Snoop Dogg’s West Team beats 2 Chainz’s East in Adidas Celebrity Game ‘We all think we supposed to be in the league … just like all #NBA players think they supposed to be rappers.’

LOS ANGELES — At the intersection of hoops and hip-hop, one thing has always been the case. “We all think we supposed to be in the league,” the legendary MC Snoop Dogg professes, “just like all NBA players think they supposed to be rappers.”

So the godfather of West Coast rap approached Adidas about creating a special event for 2018 NBA All-Star Weekend. And at #747WarehouseSt — the brand’s two-day All-Star experience, which mixes fashion, sport and music — his vision came to life, via the first annual East Coast vs. West Coast hip-hop celebrity game. The two teams featured only artists, and were coached by none other than Snoop and Atlanta hip-hop star 2 Chainz.

“My roster was based sheerly off the way artists walked. If you’re onstage going back and forth, there’s a sort of athleticism to it.”

“What happened was, I was sitting back at home watching the [official] celebrity game, trying to figure out a way to put something together … where we could have a good time, and it was only rappers,” said Snoop at news conference before Friday’s game — which he pulled up to an hour late with his fellow coach 2 Chainz, who came with a lit blunt in hand as well as his 4-year-old French Bulldog, Trappy Doo. “So I hit my nephew 2 Chainz up, and told him what I was thinking. He came in with a few ideas, and we matched these ideas together.”

Snoop’s roster boasted the likes of David Banner, Chris Brown, K Camp, Chevy Woods, and himself, of course, while 2 Chainz rolled with a squad that included Trinidad James, Young M.A., Wale and Lil Dicky. Originally listed as a player for the East squad, Quavo of the Migos pulled out at the last minute to take his talents to the NBA’s official Celebrity All-Star Game, during which he dazzled the crowd with an MVP performance.

“My roster was based sheerly off the way artists walked. If you’re onstage going back and forth, there’s a sort of athleticism to it,” said 2 Chainz, who served as strictly the coach of the East, having broke his leg last July. Snoop’s general manager skills followed a more traditional scouting approach. “A lot of the people on my team, I played with him, or I’ve played against them, in [other] celebrity games,” he said. “I’m just a fan of rappers that love the ball.”

The rappers-turned-hoopers took to the multicolored court, named after Pharrell, in custom Adidas jerseys that all appropriately featured the word “Rapper” on the back. Actor/comedian Michael Rapaport and rapper Fat Joe served as the AND1 Mixtape-inspired on-court commentators of the contest, from which Snoop’s West team emerged victorious. New York Giants wide receiver Odell Beckham Jr. even made an appearance on the court. He’s a Nike-endorsed athlete, but on this afternoon, he couldn’t resist experiencing this cultural moment, brought to the people by Adidas.

The Migos’ Quavo to rock custom LeBrons and Currys in the NBA Celebrity All-Star Game Sneaker artist Mache: ‘Quavo wanted one of each shoe, the LeBron and the Curry. That was the main thing.’

LOS ANGELES — One player in Friday night’s NBA All-Star Celebrity Game will be a little swaggier than everyone else. That drip will be brought to you by Migos’ Quavo, who will take the hardwood in custom Nike LeBron 15s and Under Armour Curry 4s, inspired by the hip-hop supergroup’s No. 1 album Culture II (which reached 1 billion streams in just 20 days) and designed by none other than go-to sneaker artist Dan “Mache” Gamache.

“Them the Culture Brons,” said Quavo in a video Mache posted to his Instagram on Thursday night. Each pair of shoes was presented to him at Finish Line’s All-Star kickoff party, at which the Migos graced the stage.”The Culture Brons and the Huncho Currys.” (A nod to his nickname, Huncho, and his joint album with Travis Scott, Huncho Jack.)

Mache previously worked with both Finish Line and Quavo last December, when he customized pairs of red, white and blue LeBron 15s, aka the “Huncho Berkmar Brons,” which the rapper presented to the basketball team at his alma mater, Berkmar High School in Georgia. A few months later, for 2018 All-Star Weekend, Finish Line commissioned Mache to paint 50 pairs of sneakers, 25 LeBrons and 25 Currys, for both the Migos and their hooping frontman. On Thursday, the NBA announced that Quavo had been added to the lineup of players (along with another addition, Justin Bieber) to star in the All-Star Celebrity Game, giving him a prime opportunity to break out the new heat on the court. (Don’t forget: Quavo can actually hoop.)

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Before the game, The Undefeated caught up with the Connecticut-based Mache.


How were you approached about customizing Quavo’s All-Star kicks?

I’ve been working with Finish Line for a while, and my man Brandon Edler … they were already talking about All-Star Weekend … and we finally got the ball rolling. Quavo wanted one of each shoe, the LeBron and the Curry. That was … the main thing. We worked with a graphic designer to come up with ideas for the themes. Obviously, we wanted them to be about Culture II. … I literally overnighted all Migos’ pairs on Tuesday. I made 25 of each pair. I know Finish Line and Migos, they’re gonna do something, whether it’s giving it away to fans, family, friends or something.

What was the design process like?

I had to get all 50 pairs done in a week. That was a big reason why the theme was pretty clean and not too crazy, just because we had to replicate them in that quick of a turnaround. Yeah, we wanted to make them dope too, so pretty much what we did is we vectorized all the designs. I stenciled a lot of the stuff, in terms of the swooshes … and for the LeBrons, it was about speckling the midsoles. It’s a lot of prep, little tedious stuff. But the actual paint job wasn’t hard.

Q: Do you think Quavo will wear both the LeBrons and the Currys in the Celebrity Game? A: I think he’s planning on wearing one pair each half.

How did you approach incorporating the elements of the Culture II on the shoes?

It was too hard. It’s funny, because I actually did a pair of Culture-themed cleats for Julio Jones for last year’s Super Bowl. That was a lot more about detail because I was doing the real album art on the cleats and incorporating Julio. That was a challenge. This one was more about going by the design. It wasn’t too hard … more of a fun project. The quantity and the turnover was the biggest challenge, but I never say no.

Are the doves on the Currys stenciled?

Yeah, everything we did just for time. We plotted out stencils. They were one-offs for every single pair. There was a fresh stencil for every shoe that I did. So for all of the Currys, there were 50 sets of doves, 50 sets of ‘II’s,’ 50 sets of ‘Quavo’s.’ That was the best way.

Did you know Quavo would be playing in the Celebrity All-Star Game?

No. I think Quavo and Finish Line were hoping. I think they assumed he was going to play. Then when he finally did get added, it was good timing. I know he’s also doing the Adidas Celebrity Game, but obviously he’s not gonna wear LeBrons and Currys in the Adidas game. We knew that wasn’t gonna happen. So when he finally got added to the NBA game, it was like, ‘Oh, thank God!’ The shoes didn’t go to waste.

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What was it like watching the video of Quavo’s reaction to seeing the shoes for the first time?

It’s always the best part. No matter how famous or popular the person is, you can’t fake if you’re happy or not. So to get the reaction, it’s always the most rewarding part for me still. If I have a chance to deliver a shoe myself, I do. But getting the video is just as good.

Do you think Quavo will wear both the LeBrons and the Currys in the Celebrity Game?

Oh, I’m most certain he will. I think he’s planning on wearing one pair each half.

What do you think Quavo represents in terms of fashion, swag and sneakers?

In terms of fashion, obviously a lot of brands are looking to entertainers as their icons now. It’s not so much like in the times when I grew up, when it was Bo Jackson or Michael Jordan pushing the units. It’s rappers like Kanye, Quavo, the Migos, 2 Chainz, Big Sean, Kendrick doing a lot with Nike, all those guys. It’s great for the culture and helps bridge the gap. It’s dope because it gives me an opportunity to work with more clients.

Have you met Quavo?

I haven’t yet, but I’m sure at some point I will, especially if we keep working together. I’m just glad he knows who I am. He gave me a shout-out this time.

NBA All-Star Weekend brings Draymond Green, Bradley Beal, Kyrie Irving and others together to create memories at local children’s hospital Patients at the Children’s Hospital of Los Angeles experience the opportunity of a lifetime

LOS ANGELES — Five-week-old Skyler was sound asleep, being passed from arm to arm between his mother, Erika Kinyon, and basketball legend and NBA Cares Ambassador Dikembe Mutombo. The infant stretched out his arms, nestled perfectly in the hands of the popular 7-footer, who says he loves giving his time to children and family in communities.

Skyler slept through the 90-minute visit of NBA players and WNBA players on Thursday at the Children’s Hospital Los Angeles (CHLA) where he is a patient. But his parents know it’s a memory that will last forever, one recorded with photos the family can share with friends and loved ones.

“It’s very special for us,” Kinyon said. “He’s sleeping through the whole thing, so it’s something just for us parents, because we’ve been living in the same small room for weeks. We don’t get out much, and we don’t see other people much except for doctors or nurses all the time. It’s just a blessing to even be around other people. It’s just really special.”

NBA legend Dikembe Mutombo holds Skyler Kinyon during an NBA Cares at All Star 2018 on Feb. 15, 2018 at the Children’s Hospital of Los Angeles.

Kelley D. Evans

NBA Cares is living up to its name by sharing the gift of caring. As part of the NBA’s Los Angeles All-Star community efforts, members of the NBA family spent part of their day with young patients at CHLA, the first and largest pediatric hospital in Southern California.

Kyrie Irving, John Wall, Draymond Green, Detlef Schrempf, Bradley Beal, John Wall and NBA Cares Ambassadors Dikembe Mutombo, Jason Collins and Swin Cash were on hand to create memories for children and families at the hospital, which helps their patients more than 528,000 times each year.

Joined by baby Skyler was 18-year-old Ariel Aramnia. The Los Angeles native has been a patient at CHLA since Jan. 3 and, with a glowing smile, said, “It’s been a fun day. It means a lot that the NBA players, especially the All-Stars, could take some time out of the day and hang out with the kids and talk to them.”

As Green entered the room, he immediately gravitated toward 17-year-old Shadi Hawatamh, who is a huge basketball fan. Claiming the Los Angeles Lakers as his favorite team, he eagerly fired off basketball questions for the Golden State Warriors All-Star.

“It’s just nice to get to meet the players I never really got to meet before. It’s nice having to talk to them and see what their story is behind basketball,” Hawatamh said.

Green, impressed by the conversation, said giving back means everything to him.

“We all know L.A. for the glitz and glamour, but there is so much more outside of Hollywood going on in L.A. that most people don’t see,” Green said. “Just to be able to give back to the community and shed light in their lives is a great honor and a pleasure, something I always look forward to doing. So many times you’re ripping and running doing events for this and doing events for that, but when you get to put a smile on someone’s face is what means the most to me.”

WNBA legend Cash cheered on a young child playing basketball on a mini-goal while Mutombo encouraged others in the room with his charm. Irving was a child and family favorite. He spent his time giving high-fives and taking photos with children and their families.

Boston Celtics point guard Kyrie Irving visits with patients Shadi Hawatamh and Ariel Aramnia at the Children’s Hospital of Los Angeles on Feb. 15, 2018 during NBA All-Star Weekend.

CHLA’s mission is to “create hope and build healthier futures.” Founded in 1901, the hospital takes great pride in “transforming a community in support of the health of children.”

A sunny L.A. day during NBA All-Star Weekend extends far past the on-court exhibition game. The midseason break provides the opportunity for participants to go into the community of the host city and share their time with those who may not attend the festivities. NBA Cares will host community events throughout NBA All Star Weekend.

8 great quotes from Kobe Bryant’s All-Star sit-down with Jalen Rose ‘I couldn’t feel my legs, it felt like it was that last lap on the track for me … I just continued to run’

LOS ANGELES — “MAM-BA! MAM-BA! MAM-BA!” The massive crowd at Nike’s Makers Headquarters — the site of the brand’s activation during 2018 NBA All-Star Weekend — willed Kobe Bryant to spend 20 minutes chatting about his 20-year NBA career, his newfound love for filmmaking, and what he means to culture as a “maker of the game.” After loud and continuous chants, the Black Mamba, aka the now-retired Kobe Bryant, emerged onto the hardwood, 673 days after his final game in the purple and gold, and 59 days after both jerseys he wore in his career, No. 8 and No. 24, rose to the rafters at the Staples Center — the host arena of this year’s All-Star Game.

Wearing all-black, and a pair of his camouflage UNDEFEATED x Nike Zoom Kobe 1 Protros, Bryant took a seat next to ESPN’s Jalen Rose, who led the Q&A. These are the best moments from Thursday’s conversation:


1. On his 2016 60-point performance in the final game of his career:

I was tired as heck. It’s one of those things. When you know it’s the last game, you have to literally leave it all out there. It’s a familiar position to be in for me, because when you’re running a track, when you’re working out and doing these things — I had like my last lap to run … You feel like you don’t have the legs anymore, like you literally can’t move anymore, but you do. You keep going. And you finish it, and you realize, you’re OK. So I drew from that. Because during that game, I couldn’t feel my legs, and it I felt like it was that last lap on the track for me. I just continued to run.

2. On his 81-point game against the Toronto Raptors in 2006:

That Toronto game, there was a calmness to it. Like a stillness. Nothing mattered to me other than what was right in front of me. It wasn’t anybody in the crowd, or what an opponent may say or do. It was just about the play right in front of me, and I was able to … maintain that throughout.

3. On his who’s the greatest — him or LeBron James:

That’s a question? .. is that a question? Listen, everybody has their own way of measuring things, you know what I’m saying? My mentality is I never waste my time arguing things that I definitively cannot win. So I don’t waste my time even debating that kind of stuff. Because for every argument somebody makes for me being the best, there’s always somebody who makes an argument for LeBron being the best, or Jordan, or whoever. So I tend to focus on things that I can win definitively. If I can’t win definitively, I’m not gonna waste my energy on it.

4. On dunking on Steve Nash in

Well, I never really thought that was a big deal, because Steve’s like 5-10 … You’ve got players now who are jumping over 7-footers. I was able to catch Steve … but it meant a lot, though, because it felt good to win in Phoenix … we hated those guys. We felt like they were so arrogant. It was always like, ‘We could beat you guys any time we want.’ That sort of thing … but Steve is a nice guy. When we started playing together, I said, ‘Steve, you’re genuinely a nice guy.’

“… for every argument somebody makes for me being the best, there’s always somebody who makes an argument for LeBron being the best, or Jordan, or whoever.”

5. On his Oscar-nominated short film Dear Basketball:

Just like in sports, where you have an opportunity to play with great teammates … working with Glen Keane, working with John Williams — one of the greatest animators of all time, one of the greatest composers of all time — enhances things. It’s just all about the team, the group that you have working together. We really believed in the project. We believed in the core of the story, and wound up creating something that the academy deemed worthy for a nomination.

6. On the love and passion he has for production:

That’s the trick … finding something that you truly love … because there’s gonna be times where things are really, really hard. Physically, mentally, it takes its toll. If you don’t truly love it, you won’t get up that day and work. You’ll roll over and go back to sleep. You have to find something that you truly love, and if you find that thing, you don’t have to convince yourself to work hard. You just do it, because you’d rather be there than any place else. And I was fortunate enough to find that in basketball, and fortunate enough to find that in storytelling, and writing, and directing, and producing. That’s the key.

7. On how it feels to be a rookie in the 2018 class of Oscar nominees:

It feels wonderful. Being at the Oscar luncheon, and having a chance to sit with Steven Spielberg, and Octavia Spencer, and Meryl Streep … all those beautiful minds that I’ve admired for so many years is awesome … it’s a great experience.

8. On shaping the culture:

First is always finding things that you love to do — and focusing on that thing. When you focus on that one thing, it tends to have ripple effects outward. Whether you’re a painter, or a writer or a basketball player or a musician … having to focus on that creates ripple effects across culture. But it always starts with the craft.

Besides his ‘Cold Balls,’ Kevin Hart is set to pitch for Mountain Dew The global supercomedian announces partnership at NBA All-Star 2018

Kevin Hart is adding another credit to his already growing empire. Besides his hilarious new Cold Balls interview series …

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The Jumanji star announced Thursday that he’s a new pitchman for Mountain Dew’s Kickstart drink. The campaign’s first video is a zany take on NBA courtside etiquette:

Hart told The Undefeated that he signed with the soft drink after receiving a co-sign from Oklahoma City Thunder point guard Russell Westbrook. “I’ve always been heavily involved with the NBA,” he said, “and I know what their involvement has been, and about the relationships they have with the other athletes. After … seeing how happy they were … and Russell said nothing but good things. It went a long way with me.”

Over All-Star break, the NBA is on the ground doing good work in Los Angeles Community efforts to impact youth and families in L.A.

This year’s All-Star Weekend is a family affair for the NBA, which will be spreading a message of unity, hope, solidarity and change in its host city of Los Angeles. From Thursday through Sunday, the league is sending more than 3,000 volunteers into the City of Angels with more than 30 outreach programs and events.

“It’s the most important time of the year, when you can get everybody together,” said Todd Jacobson, the NBA’s senior vice president of social responsibility. “Obviously, NBA All-Star is a celebration, but the ability for us to utilize it as a platform to give back, to use a sport that brings people together, is just incredible. For years, really, the primary program or highlight for us has been our NBA Cares All-Star Day of Service, which takes place on Friday. We have more than 1,500 volunteers coming out. We’ll be building a playground, we’ll be packing more than 240,000 pounds of food with a food bank, packing supplies and needs for Baby2Baby, which helps provide essentials for families in need. And it just continues to be such a great platform to tip off the weekend.”

Events will include the NBA All-Star Fit Celebration, the 11th annual NBA Cares All-Star Day of Service, Jr. NBA Day, the NBA Cares Special Olympics Unified Basketball Game and Building Bridges Through Basketball, among many more.

NBA Cares, the league’s global social responsibility program, will host service projects, basketball clinics and games, and fitness and nutritional activities.

“We tipped it off in 2008. We’ve built more than 90 places now where kids and families can live, learn or play during our NBA Cares All-Star Day of Service,” Jacobson said. “So it’s just a special way to bring people together and celebrate the game and really use it as a point for inclusion and making sure that we are having the largest impact possible.”

The league’s NBA Voices initiative addresses social injustice and bridges divides in communities.

“From an NBA Voices perspective, which is a platform we launched on MLK Day, we’ve had close to 300 events and activities that have taken place over the course of the better of about 18 months now,” Jacobson said. “It actually tipped off here in Los Angeles when Carmelo Anthony helped lead the efforts working with the USA Basketball men’s and women’s Olympic teams. So it’s really terrific to be back here and continuing to have that dialogue, and really helping and utilizing our position to help bring people together.”

This year, through NBA Voices, the league will rally Los Angeles youths, community leaders, law enforcement, and NBA and WNBA players and executives for an in-depth conversation about today’s social climate.

Jr. NBA, the league’s youth basketball participation program, is set to engage more than 2,000 youths in basketball clinics and competitions. The Jr. NBA is focused on helping grow and improve the youth basketball experience for players, coaches and parents. The program offers a free curriculum covering all levels of the game that includes more than 250 instructional videos featuring NBA and WNBA players.

“I think the most important thing we can do is we just want to be part of the community, working with our teams that do so much during the year, the Clippers and the Lakers and all the community partners that we’ve worked with,” Jacobson said.

Here is this year’s schedule of events:


NBA Cares All-Star Community Events:

  • Children’s Hospital Los Angeles Visit (Thursday):
    • Members of the NBA family will visit the hospital and enjoy games and crafts with young patients and their families.
  • NBA All-Star FIT Celebration (Thursday):
    • The NBA, Kaiser Permanente and After-School All-Stars will unveil a newly refurbished fitness center at Alliance Gertz-Ressler/Richard Merkin 6-12 Complex. NBA and WNBA players and legends will join students in fitness and nutritional activities focused on the total health of mind, body and spirit.
  • Community Conversation (Thursday):
    • In partnership with Brotherhood Crusade and the Los Angeles Police Department (LAPD), the NBA and the National Basketball Players Association will bring together local youths, law enforcement and community leaders for a discussion addressing the challenges facing their community and ways to build trust.
  • NBA Cares All-Star Day of Service (Friday):
    • Current and former NBA and WNBA players, coaches, partners and celebrities will lead three service projects with support from Nike, SAP and State Farm. In partnership with KaBOOM!, members of the NBA family will construct a student-designed playground at Jefferson Elementary School. Other volunteers will join Baby2Baby to package donations for children living in poverty. At the Los Angeles Regional Food Bank, packed donations will go to local seniors in need.
  • NBA Cares Special Olympics Unified Basketball Game (Saturday):
    • NBA and WNBA players and legends will join 12 Special Olympics athletes from Los Angeles and around the world for a clinic and demonstration game at the Los Angeles Convention Center (LACC).
  • Building Bridges Through Basketball (Saturday):
  • Hoops For Troops (Thursday-Sunday):
    • The NBA will partner with the USO and Tragedy Assistance Program For Survivors to host special experiences for military service members, their families and the families of fallen service members at NBA All-Star’s marquee events, including a visit to the Bob Hope USO Center.
  • Make-A-Wish (Thursday-Sunday):
    • The NBA will grant the wishes of eight Make-A-Wish kids with critical illnesses in Los Angeles. The kids and their families will enjoy several days of fun events and life-changing experiences, including meet-and-greets with NBA All-Stars, State Farm All-Star Saturday Night participants, and NBA and WNBA legends.

Jr. NBA schedule:

Events will include clinics, tournaments and educational sessions that teach the values and fundamentals of the game. All events and clinics will take place at LACC on courts provided by SnapSports.

  • NBA Day (Friday):
    • In partnership with Under Armour, more than 1,500 local youths will participate in a series of basketball clinics alongside NBA All-Stars and Mtn Dew Kickstart Rising Stars players.
  • Gatorade Jr. NBA All-Star Invitational (Saturday-Sunday):
    • Sixteen boys and girls middle school basketball teams, which advanced from preliminary tournaments in January, will play in the Gatorade Jr. NBA All-Star Invitational single-elimination quarterfinal and semifinal rounds on Saturday and the championship games on Sunday.
  • NBA Skills Challenge (Saturday-Sunday):
    • More than 500 participants will compete for a chance to advance to the national finals of the Jr. NBA Skills Challenge, which will be held in New York in June. The Jr. NBA Skills Challenge is a national competition that provides boys and girls ages 9-13 the opportunity to showcase fundamental skills through dribbling, shooting and rebounding competitions.
  • NBA Coaches Forum (Sunday):
    • In partnership with Positive Coaching Alliance, A Call to Men, Athlete Ally and the Human Rights Campaign, the Jr. NBA will host a coaches forum to educate and support nearly 100 local coaches in developing young athletes of character. NBA and WNBA legends will discuss teamwork, diversity and inclusion.
  • NBA Clinic for LAPD and LAFD First Responders (Sunday):
    • In partnership with the LAPD and Los Angeles Fire Department, the Jr. NBA will host a Jr. NBA basketball clinic for first responders and their families at LACC. NBA legends will join participants for on-court skills and drills.

‘The Plug’ podcast: The Eagles are here, Stephen A. Smith is too (Episode 10) We’re closing out the NFL season while ready to turn up with the NBA

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It’s All-Star Weekend … Week. It’s Black Panther Week. In other words, it’s a big week in The Undefeated’s neighborhood, so we had to bring in the big guests. The Super Bowl champion Philadelphia Eagles are in the building and they’re still on cloud nine. And by the sound of things, don’t expect them to come down either. We also have the one and only Stephen A. Smith on board talking all things NBA. Stay long enough too, and he’ll dish out some Valentine’s Day advice for all the lovers out there.

We’re off to Los Angeles this weekend, so be ready to pull up on us next week for all of the All-Star Weekend juice. It should be common knowledge by now, but for those new to the party — subscribe to The Plug on the ESPN app!

Previously: ‘The Plug’ podcast: ‘Black Panther’ details — plus ‘GLOW’s’ Sydelle Noel (Episode 9)

The top 15 best Rookie Game performances in NBA All-Star history Kyrie, Kobe, Durant, Westbrook, Wall: The top rising stars (almost) always become superstars

Kobe Bryant, Kevin Durant and Kyrie Irving — before each signed million-dollar max contracts, negotiated their own lines of signature sneakers and reached superstar status, they had one thing in common. All three balled out in the Rising Stars Challenge, which in the past two decades has become the NBA’s marquee event kicking off All-Star Weekend.

In 1994, the league turned its annual Legends Game, which featured a matchup of teams of retired players, into the Rookies Game, a showcase of the NBA’s top first-year talent. By 2000, the game was renamed the Rookie Challenge, with a revamped format that included second-year players — after the 1998-99 lockout season that deprived rookies of the opportunity to play.

The Rookies vs. Sophomores structure lasted until 2012, when the league rebranded the event as the Rising Star Challenge and combined both first- and second-year players on each competing team’s roster through a draft. Now, the challenge matches American players against international players in a Team USA vs. Team World makeup that began in 2015.

Some of the best young players in recent memory have laced ’em up — from Chris Webber and Penny Hardaway in the inaugural 1994 contest to Allen Iverson vs. Kobe Bryant in 1997, and Carmelo Anthony, LeBron James and Dwyane Wade running together on the Rookie squad in 2004. In the early ’90s, the games were low-scoring affairs of fundamental basketball. But over time, they’ve become artful displays of athleticism and bravado.

As we head into 2018 NBA All-Star Weekend, which begins Friday with Lonzo Ball, Dennis Smith Jr. and Donovan Mitchell leading Team USA against Ben Simmons, Joel Embiid, Jamal Murray and Team World, these are the top 15 performances of all time from the event that’s become the All-Star Game before the All-Star Game.


1997 — Kobe Bryant

Stat line: 31 points, eight rebounds in 26 minutes

Nathaniel S. Butler/NBAE/Getty Images

On Feb. 8, 1997, the crowd at Cleveland’s Gund Arena booed when Philadelphia 76ers point guard Allen Iverson, the No. 1 pick of the 1996 NBA draft, was named the MVP of the 1997 Rookie Game over Los Angeles Lakers shooting guard Kobe Bryant, the 13th overall pick of the same draft class. Iverson led the Eastern Conference’s rookie squad to a 96-91 win with 19 points and nine assists, while Bryant propelled the West with a game-high 31 points, which set a Rookie Game record that wouldn’t be broken until 2004. Later that evening, the then-18-year-old Bryant avenged the loss and MVP snub by becoming the youngest player in NBA history to win the Slam Dunk Contest. And he did it with pop star Brandy, his high school prom date, watching him from the stands. What a way to bounce back.

2003 — Jason Richardson

Stat line: 31 points, 6 rebounds and 5 steals in 20 minutes

He was just trying to get the crowd riled up, but he has no class. You don’t do that.” This is what Carlos Boozer, then a rookie with the Cleveland Cavaliers, had to say after the 2003 Rookie Challenge, in which Jason Richardson, then in his second year with the Golden State Warriors, went “off the heezy” — that is, he threw the basketball off Boozer’s head — in the waning seconds of the game. “Fans like stuff like that — a little streetball,” said Richardson, who dropped a game-high 31 points to lead the Sophomores to a 132-112 win over the Rookies. Even more disrespectful? Richardson followed up the move taken straight from an AND1 mixtape by draining a 3-pointer in Boozer’s face to seal the game. One of the great unsolved mysteries in NBA history is how Richardson didn’t catch the hands that night.

2004 — Amar’e Stoudemire

Stat line: 36 points, 11 rebounds in 35 minutes

Is Amare Stoudemire a Hall of Famer? He certainly thinks so, but it’s an often-debated question when you look back at the now-retired big man’s 14-year tenure in the NBA. Back in 2004, however, it appeared as if Stoudemire was destined to one day be enshrined in Springfield, Massachusetts. Just watch the tape from his MVP performance in the 2004 Rookie Challenge. Stoudemire’s 36 points broke Kobe Bryant’s 1997 record (31) for the highest scoring output in the history of the game. He also dropped more points in the game than three surefire first-ballot Hall of Famers: Carmelo Anthony (17), LeBron James (33) and Dwyane Wade (22). Stoudemire’s Sophomores dominated Anthony, James and Wade’s Rookies in a 142-118 win.

2007 — David Lee

Stat line: 30 points, 11 rebounds in 24 minutes

Andrew D. Bernstein/NBAE/Getty Images

David Lee didn’t miss a single shot in the 2007 Rising Stars Challenge, which he finished as the game’s MVP with 30 points on a perfect 14-for-14 from the field to go along with 11 rebounds in only 24 minutes on the floor. Lee and the Sophomores demolished the Rookies, 155-114, even with then-second-year New Orleans Hornets point guard Chris Paul coming off the bench. Moral of the story: Lee is definitely invited to the cookout, where he’d bust your drunk uncle’s butt in some post-meal pickup.

2008 — Daniel Gibson

Stat line: 33 points on 11 made 3-pointers in 22 minutes

Jesse D. Garrabrant/NBAE/Getty Images

Shooters gon’ shoot, as the saying goes, and that’s exactly what Daniel “Boobie” Gibson of the Cleveland Cavaliers did against a team full of rookies in 2008. Coming off the bench for the Sophomores, Gibson, one of James’ most beloved teammates early in his career, took 20 shots, all of which were 3-pointers, and 11 of them fell through the net to set a record for the game. Gibson’s 33 points earned him distinction as the game’s MVP in a 136-109 win for the Sophomores. Ten years later, Gibson is no longer shooting shots but rather spittin’ bars, having retired from the NBA in 2015 to pursue a rap career. You can catch him nowadays on Love & Hip-Hop: Hollywood.

2009 — Kevin Durant

Stat line: 46 points, 7 rebounds, 4 assists in 30 minutes, 51 seconds

Ronald Martinez/Getty Images

In 2009 — with James sitting courtside between Kenny Smith and Kevin Harlan, calling the game — Kevin Durant, then 20 years old and the franchise player for the Oklahoma City Thunder, pieced together the single greatest performance in Rising Star Challenge history, with a record 46 points on 17-for-25 shooting from the field. “He’s been phenomenal. If you add a few more wins to [the Thunder’s] résumé, he’s definitely an All-Star for the Western Conference team,” James said that night before the game. After leading the Sophomores to a 122-116 win over the Rookies during All-Star Weekend in 2009, Durant was selected the following season to play in his first career All-Star Game, which he hasn’t missed since.

2010 — Russell Westbrook

Stat line: 40 points, 5 rebounds and 4 assists in 32:16

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Russell Westbrook did his best Durant impression with a 40-piece in the 2010 Rising Stars game, the year after his then-Thunder teammate Durant dropped an unprecedented 46. Yet Westbrook’s prolific performance, which he delivered after scoring a mere 12 points in the game as a rookie in 2009, wasn’t enough for the Sophomores, who fell to the Rookie team, 140-128, for the first time since 2002. Tyreke Evans might have the MVP hardware from that game on his mantel, but Westbrook straight-up balled out. He was the real MVP, if we’re keeping it 100.

2011 — John Wall

Stat line: 12 points, 22 assists in 28:56

ROBYN BECK/AFP/Getty Images

No player in the history of this game has come out and tallied more assists than John Wall did at Staples Center back in 2011 during his first season in the league. His fundamental, 22-dime MVP display paced the Rookies to a 148-140 win over a roster of Sophomores that featured Stephen Curry, DeMar DeRozan and James Harden. Pretty sure even Jesus caught a lob from Wall that night.

2012 — Kyrie Irving

Stat line: 34 points, nine assists in 27:03

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A then-19-year-old rookie, Kyrie Irving didn’t miss a single 3-pointer in the 2012 Rising Stars Challenge. We repeat — Irving, fresh off of being selected with the No. 1 overall pick by the Cleveland Cavaliers in the 2011 NBA draft, made all eight shots he took from beyond the arc as part of his 34-point MVP night that helped his team, coached by Charles Barkley, beat Team Shaquille O’Neal in the newly formatted game that mixed rosters with both rookies and sophomores. Irving’s night, however, was just the warm-up.

2013 — Kenneth Faried and Kyrie Irving

Stat lines: Kenneth Faried: 40 points on 18-for-22 from the field, 10 rebounds in 23 minutes; Irving: 32 points, 6 assists, 6 rebounds in 26:46

Denver Nuggets power forward Kenneth Faried absolutely dominated the 2013 game, with an efficient 40-point, 10-rebound outing that ended with him hoisting the MVP trophy. But let us take this moment to pour out a little liquor for Brandon Knight’s ankles, which Kyrie Irving, the 2012 Rising Stars MVP, destroyed on the hardwood at Houston’s Toyota Center. Irving caught Knight not once but twice with saucy combinations of his unrivaled handles. About a month after the game, DeAndre Jordan of the Los Angeles Clippers broke the internet after throwing down a poster dunk on Knight. It was a tough year for the young guard out of the University of Kentucky.

2014 — Andre Drummond, Tim Hardaway, Dion Waiters

Stat lines: Andre Drummond: 30 points, 25 rebounds in 28:26; Tim Hardaway: 36 points (7-for-16 from 3-point) in 24:29; Dion Waiters: 31 points (4-for-6 from 3-point) in 21:24

Perhaps the greatest sequence in Rising Stars Challenge history is the back-and-forth battle between New York Knicks guard Tim Hardaway Jr. and then-Cleveland Cavaliers guard Dion Waiters in 2014. For seven out of eight straight possessions in the final minutes of the game, Hardaway and Waiters went one-on-one, virtually operating as if there were no other players on the court. Hardaway would hit a 3 and Waiters would answer with one of his own. Hardaway would bring the ball downcourt and pull up, then Waiters would shoot from a little bit deeper. Rinse and repeat. Hardaway finished with 36 points on 7-for-16 shooting from 3, while Waiters scored 31 on a lights-out 10-for-14 from the field, including four 3s. What’s funny is neither player was named the game’s MVP. That honor belonged to Detroit Pistons big man Andre Drummond, who scored 30 points and grabbed 25 rebounds. No defense at all, but what a game.

2017 — Jamal Murray

Stat lines: 36 points (9-for-14 from 3-point), 11 assists in 20:09

Nathaniel S. Butler/NBAE via Getty Images

No player has ever been named the MVP of back-to-back Rising Star Challenges since the game was first played in 1994. Yet this year, sharpshooting second-year Denver Nuggets guard Jamal Murray has a chance to make history, after coming off the bench in 2017 to drop 36 for Team World in a 150-141 win. Can Murray be MVP again? We shall see.

Why ‘Tell Them We Are Rising’ is a must-see The documentary tells the story of how black colleges brought our people out of slavery

I have watched Stanley Nelson’s documentary, Tell Them We Are Rising, three times now.

The first viewing was in 2017 at the Sundance Film Festival, where Nelson and his team received a standing ovation after the audience watched the film. The second was last summer at a private screening in New York, where Nelson discussed the film and filmmaking with five students from historically black colleges. The third time I joined an audience in the Oprah Winfrey Theater at the National Museum of African American History and Culture to view the film on Monday with Nelson in attendance.

Each viewing uncovers new nuggets of insight that underlined the tenacity and resilience of enslaved men and women so desperate for education that they risked death to learn to read.

Nelson said he was inspired to tackle Tell Them We Are Rising for multiple reasons.

His parents attended historically black colleges and universities (HBCUs). His mother, Alleluia Ransom, attended Talladega College in Alabama. His father, Dr. Stanley Nelson, attended Howard University. “That changed their lives, and it changed my life,” he said.

Nelson’s larger vision was to pay homage to a significant African-American institution. The subject was not particularly sexy, but it illuminated the quest for black freedom through the prism of higher education. “There have been just a few institutions that we’ve had as African-Americans that have sustained us,” Nelson said during a recent interview. “One of them is black colleges and universities. I thought that it was a story that nobody was lining up to tell.”

With several Emmys, a Peabody and MacArthur Fellowship, Nelson has become one of the country’s most accomplished documentarians. This film, Tell Them We Are Rising, may have been one of the most difficult he has attempted.

There were challenges and hurdles. The first was how to take a collection of great but individual HBCU stories and weave them into a narrative that described a powerful, overarching experience.

“So many times, people think of it as the Morgan State story or the Howard story or the Fisk story or the Spelman story,” Nelson said. “Nobody was looking at it as a united story.”

Unlike his powerful civil rights documentary Freedom Summer, based on Raymond Arsenault’s book Freedom Riders: 1961 and the Struggle for Racial Justice, there was no one classic text to draw from. In Tell Them We Are Rising, Nelson and his team had to piece together footage, articles, photographs, “everything we could” to tell a captivating story.

The other challenge was telling the story of an institution whose history continues to unfold.

His 2015 documentary, Black Panthers: Vanguard of the Revolution, accounted for a period between 1966 to 1972 and chronicled certain watershed moments. By contrast, Tell Them We Are Rising covers the 150-year journey of black colleges in 90 minutes.

Some scenes were especially hard to watch, as the film explores historical events particularly personal to African-American viewers, such as the killings by law enforcement of Southern University students Denver Smith and Leonard Brown during 1972 protests, which remain unsolved.

Every black college graduate 65 or older lived through one of these moments, whether at a predominantly white institution petitioning for more black awareness or at an HBCU petitioning a conservative administration to take back its blackness.

But as president and CEO of the United Negro College Fund Michael Lomax said, the story of HBCUs is not simply a story of deprivation, need and want.

“The story of HBCUs as Stanley tells it is the story of powerful action,” Lomax said. “There are so many stories to choose from we had to figure out what stories would work and leave the audience with a sense of what black colleges have been and maybe where they are going.”

One of the most poignant moments of Tell Them We Are Rising takes place at Spelman College when Alversia Wade, an incoming freshman, explains why she chose the institution.

Wade spent her young academic career, from kindergarten through high school, as the single black student in her school. She describes the feeling of walking on campus and seeing a sea of fellow black students. “They all look like you,” she said, her voice cracking with emotion. “They all looked like you.”

Tell Them We are Rising, which airs Monday night on PBS, comes at a time when there is a hunger for positive, powerful images and good news within the far-flung black community.

On Friday, Marvel’s much-anticipated superhero film, Black Panther, will open in theaters across the country. Nelson was working on his Black Panther documentary when Marvel announced it was planning to release its superhero movie in 2018.

“When I first heard about it, I thought about Huey Newton, Eldridge Cleaver and the bunch,” Nelson said.

There was some confusion. “People would call up and say, ‘I hear you’re working on this Black Panther film, is it Marvel or is it DC?’ ” Nelson recalled. “I said it’s neither one of them. It’s real life.”

He looks forward to seeing the film. “It’s that it’s creating so much excitement. Like, it’s something African-Americans needed and didn’t know they needed.”

The HBCU student, in many ways, is like the hero of Black Panther — a mythical African superhero existing outside the suffocating institutionalized racism that defines virtually every minute, every hour, of life for black Americans. While their institutions are often under-resourced, black students who choose the HBCU experience enjoy the psychic respite and reinforcement of being in the majority.

At a time when 9 percent of black college students were enrolled at an HBCU in 2015, the often-asked question is do we still need HBCUs? The question overlooks the reality that 90 percent of black students are spread over thousands of predominantly white institutions, leaving those who attend a significant but often overwhelmed minority. The largest concentration of young black college students resides at the nation’s historically black colleges and universities. For many young students, that alone is worth the price of the ticket.

HBCUs are not for everyone, no more than single-gender schools are not for everyone. Still, black colleges and universities are needed more than ever.

During a post-film panel discussion Monday, former Spelman president Johnetta Cole said, “If historically black colleges and universities did not exist, we would have to invent them. … Since they do exist, we have an extraordinary responsibility to support them.”

“Until racism and racialism end in this country, there will be a need for HBCUs,” Nelson told me. “Until the education system is an even playing field — from elementary school to junior high school until college, until those things are equal — we still need HBCUs. Until we have an equal society, young African-American people need a safe intellectual space that HBCUs provide.”

Lomax, the United Negro College Fund president and CEO, said Tell Them We Are Rising was “an inspirational story. It is a call to action to our community, first and foremost to invest in them, to own them, to support them and to ensure that they remain durable in the future.”

That resonates.

Tell Them We Are Rising challenges those of us who attended HBCUs. A challenge to look in the mirror, to step up, to donate what Cole referred to as the three Ts: our time, our talent and our treasure.

This is the only way HBCUs will continue to rise.

“These institutions will not survive without our support,” she said. “It’s as simple as that.”


To share in the conversation about Tell them We Are Rising, join us on social media Monday, using the hashtags #HBCURising and #BHMxHBCU.

The players’ anthem: when Marvin Gaye sang ‘The Star-Spangled Banner’ at the 1983 All-Star game Kareem Abdul-Jabbar, Pat Riley, Magic, Dr. J and more on the pride and heartbreak of witnessing Gaye’s rendition of the national anthem

Being the head coach of the Lakers, and coaching the All-Star Game at the Great Western Forum that day … it just made it a special, almost spiritual-type moment for me.

— Pat Riley


Marvin Gaye could not have looked more quintessentially Marvin Gaye if he’d tried. It was Feb. 13, 1983: the afternoon of the 33rd annual NBA All-Star Game at The Forum in Inglewood, California. Everyone was packed in, a stone’s throw from Hollywood. Julius “Dr. J” Erving, Earvin “Magic” Johnson, Kareem Abdul-Jabbar, Maurice Cheeks, Larry Bird, Isiah Thomas, Reggie Theus, Moses Malone, Pat Riley, Bill Laimbeer, Andrew Toney, Alex English, Robert Parish, Jamaal Wilkes and more. Even then the synergy of basketball icons and a musical icon made all the sense in the world. And now as the NBA All-Star Game returns to Los Angeles this weekend — the fourth time since the game’s 1951 inception that it’s been held in the L.A. area — the synergy is a given.

Thirty-five years ago, things were of course different. Nowadays, fans have a huge say with regard to who starts in the game. The top two vote-getters draft their own teams. And music is a quintessential part of the NBA All-Star Weekend experience. The NBA named Migos’ “Stir Fry” the weekend’s official anthem, and a slew of the hottest musical artists in the game are expected to host countless parties. The omnipresence of celebrities courtside has made the NBA America’s most culturally significant sport — and it will be turnt up even higher for the All-Star Game.

The Eastern Conference All-Stars of the 1983 All Star Game: the front row (L to R): Maurice Lucas, Isiah Thomas, Middle Row: Bill Laimbeer, Buck Williams, Robert Parish, Moses Malone & Larry Bird. Back Row: Assistant Coach Bill Bertke, Trainer Ray Melchiorre, Sidney Moncrief, Reggie Theus, Marques Johnson, Head Coach Billy Cunningham, Julius Erving, Andrew Toney, Assistant Coach Jack McMahon, Assistant Coach Matt Guokes

NBAE via Getty Images

The 1983 Western Conference All-Stars of the 1983 the front row: Gus Williams, Jim Paxson, Middle Row – Earvin “Magic” Johnson, Jack Sikma, Kareem Abdul-Jabbar, Artis Gilmore & Maurice Lukas. Back Row – Assistant Coach Bill Bertke, Assistant Coach Dave Wohl, Jamaal Wilkes, Alex English, Head Coach Pat Riley, George Gervin, Kiki Vandeweghe, David Thompson & Trainer Jack Curran

NBAE via Getty Images

But back then, Gaye was a feel-good comeback story. Following a stint in Europe where the singer temporarily escaped demons that had nearly devoured him, he was riding high off the success of the smash album Midnight Love, which was, in turn, fueled by the Goliathan influence of its landmark single “Sexual Healing.” Gaye would use the NBA’s center stage to propel him to the Grammys just 10 days later.

Gaye, a linchpin of swagger, walked to center court at The Forum in a deep blue suit — jacket buttoned — wearing dark shades courtesy of an NBA gift package that had been distributed to all media and VIP guests. But there was something wrong with the shades. “[The sunglasses] had ‘L.A. All-Star’ imprinted on the lenses,” said Brian McIntyre, the NBA’s public relations director in 1983. “Trouble was, whoever printed them, printed it backwards.” Gaye either didn’t know, didn’t show, or didn’t care. He also didn’t know he was the second choice — Lionel Richie, sitting on the huge success of his solo debut, had turned the NBA down for the anthem honors.

Players and coaches lined up on opposite free-throw lines. The honor guard of nearby Edwards Air Force Base was behind Gaye with the American and California flags raised. Seventeen thousand people in the arena were on their feet for the national anthem — there was little reason to expect a diversion from the way “The Star-Spangled Banner” had been performed their entire lives.

“We’d only heard the national anthem done one way,” said then-Chicago Bulls guard Theus. Having coached the Sacramento Kings and at New Mexico State, the two-time All-Star is now head coach at Cal State University, Northridge. “We weren’t anticipating anything. We knew he was Marvin Gaye.”

Gaye had intertwined his way into the sports world before. He’d sung the anthem on many occasions — each time in the traditional format. Four years earlier, in 1979, Gaye sang at the second Larry Holmes/Earnie Shavers fight at Caesars Palace in Las Vegas. In 1974, he sang the anthem at Alameda County Coliseum in Oakland, California, before the Raiders’ regular season finale vs. the Dallas Cowboys. And Motown’s crown prince belted out “The Star-Spangled Banner” before Game 4 of the 1968 World Series between the Detroit Tigers and St. Louis Cardinals — the Tigers ended up winning in seven games. Ironically, for Game 5 of that series, young singer José Feliciano performed the anthem with a slower, brooding twist that caused some Tiger Stadium attendees to pepper the blind Puerto Rican musician with boos. The backlash derailed his Grammy-laden career for decades.

“In my mind, ‘What’s Going On’ … had the most impact on me than any record, ever.” — Pat Riley

Gaye was an avid sports fan— he even once tried out for the Detroit Lions. And he floored Motown founder (and his former brother-in-law) Berry Gordy when he told him, at the apex of his prolific singing, songwriting and producing career, that he wanted to pursue boxing. Whether he knew it or not though, as much as Gaye found inspiration in the athletes who stood behind him on The Forum’s court, they found as much if not more in him.


“I’ve gone on the record many times saying that Marvin Gaye was my favorite artist. His music touched me in a deep, special and personal way. Reading Divided Soul: The Life of Marvin Gaye, it’s kind of gut-wrenching. It’s heartfelt in terms of the struggle he had … Just to do what he wanted to do. He really just wanted to be a crooner. He just wanted to sing and share his gift with the world. But pressure came from a lot of different places to be more, do more, and that eventually cost him his life.”

Julius “Dr. J” Erving


Gaye was a tortured spirit whose life oftentimes played out publicly — despite the singer’s natural shyness. “Marvin’s problems can easily be understood by listening to his music,” Gordy said in the 1987 documentary series, Motown on Showtime. I come up hard, come on, get down / There’s only three things that’s for sure / Taxes, death and trouble. ‘Trouble Man’ was a song he did for a soundtrack that was, of course, probably reminiscent of his life.”

Gaye attempted suicide by cocaine overdose in Hawaii in 1980. The years leading up to the All-Star performance were taxing — physically, mentally, emotionally and financially. “About 1975 through about 1983 hasn’t been very good,” he said in a 1983 interview. “The last seven years of my life haven’t been exactly ecstatic … I’ve been happy, and most of the time pretty depressed.”

By the time of the 1983 All-Star Game, Gaye had long since returned from his self-imposed European exile. He spent two years in Ostend, Belgium, ostensibly away from failed relationships, financial woes and drugs. While there, Gaye co-wrote (with Odell Brown and David Ritz) 1982’s sultry “Sexual Healing.” But long before the Europe and “Healing,” Marvin wrote the score to the lives of many NBA All-Stars who surrounded him that February afternoon.

Marvin Gaye performs in the Netherlands.

Rob Verhorst/Redferns

“[Marvin’s music] resonated with me just growing up as a kid in the ’60s and ’70s in Chicago,” said Hall of Famer and 12-time All-Star Isiah Thomas. The two-time NBA champion and Finals MVP point guard laughs at the memory of first meeting Gaye in Hollywood — alongside Johnson — at the famous and infamous The Palladium. Thomas was surprised Gaye knew his name. “His music was our music. He really hit how we were feeling … in poverty, and our desperate cry for just recognition, and understanding.”

Abdul-Jabbar, on a break from the book tour for his Becoming Kareem: On and Off the Court, recalls running into Gaye at studio sessions for his friend Stevie Wonder’s 1976 Songs In The Key of Life. These, said the NBA’s all-time leading scorer, were among the best times ever. “Marvin Gaye was absolutely on the forefront of [artists tackling societal issues]. He was an important guy, artistically, at that time. He talked about issues that resonated in the black community in a very meaningful way.”

“You knew it was history,” Erving said, “but it was also ‘hood.”

Quite possibly the most excited for Gaye’s performance wasn’t a player, but a coach. During The Beatles phenomenon of the ’60s, Riley — much like Quincy Jones, apparently — never truly caught the wave. “I was raised on doo-wop, Frankie Lymon and The Teenagers, Jimmy Smith. Then when Motown really had it course in the early ’60s, that was it for me,” he said, the enthusiasm in his voice rising with each memory. “I was all about The Four Tops and The Temptations. The Supremes.” But as for Gaye himself, “What happened in the late ’60s was a lot of what’s going on in our society today. People just not agreeing what’s happening with our government,” Riley said. “In my mind, ‘What’s Going On’ — for my lifetime — had the most impact on me than any record ever.”


“[After the game,] it was just common knowledge that whenever you talked about the anthem, everybody just pointed to it like, ‘Yeah, that was the best one that was ever done.’ Not because his techniques were good — they were — but because spiritually, in that moment, he really captured the feelings of everyone in The Forum. I’ve never been part of an anthem where everybody’s just in unison and lost control and just started moving. It was a beautiful moment.” — Isiah Thomas


Before Marvin took the floor at the Forum, there was mild panic. Then-NBA commissioner Larry O’Brien was an old school, by-the-book type of guy. O’Brien had told McIntyre during the previous day’s rehearsals, “Make sure we don’t have anything that’s going to cause a scene.”

All during the day, and right before the early afternoon tipoff, Gaye was nowhere to be found. “[Lon Rosen, Lakers’ director of promotions] hadn’t heard from Marvin or his people. They weren’t sure where he was,” McIntyre said. There’s a chuckle in his voice now. But 35 years ago it was anything but a laughing matter. “So they started looking for a backup, I think.”

https://www.youtube.com/watch?v=RZ9WdCunvy8

Arriving only moments before showtime, Gaye made his way to the floor. A longstanding myth says the notoriously recluse singer was intentionally late to avoid tension with Lakers personnel who believed his rendition was too long the day before at rehearsal. While he adjusted the microphone stand, a simple, yet infectious instrumental began playing. Lawrence Tanter, the Lakers’ public address announcer panicked. “Ah s—,” he reflected. “They’ve got the wrong tape. This is ‘Sexual Healing.’ ”

But it wasn’t. It was a simple beat dubbing a drum track done by Gaye’s guitarist and musical director Gordon Banks and a keyboard track Gaye laid down himself. And what happened next would be the only time in history the national anthem closely resembled a rhythm and blues song. There isn’t a blueprint for Gaye’s charisma. Or his showmanship. It was innate. “You could feel the vibe as soon as he walked out there,” Theus said. “He was the epitome of cool, and smooth at the same time.” Gaye’s anthem was patriotic in its own soulful way, but it was simultaneously debonair, too. Each note left his vocal chord with the pizzazz of a street crooner.

Something special was happening. Riley was standing next to Abdul-Jabbar. On the surface, Riley was calm. But his mind raced a mile a minute. “I was thinking to myself, ‘We’re about to see something very unique here,’ ” the three-time Coach of the Year said. “Then the first words came out of his mouth, and he went on. Then he went in a different pitch. It was mesmerizing to me.”

Gaye, the archbishop of swagger. “You knew it was history,” Erving said, “but it was also ‘hood.” For a two-minute stretch, the basketball world revolved around Marvin Gaye and within his gravitational pull were MVPs, world champions, former rookies of the year, future Hall of Famers and 17,505 in the stands. “We were two-stepping, listening to the national anthem,” said Johnson with a laugh. “We were just bouncing left to right. It blew us away. We just got caught into the moment of this man. People just forgot it was the national anthem.”

“We were two-stepping, listening to the national anthem,” said Johnson with a laugh.

Off the rip, the crowd swooned. They shouted and clapped as if the NBA All-Star Game had momentarily swapped places with a gospel choir. “Before you knew it, you were swaying, clapping and were like doing something to the anthem that you’d never done before in your life. Or since,” said Thomas. “It just wasn’t the players. It was the whole arena. Everyone in unison almost caught the Holy Ghost.”

“You kinda paused for a second, listening,” said Oklahoma City Thunder assistant coach Maurice Cheeks, who was making his first, as a Philadelphia 76er, of four All-Star Game appearances in 1983. Cheeks has also been head coach of the Portland Trail Blazers, the Sixers and Detroit Pistons. “You looked around to see if anybody else was appreciating this the way you are … everybody was — especially the crowd.”

A roar had risen by the time And the home of the brave capped off Gaye’s rendition. He’d given the national anthem a makeover. Gaye, later in 1983, offered a self-diagnosis. His depression stemmed from a deep empathy for humanity. All he wanted was for people to listen to him. In less than three minutes on The Forum’s hardwood, he’d done just that. If only for a sliver of time, the anthem wasn’t about the stars, the stripes or whatever its original intentions were. Gaye made it a song about love, inclusion and triumph.

The crowd showered him with a standing ovation. How do we follow THAT? many of the players wondered. The walk back to the bench following the anthem was one of excitement and befuddlement. Players slapped high fives, laughed and recapped. “Everybody was like, ‘Man, he tore the house down!’ ” Johnson said, essentially yelling into the phone. “Going to the bench like, ‘Man! That was unbelievable!’ ”

As Gaye exited the floor, he pulled Erving aside. It was a brief meeting of the sex appeals. The two had met before at shows in New York, Washington, D.C., and in Virginia. “I got something coming out. You gon’ love it,” Gaye told Erving. The “it” he referred to was a then-unreleased song called “Sanctified Lady.” Unfortunately, though, only Erving would be alive to hear the record following its 1985 release.

East All-Star Julius Erving dunks one past the imposing figure of West All-Star Artis Gilmore.

Getty Images

The Eastern Conference, led by Erving’s MVP effort of 25 points, defeated the West, 132-123. But all the talk after the game centered on Gaye. The buzz was still electric. This was of course the pre-internet era. The race was to obtain any sort of recording of the performance. “I remember the conversation being, the game was great,” said Theus. “But that it wasn’t anywhere near as good as Marvin Gaye.”

“It wasn’t even about the game,” said Johnson. “The whole attention was on, ‘Is it on TV? Make sure we get a copy! Find Brian [McIntyre]!’ ”

McIntyre for his part was a bit queasy. He knew the younger generation was enamored with the performance. Lakers owner Jerry Buss, called it, even in the moment, “the greatest anthem of all time.” Yet, in the back of his mind McIntyre was dreading the older generation’s response. Of those possible complaints, O’Brien simply told McIntyre, “You have to answer them all.”

The official CBS after-party was packed. Finger foods and cocktails. David Stern, O’Brien’s eventual successor, and his wife Shelly were in attendance, as was Rick Welts (current Golden State Warriors president), Russ Granik and Gary Bettman. All anyone wanted to hear was Gaye’s anthem. “They were replaying the game [at the party], but every so often someone would say, ‘Let’s hear it again!’ ” said McIntyre. “So they’d switch it back to the anthem and play it all over again. The crowd was just into it.”


“[Marvin] died young and it’s like there was an unfulfilled promise. I’m looking at these rock bands, they’re doing all this crazy stuff, and they’re still touring. They’re still making music! Guys going into their ’60s, ’70s and hitting 80 and they’re still out there. Bill Withers is still out there making a little noise every now and then. So Marvin, what would he have been able to accomplish had he survived the demons?” — Julius “Dr. J” Erving


Much has changed. The NBA looks completely different. Players carry far more leverage than they did in 1983. The style of play has shifted to a more perimeter-based attack. And even the national anthem sounds different — in rankings and context. The biggest story of the year is NFL players kneeling during it in protest of police brutality and the state of the criminal justice system. For those who stood on the floor that day in 1983, they remain connected to Gaye’s rendition. The version sung by Whitney Houston at the 1991 Super Bowl is the only other anthem close to a comparison to Gaye’s rendition, in their eyes.

“This is what made it so special,” said Johnson. “Everybody said, ‘Wow.’ Everybody went absolutely crazy. It was blacks, whites, everybody — saying, what a moment.”

The moment was one so memorable the NBA had Marvin’s daughter, Nona, perform the same anthem “in a special duet” with her father at the 2004 All-Star Game, when it returned to Los Angeles. In a sport littered with previous anthem singers such as The Temptations, Destiny’s Child, Mary J. Blige, John Legend, Brian McKnight and more — Marvin Gaye remains on the NBA’s musical Mount Rushmore.

But how does Gaye’s anthem fit into the current conversation around it? “We have to take everything in context,” said Abdul-Jabbar. Many of the issues Gaye addressed in his music run parallels to Colin Kaepernick’s original message. “I think that people were trying to make an issue of the anthem because they didn’t want to deal with the issue Colin Kaepernick raised, which is the fact that black Americans — unarmed black Americans — should not be getting killed by police officers at the rate that they are. That’s what the issue is.”

For Theus, it’s a simple matter. “Marvin Gaye’s rendition of the national anthem superseded and surpassed any negativity that was in anyone’s mind,” he said. “When you hear something like that, you don’t hear the national anthem that everyone is talking about today. It was another national anthem that we were listening to. You can’t relate the two.”

“So Marvin, what would he have been able to accomplish had he survived the demons?” — Julius “Dr. J” Erving

Ten days after the All-Star Game, for “Sexual Healing,” Gaye was awarded the only two Grammys of his career. “I’ve waited … 20-something years to win an award like this,” he said in his acceptance speech. He thanked God, his children, his mother, and his fans. He did not, however, thank his father. Almost prophetically, he closed the speech saying, “Stay with us, we’re gonna try and give you more.” Gaye embarked on what would be his final tour in the summer of 1983. He traveled with, and kept a preacher in one room. His drugs in another. In a figurative sense, Gaye stood between heaven and hell throughout his Midnight Love tour.

Marvin Gaye holds ones of his Grammys.

Ron Galella/WireImage

“I expose myself because the fans demand it,” he told his ex-wife Jan Gaye. “I offer myself up for slaughter. I am the sacrificial lamb. If their pleasure requires my destruction, so be it.”

By the Detroit stop, Gaye was a zombie. “After the performance, we got back to the dressing room,” Mel Farr recalled of his final meeting with Gaye. (Farr died in 2015.) “He had all those hangers-on giving him this drug and this drug. I said, ‘Wow, man. I don’t think he’s going to make it.’ It was that bad.”

Four-hundred fourteen days following his anthem, on April 1, 1984, Gaye was murdered by his father, Marvin Gay Sr., a day shy of what would have been his Marvin Jr.’s 45th birthday. The house where the killing took place was but seven miles from The Forum. Toward the end of his life, as he battled voices in his head, Gaye still understood the importance of Feb. 13, 1983. “I asked God,” he said, “that when I sang [that anthem] that it would move men’s souls.”

He most certainly moved Riley, who keeps hours upon hours upon hours of Gaye’s and Motown’s greatest hits near him at all times. The Miami Heat president still keeps a framed picture of himself, Abdul-Jabbar and the Western Conference All-Stars lined up watching Gaye. Call it his way of paying homage to an artist he says changed his life and enhanced his perspectives long before the NBA came calling. Thirty-five years later, after the 1983 All-Star Game, from his South Florida office, there’s pride and sorrow in his voice.

“I’m privileged to have been there at that moment when this icon sang that song. The people that were in that arena that day saw something unique, probably changed people to some extent,” Riley said. “The tragic way that Marvin died was something that was very depressing for a lot of people. I know it was for me. But,” he said, “[Marvin will] always be in my heart because I hear his voice all the time. You never forget people like this.”