Venus and Serena Williams: from Compton to the world By changing how the world views black women, they’ve changed everything

It’s really just a makeshift dance floor in a small hotel conference room.

But then a song — some might consider it the Black People’s Party Anthem — drops and everyone falls in line, moving, shaking and, yes, wobbling to the beat of V.I.C.’s 2008 “Wobble,” a song that hasn’t vanished from many black family gatherings, even after a decade. Everyone moves to the beat, celebrating, as if a couple has just jumped a broom.

At the center of this dance-happy moment is Venus Williams. She’s at her most comfortable, dressed in a look from her own athleisure line, EleVen by Venus, and surrounded by family members. For a night, anyway, she gets to just be Venus — instead of “Venus Williams,” who as a burgeoning star tennis player made her Australian Open debut in 1998, playing her baby sister, Serena, in a professional match for the first time at that tournament.

That was the Venus Williams who rocked freshly oiled cornrows adorned with blue and white beads that shook something fierce every time she whacked what became her signature serve return in the direction of Serena Williams, whose own cornrows were bright with green and white beads. This was the Venus Williams who, along with Serena, demonstrated early dominance and took center stage in one of the most stridently white of professional sports. Tennis, a game of rackets and stretched nets, that at times is played in the world’s most stridently white spaces.

But when “Wobble” was on? The revolutionary “Venus Williams” was just Venus — a woman with a mean body roll and a swag surf that dropped so low, gravity was no match for all 6 feet, 1 inch of her very recognizable frame.


Before the holidays, both Venus and her superstar sister sat on a panel to discuss violence in the inner city. A poignant and effective conversation, it reminded everyone at the December 2017 “A Family Affair” that these two beautiful brown women who have both helped change how we consume pop culture — and yes, tennis — aren’t immune to the harsh realities and social justice issues of American “inner” cities.

After all, they both hail from Compton, California — the birthplace of Kendrick Lamar, and the now-gentrifying city that Ice Cube, Eazy-E and Dr. Dre helped make infamous via their provocative supergroup N.W.A. Compton is the city that took the life of their sister, Yetunde Price, who was killed on Sept. 14, 2003, at the age of 31. She was the victim of a drive-by shooting.

But now the Venus Ebony Starr Williams who we all know best is back. And she’s ready to take the place of her rightful throne at the 2018 Australian Open. Serena Williams, a newlywed and new mom to baby Alexis Olympia, is still waiting for what her big return might be. But at the very least — which, certainly is the very most — we get to welcome back half of the duo who helped to change the pop culture game. And Lord, are we ever ready.


Both Venus and Serena Williams have challenged traditional global beauty standards — by simply being.

In 2015, a hater tweeted that Serena Williams was “built like a man.” It was a tweet heard round the world. That affected us all. It insulted us all. Then Harry Potter creator J.K. Rowling shut it down by posting a photo of Serena Williams in a slim-fitting red dress with the text: “She is built like a man. Yeah, my husband looks just like this in a dress. You’re an idiot.”

A year earlier, the president of the Russian Tennis Federation, Shamil Tarpischev, called the tennis legends the “Williams brothers” and said, “It’s scary when you really look at them.” Insulting. The ensuing clapback was mighty too. Tarpischev was fined $25,000 and banned for a year, and Serena Williams called him out for being sexist and racist.

That insult penetrated, though. Throughout history, black female bodies have been both sexualized and besmirched. But the Williams sisters, via presence and practice, have turned any negative black woman body image trope on its head. They create and embrace their chiseled, athletic shapes and flaunt their world championship bodies in public arenas, draped in silks and jewels, in the coolest sneakers, in disruptively fashion-forward tennis “whites.” They continue to shock the world.

Both Venus and Serena Williams have challenged traditional global beauty standards — by simply being.

There are some who are afraid of the Williams sisters’ dominance, confidence and beauty. They both have a similar dark brown hue and features that read very the Motherland. They look like so many woman around the world do. Their hairstyles over the years have transformed as ours have — from little-girl cornrows to micro braids to tree braids to sew-ins with wavy tracks to just a simple hot comb and flat iron of natural hair, at times, brushed back into a bun. So much of this black girl beauty used to be hidden. Right now, at this moment, it’s on the cover of Vogue.

But perhaps the most amazing Williams sisters moment came in April 2016 when Serena made a surprise appearance in Beyoncé’s HBO special Lemonade, which itself turned out to be a surprise album. In “Sorry,” we see Serena (to the tune of close to 250 million views) displaying a not-so-secret talent of hers as she dances and twerks alongside the Bey, who is sprawled across a throne, declaring in a casually aggressive way that she, in fact, is not sorry for the ill behavior of an untrustworthy lover. Beyoncé is queen — and Serena is equally regal.

But perhaps the sisters’ biggest contribution to the culture is just by being excellent, and expanding our horizons through their excellence. The Williams sisters represent us. They make us strong.

Serena Williams and daughter Alexis Olympia grace the cover of ‘Vogue’ magazine The tennis icon and her baby girl have taken mommy and me to the next level

The greatest of all time has done it again! Serena Williams may not be heading to the Aussie Open to win another Grand Slam title, but she has given us the gift of another amazing Vogue magazine cover — and this time baby Alexis Olympia has joined her!

The tennis star gave the magazine exclusive access to her stunning November 2017 wedding to husband Alexis Ohanian. Now the couple’s beautiful baby girl is making her debut, and she’s already got her smize game down pat!

The cover photo, which was shot by Mario Testino, shows Williams in a red dress with a simple sweetheart neckline, gold accessories and her massive engagement ring. Meanwhile, baby Alexis is serving up onesie realness.

In the accompanying article, Williams discusses motherhood, marriage and what’s next in her already phenomenal career, and she doesn’t mince words: There are more wins on the way.

“Maybe this goes without saying, but it needs to be said in a powerful way: I absolutely want more Grand Slams,” Williams says.

She also plans on teaching her daughter the secrets of black girl magic:

“Women are sometimes taught not to dream as big as men. I’m so glad I had a daughter. I want to teach her that there are no limits.”

Besides adorable mommy and me shots, the issue contains gorgeous flicks of Williams and her husband in full marital bliss, and others of the tennis star with her family looking very pajama party chic.

Vogue magazine has started the year off strong with black women gracing the covers of both the January and February issues. Last month, actress Lupita Nyong’o kicked off 2018 with her cover.

Check out the full article and stunning photos on Vogue.com.

These women are representing for black female magic They are on the rise and shining bright in new positions and/or new honors

It’s completely true. Numbers don’t lie, even if they can stretch the truth. The data floating around in recent studies show that leadership roles for black women in large companies are pathetically low. Since Ursula Burns’ departure from her post as CEO of Xerox in late 2016, no black women have stepped in to head any Fortune 500 companies.

According to The Huffington Post, consulting firm McKinsey & Company and LeanIn.org, the nonprofit women’s leadership organization founded by Facebook chief operating officer Sheryl Sandberg, revealed a study that shows that women of color (defined as black, Asian or Hispanic) “make up just 3 percent of executives in 132 North American companies surveyed … including JPMorgan Chase, Procter & Gamble, General Motors and Facebook.” Yet, these women make up 20 percent of the U.S. population.

But this is not going to be the place to pull out a “woe is me” card or bemoan the plight of women of color. Despite the numbers, there are some black women leading the way and continuing to soar in their careers.

Take a peek through the clouds as The Undefeated recognizes these amazing women for their achievements.


Zadie Smith

Novelist Zadie Smith

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Zadie Smith will receive the Langston Hughes Medal from the City College of New York on Nov. 16 at the Langston Hughes Festival. The novelist, essayist and professor of creative writing at New York University is being honored for her body of work.

Rosalind Brewer

Rosalind Brewer

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Starbucks has a new shining star. Rosalind Brewer is now the COO of Starbucks and remains on the company’s board of directors. Brewer is used to running things. She was formerly the president and CEO of Sam’s Club. “Starbucks is a culture-first company focused on performance and Roz is a world-class operator and executive who embodies the values of Starbucks,” Kevin Johnson, Starbucks’ president and CEO, said in a statement.

Police Chiefs of North Carolina

North Carolina is in the history books. For the first time in the state’s history, it has six black female police chiefs. Raleigh’s Cassandra Deck-Brown heads Raleigh, Durham has C.J. Davis, Morrisville has Patrice Andrews and Fayetteville has Gina Hawkins. Catrina Thompson is the chief of police in Winston-Salem, and Patricia Norris is the director and chief of police for Winston-Salem State University.

Natasha Trethewey

Natasha Trethewey

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Natasha Trethewey, Board of Trustees Professor of English at Northwestern University in Evanston, Illinois, has been selected to receive the Heinz Award in the Arts and Humanities. Teresa Heinz, the chair of the Heinz Family Foundation, described Trethewey’s writing as captivating, powerful and fearless. “We honor her not only for her body of work but for her contributions as a teacher and mentor dedicated to inspiring the next generation of writers,” Heinz said.

Rhiannon Giddens

Rhiannon Giddens

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North Carolina native Rhiannon Giddens is a triple threat in the world of music. She has a sultry voice that gives contemporary folk music a taste of the blues. Giddens is the lead singer, violinist and banjo player for Grammy-award winning band Carolina Chocolate Drops. The 39-year-old recently won the Steve Martin Prize for Excellence in Banjo and Bluegrass, becoming the first woman and African-American to win the prize of $50,000.

Simone Askew

Cadet Simone Askew.

Cadet Simone Askew of Fairfax, Virginia, has extended her black woman magic by becoming the first African-American woman to serve as first captain of the Corps of Cadets, the top position in the chain of command at the U.S. Military Academy at West Point.

Katherine G. Johnson

NASA mathematician Katherine Johnson (second from left).

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Katherine G. Johnson’s name keeps shining. A new computational facility at the NASA Langley Research Center has been named after the “human computer” for her work at NASA Langley during the seminal U.S. spaceflights in the 1960s. Johnson now 99 years old, is a phenomenal mathematician and one of the leading characters to find the light of recognition in the movie Hidden Figures. “I liked what I was doing, I liked work,” said Johnson.

Krystal Clark

Krystal Clark

Krystal Clark has been named the first black president of the 96-year-old Junior League of Nashville. The 34-year-old is the director of the Office of Student Leadership Development at Vanderbilt University.