LOS ANGELES (AP) The Latest on NBA All-Star Saturday (all times local):
Some of the best former and current NBA players are noshing on some of the best sushi in Los Angeles — right now. Verizon took over longtime L.A. hot spot Katsuya Friday afternoon so fans could mingle with ballers like brand-new Cleveland Cavalier Larry Nance Jr., Baron Davis, Boston Celtics champion/analyst Brian Scalabrine and more. A jovial crowd enjoyed yellowtail with jalepeños, veggie tempura, rock shrimp, beef sliders — and an open bar. Even ESPN host Stephen A. Smith stopped by the Verizon Up event, which will be taking place all weekend. It’s a smart hangout spot: Close to Staples Center, and it puts fans just a spicy tuna roll away from All-Stars.
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LOS ANGELES — Five-week-old Skyler was sound asleep, being passed from arm to arm between his mother, Erika Kinyon, and basketball legend and NBA Cares Ambassador Dikembe Mutombo. The infant stretched out his arms, nestled perfectly in the hands of the popular 7-footer, who says he loves giving his time to children and family in communities.
Skyler slept through the 90-minute visit of NBA players and WNBA players on Thursday at the Children’s Hospital Los Angeles (CHLA) where he is a patient. But his parents know it’s a memory that will last forever, one recorded with photos the family can share with friends and loved ones.
“It’s very special for us,” Kinyon said. “He’s sleeping through the whole thing, so it’s something just for us parents, because we’ve been living in the same small room for weeks. We don’t get out much, and we don’t see other people much except for doctors or nurses all the time. It’s just a blessing to even be around other people. It’s just really special.”
NBA Cares is living up to its name by sharing the gift of caring. As part of the NBA’s Los Angeles All-Star community efforts, members of the NBA family spent part of their day with young patients at CHLA, the first and largest pediatric hospital in Southern California.
Kyrie Irving, John Wall, Draymond Green, Detlef Schrempf, Bradley Beal, John Wall and NBA Cares Ambassadors Dikembe Mutombo, Jason Collins and Swin Cash were on hand to create memories for children and families at the hospital, which helps their patients more than 528,000 times each year.
Joined by baby Skyler was 18-year-old Ariel Aramnia. The Los Angeles native has been a patient at CHLA since Jan. 3 and, with a glowing smile, said, “It’s been a fun day. It means a lot that the NBA players, especially the All-Stars, could take some time out of the day and hang out with the kids and talk to them.”
As Green entered the room, he immediately gravitated toward 17-year-old Shadi Hawatamh, who is a huge basketball fan. Claiming the Los Angeles Lakers as his favorite team, he eagerly fired off basketball questions for the Golden State Warriors All-Star.
“It’s just nice to get to meet the players I never really got to meet before. It’s nice having to talk to them and see what their story is behind basketball,” Hawatamh said.
Green, impressed by the conversation, said giving back means everything to him.
“We all know L.A. for the glitz and glamour, but there is so much more outside of Hollywood going on in L.A. that most people don’t see,” Green said. “Just to be able to give back to the community and shed light in their lives is a great honor and a pleasure, something I always look forward to doing. So many times you’re ripping and running doing events for this and doing events for that, but when you get to put a smile on someone’s face is what means the most to me.”
WNBA legend Cash cheered on a young child playing basketball on a mini-goal while Mutombo encouraged others in the room with his charm. Irving was a child and family favorite. He spent his time giving high-fives and taking photos with children and their families.
CHLA’s mission is to “create hope and build healthier futures.” Founded in 1901, the hospital takes great pride in “transforming a community in support of the health of children.”
A sunny L.A. day during NBA All-Star Weekend extends far past the on-court exhibition game. The midseason break provides the opportunity for participants to go into the community of the host city and share their time with those who may not attend the festivities. NBA Cares will host community events throughout NBA All Star Weekend.
LOS ANGELES — “MAM-BA! MAM-BA! MAM-BA!” The massive crowd at Nike’s Makers Headquarters — the site of the brand’s activation during 2018 NBA All-Star Weekend — willed Kobe Bryant to spend 20 minutes chatting about his 20-year NBA career, his newfound love for filmmaking, and what he means to culture as a “maker of the game.” After loud and continuous chants, the Black Mamba, aka the now-retired Kobe Bryant, emerged onto the hardwood, 673 days after his final game in the purple and gold, and 59 days after both jerseys he wore in his career, No. 8 and No. 24, rose to the rafters at the Staples Center — the host arena of this year’s All-Star Game.
Wearing all-black, and a pair of his camouflage UNDEFEATED x Nike Zoom Kobe 1 Protros, Bryant took a seat next to ESPN’s Jalen Rose, who led the Q&A. These are the best moments from Thursday’s conversation:
1. On his 2016 60-point performance in the final game of his career:
I was tired as heck. It’s one of those things. When you know it’s the last game, you have to literally leave it all out there. It’s a familiar position to be in for me, because when you’re running a track, when you’re working out and doing these things — I had like my last lap to run … You feel like you don’t have the legs anymore, like you literally can’t move anymore, but you do. You keep going. And you finish it, and you realize, you’re OK. So I drew from that. Because during that game, I couldn’t feel my legs, and it I felt like it was that last lap on the track for me. I just continued to run.
2. On his 81-point game against the Toronto Raptors in 2006:
That Toronto game, there was a calmness to it. Like a stillness. Nothing mattered to me other than what was right in front of me. It wasn’t anybody in the crowd, or what an opponent may say or do. It was just about the play right in front of me, and I was able to … maintain that throughout.
3. On his who’s the greatest — him or LeBron James:
That’s a question? .. is that a question? Listen, everybody has their own way of measuring things, you know what I’m saying? My mentality is I never waste my time arguing things that I definitively cannot win. So I don’t waste my time even debating that kind of stuff. Because for every argument somebody makes for me being the best, there’s always somebody who makes an argument for LeBron being the best, or Jordan, or whoever. So I tend to focus on things that I can win definitively. If I can’t win definitively, I’m not gonna waste my energy on it.
4. On dunking on Steve Nash in
Well, I never really thought that was a big deal, because Steve’s like 5-10 … You’ve got players now who are jumping over 7-footers. I was able to catch Steve … but it meant a lot, though, because it felt good to win in Phoenix … we hated those guys. We felt like they were so arrogant. It was always like, ‘We could beat you guys any time we want.’ That sort of thing … but Steve is a nice guy. When we started playing together, I said, ‘Steve, you’re genuinely a nice guy.’
5. On his Oscar-nominated short film Dear Basketball:
Just like in sports, where you have an opportunity to play with great teammates … working with Glen Keane, working with John Williams — one of the greatest animators of all time, one of the greatest composers of all time — enhances things. It’s just all about the team, the group that you have working together. We really believed in the project. We believed in the core of the story, and wound up creating something that the academy deemed worthy for a nomination.
6. On the love and passion he has for production:
That’s the trick … finding something that you truly love … because there’s gonna be times where things are really, really hard. Physically, mentally, it takes its toll. If you don’t truly love it, you won’t get up that day and work. You’ll roll over and go back to sleep. You have to find something that you truly love, and if you find that thing, you don’t have to convince yourself to work hard. You just do it, because you’d rather be there than any place else. And I was fortunate enough to find that in basketball, and fortunate enough to find that in storytelling, and writing, and directing, and producing. That’s the key.
7. On how it feels to be a rookie in the 2018 class of Oscar nominees:
It feels wonderful. Being at the Oscar luncheon, and having a chance to sit with Steven Spielberg, and Octavia Spencer, and Meryl Streep … all those beautiful minds that I’ve admired for so many years is awesome … it’s a great experience.
8. On shaping the culture:
First is always finding things that you love to do — and focusing on that thing. When you focus on that one thing, it tends to have ripple effects outward. Whether you’re a painter, or a writer or a basketball player or a musician … having to focus on that creates ripple effects across culture. But it always starts with the craft.
Kobe Bryant, Kevin Durant and Kyrie Irving — before each signed million-dollar max contracts, negotiated their own lines of signature sneakers and reached superstar status, they had one thing in common. All three balled out in the Rising Stars Challenge, which in the past two decades has become the NBA’s marquee event kicking off All-Star Weekend.
In 1994, the league turned its annual Legends Game, which featured a matchup of teams of retired players, into the Rookies Game, a showcase of the NBA’s top first-year talent. By 2000, the game was renamed the Rookie Challenge, with a revamped format that included second-year players — after the 1998-99 lockout season that deprived rookies of the opportunity to play.
The Rookies vs. Sophomores structure lasted until 2012, when the league rebranded the event as the Rising Star Challenge and combined both first- and second-year players on each competing team’s roster through a draft. Now, the challenge matches American players against international players in a Team USA vs. Team World makeup that began in 2015.
Some of the best young players in recent memory have laced ’em up — from Chris Webber and Penny Hardaway in the inaugural 1994 contest to Allen Iverson vs. Kobe Bryant in 1997, and Carmelo Anthony, LeBron James and Dwyane Wade running together on the Rookie squad in 2004. In the early ’90s, the games were low-scoring affairs of fundamental basketball. But over time, they’ve become artful displays of athleticism and bravado.
As we head into 2018 NBA All-Star Weekend, which begins Friday with Lonzo Ball, Dennis Smith Jr. and Donovan Mitchell leading Team USA against Ben Simmons, Joel Embiid, Jamal Murray and Team World, these are the top 15 performances of all time from the event that’s become the All-Star Game before the All-Star Game.
1997 — Kobe Bryant
Stat line: 31 points, eight rebounds in 26 minutes
On Feb. 8, 1997, the crowd at Cleveland’s Gund Arena booed when Philadelphia 76ers point guard Allen Iverson, the No. 1 pick of the 1996 NBA draft, was named the MVP of the 1997 Rookie Game over Los Angeles Lakers shooting guard Kobe Bryant, the 13th overall pick of the same draft class. Iverson led the Eastern Conference’s rookie squad to a 96-91 win with 19 points and nine assists, while Bryant propelled the West with a game-high 31 points, which set a Rookie Game record that wouldn’t be broken until 2004. Later that evening, the then-18-year-old Bryant avenged the loss and MVP snub by becoming the youngest player in NBA history to win the Slam Dunk Contest. And he did it with pop star Brandy, his high school prom date, watching him from the stands. What a way to bounce back.
2003 — Jason Richardson
“He was just trying to get the crowd riled up, but he has no class. You don’t do that.” This is what Carlos Boozer, then a rookie with the Cleveland Cavaliers, had to say after the 2003 Rookie Challenge, in which Jason Richardson, then in his second year with the Golden State Warriors, went “off the heezy” — that is, he threw the basketball off Boozer’s head — in the waning seconds of the game. “Fans like stuff like that — a little streetball,” said Richardson, who dropped a game-high 31 points to lead the Sophomores to a 132-112 win over the Rookies. Even more disrespectful? Richardson followed up the move taken straight from an AND1 mixtape by draining a 3-pointer in Boozer’s face to seal the game. One of the great unsolved mysteries in NBA history is how Richardson didn’t catch the hands that night.
2004 — Amar’e Stoudemire
Stat line: 36 points, 11 rebounds in 35 minutes
Is Amar’e Stoudemire a Hall of Famer? He certainly thinks so, but it’s an often-debated question when you look back at the now-retired big man’s 14-year tenure in the NBA. Back in 2004, however, it appeared as if Stoudemire was destined to one day be enshrined in Springfield, Massachusetts. Just watch the tape from his MVP performance in the 2004 Rookie Challenge. Stoudemire’s 36 points broke Kobe Bryant’s 1997 record (31) for the highest scoring output in the history of the game. He also dropped more points in the game than three surefire first-ballot Hall of Famers: Carmelo Anthony (17), LeBron James (33) and Dwyane Wade (22). Stoudemire’s Sophomores dominated Anthony, James and Wade’s Rookies in a 142-118 win.
2007 — David Lee
Stat line: 30 points, 11 rebounds in 24 minutes
David Lee didn’t miss a single shot in the 2007 Rising Stars Challenge, which he finished as the game’s MVP with 30 points on a perfect 14-for-14 from the field to go along with 11 rebounds in only 24 minutes on the floor. Lee and the Sophomores demolished the Rookies, 155-114, even with then-second-year New Orleans Hornets point guard Chris Paul coming off the bench. Moral of the story: Lee is definitely invited to the cookout, where he’d bust your drunk uncle’s butt in some post-meal pickup.
2008 — Daniel Gibson
Shooters gon’ shoot, as the saying goes, and that’s exactly what Daniel “Boobie” Gibson of the Cleveland Cavaliers did against a team full of rookies in 2008. Coming off the bench for the Sophomores, Gibson, one of James’ most beloved teammates early in his career, took 20 shots, all of which were 3-pointers, and 11 of them fell through the net to set a record for the game. Gibson’s 33 points earned him distinction as the game’s MVP in a 136-109 win for the Sophomores. Ten years later, Gibson is no longer shooting shots but rather spittin’ bars, having retired from the NBA in 2015 to pursue a rap career. You can catch him nowadays on Love & Hip-Hop: Hollywood.
2009 — Kevin Durant
In 2009 — with James sitting courtside between Kenny Smith and Kevin Harlan, calling the game — Kevin Durant, then 20 years old and the franchise player for the Oklahoma City Thunder, pieced together the single greatest performance in Rising Star Challenge history, with a record 46 points on 17-for-25 shooting from the field. “He’s been phenomenal. If you add a few more wins to [the Thunder’s] résumé, he’s definitely an All-Star for the Western Conference team,” James said that night before the game. After leading the Sophomores to a 122-116 win over the Rookies during All-Star Weekend in 2009, Durant was selected the following season to play in his first career All-Star Game, which he hasn’t missed since.
2010 — Russell Westbrook
Stat line: 40 points, 5 rebounds and 4 assists in 32:16
Russell Westbrook did his best Durant impression with a 40-piece in the 2010 Rising Stars game, the year after his then-Thunder teammate Durant dropped an unprecedented 46. Yet Westbrook’s prolific performance, which he delivered after scoring a mere 12 points in the game as a rookie in 2009, wasn’t enough for the Sophomores, who fell to the Rookie team, 140-128, for the first time since 2002. Tyreke Evans might have the MVP hardware from that game on his mantel, but Westbrook straight-up balled out. He was the real MVP, if we’re keeping it 100.
2011 — John Wall
Stat line: 12 points, 22 assists in 28:56
No player in the history of this game has come out and tallied more assists than John Wall did at Staples Center back in 2011 during his first season in the league. His fundamental, 22-dime MVP display paced the Rookies to a 148-140 win over a roster of Sophomores that featured Stephen Curry, DeMar DeRozan and James Harden. Pretty sure even Jesus caught a lob from Wall that night.
2012 — Kyrie Irving
Stat line: 34 points, nine assists in 27:03
A then-19-year-old rookie, Kyrie Irving didn’t miss a single 3-pointer in the 2012 Rising Stars Challenge. We repeat — Irving, fresh off of being selected with the No. 1 overall pick by the Cleveland Cavaliers in the 2011 NBA draft, made all eight shots he took from beyond the arc as part of his 34-point MVP night that helped his team, coached by Charles Barkley, beat Team Shaquille O’Neal in the newly formatted game that mixed rosters with both rookies and sophomores. Irving’s night, however, was just the warm-up.
2013 — Kenneth Faried and Kyrie Irving
Denver Nuggets power forward Kenneth Faried absolutely dominated the 2013 game, with an efficient 40-point, 10-rebound outing that ended with him hoisting the MVP trophy. But let us take this moment to pour out a little liquor for Brandon Knight’s ankles, which Kyrie Irving, the 2012 Rising Stars MVP, destroyed on the hardwood at Houston’s Toyota Center. Irving caught Knight not once but twice with saucy combinations of his unrivaled handles. About a month after the game, DeAndre Jordan of the Los Angeles Clippers broke the internet after throwing down a poster dunk on Knight. It was a tough year for the young guard out of the University of Kentucky.
2014 — Andre Drummond, Tim Hardaway, Dion Waiters
Perhaps the greatest sequence in Rising Stars Challenge history is the back-and-forth battle between New York Knicks guard Tim Hardaway Jr. and then-Cleveland Cavaliers guard Dion Waiters in 2014. For seven out of eight straight possessions in the final minutes of the game, Hardaway and Waiters went one-on-one, virtually operating as if there were no other players on the court. Hardaway would hit a 3 and Waiters would answer with one of his own. Hardaway would bring the ball downcourt and pull up, then Waiters would shoot from a little bit deeper. Rinse and repeat. Hardaway finished with 36 points on 7-for-16 shooting from 3, while Waiters scored 31 on a lights-out 10-for-14 from the field, including four 3s. What’s funny is neither player was named the game’s MVP. That honor belonged to Detroit Pistons big man Andre Drummond, who scored 30 points and grabbed 25 rebounds. No defense at all, but what a game.
2017 — Jamal Murray
No player has ever been named the MVP of back-to-back Rising Star Challenges since the game was first played in 1994. Yet this year, sharpshooting second-year Denver Nuggets guard Jamal Murray has a chance to make history, after coming off the bench in 2017 to drop 36 for Team World in a 150-141 win. Can Murray be MVP again? We shall see.
Being the head coach of the Lakers, and coaching the All-Star Game at the Great Western Forum that day … it just made it a special, almost spiritual-type moment for me.
— Pat Riley
Marvin Gaye could not have looked more quintessentially Marvin Gaye if he’d tried. It was Feb. 13, 1983: the afternoon of the 33rd annual NBA All-Star Game at The Forum in Inglewood, California. Everyone was packed in, a stone’s throw from Hollywood. Julius “Dr. J” Erving, Earvin “Magic” Johnson, Kareem Abdul-Jabbar, Maurice Cheeks, Larry Bird, Isiah Thomas, Reggie Theus, Moses Malone, Pat Riley, Bill Laimbeer, Andrew Toney, Alex English, Robert Parish, Jamaal Wilkes and more. Even then the synergy of basketball icons and a musical icon made all the sense in the world. And now as the NBA All-Star Game returns to Los Angeles this weekend — the fourth time since the game’s 1951 inception that it’s been held in the L.A. area — the synergy is a given.
Thirty-five years ago, things were of course different. Nowadays, fans have a huge say with regard to who starts in the game. The top two vote-getters draft their own teams. And music is a quintessential part of the NBA All-Star Weekend experience. The NBA named Migos’ “Stir Fry” the weekend’s official anthem, and a slew of the hottest musical artists in the game are expected to host countless parties. The omnipresence of celebrities courtside has made the NBA America’s most culturally significant sport — and it will be turnt up even higher for the All-Star Game.
But back then, Gaye was a feel-good comeback story. Following a stint in Europe where the singer temporarily escaped demons that had nearly devoured him, he was riding high off the success of the smash album Midnight Love, which was, in turn, fueled by the Goliathan influence of its landmark single “Sexual Healing.” Gaye would use the NBA’s center stage to propel him to the Grammys just 10 days later.
Gaye, a linchpin of swagger, walked to center court at The Forum in a deep blue suit — jacket buttoned — wearing dark shades courtesy of an NBA gift package that had been distributed to all media and VIP guests. But there was something wrong with the shades. “[The sunglasses] had ‘L.A. All-Star’ imprinted on the lenses,” said Brian McIntyre, the NBA’s public relations director in 1983. “Trouble was, whoever printed them, printed it backwards.” Gaye either didn’t know, didn’t show, or didn’t care. He also didn’t know he was the second choice — Lionel Richie, sitting on the huge success of his solo debut, had turned the NBA down for the anthem honors.
Players and coaches lined up on opposite free-throw lines. The honor guard of nearby Edwards Air Force Base was behind Gaye with the American and California flags raised. Seventeen thousand people in the arena were on their feet for the national anthem — there was little reason to expect a diversion from the way “The Star-Spangled Banner” had been performed their entire lives.
“We’d only heard the national anthem done one way,” said then-Chicago Bulls guard Theus. Having coached the Sacramento Kings and at New Mexico State, the two-time All-Star is now head coach at Cal State University, Northridge. “We weren’t anticipating anything. We knew he was Marvin Gaye.”
Gaye had intertwined his way into the sports world before. He’d sung the anthem on many occasions — each time in the traditional format. Four years earlier, in 1979, Gaye sang at the second Larry Holmes/Earnie Shavers fight at Caesars Palace in Las Vegas. In 1974, he sang the anthem at Alameda County Coliseum in Oakland, California, before the Raiders’ regular season finale vs. the Dallas Cowboys. And Motown’s crown prince belted out “The Star-Spangled Banner” before Game 4 of the 1968 World Series between the Detroit Tigers and St. Louis Cardinals — the Tigers ended up winning in seven games. Ironically, for Game 5 of that series, young singer José Feliciano performed the anthem with a slower, brooding twist that caused some Tiger Stadium attendees to pepper the blind Puerto Rican musician with boos. The backlash derailed his Grammy-laden career for decades.
Gaye was an avid sports fan— he even once tried out for the Detroit Lions. And he floored Motown founder (and his former brother-in-law) Berry Gordy when he told him, at the apex of his prolific singing, songwriting and producing career, that he wanted to pursue boxing. Whether he knew it or not though, as much as Gaye found inspiration in the athletes who stood behind him on The Forum’s court, they found as much if not more in him.
“I’ve gone on the record many times saying that Marvin Gaye was my favorite artist. His music touched me in a deep, special and personal way. Reading Divided Soul: The Life of Marvin Gaye, it’s kind of gut-wrenching. It’s heartfelt in terms of the struggle he had … Just to do what he wanted to do. He really just wanted to be a crooner. He just wanted to sing and share his gift with the world. But pressure came from a lot of different places to be more, do more, and that eventually cost him his life.”
— Julius “Dr. J” Erving
Gaye was a tortured spirit whose life oftentimes played out publicly — despite the singer’s natural shyness. “Marvin’s problems can easily be understood by listening to his music,” Gordy said in the 1987 documentary series, Motown on Showtime. I come up hard, come on, get down / There’s only three things that’s for sure / Taxes, death and trouble. “ ‘Trouble Man’ was a song he did for a soundtrack that was, of course, probably reminiscent of his life.”
Gaye attempted suicide by cocaine overdose in Hawaii in 1980. The years leading up to the All-Star performance were taxing — physically, mentally, emotionally and financially. “About 1975 through about 1983 hasn’t been very good,” he said in a 1983 interview. “The last seven years of my life haven’t been exactly ecstatic … I’ve been happy, and most of the time pretty depressed.”
By the time of the 1983 All-Star Game, Gaye had long since returned from his self-imposed European exile. He spent two years in Ostend, Belgium, ostensibly away from failed relationships, financial woes and drugs. While there, Gaye co-wrote (with Odell Brown and David Ritz) 1982’s sultry “Sexual Healing.” But long before the Europe and “Healing,” Marvin wrote the score to the lives of many NBA All-Stars who surrounded him that February afternoon.
“[Marvin’s music] resonated with me just growing up as a kid in the ’60s and ’70s in Chicago,” said Hall of Famer and 12-time All-Star Isiah Thomas. The two-time NBA champion and Finals MVP point guard laughs at the memory of first meeting Gaye in Hollywood — alongside Johnson — at the famous and infamous The Palladium. Thomas was surprised Gaye knew his name. “His music was our music. He really hit how we were feeling … in poverty, and our desperate cry for just recognition, and understanding.”
Abdul-Jabbar, on a break from the book tour for his Becoming Kareem: On and Off the Court, recalls running into Gaye at studio sessions for his friend Stevie Wonder’s 1976 Songs In The Key of Life. These, said the NBA’s all-time leading scorer, were among the best times ever. “Marvin Gaye was absolutely on the forefront of [artists tackling societal issues]. He was an important guy, artistically, at that time. He talked about issues that resonated in the black community in a very meaningful way.”
Quite possibly the most excited for Gaye’s performance wasn’t a player, but a coach. During The Beatles phenomenon of the ’60s, Riley — much like Quincy Jones, apparently — never truly caught the wave. “I was raised on doo-wop, Frankie Lymon and The Teenagers, Jimmy Smith. Then when Motown really had it course in the early ’60s, that was it for me,” he said, the enthusiasm in his voice rising with each memory. “I was all about The Four Tops and The Temptations. The Supremes.” But as for Gaye himself, “What happened in the late ’60s was a lot of what’s going on in our society today. People just not agreeing what’s happening with our government,” Riley said. “In my mind, ‘What’s Going On’ — for my lifetime — had the most impact on me than any record ever.”
“[After the game,] it was just common knowledge that whenever you talked about the anthem, everybody just pointed to it like, ‘Yeah, that was the best one that was ever done.’ Not because his techniques were good — they were — but because spiritually, in that moment, he really captured the feelings of everyone in The Forum. I’ve never been part of an anthem where everybody’s just in unison and lost control and just started moving. It was a beautiful moment.” — Isiah Thomas
Before Marvin took the floor at the Forum, there was mild panic. Then-NBA commissioner Larry O’Brien was an old school, by-the-book type of guy. O’Brien had told McIntyre during the previous day’s rehearsals, “Make sure we don’t have anything that’s going to cause a scene.”
All during the day, and right before the early afternoon tipoff, Gaye was nowhere to be found. “[Lon Rosen, Lakers’ director of promotions] hadn’t heard from Marvin or his people. They weren’t sure where he was,” McIntyre said. There’s a chuckle in his voice now. But 35 years ago it was anything but a laughing matter. “So they started looking for a backup, I think.”
Arriving only moments before showtime, Gaye made his way to the floor. A longstanding myth says the notoriously recluse singer was intentionally late to avoid tension with Lakers personnel who believed his rendition was too long the day before at rehearsal. While he adjusted the microphone stand, a simple, yet infectious instrumental began playing. Lawrence Tanter, the Lakers’ public address announcer panicked. “Ah s—,” he reflected. “They’ve got the wrong tape. This is ‘Sexual Healing.’ ”
But it wasn’t. It was a simple beat dubbing a drum track done by Gaye’s guitarist and musical director Gordon Banks and a keyboard track Gaye laid down himself. And what happened next would be the only time in history the national anthem closely resembled a rhythm and blues song. There isn’t a blueprint for Gaye’s charisma. Or his showmanship. It was innate. “You could feel the vibe as soon as he walked out there,” Theus said. “He was the epitome of cool, and smooth at the same time.” Gaye’s anthem was patriotic in its own soulful way, but it was simultaneously debonair, too. Each note left his vocal chord with the pizzazz of a street crooner.
Something special was happening. Riley was standing next to Abdul-Jabbar. On the surface, Riley was calm. But his mind raced a mile a minute. “I was thinking to myself, ‘We’re about to see something very unique here,’ ” the three-time Coach of the Year said. “Then the first words came out of his mouth, and he went on. Then he went in a different pitch. It was mesmerizing to me.”
Gaye, the archbishop of swagger. “You knew it was history,” Erving said, “but it was also ‘hood.” For a two-minute stretch, the basketball world revolved around Marvin Gaye and within his gravitational pull were MVPs, world champions, former rookies of the year, future Hall of Famers and 17,505 in the stands. “We were two-stepping, listening to the national anthem,” said Johnson with a laugh. “We were just bouncing left to right. It blew us away. We just got caught into the moment of this man. People just forgot it was the national anthem.”
Off the rip, the crowd swooned. They shouted and clapped as if the NBA All-Star Game had momentarily swapped places with a gospel choir. “Before you knew it, you were swaying, clapping and were like doing something to the anthem that you’d never done before in your life. Or since,” said Thomas. “It just wasn’t the players. It was the whole arena. Everyone in unison almost caught the Holy Ghost.”
“You kinda paused for a second, listening,” said Oklahoma City Thunder assistant coach Maurice Cheeks, who was making his first, as a Philadelphia 76er, of four All-Star Game appearances in 1983. Cheeks has also been head coach of the Portland Trail Blazers, the Sixers and Detroit Pistons. “You looked around to see if anybody else was appreciating this the way you are … everybody was — especially the crowd.”
A roar had risen by the time And the home of the brave capped off Gaye’s rendition. He’d given the national anthem a makeover. Gaye, later in 1983, offered a self-diagnosis. His depression stemmed from a deep empathy for humanity. All he wanted was for people to listen to him. In less than three minutes on The Forum’s hardwood, he’d done just that. If only for a sliver of time, the anthem wasn’t about the stars, the stripes or whatever its original intentions were. Gaye made it a song about love, inclusion and triumph.
The crowd showered him with a standing ovation. How do we follow THAT? many of the players wondered. The walk back to the bench following the anthem was one of excitement and befuddlement. Players slapped high fives, laughed and recapped. “Everybody was like, ‘Man, he tore the house down!’ ” Johnson said, essentially yelling into the phone. “Going to the bench like, ‘Man! That was unbelievable!’ ”
As Gaye exited the floor, he pulled Erving aside. It was a brief meeting of the sex appeals. The two had met before at shows in New York, Washington, D.C., and in Virginia. “I got something coming out. You gon’ love it,” Gaye told Erving. The “it” he referred to was a then-unreleased song called “Sanctified Lady.” Unfortunately, though, only Erving would be alive to hear the record following its 1985 release.
The Eastern Conference, led by Erving’s MVP effort of 25 points, defeated the West, 132-123. But all the talk after the game centered on Gaye. The buzz was still electric. This was of course the pre-internet era. The race was to obtain any sort of recording of the performance. “I remember the conversation being, the game was great,” said Theus. “But that it wasn’t anywhere near as good as Marvin Gaye.”
“It wasn’t even about the game,” said Johnson. “The whole attention was on, ‘Is it on TV? Make sure we get a copy! Find Brian [McIntyre]!’ ”
McIntyre for his part was a bit queasy. He knew the younger generation was enamored with the performance. Lakers owner Jerry Buss, called it, even in the moment, “the greatest anthem of all time.” Yet, in the back of his mind McIntyre was dreading the older generation’s response. Of those possible complaints, O’Brien simply told McIntyre, “You have to answer them all.”
The official CBS after-party was packed. Finger foods and cocktails. David Stern, O’Brien’s eventual successor, and his wife Shelly were in attendance, as was Rick Welts (current Golden State Warriors president), Russ Granik and Gary Bettman. All anyone wanted to hear was Gaye’s anthem. “They were replaying the game [at the party], but every so often someone would say, ‘Let’s hear it again!’ ” said McIntyre. “So they’d switch it back to the anthem and play it all over again. The crowd was just into it.”
“[Marvin] died young and it’s like there was an unfulfilled promise. I’m looking at these rock bands, they’re doing all this crazy stuff, and they’re still touring. They’re still making music! Guys going into their ’60s, ’70s and hitting 80 and they’re still out there. Bill Withers is still out there making a little noise every now and then. So Marvin, what would he have been able to accomplish had he survived the demons?” — Julius “Dr. J” Erving
Much has changed. The NBA looks completely different. Players carry far more leverage than they did in 1983. The style of play has shifted to a more perimeter-based attack. And even the national anthem sounds different — in rankings and context. The biggest story of the year is NFL players kneeling during it in protest of police brutality and the state of the criminal justice system. For those who stood on the floor that day in 1983, they remain connected to Gaye’s rendition. The version sung by Whitney Houston at the 1991 Super Bowl is the only other anthem close to a comparison to Gaye’s rendition, in their eyes.
“This is what made it so special,” said Johnson. “Everybody said, ‘Wow.’ Everybody went absolutely crazy. It was blacks, whites, everybody — saying, what a moment.”
The moment was one so memorable the NBA had Marvin’s daughter, Nona, perform the same anthem “in a special duet” with her father at the 2004 All-Star Game, when it returned to Los Angeles. In a sport littered with previous anthem singers such as The Temptations, Destiny’s Child, Mary J. Blige, John Legend, Brian McKnight and more — Marvin Gaye remains on the NBA’s musical Mount Rushmore.
But how does Gaye’s anthem fit into the current conversation around it? “We have to take everything in context,” said Abdul-Jabbar. Many of the issues Gaye addressed in his music run parallels to Colin Kaepernick’s original message. “I think that people were trying to make an issue of the anthem because they didn’t want to deal with the issue Colin Kaepernick raised, which is the fact that black Americans — unarmed black Americans — should not be getting killed by police officers at the rate that they are. That’s what the issue is.”
For Theus, it’s a simple matter. “Marvin Gaye’s rendition of the national anthem superseded and surpassed any negativity that was in anyone’s mind,” he said. “When you hear something like that, you don’t hear the national anthem that everyone is talking about today. It was another national anthem that we were listening to. You can’t relate the two.”
Ten days after the All-Star Game, for “Sexual Healing,” Gaye was awarded the only two Grammys of his career. “I’ve waited … 20-something years to win an award like this,” he said in his acceptance speech. He thanked God, his children, his mother, and his fans. He did not, however, thank his father. Almost prophetically, he closed the speech saying, “Stay with us, we’re gonna try and give you more.” Gaye embarked on what would be his final tour in the summer of 1983. He traveled with, and kept a preacher in one room. His drugs in another. In a figurative sense, Gaye stood between heaven and hell throughout his Midnight Love tour.
“I expose myself because the fans demand it,” he told his ex-wife Jan Gaye. “I offer myself up for slaughter. I am the sacrificial lamb. If their pleasure requires my destruction, so be it.”
By the Detroit stop, Gaye was a zombie. “After the performance, we got back to the dressing room,” Mel Farr recalled of his final meeting with Gaye. (Farr died in 2015.) “He had all those hangers-on giving him this drug and this drug. I said, ‘Wow, man. I don’t think he’s going to make it.’ It was that bad.”
Four-hundred fourteen days following his anthem, on April 1, 1984, Gaye was murdered by his father, Marvin Gay Sr., a day shy of what would have been his Marvin Jr.’s 45th birthday. The house where the killing took place was but seven miles from The Forum. Toward the end of his life, as he battled voices in his head, Gaye still understood the importance of Feb. 13, 1983. “I asked God,” he said, “that when I sang [that anthem] that it would move men’s souls.”
He most certainly moved Riley, who keeps hours upon hours upon hours of Gaye’s and Motown’s greatest hits near him at all times. The Miami Heat president still keeps a framed picture of himself, Abdul-Jabbar and the Western Conference All-Stars lined up watching Gaye. Call it his way of paying homage to an artist he says changed his life and enhanced his perspectives long before the NBA came calling. Thirty-five years later, after the 1983 All-Star Game, from his South Florida office, there’s pride and sorrow in his voice.
“I’m privileged to have been there at that moment when this icon sang that song. The people that were in that arena that day saw something unique, probably changed people to some extent,” Riley said. “The tragic way that Marvin died was something that was very depressing for a lot of people. I know it was for me. But,” he said, “[Marvin will] always be in my heart because I hear his voice all the time. You never forget people like this.”
After players participating in this year’s NBA All-Star Game on Feb. 18 leave the hardwood and the swarms of visitors to the Los Angeles area flee the city, hopefully a lasting impression on the community will be the final result.
As part of the NBA’s revamped All-Star format, the 2018 NBA All-Star teams will play for charity, a decision the league and players association crafted to enhance the All-Star Game and make an impact on the local community.
On Wednesday morning, captains LeBron James and Stephen Curry revealed their charities in videos shared on social media. Team LeBron selected After School All-Stars of Los Angeles, while Team Stephen chose Brotherhood Crusade. The winning team will donate $350,000 and the losing team will donate $150,000 to their selected organizations.
After-School All-Stars Los Angeles provides out-of-school services for more than 13,000 students across 52 schools, and Brotherhood Crusade works to support underserved youths in South Los Angeles through mentoring, education, health and wellness, and leadership programs.
After School All-Stars was founded in 1992 by Arnold Schwarzenegger. The organization’s mission is to keep children safe and help them succeed in school and in life. Every school day, students in low-income communities have access to free programs that offer academic support, enrichment opportunities, and health and fitness activities. Brotherhood Crusade has been working in the community for 50 years, improving the quality of life of low-income, underserved and disenfranchised individuals.
In a joint statement, the NBA and National Basketball Players Association (NBPA) revealed the revamped format in October. The new structure will mark the NBA’s first All-Star Game without a matchup between the Eastern Conference and the Western Conference.
The team captains were the players who received the most votes in each conference. The NBA now uses a draft-style system similar to those used by the NHL All-Star Game (2011–15) and the NFL Pro Bowl (2014–16) to select starters and reserves.
“I’m thrilled with what the players and the league have done to improve the All-Star Game, which has been a priority for all of us,” said NBPA president Chris Paul of the Houston Rockets. “We’re looking forward to putting on an entertaining show in L.A.”
The All-Star Game’s coaches are usually the head coaches whose teams have the best record in their respective conferences. The Golden State Warriors’ Steve Kerr and the Boston Celtics’ Brad Stevens are ineligible because they coached last year’s All-Star Game. The Houston Rockets’ Mike D’Antoni will coach Team Stephen, and Toronto Raptors coach Dwane Casey will coach Team LeBron.
My wife’s teenage cousin recently asked me which NBA team I rooted for. I replied the Golden State Warriors. He then responded, “For how long?” I laughed as I provided my answer: Since the Warriors traded for my favorite childhood college basketball player, Chris Webber, during the 1993 NBA draft. The “for how long” question, a put-down, hounds Warriors fans because of the enormous overnight fan base the team has acquired since becoming the best and most exciting team in the league.
No matter the sport, no matter the team, the bandwagon fan endures intense criticism. But none of it deserved because the bandwagon fan approaches fandom in a smart and defensible way.
Sports can fill our lives with jubilation. This describes the main purpose of watching athletic competition. The most exciting moments for Warriors fans emerge when Stephen Curry erupts, often in the third quarter, draining off-the-dribble jumpers and slicing to the hoop, banking layups off the backboard and avoiding the stretched arms of giants. His signature, joyous dominance enthralls us all, even opposing fans. But I delight in the Curry blitz more because he’s my favorite player on my favorite team.
If the Warriors didn’t trade with the Orlando Magic for the rights to Webber a quarter-century ago, I would not savor Curry’s basketball brilliance nearly as much and Elfrid Payton, or any other current Magic player, would never fill me with comparable happiness.
Going into the All-Star break next week, the defending champion Warriors have the NBA’s best record at 41-12. Nothing matches watching greatness when the greatness radiates from your team. Warriors bandwagon fans covet that feeling and get it simply by declaring themselves fans. They maximize the enjoying of the sport. I detect no harm in that.
The bandwagon fan refuses to treat fandom different from any other relationship, only willing to continue the fan-team bond if it adds real value to their life. Sticking with a lackluster team that brings mostly heartache only serves terrible franchises, not fans. Like the comfortable spouse convinced the other won’t leave, mismanaged teams benefit because fans deny themselves more rewarding relationships with potential suitors.
True, the fan who clings to a team through misery but tastes triumph years later reaps rewards for loyalty. I’m thinking about Chicago Cubs fans here. They moped for a century before witnessing their guys hoisting a World Series trophy. But millions of Cubs fans died before that moment, never whooping and hollering upon the exhilaration of their team winning the World Series. The bandwagon fan avoids that anguish.
Usually, the measuring stick for behavior is rationality. When Kevin Durant or Klay Thompson performs some awesome feat, the bandwagon fan will rejoice as only a fan can. Seeking that happiness is wholly rational.
So to bandwagon Warriors fans, let’s enjoy this as long as it lasts. It truly is wonderful.