches, like the sports writers, like the executives.” If those groups “are lily-white, then [a sport] is simply not diverse.”

This kind of analysis gives Kendi cachet beyond the ivory tower and makes him popular with students, Neal said. Young people see Kendi with his locs and his ability to communicate in a vernacular they know and that expands their thinking about the possibilities for their own lives. They’ll say, “This is somebody I can imagine being somewhere down the line,” said Neal.

“We should determine diversity in sports, just like outside of sports, not by the transient players but by the people who are permanent, like the owners, like the coaches, like the sportswriters, like the executives.”

Peter Starr, dean of the College of Arts and Sciences at American University and one of those responsible for bringing Kendi to the university, cites Washington as an organic place to do anti-racist work. “To make real lasting change, change that lasts beyond changes of administrations and flips from one party to the next, you really need to reach out to people who are making more fundamental policy on the ground, in the agencies and throughout the government,” he said.

Starr calls Kendi’s vision to use researchers from around the country an approach that mirrors what happens in the sciences. “He’s got a very expansive vision of the center, and we really think this is a center that’s not just the usual, relatively small, one-person shop,” he said.

He calls Stamped from the Beginning the kind of book scholars write in their 50s and 60s. But Kendi’s impact will transcend the written words, Starr said. Especially since American has struggled with racist incidents recently.

In May, bananas were found hanging from nooses at three locations on the American University campus. This followed racist social media messages and a banana thrown into a black student’s dorm in the past few years.

For students of color and “all students, being able to look to someone like Ibram Kendi, who is a model of intelligent scholarship and activism informed by deep contextual and historical understanding,” is powerful, said Starr. He’s got “a fire to make a difference in the world that I’m not sure I’ve ever seen in another scholar, frankly.”


Ibram Kendi greets fans at Politics and Prose after discussing his book.

André Chung for The Undefeated

At the bookstore, the questions, and disquisitions posing as questions, continue as the crowd grapples with, or pushes back against, Kendi’s ideas about race and America.

“I think that the issue is that the Africans and the Europeans really can’t mix,” one person steps to the mic to say.

Across the room, another questioner says, “Gentiles are underrepresented on Wall Street. White males are underrepresented in the NBA. At what point does the assimilation shift into something where other factors come into play?”

“All right now, tell it like it is,” says E. Veronica Pace, a genealogist who steps to the microphone and identifies herself as a student of Howard University sociologist E. Franklin Frazier. She asks about the book’s title, which was taken from a speech in which Confederate President Jefferson Davis called racial inequality “stamped from the beginning.”

Finally, the talk is over and people form a line that stretches toward the door to have him sign their books. “If we are all mindful about this and put our hearts and souls into it, we can turn this ship around,” says James Kilgore, whose wife is in the line. He’s says he’s waiting to see what Kendi is going to do.

For starters, he’s working on another book, a memoir entitled How to be An Anti-Racist. “Racist ideas become almost like a drug. Once you hear them and become hooked, you need more in order to sustain the way you see the world, right?” Kendi says. “I was hooked for a long time,” and now “I’m trying to relieve other people.”

And he’s focused on launching the center he’d like to help change the world. The former sports reporter reaches for a metaphor. It’s a rare moment where his equanimity seems to falter, just for a bit, perhaps from the weight of the task at hand. “I’m on the court and I’ve suited up. Now the game is about to start and I have to be ready to perform,” Kendi says. “And to win.”

Dallas’ first female police chief, Ulysha Renee Hall, is officially on duty All of the top three law enforcement jobs in Dallas County are held by minority women

DALLAS — In 1971, when Ulysha Renee Hall was just 6 months old, her father, a 27-year old Detroit police officer, was murdered while working a gambling and prostitution case.

So when Hall decided to pursue a career in law enforcement, her mother wasn’t exactly thrilled. Recounting her mother’s reaction when she broke the news to her, Hall said, “I don’t know if you’re familiar with Fred Sanford [of the 1970s hit TV show Sanford and Son] when he used to ask Lamont [his son], ‘Are you crazy?!’ ”

Hall had all of her faculties about her. And after working for more than 18 years with the Detroit Police Department, on Sept. 5 she started her new job as the chief of police in Dallas.

Although Hall’s decision to pursue law enforcement was met with much trepidation by her mother, she eventually warmed to the idea.

“She wasn’t happy, initially,” Hall said. “But she quickly got on board, and she realized that it was something that at that time I had decided to do and made a decision to go forward with.

“So she realized that it was a calling and she embraced it. Right now, she’s just truly, truly supportive of everything that I want to do and she’s proud of where I stand today, and so I’m excited.”

Another reason for that excitement is that Hall is the first woman named the chief of the Dallas Police Department in the department’s 136-year history. And, along with Dallas County Sheriff Lupe Valdez and Dallas County District Attorney Faith Johnson, the top three law enforcement jobs in Dallas County are all held by women from racial or ethnic minorities.

Hall and Johnson are both African-American, and Valdez is Latina.

Valdez was quick to offer some advice to Hall.

“My best advice for her right now is take your time,” Valdez said. “One of my favorite phrases when I first came here — because everybody was trying to get you to do this, do that, do it quickly, how would you change this, how would you change that — so one of my best advice is I’d rather do it right than quick.

“She needs to take her time and assess the situation and then find the best method to go act. Don’t try to be everything to everyone. Thirteen years ago when I started, I was the first female sheriff, and I’m the only female Hispanic sheriff in the United States. So everybody’s going to come at you from every direction, every group, and they all want you to come to their function and they all want you to do things a certain way.”

Johnson’s advice to Hall is to become the godsend for the city of Dallas that Johnson knows Hall will become.

“She knows what she’s doing, and she’s been doing it up in Detroit, so I would say don’t change a thing,” said Johnson, who became Dallas County’s district attorney in January. “You’ve already got it down pat.

“Obviously, Detroit is Detroit and Dallas is Dallas, but people are people, and when you really look all over the country, you’ve got hurting people all over the country, and we kind of hurt the same way. But she’s a smart woman, she’s intelligent, she’s articulate, and I am just delighted that she chose Dallas because I know she had some other options.”

Hall doesn’t feel any added pressure taking over a position that across the country has been dominated by men. But she knows she’s a role model for women who want to become a chief of police.

“I’m excited about what this means for other women in law enforcement, but I don’t feel any pressure because of my gender,” Hall said. “I was hired because of my ability, so I’m standing on that.

“I think the one thing that every police chief wants to be, and that’s successful. You want to make sure that you’re addressing the concerns of the community and that you’re taking care of your officers. So that’s the level of pressure that I have — not being a woman.”

Hall earned a bachelor’s degree in criminal justice at Grambling State University and a master’s degree in security administration and intelligence analysis at the University of Detroit Mercy.

Before taking over the top cop spot in Dallas, Hall had served as the deputy chief of police in Detroit since May 2014.

Hall is a huge advocate of neighborhood policing. Detroit’s crime rate saw a double-digit reduction for three straight years in Hall’s neighborhood policing bureau.

Hall, who will be paid $225,000 per year, also plans to establish a citizens advisory board in Dallas.

“Citizen advisory boards are beneficial for the community,” the 46-year old Hall said. “What they’ll do is they’ll allow the deputy chief, the major of each substation, to go out to solicit community members who want to be a part of the board, and they’ll serve in terms of six months to a year. It’ll totally be up to the individual majors and deputy chiefs, and what they’ll do is that community group will come and give information relative to crime, community issues, and they will work alongside of each other in addressing those concerns.

“What’s important is that they’re able to hold that particular command staff accountable for those issues. When they say that there’s a high volume of speeders or hand-to-hand drug trafficking, or whatever issue is in that particular community, then they’re meeting every month or biweekly with that command staff along with the tenants, police officers who are responsible for that area, and they’re saying, ‘You’re not addressing this issue’ or ‘We’re being really successful in this area, let’s duplicate that process.’ So it gives them a one-on-one relationship with the individuals who patrol their areas.”

While those parameters were paramount to Hall’s success in Detroit, she also is stepping into a department that has low morale because of mass departures and/or retirements, as well as a controversial pension fund that has flustered officers.

“I think there’s some challenges that when you look at them as a whole, morale is an issue for the Police Department, and pensions,” Hall said. “But I think before we can do all of that we do have to address morale.

“In order for the officers to do the best job that they can be able to do in the community, they have to be whole: mind, body and spirit. I would just say morale would be first, community engagement, hiring more officers and retaining those officers that we hire. And of course, crime fighting is always side-by-side and simultaneous with each and everything that we do.”

Hall replaces David Brown, who left the department last October and now is a contributor for ABC News.

“I talked to him once I was selected for the job,” Hall said. “He just gave me some words of wisdom, some encouragement, and he’s a wonderful guy and I truly, truly respect his leadership.”

Johnson has already gone out to dinner with Hall several times. And they have a kinship, as they’re both members of the Delta Sigma Theta sorority.

“I think she’s going to be phenomenal,” Johnson said. “We’re going to truly get along so, so well. We’ve got some of the same ideas in terms of what can we do to help the community because she is concerned about community policing and I’m concerned about community prosecution.

“The politics may be different, but the issues are the same, regardless of where we go in this country. So I just say to her you’ve got it, you’ve been practicing it up there in Detroit. Just take what you know and bring it here, and let’s make a difference.”

Johnson isn’t sure whether Hall being the first female chief of police in Dallas will be uncomfortable for some among the rank and file.

“So the question is whether or not the people under her, if she can pull all the people together to be able to accept that and give her support, and accept some of the ideas she has and her approach to policing,” Johnson said. “Anytime you bring something new to a company or to a situation, you’ve got some people who’s going to try to buck it, and it’s just a question of getting over the bucking and just pressing and making it happen because sometimes you’ve just got to press through it.

“But you know something, she’s a tough cookie. She’s a tough cookie, she’s going to do it, she’s got the stamina, she’s got the smarts, she’s got the intellect. And what I love about her, too, is she’s a God-fearing woman, and I can identify with that. And because she has strong faith, she’s going to have a whole lot of people backing her.”