‘Tell Them We Are Rising’ doesn’t tell the whole story of HBCUs, but it’s a start Documentary on PBS is the equivalent of an introductory survey course

A new PBS documentary about the nation’s historically black colleges and universities might just provide the best argument for a multihour, Ken Burns-type epic exploration of the subject.

Tell Them We Are Rising: The Story of Black Colleges and Universities will air as part of PBS’s Independent Lens series on Feb. 19. Directed by Stanley Nelson (The Black Panthers: Vanguard of the Revolution), Tell Them We Are Rising goes broad but not particularly deep as it attempts to recount the history of black higher education from slavery to the present day in an hour and 25 minutes.

It’s a useful primer for those who might not be familiar with historically black colleges and universities (HBCUs) or their purpose, but Tell Them leaves much on the table when it comes to specifics. The documentary arrives at a time when the future of many HBCUs is uncertain as schools face the compounding weight of decades of financial strain, growing competition for students and pressure to keep tuition costs down.

Tell Them is at its best when delving into the birth of the institutions, many of which were established with the help of government land grants after the Civil War. Nelson outlines the philosophical differences between W.E.B. Du Bois and Booker T. Washington and briefly touches on the fact that in their infancies, many HBCUs were run by white presidents. While Nelson outlines the story of Fayette McKenzie, the Fisk University president who tried to ban any sort of social interaction between the sexes in 1924, he neglects to follow the legacy of McKenzie’s thinking, which shows up in the visitation policies on many a modern HBCU campus.

There are so many valuable, urgent story lines worth mining, and Tell Them simply doesn’t have the time to do them justice. The tradition of activism on HBCU campuses, which resulted in the creation of African-American studies programs and the de-Anglicization of many HCBU liberal arts programs also resulted in a deadly crackdown at Southern University. There’s the role fraternities and sororities such as Delta Sigma Theta, Alpha Kappa Alpha and Omega Psi Phi played in creating influential networks of black professionals. The legacy of protest hasn’t evaporated from modern HBCU campuses, but Tell Them falters in connecting past narratives to the present, whether it’s Howard University students protesting the George W. Bush administration or students nationwide criticizing their administrators for meeting with President Donald Trump. So much is curiously absent from the film, such as an exploration of the role Morehouse College played in shaping Martin Luther King Jr. and his contemporaries in the civil rights movement. Mary McCleod Bethune, the founder of what’s now Bethune-Cookman University and one of the chief architects of black higher education, is an afterthought.

It’s a useful primer for those who might not be familiar with HBCUs or their purpose, but Tell Them leaves much on the table when it comes to specifics.

Tell Them functions as an outline for what ought to be a deep-dive serialized documentary. Such a format would offer more opportunity to address questions such as what to make of the controversial legacy of the nation’s first black president when it comes to federal treatment of HBCUs. What challenges do they face from a current presidential administration that so far only seemed interested in convening the presidents of those institutions at the White House to use them as props? What are the modern issues students are facing at HBCUs, whether it’s the fight for queer visibility or addressing a national dilemma of campus sexual assault that presents unique challenges for HBCUs and their students?

Still, it’s understandable why we haven’t seen a splurge on such a subject. It’s expensive and time-consuming, and there are only a couple of networks (TV One and BET come to mind) that might be interested in the sort of exhaustive research I’m suggesting, and even then it’s a stretch. Maybe Netflix, with its seemingly endless pool of programming funds, would be willing. Maaaaaaybe.

Tell Them We Are Rising introduces the idea that HBCUs are under threat, and it certainly seems to support the idea of their continued existence. But aside from a broad history lesson, it stops short of offering much else.

Olympic gold medalist and seven-time world champion Brittney Reese believes MLK’s dream is alive and well The long jump star says King’s beliefs influenced her a lot in her journey

On Aug. 28, 1963, King delivered one of his most powerful and inspirational speeches at the Lincoln Memorial in Washington, D.C. The “I Have a Dream” speech became known as one of his most famous oral addresses in American history.

“I have a dream that one day this nation will rise up, live out the true meaning of its creed: ‘We hold these truths to be self-evident, that all men are created equal,’ ” King said.

The civil rights movement was also a time when athletes were facing equality issues of their own. And King knew sports. He knew sports was and would become a platform in society, lending cultural relevance to race and politics.

And 50 years later, King is still affecting the sports world today, inspiring athletes like Olympic gold medalist (2012) Brittney Reese. A multitalented athlete who played high school basketball in her hometown of Gulfport, Mississippi, Reese recognizes King knew the significance sports would have on society, although he was never an athlete. The 31-year-old seven-time world champion says his dream is alive.

“I’m in a sport that’s predominantly black, and it just is amazing how we come together as athletes in our sports,” Reese said. “He [King] actually kind of paved the way. And then Muhammed Ali paved the way for us to be able to be in a sport without having any kind of racial tension going on. We still have some bumps in the road and there will be some bad eggs in the basket now and then, but I feel like his dream is still alive and still doing some of the things he preached about in certain sermons.”

In the 1960s, King appeared publicly with Ali at a demonstration for fair housing in Louisville, Kentucky. Track stars such as Tommie Smith and John Carlos raised their fists in a Black Power salute during the 1968 Summer Olympics in Mexico City.

These are just a few moments that merge sports and culture that she will never forget.

Reese gained popularity when she began dominating in track and field in high school. The long jump is her area of expertise. It’s a title she wears with pride. She still holds the indoor American record in the long jump with a distance of 7.23 meters.

But through all of her accomplishments, she often recalls the first time she heard of King. It wasn’t in a textbook. It was at home by way of her mentor and grandfather King David Dunomes, who shared stories about the civil rights movement, including the time he traveled to Washington, D.C., to hear King’s speech.

“Growing up, I knew probably a lot more than a lot of other people in my area, but being able to see the effect he’s made across the world, especially for black people, is real remarkable,” Reese said of what she learned about King. “I’m grateful to have a grandfather that was supporting him through those times and was able to walk with him in those times. I got to learn a lot of the insights that most people my age wouldn’t know. He made a big impact in my life.”

Dunomes died suddenly in 2017, which marks one of the hardest times in Reese’s life. But she is an overcomer and keeps all of her memories of her grandfather close to her heart.

Reese is a seven-time USA Track & Field Outdoor Women’s Champion in the long jump, a three-time World Outdoor Champion (2009, 2011, 2013), a three-time World Indoor Champion (2010, 2012, 2016), the current indoor long jump American record holder besides being the 2012 Olympic Games gold medalist and 2016 Olympic Games silver medalist.

She is also the track coach at San Diego Mesa College. Born in Inglewood, California, and raised in Gulfport, Reese began by competing in the high jump and 400-meter dash. She was named Mississippi’s 2004 Gatorade Player of the Year for track and field and enrolled at Mississippi Gulf Coast Community College and played basketball before accepting a track and field scholarship to the University of Mississippi.

As she trains daily for her upcoming indoor long jump competition just one month away, she is raising her 10-year-old son Alex, who she says doesn’t experience a lot of racial tension. However, Reese plans to instill King’s memory in him by teaching the importance of equality.

“He doesn’t see a lot of the racial tension. But I want him to understand that he’s a black kid, and what we went through, and what Dr. Martin Luther King did helped allow him to be able to play with the kids that he likes to play with now. He doesn’t see color, which is something I want to teach him. But I also want him to know his roots and his family … Let him know where he came from and what Dr. Martin Luther King stood for, and how he’s able to be around the people that he’s around today.”

Informing Alex of his roots is a priority for Reese. It’s a sentiment she internalized from her great-grandmother Ethel Lee Brooks, who always told her to “know where she came from” and taught her the act of giving back.

“I think that played a significant part in my career and in my life also,” Reese said. “Once I attained the medal [Olympic gold], the first thing I did was come home and show the kids back in Gulfport, Mississippi, what I’ve done. I’ve been blessed and lucky to have a city to be behind me every step of the way. They’ve been behind me my entire life, ever since I was young enough to give a newspaper, they were there.”

To pay homage to Brooks and keep up with King’s ideology of the moral function of education, she launched the B. Reese Scholarship in 2012, which helps one male and one female student annually with upcoming college expenses. In May 2013, the Reese Scholarship was even awarded in Baltimore County Public Schools.

“I want to try to motivate the kids and get them involved in track, and that’s where the scholarship came from — helping other mothers, because there’s a lot of single mothers out there. The scholarships have a lot of funds, but just to help them with books for the first semester or help them get started on their way. And I also have a camp that I like to put on and help show the other kids different drills that they can do to help them be successful in the next part of their life. I think my great-grandmother was the reason that I just got so accustomed to giving back, because her telling me never forget where you came from has always stuck with me.”

She donates turkeys over the holidays and spends a lot of time with the homeless in Gulfport.

“You know, it’s been a tough journey. I’ve had ups and downs, but I’d say one of the better is probably my Olympic medals. That’s been the highlight of my career. Me being able to have that lets them know how hard I worked, and that nothing in life is easy, that you’re going to have to work to get what you want.”

Simeon Booker’s life and legacy cannot be overstated ‘Every black journalist working today should pause for a moment and thank Simeon Booker’

The life of Simeon Booker was celebrated Monday at Washington National Cathedral, a beautiful memorial service for an extraordinary journalist. Mr. Booker — and I feel compelled to call him mister — was a capital pioneer, admired by everyone who knew that he played a role in helping to better this nation.

In 1952, he became the first black reporter to work at The Washington Post. “He integrated a whole industry,” said Don Graham, former publisher of the Post whose dad, Philip, was the only white newspaper leader in America who would give Mr. Booker a chance. But that was just one milestone. Simeon Booker went on to brilliantly chronicle the civil rights movement as a reporter for Jet and Ebony magazines, covering protests and murders and otherwise bringing bright light to the struggle for freedom and equality. He smoked Kent cigarettes and wore bow ties. He became famous for his reporting on Emmett Till’s 1955 murder and trial, and it was Mr. Booker’s Jet that published the provocative photos of the 14-year-old’s mutilated body in an open casket.

Every black journalist working today should pause for a moment and thank Simeon Booker. Thank him as an exemplar of the brave black journalists who confronted danger and evaded it while unearthing essential stories in the segregated Deep South of the 1950s and ’60s. A bunch of us came to the National Cathedral just to be there for him, to salute what he meant and to hug each other. Jeff Ballou, Bryan Monroe, Mike Fletcher, Wes Lowery, Courtland Milloy, Paul Delaney, Sarah Glover, Betty Anne Williams, Fred Sweets, Bernie Shaw, Reggie Stuart. Just to name a few. We all owe him something.

Congressman John Lewis, who knows too much about danger, said of Mr. Booker at the memorial service: “He never shied away, ran away from a story.” Lewis saw him during the 1961 Freedom Rides. Saw him in Selma, Alabama. Saw him everywhere. “He did the hard, necessary work to get the story,” Lewis said, noting that without Simeon Booker “the civil rights movement would have been like a bird without wings.”

Back in Mr. Booker’s heyday, Lewis noted, black reporters could be beaten just for holding a camera and a pen. They sometimes wore disguises, dressed as sharecroppers to blend in. They were intrepid and fearless. Today, we have journalists enraged just because they were trolled on Twitter. Mr. Booker died at age 99, cheered for the magnificent life he led and the example he set. I don’t think he was worried about trolls.

How the Warriors become the wokest team in pro sports It’s a combination of all that winning, Oakland’s place in the black power movement and these unusual times

There’s a moment during his conversation about athletes and activism at Harvard University’s Kennedy School of Government when Golden State Warriors forward Draymond Green seems to shift his weight. Green, who was in town to face the Celtics later that November night, has altered his game day routine to be at the lunchtime event, which was initially scheduled for a classroom, but had to be moved to a conference center when more than 500 students signed up.

He takes the stage wearing high-top designer sneakers and a long-sleeved fishtail shirt. He folds his frame into a large wooden chair and fumbles with his microphone. “I wouldn’t pass up the opportunity to be speaking at Harvard. It’s like a dream come true,” says Green, before settling into his talk: Athletes should only champion issues they’re passionate about, he says. He discusses the pervasive tensions between young people and police, and the need to continue to educate himself about social justice.

When a student asks for a response to those who say he should stick to basketball, Green leans forward, drawing closer to the crowd. It’s an opening for Green to issue a philosophical declaration, a Contemplation on the Nature of Athlete and Society, although more social media–friendly.
And he delivers.

“That’s funny,” Green says, after pausing a moment. “People say athletes shouldn’t speak politics. Well, I find that funny, because everyone thinks they can speak basketball.” The crowd erupts in applause. It’s an authoritative answer from a guy with a 7-foot wingspan, extending to his full proportions in a completely different arena. And it’s representative of what we’ve been watching the Warriors do over and over, in high-profile ways, during the past year.

Black athlete-activists are not new, of course. Boxer Jack Johnson punched through racial barriers in the early 20th century, Jackie Robinson integrated baseball in 1947, Althea Gibson was the first person of color to win a grand slam title in 1956, and a dozen years later, Tommie Smith and John Carlos raised their black-gloved, black-power fists atop the medal stand in the Mexico City Olympics. In 2015, a protest by the Missouri football team over racism on campus forced the resignation of the university’s president, and the following year, LeBron James, Carmelo Anthony, Chris Paul and Dwyane Wade took the stage at the ESPY awards to urge athletes to speak out against injustice. A host of WNBA players, including Maya Moore and Tina Charles, have worn T-shirts supporting Black Lives Matter.

But these were individual athletes fighting for a cause, or teams engaging on one issue over a limited period of time.

The Warriors are something else entirely: They’re the NBA’s winningest team, in possibly the country’s most progressive market, with the most politically outspoken players and coach, during the most racially polarized period in two generations. It’s an evolutionary development in the power and influence of the American citizen-athlete, with commensurate risks to their reputations and livelihoods. (See: Kaepernick, Colin R.) The Dubs are not simply basketball superstars, they might just be the most progressive—the most woke—team in the history of professional sports.


It was a morning in late September, one day after Warriors guard Steph Curry told reporters at the team’s media day that he’d vote to skip the traditional NBA champions White House visit, and Curry’s wife, Ayesha, was waking him up, laughing.

“Trump tweeted about you,” Ayesha said.

“I reached up to grab my phone,” Curry remembers now, “and I had about 20 text messages.” President Donald Trump had rescinded the yet-to-be-issued White House invitation, tweeting at Curry that since he was hesitating, “invitation is withdrawn!”

Suddenly, Curry, the family-friendly face of the franchise, was at the center of one of the year’s biggest sports and politics stories.

The team had planned to meet that day at its Oakland practice facility to decide collectively about whether to make the trip. Instead, the day unfolded in a mixture of both gravity and weirdness. Curry recalls the next several hours being “surreal.”

“I’m like, ‘He said he’s not inviting you. We can still go,’” Green says with a laugh. “We really, honestly made a joke of it.”

More than three months later, before an early-January practice, Curry seems unbruised by the incident—and no less supportive of his team: “When I talk about just being informed and thoughtful and passionate about what you believe in, we have guys all up and down this roster who kind of fall into that category.” His own thoughtfulness springs from a childhood during which his mother, Sonya, shared experiences of growing up in a low-income neighborhood in Radford, Virginia. “The family as a whole had a lot of run-ins with police and things like that in Radford and a lot of racism growing up there,” Curry says, “so she has a lot of stories around that.”

“But what if we don’t win? Do these stories get written? Do these things get said?”—Warriors GM Bob Myers

His father, Dell Curry, is the all-time leading scorer for the Hornets. And while the family was well-off, Steph says he was always conscious of being black—and his obligations to the black people around him. He attended a small Christian high school; of the 360 kids there, maybe 14 were African-American.

“We all sat at the same lunch table,” he says, “so we had a very tight community group that understood we were different in that space. I think we learned to protect that identity a little bit and celebrate it and have each other’s back.” And when he played AAU basketball with black kids from area public schools, he came to understand the differences in the worlds they inhabited—how some families struggled to put gas in the tank for an out-of-town tournament, but also that “we all had some common ground that we could appreciate about each other.” It was a figure-it-out-together quality, for the team, for the culture, that he took into adulthood.

And though last fall’s Twitter firestorm was unusual because it pitted Curry against the president of the United States, it was only an extreme example of what many players on the Warriors are doing.

Last summer Curry and forward Andre Iguodala, who have invested in tech start-ups, organized a technology summit for NBA players. “I’m trying to bust down a door” for my people, Iguodala says. In October, after ESPN reported that Houston Texans owner Bob McNair had likened pro football protesters to “inmates running the prison,” Green posted on Instagram that because of its historical freight, the NFL should “stop using the word owner.” Other players, including forwards David West and Kevin Durant, have found purpose or purchase to speak about history and their growing racial awareness. Coach Steve Kerr routinely talks about politics at his news conferences, and last February he tweeted, “I subscribed to The Washington Post today because facts matter.”

Draymond Green and Andre Iguodala high five during game.

Nathaniel S. Butler/NBAE via Getty Images

What gives them the cover and authority to stray so far and so publicly from the topics society typically wants to hear from people who play basketball for a living? One could say it’s their birthright as citizens to exercise the democratic mandates of civic participation and engagement in service of that foundational American imperative to form a more perfect union. But, sike nah. It’s all that winning they be doing.

Barring calamity, the Warriors are favored to advance to the Finals for the fourth consecutive year. And winning, Green says, strengthens them in a number of ways: “No. 1, you got so much attention at all times. No. 2, you’re a champion, they want to see what you got to say. You’re doing something so great that it gives you even more of a voice. … No one cares what a loser has to say.”

They’re a talented team, says general manager Bob Myers, “with a variety of leaders of high character,” and that affords them a degree of buy-in for their off-court views. “But at the same time, I think it’s something you have to protect. It seems to work for us because we win. But what if we don’t win? Do these stories get written? Do these things get said?”

America tells itself a story that success—in sports and elsewhere—is predicated upon competitiveness, discipline, hard work and character. Sports is as essential as religion to reinforcing those values to the nation, says Harry Edwards, an author, activist and consultant for the Warriors and 49ers, who organized the 1968 Olympic Project for Human Rights that ultimately led to the protest in Mexico City. It has scribes, departed saints (Vince Lombardi, Red Auerbach) and hallowed halls of fame. “It has sacred implements,” he says. “The ball that Hank [Aaron] hit over the fence when he broke Babe Ruth’s record, which people will pay millions for.”

When winning athletes—let alone winning black athletes—question the validity of mainstream definitions, it sets up an acute civic dissonance. Kaepernick or Carlos or Mahmoud Abdul-Rauf become heretics and are punished as such. But the all-I-do-is-win-win-win Warriors have amassed so much cultural capital that they are not only worshipped, they’re widely heard.

All that discipline, smarts, true-grit stuff? Their winning proves it works, Edwards says. But their activism challenges whether it works for people in Oakland and East St. Louis and the South Side of Chicago.

The fact that they get to keep saying it is not only because they’re winning—it’s because winning in the Bay Area is a whole other thing.


Outside his DOPE ERA clothing shop (During Oppression People Evolve, Everyone Rises Above) in North Oakland, Mistah F.A.B. (aka Stanley Cox) muses about whether the Warriors are, in fact, the most politically progressive team ever. He’s a rap artist and community activist who once did a freestyle rap about the Warriors that foreclosed that option to anyone who has thought about trying it since. Now he recalls Smith and Carlos and cites the Clippers wearing their warm-up jerseys reversed to protest racist remarks by then-team owner Donald Sterling in 2014. But “I can’t even think of a team in contention for social relevance,” he says, “in the way the Warriors are demonstrating now.”

Some of that stems from Oakland itself. For more than half a century, Oakland and the Bay Area have been synonymous with the black consciousness movement, Angela Davis and the Black Panthers. They’ve welcomed the Free Speech Movement, anti-war protests and the Haight-Ashbury counterculture. The cities by the bay have been an incubator for gay rights, anti-fascism and Black Lives Matter.

Sitting behind the baseline of Court One at their Oakland practice facility, Durant recalls the poor D.C.-area neighborhood where he grew up, noting the ways his head has changed in the time he’s traveled from there to here. “You can feel that culture when you get here,” says Durant, who signed with the Warriors in 2016 and was last year’s Finals MVP. As a child, he lived off Pennsylvania Avenue, “so you could drive 10 miles from the front of the White House … and you’re gonna run into where I grew up.” He knew where that street in front of his house led, who was living there and what it meant to be the head of state, he says, though he often tuned out all of those civics lessons, along with anything else that was happening off the court.

Kevin Durant waves to fans while holding the NBA Larry O’Brien Championship Trophy through the community that he grew up in Prince George’s County in Maryland.

Ting Shen for The Undefeated

He calls his neighborhood 95 percent black with “80 percent of us living in poverty” and says he was so hell-bent on getting out that he turned a blind eye to the ways people were struggling to make it. It was a part of his soul he kept on ice, and he sometimes wishes he could tell his younger self to open his eyes and offer a little more hope and joy “to people who struggled, the way I struggled.” Because black joy is resistance.

“Just walking around downtown Oakland, just driving around East Oakland, getting to the game every day, you could just tell that somebody fought and died for these streets that we were riding in,” Durant says. Once you know that, you can’t unknow it. Some wonder if that community connection will continue after the Warriors move to San Francisco’s Chase Center for the 2019-20 season. For now, though, Durant is focused on what’s before him: “You can appreciate the people that built this community. And it’s not because of the Warriors, but I think we do a really great job of adding onto something that was already incredible. The Warriors now, especially with the team we have, we are kind of carrying the torch for being the socially conscious team. There are a bunch of guys that just want to start a conversation about how we can be better as a nation, as a community.”


Before every practice or shootaround, the Warriors players gravitate to a group of 20 chairs in a corner of the gym near the weight room. Kerr stands in front of the group and talks about the practice plan, the upcoming schedule and other matters. Unlike most other NBA teams, “other matters” sometimes includes Trump’s latest tweets, the Alabama Senate election or the reign of the late Moammar Gadhafi in Libya.

It’s a little Woke U in front of the TV where they watch game film, a spur-of-the-moment conversation guided by the events of the day and the passions of those who feel like speaking up. They share what they know and bookmark what they don’t for further reading after they change out of practice shorts and shirts.

Kerr is part of a small contingent of white coaches with a reputation for being thoughtful and outspoken about race, politics and social justice. The group includes Spurs coach Gregg Popovich and former Bulls coach Phil Jackson, both of whom Kerr played for, as well as the Pistons’ Stan Van Gundy.

“When I came here, I had a feeling that Coach Kerr was kind of open-minded about everything,” Durant says. “And I heard the organization was that way. But once you get into it and we talk about Trump winning the election before practice and before a game, and if we won a championship, what would happen—that stuff gets your mind thinking about what is going on outside the gym.

“And it has all our minds moving and working. And now I’m just caught up on everything that’s going on in the world. When you’re naive and when you just think about what you’re passionate about and what you love every day, you tend to forget about what is outside. Coming in here gives you a taste of both: your love and passion but also the real world. I love it.”

“There are a bunch of guys that just want to start a conversation about how we can be better as a nation, as a community.”—Kevin Durant

Says West, a two-time All-Star: “Steve and I, when we interact, basketball’s like the last thing we talk about.” For years, without media attention, West has been engaged in his own demonstration during the national anthem. He stands last in line and a foot behind the rest of his team, in silent protest over issues of race, education, infant mortality and black life expectancy.

Before coming to the Warriors as a free agent in 2016, West says, he expected Green to be outspoken and had heard Curry was well-read. But Kerr’s interest in politics and his support of players’ curiosity and engagement was, for West, a revelation. “He just blurts out, like, ‘Morning, fellas, look at this crazy s— going on in Alabama.’ You know what I mean? Just like that, he jumps right out there.”

Golden State Warriors head coach Steve Kerr, left, talks with guard Stephen Curry during the second half of Game 2 of basketball’s NBA Finals against the Cleveland Cavaliers in Oakland, Calif., Sunday, June 4, 2017.

AP Photo/Marcio Jose Sanchez

One day in mid-December, a reporter is sitting with Kerr along the Court One sideline and asks about Democrat Doug Jones’ win in the Alabama special election over Republican Roy Moore, who was accused of sexual misconduct with minors. Kerr starts cautiously, then builds momentum: “I think it’s interesting that it just felt like a moment that we could hold on to some hope. But I don’t want that to sound like a liberal/conservative issue, because it really is not for me. It’s character. And I don’t even know Doug Jones. I just know that he doesn’t molest young girls, and so that’s a victory.”

Against a background of bouncing balls and other ambient gym noise, Kerr begins a small tangent on the fall of the Roman Empire and the dangers of internal decay. The part of him not consumed by basketball is fixated on history and politics, and it’s a focus he encourages in others. “Not only is it important from the standpoint that we’re all citizens and human beings and we should know what’s going on in the world, but it’s also important for the players to have balance in their lives.”

Clearly, though, nothing animates him like gun control, some of which has to do with family history. His father, Malcolm Kerr, was president of the American University of Beirut when he was killed by gunmen in 1984. But Kerr says he’d feel passionately about the issue anyway. It’s insane, he says, “that we can’t come to a place where sensible gun control makes sense to people, that we can just live in a country where 500-plus people can be shot from a hotel room floor and yet the very next government measure is actually to loosen the gun measures.”

“Steve and I, when we interact, basketball’s like the last thing we talk about.”—David West on his relationship with his coach

Kerr says he’s guided by a Popovich expression—by an accident of birth—as in, “By an accident of birth, you’ve lived the life you’ve lived, I’ve lived the life I’ve lived. It’s important for all of us to put ourselves in somebody else’s shoes.” He says his ability to empathize has been shaped by travel and the diversity he’s experienced as a teammate of black and Latino players. “It’s like you’re thrown into this locker room with people who have lived a totally different life and see the world differently from you. It’s incredibly healthy.”

And the guy who hired Kerr? He cosigns it all. “Who am I to tell them what to feel, how to think?” Myers says. “All I would say and what we tell our guys is, educate yourself, try to speak intelligently on something. Research it, try to look at both sides. Then, whatever you’ve gotta say, say it.”


The Warriors have just beaten the Mavericks 112-97 on a December evening, and Iguodala, who finished with two points but a game-high 10 assists, is standing at his locker. He’s talking not about the game but about the past, and the situational awareness he needs for the present and the future.

“I know about people who grew up the way I did, and I know about their struggle and I know about things that are set up for them not to succeed,” says Iguodala, a 14-year veteran who grew up in Springfield, Illinois. This is the way life is set up, he tells his 10-year-old son: “You’re black, you’re an African-American man,” so you’ve got to be aware of your surroundings.

And you have to choose the things you allow into your head. Iguodala has recently reread Ta-Nehisi Coates’ The Beautiful Struggle and has just finished Things Fall Apart, the classic African novel by Chinua Achebe. “I curate everything that comes into my brain,” he says. “Though there’s still some BS in there, like some funny stuff. I’m still fighting that.”

It’s that determined curiosity that distinguishes the Warriors, says Edwards: “What is singular about the Golden State Warriors, and it’s the only thing that you can really ask and legitimately project about a team like Golden State, they’re the greatest, most informed, the most intelligent, the most critically and vitally political of their era.”

It’s an era shaped by images of police shooting citizens, a video canon watched by players, who recognize that their own privilege and relative immunity doesn’t extend to people who look like them, or to anyone else they love. It’s an era in which fundamental national questions we thought had been asked and answered about race and equality are being re-engaged.

It’s also an era in which athletes, especially in the NBA, have both financial power and the ability through social media to connect with millions worldwide. They can hit send without a coach’s or general manager’s permission, or third-party translation. Even Ali couldn’t spread his message without intermediaries.

The times have both framed the issues and compelled the responses. Like the men and women who came before them, the Warriors are responding to what the moment calls for.

Black-athlete activism began with the struggle for legitimacy, then access, then dignity and now power. And those struggles existed in a broader context. You can’t talk about Jackie Robinson and the integration of sports separate from the civil rights movement. You can’t talk about Jim Brown or Arthur Ashe without Black Power. And now you can’t talk about Kaepernick, the national anthem protests or the political levitation of the Golden State Warriors without the frame of the Black Lives Matter movement.

When Green tied a critique of the word “owner” to the history of white men and slave labor, Mavericks owner Mark Cuban called on him to apologize. Green responded by saying, “I don’t expect him to understand. … He don’t know the feeling I get when I turn on the TV and see an unarmed black man got shot by a white police officer.” Those comments instantly became part of the national race conversation.

But that, Kerr says, won’t always be the case. “The inevitable downturn will come,” Kerr says, “and when we’re not winning at such a high rate, maybe there will be a different reaction” to their words, to their positions on social issues and the athlete-activists publicly creating new forms of influence in America.

Kerr says the Warriors don’t spend time thinking about that future or their place in history. Instead, the most woke coach on the most thoughtful team in the history of pro sports encourages his players to meet this standard: Say what you feel, “as long as you’re true to your convictions.”

The history will take care of itself.

This story appears in ESPN The Magazine’s Feb. 5 State of the Black Athlete Issue. Subscribe today!

New York Knicks visit balcony where King was shot Front office, players and coaches call the moment ‘chilling’

Martin Luther King Jr. was staying in Room 306 at the Lorraine Motel in Memphis, Tennessee, on that dismal day of April 4, 1968. He was assassinated on the balcony outside of his room at the place now known as the National Civil Rights Museum.

The day King was killed, the New York Knicks’ front-office power trio of president Steve Mills, general manager Scott Perry and vice president of player development and G League operations Craig Robinson were all in elementary school. But they each have a vivid memory of the sense of loss the world experienced.

Perry, a Detroit native, was only 5 years old.

“I just know that there was sadness in my household. I can remember that. At that young age, it was this deep sadness,” he said.

Mills was 8 years old, but he recalls the sense of loss and his parents and grandmother being in “shock.”

Robinson, the brother of former first lady Michelle Obama, was about 5 years old. He remembers the sadness, but it also was the first time he was introduced to the word “assassination.”

“I also remember it was the first time I had a discussion with my parents about death that wasn’t caused by illness or old age,” he said. “I remember that very clearly because you heard the word ‘assassinated’ and you were like, ‘What does that mean?’ And everybody was sad. It was like the whole neighborhood was sad. It was one of those things, one that you can remember a dark cloud. I don’t remember much, but I remember a dark cloud.”

For the first time, the three men visited the museum with their team, coaching staff and other members of the Knicks organization last week.

And they all got to stand on that balcony where King lost his life while in Memphis advocating for the black struggle.

Private team tours are not new to the museum, established in 1991. But this year, player and team attendance for these tours has increased.

As the world approaches the 50th anniversary of King’s death, known as MLK50, teams are taking the opportunity to treat the private tours as a bonding experience, reflecting on the legacy of King and the civil rights movement.

For Mills, being able to spend time at the museum ahead of the 2018 commemoration was special.

“We had the opportunity, actually, to go out on the balcony, so to end up out there was just incredible. It was very captivating and interesting,” Mills said.

Robinson said that the visit was far more emotional than he’d imagined because it is the location of King’s death and because of the players’ reactions.

“These young guys didn’t grow up thinking about it the way we did, and this was a first event for a lot of the guys,” Robinson said. “And even the guys who had been there before, it had been remodeled and new, and it was interesting talking to them and seeing the disappointment in the way things were. So that was emotional for me, as well, seeing their reaction.”

Mills said Knicks guard Tim Hardaway Jr. was showing his teammates photos he’d taken on his phone a day after the visit.

“He was talking about how important it was for Walt Frazier, who was a very sort of introspective guy who doesn’t talk that much, to hear him talk about his experiences as a team and how they used to go and sit at counters and get arrested,” Mills said.

Walt Frazier and Courtney Lee at the National Civil Rights Museum at the Lorraine Motel in Memphis.

Tom Zweibel

Frazier, a Hall of Famer who played for the Knicks from 1967-77, is the team’s color commentator.

“For our players to hear one of the legendary Knick players talk about those experiences from a personal level, I think that’s what we’re here to do, to try to get these guys connected and understand where they fit. I thought that was a very emotional moment as part of the experience,” Mills added.

Perry called the visit a tremendous learning experience.

“It was a great time for reflection about all the things that had happened in history. And when you leave there, it does really, really give me more of a sense of purpose about trying to do better and serve people.”

The mission of the National Civil Rights Museum is to chronicle key episodes of the American civil rights movement, examine today’s global civil and human rights issues, provoke thoughtful debate and serve as a catalyst for positive change, according to its website. It holds 264 exhibits, including historic collections and interactive pieces.

Knicks forward and team captain Lance Thomas has visited the museum three times, but it was his first time with the Knicks team.

“I think it was amazing, especially for us coming around this time of year,” Thomas said. “It was very powerful. A lot of people know who Dr. Martin Luther King Jr. is but they don’t really know the story of the things that he was a part of and the things that he stood for, and we were very lucky to be able to have that tour and to have that team experience. We saw people locking into reading a lot of the descriptions on the wall. … I think we’ve come a long way, and it’s an unbelievable testament to thriving and pushing for things that you believe in. I feel like if Dr. Martin Luther King Jr. were still alive, he would be proud of the progress that has been made.”

Knicks guard Courtney Lee frequented the museum during his two-season stint with the Memphis Grizzlies. This was his fifth visit.

“It’s always good to go back,” Lee said. “Especially with a different group of guys, with all the foreigners we have on our team, it was some of their first time going. So just seeing their reaction once they learned about how this country was built and the sacrifices that a lot of people made for us to live in equality — their reactions were priceless, pretty much. I can speak volumes to how Martin Luther King helped us out.”

Team veteran Jarrett Jack first visited the Civil Rights Museum when he was 15 years old.

“We had AAU nationals here in Memphis. My mom and dad are both from Louisiana, so they are familiar with the struggles and the rigors of what Dr. King and what men and women were fighting for so long,” Jack said. “They made it a point to take us even at a young age when we probably didn’t appreciate it. They would make us understand the history and kind of turn it into, instead of a basketball fun activity for us, but more of an experience. So this was probably my third time. They allowed us to go out on the balcony, which is where Dr. King had his last moments, and that was kind of chilling just to stand in the spot where he fell.”

The 34-year-old said he understands that although King is usually celebrated once a year, his legacy, his teachings and his many speeches live on daily.

“When you think about it, he’s been dead 50 years. … Five decades. … Half a century, which is a very short time for us to do things like play in the NBA or make whatever you want to do possible,” Jack said.

Visiting the museum was important to Perry because it aligns with the organization’s vision of making sure players are well-rounded.

“Basketball is something that they do as a job, but it doesn’t define them totally as people, and that’s what we want, those guys to really be well-rounded. When they’re done playing basketball, there’s a lot of life hopefully for them. Giving them a chance to experience things like what they experienced [at the museum] can go a long way,” Perry said.

For Robinson, the museum introduces some history that is not traditionally taught in schools.

The Knicks and their management team visited the National Civil Rights Museum at the Lorraine Motel in Memphis.

Tom Zweibel

“We have some foreign players on our team, and I was mentioning to Frank Ntilikina about the wall that has a lot of the black history heroes on,” said Robinson, who was Mills’ teammate at Princeton. “And I was explaining to him how, even for me, I knew who Harriet Tubman was, and I knew who Sojourner Truth was or Frederick Douglass or Dred Scott. But there were like 16 other people there who I’d never heard of. And I was just remarking at how little we get in African-American history growing up in schools. And now it’s more because you have a month now. When we were in school, you didn’t have a month. You had those encyclopedias that were beige, that every black family had, and you would flip through. But [Ntilikina] said, ‘You know, I never had any African history.’ He grew up in Belgium, family is Rwandan, and so here I am like, ‘Man, I didn’t have this,’ and then he tells me he didn’t have anything. Just watching him, that was eye-opening for me.”

The intersection of race, sports and culture exists, and the Knicks’ front office wants to encourage a climate that welcomes conversations around topics that may intrigue players.

“I try to make myself available to talk about all that stuff when they want to talk about it,” Robinson said. “I try not to be sort of editorial with my comments because, first of all, we have a professional relationship, so I don’t want my feelings to be their feelings. But secondly, of course, with my history and my familial relations, I sort of try and keep church and state separate, but whenever they want to talk about something political, I’m always right there to talk about it. And you would probably be surprised by the number of times we talk about that stuff. We have quite a few players who like to engage in what’s going on in the world today.”

Mills agreed with Robinson, saying that the three of them are always open to “answering questions, giving a perspective and letting guys have an opportunity to frame what they’re experiencing and give them some perspective.”

Perry said their doors are always open for issues beyond the players’ profession.

“That’s just how I was raised to be as a person,” he said. “I think one of the broader lessons and the type of culture that we want to have here when you start talking about sports and how it intertwines with society is unification, and that’s what we’re about.”

New documentary shows us that Lorraine Hansberry of ‘A Raisin in the Sun’ was one tough-minded woman ‘Sighted Eyes/Feeling Heart’ portrays a ‘left-wing radical’ who spoke truth to power

Here’s a phrase I bet you thought you’d never read: Be prepared to fangirl over Lorraine Hansberry.

Told ya.

Friday at 9 p.m., PBS is airing Sighted Eyes/Feeling Heart, a documentary on Hansberry, whose life story has been collapsed into a criminally incomplete Black History Month tidbit. She wrote A Raisin in the Sun, and then Sidney Poitier and Ruby Dee starred in the movie adaptation. At some point you watched it in middle school one February and didn’t pay much attention because it was in black and white. Or someone in your class cracked a joke about Poitier always being ashy.

But Hansberry was so much more. As Dee says in an interview in Sighted Eyes, “She seemed to know something about everything. She was a profound thinker.”

Thank goodness for director Tracy Heather Strain, who committed years to research and gathering the funds and archival footage necessary to make Sighted Eyes. The film transforms the memory of Hansberry from that polite woman who wrote one really important play to, as Hansberry’s friend Douglas Turner Ward deemed her, a “left-wing radical.”

I first saw Sighted Eyes at the Toronto International Film Festival last year, and about 20 minutes into it I scribbled in my notebook, “I think I love this woman.”

Hansberry had a wit that would have fit perfectly in today’s times, examining the traps of respectability politics and sending them up. Toward the end of her life, she bought a bucolic compound in a predominantly white area of upstate New York and winkingly named it Chitterling Heights. It was a nod, I think, to the efforts of her father to integrate Chicago’s then-white neighborhood of Woodlawn when she was 7. One of the formative experiences in Hansberry’s life was when a crowd gathered outside the Hansberry house in Woodlawn and someone threw a piece of mortar through their front window that just missed her head. What better way to throw a middle finger to white supremacy than to move into a neighborhood and give your house the blackest name you could think of?

Lorraine Hansberry surrounded by clapping African-American teens at Camp Minisink in upstate New York.

Courtesy of Gin Briggs/Lorraine Hansberry Properties Trust

Let’s not disregard the significance of A Raisin in the Sun. Hansberry crafted a play in 1959 about a family living on the South Side of Chicago that dared to show black people as, well, people and not buffoons, and she wrote it by drawing from her own experiences. But Hansberry was also a fearless agitator for civil rights, a feminist inspired by Simone de Beauvoir’s The Second Sex, which she said “might very well be the most important work of this century,” a nervy woman who had mapped out a plan for her life by the age of 23 and miraculously stuck to it. She was privately queer and unapologetically black, and undoubtedly someone who would have transformed American culture even more had she lived past the age of 34 (she died of pancreatic cancer). Hansberry married Robert Nemiroff, a producer and champion of her work, in 1953. He left his white wife to be with her, and he was so devoted to her and in awe of her that even though they divorced in 1962, Nemiroff publicly served as Hansberry’s beard for many years.

Hansberry began her writing career as a journalist for the black newspaper Freedom, which was founded by Paul Robeson. She began writing about racism, sexism, poverty and imperialism, which caught the negative attention of one J. Edgar Hoover. Even as civil rights agitators were being identified and surveilled by the FBI, they persisted in their work, and Hansberry was one of them.

She bought a bucolic compound in a predominantly white area of upstate New York and winkingly named it Chitterling Heights.

Lorraine Hansberry holds hands and sings with singer Nina Simone and other activists at a pre-benefit gathering for the Student NonViolent Coordinating Committee (SNCC) in June 1963 in the home of activist/singer/actor Theodore Bikel.

Courtesy of Lorraine Hansberry Properties Trust

A group of black activists and artists assembled by James Baldwin to meet with Attorney General Bobby Kennedy included Hansberry, Harry Belafonte and Lena Horne. The May 1963 meeting was meant to pressure the Kennedy administration on civil rights or, at the very least, gain its sympathy.

Baldwin wrote about how frustrating the meeting was because rather than listen to what black Americans were enduring, particularly in the South, Kennedy became defensive, insisting that the Justice Department supported the civil rights movement. There was an undercurrent to his words intimating that those gathered who did not agree with him were ungrateful for the administration’s (frankly, rather meager) efforts.

Jerome Smith, a CORE activist who had been attacked and thrown in jail for protesting in Mississippi, bitterly recounted his experiences and refused to dress them up for the attorney general. He decried the Justice Department’s lack of action as activists were being beaten, arrested or worse.

“Mr. Kennedy, I want you to understand I don’t care anything about you and your brother,” Smith said. “I don’t know what I’m doing here, listening to all this cocktail party patter.”

Hansberry also refused to cower before the face of the American government. She didn’t worry about alienating what the group hoped could be its most powerful ally. Instead, Sighted Eyes recounts, she, too, gave Kennedy a piece of her mind.

“You’ve got a great many very, very accomplished people in this room, Mr. Attorney General,” Hansberry told Kennedy. “But the only man who should be listened to is that man over there,” she said, referring to Smith.

“I don’t know what I’m doing here, listening to all this cocktail party patter.”

Sighted Eyes is part of a trifecta of recent documentaries that have given us colorful new insights into the lives of those we often see in black and white. With What Happened, Miss Simone? and I Am Not Your Negro, about Baldwin, directors Raoul Peck and Liz Garbus produced chapters of an anthology about black intellectuals and artists who were contemporaries and friends. These directors give us insight into how the lives of Hansberry, Baldwin and Simone bled into each other, how their friendships provided solace and comfort to each other, how they lived as members of a community and not just as singular figures. They come alive.

Hansberry’s experiences, often told in her own words, come to life in Sighted Eyes thanks to voiceover from actress Anika Noni Rose reading from Hansberry’s journals and other archival material.

Strain, an experienced documentary filmmaker (I’ll Make Me a World, Race: The Power of an Illusion) and professor at Northeastern University became interested in Hansberry after seeing a community theater production of Hansberry’s play To Be Young, Gifted and Black in Harrisburg, Pennsylvania. The play, assembled from Hansberry’s own words after her death, shares its name with the Nina Simone song, which Hansberry inspired Simone to write.

With Sighted Eyes/Feeling Heart, Strain has created a portrait of Hansberry that’s as complete and well-rounded as the portrait of black family life that Hansberry captured in A Raisin in the Sun. In doing so, she’s transformed Hansberry from more than just a pretty young playwright who died tragically young. She’s rightfully preserved her place in American history.

Martin Luther King Jr. led civil rights movement, but millions of everyday folks had to follow And other generations of unnamed and unsung people bore the burden before him

Today we honor Martin Luther King Jr.

Born on this date in 1929, Martin was a towering figure. There is no way to tell America’s story without stopping to read the chapters the 1964 Nobel Peace Prize winner helped write. Before Martin was assassinated in 1968, the modern civil rights moment he led waved the American flag in a most majestic way.

With his marches and protests, and the eloquence of his words, he helped America take halting steps toward becoming the nation promised in Thomas Jefferson’s Declaration of Independence: “We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable rights; that among these are Life, Liberty, and the pursuit of Happiness.”

We could talk about Martin all day today and write about him all night tomorrow and still only scratch the surface of his significance to America and to the world.

But as we stop to honor Martin, let’s also remember all the unnamed and unsung people, the little people, who went before Martin. They bore the lash. They wore the chains. They ran away from bondage.

Later, others marched with Martin, a mighty wind at his back. They prayed with him and for him. They made small contributions at their houses of worship to further Martin’s cause, the cause of freedom.

They inked the protest placards. They stood against the blasts of the water hoses, their spirits unbowed. They endured the dog bites and the blows of the clubs, the assaults upon their humanity. They went to jail.

And when the night grew darkest, they sang triumphant songs, illuminating a brighter future:

“Ain’t gonna let nobody turn me around
Turn me around, turn me around
Ain’t gonna let nobody turn me around
Keep on a-walkin’, keep on a-talkin’
Gonna build a brand new world …”

Martin and the little people saw that brand new world coming. And because of their strength, courage and determination, more and more of us live in that world. It’s a world that no longer spins upon an axis of white supremacy, no matter how many wish that it still did.

The new world scares some people, scares them so much that they seek to retreat into a mythical past, a time when they imagine that America was greater just because the number of different kinds of people who had to be respected as citizens and as human beings was smaller, by law and by tradition.

Laws and traditions come and go.

But the moral truths endure, and the giants who championed them live on in the spirit of a changing nation. On his birthday, let’s remember that Martin lives in the lives of every American who is willing to celebrate the here and now while fighting for a better tomorrow. On Monday, let’s remember one of the giants of American history. But let’s honor the little people, unnamed yet unbowed, unknown yet undefeated.

This is their day too.

In Memphis, the changing legacies of Elvis and Martin Luther King Jr. The city loved the singer but struggled for years to honor the man who was killed at the Lorraine Motel

I didn’t know the two white men. And if they knew of me, it was only because I was the newest black reporter at the morning newspaper in Memphis, Tennessee, the city where Elvis Presley grew up and Martin Luther King Jr. died.

“Well,” one of the men said as I entered the men’s room, “if they are going to have a national holiday for him [Martin Luther King Jr.], they should have one for Elvis too.” The men looked stricken when I entered the room, as if hearing their conversation would cause me to judge them, the newspaper, the South …

I looked away.

I didn’t want to seem to judge or scorn them with my eyes. Besides, even as a struggling young reporter, I’d learned to look for meaning in people’s speech that went beyond the words they spoke. And in the man’s tone, I’d heard a reverence for the supposed “King of Rock ‘n’ Roll” and not disdain for the slain civil rights leader who’d been assassinated in Memphis in 1968.

For many outside of Memphis, Elvis was the ultimate appropriator of black culture: a continuation of the white King of Jazz (Paul Whiteman) and the white King of Swing (Benny Goodman), a forerunner of the supposed white kings of rap (Eminem and Vanilla Ice), pretenders whose claims to their respective thrones melted into pools of absurdity.

But during his rise to stardom in the 1950s, Elvis had been a majestic talent: an electrifying singer and performer. In his 1960s movies, which were usually formulaic showcases for his talents, Elvis exemplified a boy’s idea of a cool man. He drove fast cars, he chased pretty women and he knocked bad guys out with deft blows. And he was beautiful, just as Sam Cooke and Ray Charles were. Like them, Elvis’ voice and life straddled Saturday night and Sunday morning, the secular and divine.

More important to many in Memphis, Elvis, a native of Mississippi, was a Southern man who’d come home again and stayed there. His generosity among the locals was legendary. People proudly wore the jewelry he’d given them. They drove the Cadillacs he’d given them too.

On Sundays, Memphis radio stations played Elvis’ gospel music, for which he won his only three Grammys. He’d died in 1977. He was just 42, and in the early 1980s in Memphis, many were still trying to come to grips with his death.

Meanwhile, in the early 1980s, Memphis had come to grips with Martin’s death in one place in a disdainful way: at the Lorraine Motel, where the civil rights leader had stayed before his assassination. Martin’s room was marked by a few pastel ribbons and little else. I continue to be haunted by the mournful breeze I saw stirring the fraying ribbons.

I’d gone to the sagging motel to interview Margaret Walker, who regaled me with stories about the racism and the sexism she’d had to overcome to produce poems such as For My People.

Walker was staying in a room just a few doors down from where Martin had stayed in the hours before an assassin’s bullet claimed his life on April 4, 1968. When I walked by Martin’s last room, I saw a black woman sitting on the bed in another motel room a few feet away. A white man was putting on his suit or taking it off. This was in the middle of the day.

A lot has changed since then. Since 1991, the former Lorraine Motel is a part of the National Civil Rights Museum. In the early 1980s, Memphis largely neglected Beale Street and its blues heritage. Today, Memphis and a revitalized Beale Street celebrate the blues.

Furthermore, Memphis has had black mayors. Birmingham and Selma, Alabama, have too, circumstances that would not have been possible without the crusade that Martin led.

Indeed, the powerhouse football programs at Alabama and Georgia, which will be on display in the national championship game Monday night in Atlanta, wouldn’t be possible without the modern civil rights movement either. So many of the teams’ key players are black. Neither football program was integrated before 1971.

Today, people all around the world will mark what would have been Elvis’ 83rd birthday. They will sing his greatest hits. They will watch his movies. And those who knew him will tell stories about what made the man special.

Next Monday, Martin will be remembered too. He led a movement for equality, justice and peace that didn’t start with him and won’t end with us. In the darkest hour, Martin said, light a candle. When what he called the mountain of despair loomed highest, he said, pluck a stone of hope from that mountain.

In 1983, President Ronald Reagan signed a measure making the third Monday in the year a federal holiday. The holiday began to be observed three years later. And this year, the national King observance falls on what would have been Martin’s 89th birthday.

In some ways, the ritualized ways we remember Martin, including the replays of his most famous speeches and sermons, his greatest hits, have become a kind of forgetting, not of Martin but of our shared responsibility to help make America a better country and the world a better place.

So it won’t be what any one of us does next Monday, but it will be what we can come together to do next Tuesday and beyond that will honor Martin. During his life, he was an American and world leader. He challenged his country to live up to its highest ideals.

And his words, deeds and example challenge each of us, now and always, to find ways to further that noble cause.

Recy Taylor, subject of new documentary about the rape of black women during Jim Crow, has died 97-year-old was at a nursing home in the same Alabama town where she had been attacked

Recy Taylor, the subject of the new documentary The Rape of Recy Taylor, died Thursday morning at a nursing home in Abbeville, Alabama. She was 97.

Her brother Robert Lee Corbitt, 81, confirmed her death.

‘The Rape of Recy Taylor’ explores the little-known terror campaign against black women

Taylor was one of countless black women who were raped by white men during Jim Crow. In 1944, when she was walking home from church one evening, she was kidnapped, blindfolded and assaulted by six white men. Rosa Parks, working as a local NAACP official, came to Abbeville to agitate for the prosecution of Taylor’s attackers. None of them was ever indicted.

In addition to being the subject of the Nancy Buirski documentary, which debuted this year at the New York Film Festival, Taylor was a central figure in a book by historian Danielle McGuire, At the Dark End of the Street: Black Women, Rape, and Resistance — A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power. McGuire’s book traces how anti-rape activism in the South helped fuel the civil rights movement.

After the attack, Taylor spent most of her adult years in Winter Haven, Florida. Her family moved her back to Abbeville when she was 93 because she began to suffer from dementia.

“She was a Christian all of her life,” Corbitt said by phone Thursday afternoon. “She kept us in church all that time. I live about 500 feet from the church where she was going that night, and I’m also a deacon of that church.”

The church, which in 1944 was called Abbeville Holiness Church, is now called Abbeville Memorial Church of God in Christ.

Taylor raised Corbitt and five other brothers and sisters after their mother died when Corbitt was an infant. She is survived by Corbitt and her two remaining sisters, Mary Murry, 90, and Lillie Kinsey, 94, one granddaughter and several great-grandchildren. Her only daughter, Joyce Lee Taylor, died in a car crash in 1967.

Taylor, Corbitt said, “had a very good life,” but she never recovered emotionally from the attack that took place when she was just 24 years old.

After he retired from working as a building maintenance official in New York, Corbitt said he moved back to Alabama to research what happened to his sister and attempt to obtain some measure of justice for her. Corbitt is one of the primary sources for Buirski’s film. Though she was alive during its filming, Taylor only appears near the end, when Corbitt, whom she called “Baby,” went to visit her in her nursing home.

“She would only talk to me,” Corbitt said. “That’s why I dug at it so hard. After I retired, I devoted myself to getting something done about it. We did get an apology from the state of Alabama.”

Memphis Grizzlies honor civil rights movement and Martin Luther King Jr. with new Nike uniform Front-office execs discuss the ‘I Am a Man’-inspired look in our exclusive interview

The NBA’s most meaningful uniform of the season honors the civil rights movement, an iconic slogan, and one of the era’s most fearless, Martin Luther King Jr.

On Friday, the Memphis Grizzlies announce the release of its MLK50 City Edition uniform. The new look marks the fourth and final installment of the series of uniforms presented to all 30 NBA teams by Nike in the company’s first season as the league’s official apparel provider. Nike’s Association and Icon uniforms follow the traditional home and away concept. The Statement uniforms (for example, Golden State’s “The Town” jerseys) are geared to styling big games and rivalries, while the City uniforms, which have yet to be fully released across the league, draw inspiration from each team’s community.

Memphis, Tennessee’s, version of the City uniform honors the 50 years that have passed since the Memphis sanitation workers’ strike for racial, social and economic justice. The movement was sparked by the deaths of two workers, Echol Cole and Robert Walker, who were killed by a malfunctioning garbage truck on Feb. 1, 1968. The strike brought King to Memphis, where he was assassinated on the balcony outside of his room at the Lorraine Hotel, the very day after delivering his now timeless “I’ve Been to the Mountaintop” speech.

The stark and subtly designed black-and-white uniform, with an underlined wordmark, draws inspiration from the “I Am a Man” slogan, which served as a powerful rallying cry in bold lettering on protest signs wielded during strike marches. The Grizzlies will debut the jerseys on the court in a nationally televised home Martin Luther King Jr. Day matchup against the Los Angeles Lakers, set for Jan. 15, 2018. The team is also scheduled to wear them on April 4, 2018, in support of the National Civil Rights Museum’s (located at the Lorraine Motel) remembrance of the 50th anniversary of assassination of King.

The Undefeated spoke with Grizzlies president of business operations Jason Wexler, as well as John Pugliese, the team’s vice president of brand, content marketing, broadcast and communications, about the process of bringing the tribute to life.


How did the idea come about — to honor the 1968 sanitation workers’ strike?

Wexler: As there’s been greater flexibility in uniform design over the years. And, locally as we approach the 50-year anniversary of MLK’s death, we felt that maybe there was an opportunity in the lead-up to express the history of how we got here. The difficult thing was the uniform design would have to be 100 percent spot-on to be completely respectful, and completely understanding of the magnitude of the history we’re trying to bring awareness to. We were committed going into it, that if the design wasn’t spot-on, respectful and understanding, we weren’t going to do it unless we could get the design perfect. We really commend the designers at Nike for coming through.

When did the Nike design process begin, and how hands-on was the Grizzlies organization?

Wexler: We understand the importance of MLK Day, and the anniversary of his death being [at its] the 50th year in Memphis. So we really gave Nike a lot of background with regard to what we’ve done with the museum. We shared with them what our intentions were from the organization for this year, and the things we want to recognize. They were able to look at that, combined with their take on the history of Memphis. It was really a great partnership in terms of design, and part of that is fueled by the fact that Memphis is the second-biggest Nike city in the country. Their North American Logistics Center is here, so their design was really motivated both by the history, and Nike’s physical presence, and civic presence, in our community.

 

The Grizzlies will debut the jerseys in a nationally televised home Martin Luther King Jr. Day matchup against the Los Angeles Lakers on Jan. 15, 2018.

Why the ‘I Am a Man’ sign?

Wexler: When you look back to the history of what led to April 4, 1968, it came from the sanitation workers’ strike, and those signs are the most iconic image of the strike. And the church, Clayborn Temple, where the strikers organized, and marched from is literally across the street from FedEx Forum. The Civil Rights Museum is four blocks away. We’re in their backyard. So when we were looking for design inspiration and we look back to that moment in time, that’s the most iconic image.

Getty Images

One thing that really struck me about it, too, is last year when the team was doing a tour of the National Civil Rights Museum, Elliot Perry, one of our owners, who does radio commentary, and player support with respect to player initiatives in the community … he was leading this tour and he points to a person in the photo, and goes, ‘This is my grandfather.’ So this is somebody we know, and work with every day. In this city, this is a very much so alive connection. It’s history but it’s not ancient history. It’s history that’s very present among us daily with the people who are in … Memphis. We’re not looking back so far — we’re looking within ourselves to try and find the right inspiration.

Was the plan always to keep the uniform simple, like the ‘I Am a Man’ sign?

Wexler: Once you decide on the sign as the design influence, it’s so powerful in and of itself, and the starkness of it is so powerful. You look at all the photos of the era, and they’re all pretty much black-and-white photos. You see all these incredibly dignified people leading marches dressed in their dark suits and ties, and it’s inherently a somber moment and event. To sit there and try to dress that up or add flair or pizzazz to it would just do a disservice. If we could not get the tone and aesthetic exactly right on this, we weren’t going to do it. And I think part of the tone and aesthetic was appreciating the inherent seriousness of the subject matter and being respectful of that.

“The uniform design would have to be 100 percent spot-on to be completely respectful, and completely understanding of the magnitude of the history we’re trying to bring awareness to.”

What’s the significance of the use of blue on the mostly black and white uniform?

Pugliese: We utilized Beale Street Blue accents on the both logos in the waistline and the collar on the back. The reason why we wanted to use Beale Street Blue was to highlight location. Our address is 191 Beale St., and Clayborn Temple, where all the protest started, is adjacent to us, right next door, we’re in their backyard. And Beale Street is also the site of the new I Am a Man Plaza opening in April 2018.

Do you remember seeing the final design of the uniform for the first time? What was going through your mind?

Wexler: You go through a fair number of uniform iterations in the course of design, but when we pulled up the screenshot of the jersey, with Memphis in that same block font that everyone here knows and that single underline, you look at it and go, ‘This … captures what we’re trying to do in bringing recognition and awareness to the history here.’ It draws a direct … respectful and purposeful correlation … it was just clear that it worked. Once we landed on that design, the amount of refinement was nominal. The designers really got it.

Pugliese: It’s respectful and powerful together. And it was really the starkness of the wordmark, and how it was treated. When we saw it, we were all taken aback, and knew we had something special.

How did the Grizzlies players react to the design of City Edition uniform?

Pugliese: A few players have seen it, and they got it right away … especially the ones who have been here for a while. They’ve been part of this community, seen the work that we’ve done in partnership with the museum … they immediately got it and loved it … Mike Conley, first and foremost, who’s been here for his entire career, saw it and understood it.

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Wexler: Mike’s understanding of MLK Day … we put on an entire weekend of events, discussions and conversations in and around the game, and Mike has always been a part of that. He knows that imagery as being so immediately recognizable.

“It’s history but it’s not ancient history. It’s history that’s very present among us daily with the people … in Memphis.”

How often will the Grizzlies be wearing this uniform?

Pugliese: There are two key dates. We will debut it on Martin Luther King Day and end on the anniversary of his assassination. But we’ll wear it a few other dates, also. We want to tell the story throughout that entire date range.

How important is this uniform — with regard to the legacy of MLK, and the civil rights movement — in the city of Memphis?

Wexler: Emerging out of the remembrance of Dr. King, we are trying to bring awareness and attention … As the Grizzlies, what we can do is use our megaphone and our platform to make sure that everybody locally, nationally and globally understands what the history is, and bring attention to the National Civil Rights Museum, which has done a remarkable job of documenting that history.

And [it’s about] what we refer to as a ‘call to reflection’: ‘Where do we go from here?’ The ‘I Am a Man’ slogan is bigger than just a uniform, hence why it was inspiration and not a literal translation onto the uniform. We’re not trying to be the interpreters of what that slogan means to the city, we’re just trying to bring awareness and reflection, and let other people make those decisions.