Kehinde Wiley, Amy Sherald are the first black artists to paint first black presidential portraits Black-on-black art: Former first couple humbled by their stunning new portraits

As if Barack and Michelle Obama weren’t already immortal in so many ways, the world’s most famous couple is now forever embedded within the fabric of the nation’s capital with the unveiling of their official portraits. The special unveiling was held at the National Portrait Gallery on Monday morning.

Distinguished guests — Steven Spielberg, former vice president Joe Biden, Gayle King, former attorney general Eric Holder and Michelle Obama’s brother, Craig Robinson, to name a few — and media packed the gallery for the event. The Obamas are obviously the first black presidential couple to have their portraits painted. But the moment was also special because of the minds behind the brushes. Amy Sherald and Kehinde Wiley painted Michelle Obama’s and Barack Obama’s portraits, respectively. The duo became the first black artists to paint official presidential portraits. That moment wasn’t lost on anyone in attendance.

Former U.S. president Barack Obama looks at former first lady Michelle Obama’s newly unveiled portrait during a ceremony at the Smithsonian’s National Portrait Gallery on Feb. 12 in Washington, D.C. The portraits were commissioned by the gallery for Kehinde Wiley to create President Obama’s portrait and Amy Sherald that of Michelle Obama.

Mark Wilson/Getty Images

Both Obamas talked about the process of deciding on Sherald and Wiley. The final step involved face-to-face meetings with both artists at the Oval Office. After the decision, Michelle Obama and Sherald established what the first lady described as a “sista-girl” bond. Sherald echoed Michelle Obama’s sentiments, saying, “The experience of painting Michelle will stay with me forever. … The portrait is a … defining milestone in my life’s work.” Ever the comedian, Barack Obama joked that the only portrait he’s had done before this one was for his high school yearbook. He and Wiley bonded over his suggestions — less gray hair, smaller ears — that Wiley ultimately ignored.

“What Barack Obama wanted was [to be portrayed as] a man of the people, that sense of access,” Wiley told reporters after the ceremony. “The unbuttoned collar. The relaxed pose. In the end, what I think we got was a grand sense of celebration.”

Perhaps the morning’s most cruel yet comforting moment came when Barack Obama approached the podium. “We miss you guys,” he said. The crowd moaned. A collective sigh swept through the makeshift auditorium. Faint cries of “We miss you too” and “Please come back” fluttered.

For a faint moment, for many in attendance, having Barack and Michelle Obama back in the capital was a needed flashback. The only solace: Now, regardless of circumstance, everyone can always see them in Washington, D.C.

The high-flying and unpredictable NBA Rising Stars Challenge in 5 storylines Lonzo Ball, Jaylen Brown, Dennis Smith — Team USA is loaded, but can ‘The Process’ lead Team World to glory?

The NBA Rising Stars Challenge game will certainly deliver swag, poster dunks, a barrage of 3-pointers and bucket after bucket from tipoff to the buzzer. But there are a lot of, shall we say, side narratives as well. For example: Apparently, the impact of an NBA All-Star Game snub can travel across the entire globe, even into the highest levels of government.

Despite a prolific rookie season, and a slew of injured All-Stars who needed replacements, the Philadelphia 76ers’ Ben Simmons won’t be playing on the biggest Sunday of the NBA calendar. The 6-foot-10 Australian phenom didn’t receive a call from commissioner Adam Silver when DeMarcus Cousins ruptured his Achilles, or when John Wall announced knee surgery, or when Kevin Love broke his hand, or when Kristaps Porzingis tore his ACL. Instead, Paul George, Andre Drummond, Goran Dragic and Kemba Walker all got the nod as ringers.

One of Simmons’ countrymen decided to use the floor of the Australian Parliament to express his feelings.

“I rise today to express my outrage at the exclusion of Australian Ben Simmons from this year’s NBA All-Star Game,” said Tim Watts, a member of the Australian House of Representatives. “In a record-breaking rookie year for the Philadelphia 76ers, Ben is currently averaging nearly 17 points, eight rebounds and seven assists per game. He’s already had five triple-doubles, and, frankly, no one with two brain cells to rub together would want Goran Dragic on their team.” Watts’ remarks went viral, and Simmons commented, “The man has spoken [insert crying emoji],” on a video of the speech posted on Instagram.

Simmons will make the trip to Los Angeles, though, where he’ll put on for Australia in the annual Rising Stars Challenge. Per tradition, only first- and second-year players are eligible to compete, and for the fourth straight year, the game features a matchup between Team USA and Team World. With the best American players in the NBA squaring off against the league’s top talent with international roots, Simmons will rep his Aussie set as one of the leaders of Team World, along with the Cameroon-born Joel Embiid, his Philly teammate and an All-Star starter.

Although Team World claimed a 150-141 win in last year’s game, Team USA enters the 2018 contest with an absolutely loaded roster that includes a trio of Los Angeles Lakers in Lonzo Ball, Brandon Ingram and Kyle Kuzma, a pair of Boston Celtics in Jaylen Brown and Jayson Tatum, as well as Donovan Mitchell of the Utah Jazz and Dennis Smith Jr. of the Dallas Mavericks. Compared with Sunday’s All-Star Game, Friday’s Rising Stars Challenge presents a smaller — albeit almost equally high-flying, ankle-breaking and star-showcasing — spectacle that previews the leaders of the new school in the NBA. Here are five things to watch from the league’s future stars.


TEAM WORLD

  • Bogdan Bogdanovic, G, Sacramento Kings
  • Dillon Brooks, G/F, Memphis Grizzlies
  • Joel Embiid, C, Philadelphia 76ers
  • Buddy Hield, G, Sacramento Kings
  • Lauri Markkanen, F, Chicago Bulls
  • Jamal Murray, G, Denver Nuggets
  • Frank Ntilikina, G, New York Knicks
  • Domantas Sabonis, F/C, Indiana Pacers
  • Dario Saric, F, Philadelphia 76ers
  • Ben Simmons, G/F, Philadelphia 76ers

TEAM USA

  • Lonzo Ball, G, Los Angeles Lakers
  • Malcolm Brogdon, G, Milwaukee Bucks*
  • Jaylen Brown, G/F, Boston Celtics
  • John Collins, F/C, Atlanta Hawks
  • Kris Dunn, G, Chicago Bulls
  • Brandon Ingram, F, Los Angeles Lakers
  • Kyle Kuzma, F, Los Angeles Lakers
  • Donovan Mitchell, G, Utah Jazz
  • Dennis Smith Jr., G, Dallas Mavericks
  • Jayson Tatum, F, Boston Celtics
  • Taurean Prince, F, Atlanta Hawks

*Injured, will not play in game

 

When in doubt, ‘Trust the Process’

Mitchell Leff/Getty Images

The game plan for Team World is simple: “Trust the Process.” That’s the creed of the young-and-promising Philadelphia 76ers, who will likely make a playoff appearance for the first time since 2012. “The Process” is also the nickname of Philly’s 7-foot franchise center Embiid, who will start in both the Rising Stars Challenge and his first career All-Star Game. Embiid will be joined on Team World by Simmons and Croatia’s Dario Saric, the runner-up for 2017 NBA Rookie of the Year. In last year’s challenge, Saric recorded 17 points, five rebounds and four assists as a starter for Team World. Expect the entire Sixers trio, who all stand 6-foot-10 or above, to both start and get buckets. That’s a feared three-man offense right there.

Will Lonzo Ball play?

Sean M. Haffey/Getty Images

It’s been a busy few weeks for the new-wave first family of basketball, also known as the Balls of Chino Hills, California. LaVar Ball has been frequenting sidelines overseas while coaching his two youngest sons — LiAngelo, 19, and LaMelo, 16 — who have both been straight-up ballin’ (all puns intended) in their first year of professional basketball in Lithuania. Meanwhile, Lonzo, the 2017 No. 2 overall pick of his hometown Los Angeles Lakers, is reportedly expecting a child with his longtime girlfriend, Denise Garcia, and trying to make it back onto the court after suffering a left knee sprain on Jan. 13. “I didn’t think it was going to be this serious, to be honest …,” Ball said on Feb. 7. “I thought it was going to be dealt with quicker.” The injury might cost him an appearance in the Rising Stars Challenge, which will be played on his home court at the Staples Center. Fingers crossed he can suit up. The people need Lonzo Ball on the hardwood and LaVar Ball courtside.

The dunk contest before the dunk contest

Ned Dishman/NBAE via Getty Images

Two out of the four contestants who make up the 2018 NBA Slam Dunk Contest will get to warm up their bounce in the Rising Stars Challenge. They’re both rookies and both members of Team USA: Mavericks point guard Smith and Jazz shooting guard Mitchell, who was a late call-up to the dunk competition as a replacement for injured Orlando Magic big man Aaron Gordon. Smith has wild leaping ability and crazy in-air flair, while Mitchell plays at a height above his defenders, frequently breaking out his patented tomahawk jams. This is another reason that Ball needs to play in this game. Lonzo + Donovan + Dennis = endless lob possibilities. We’d be looking up all night long.

Can Jamal Murray do it again?

Ronald Martinez/Getty Images

If Jamal Murray shows up, balls out and is named the MVP of the Rising Stars Challenge for the second straight year, Drake has to consider remixing his timeless 2015 diss track “Back to Back” to pay homage to his fellow Canadian. That line from the record in which he spits, Back to back like I’m Jordan, ’96, ’97? How about Back to back like I’m Murray, ’17, ’18? In last year’s game, the Nuggets guard dropped game highs in both points (36) and assists (11). He also shot a whopping 9-for-14 from 3-point land. Oh, yeah, and he did it all after coming off the bench. C’mon, Team World, let the man start this year so he can really eat!

Throwback threads

Both Team USA and Team World will take the court at the Staples Center in vintage get-ups honoring the history of the city’s two NBA franchises. Team USA will rock powder blue and gold uniforms, inspired by the 1940s-’50s Minneapolis Lakers, while Team World will break out an orange-and-black ensemble as a tribute to the Buffalo Braves (now known as the Los Angeles Clippers) of the 1970s. Which is the fresher look? That’s for you to decide. Which squad will emerge from the challenge victorious? On paper, it’s hard to bet against Team USA. But in an All-Star Game, even at the Rising Stars level, you never really know.

Wake up! It’s the 30th anniversary of Spike Lee’s ‘School Daze’ In this #BlackLivesMatter era, the ’80s film is still very relevant

It was late summer of 1986. Jasmine Guy was standing on the streets of New York City, fresh out of a dance class at the Alvin Ailey School, when she heard a word unfamiliar to her: Wannabe.

She’d just run into director and eventual cultural purveyor Spike Lee. She first met him back in 1979, when she was a high school senior and he was a senior at Morehouse College who was directing the coronation at the school where she danced. Back then, he was telling folks that he planned to go to film school and had aspirations of being a director — although, at the time, Guy wasn’t entirely sure what that meant.

Spike had some news for her. “I just finished my first movie, you’ve got to see it,” she remembers Lee telling her. He was talking about 1986’s She’s Gotta Have It, which is now of course a lauded Netflix series of the same name. She saw the movie and was mesmerized by the very contemporary piece that was in black and white and dealt with sex, relationships and intimacy. She’s never seen anything like it before. With black people. And she was impressed.

She ran into him again on those New York streets, and this was the time that he added a new word to her lexicon. “I’m doing another movie, and you’re going to be in it, so send me your headshot. You’re going to be a wannabe.” She was confused. “You know how you all are,” she remembers Lee saying. She had no idea what he was talking about. Wannabe.

But she soon learned. As did everyone else who would consume Lee’s epic portrayal of a fictional historically black college in School Daze, a movie that altered how we publicly talked about blackness and historically black colleges and universities (HBCUs). For the uninitiated, the idea of a “wannabe” was a caricature of (for the most part) a high-yellow, lighter-skinned woman with long hair whose physical attributes look more European than African. “Wannabe” was also an attitude: Wannabe better than me.

School Daze. It’s been three decades to the day since theaters were lit up with a historically black campus waking up — this was when Nelson Mandela was still locked up, and students called for divestment from South Africa. Three decades since Spike Lee brought us a story of conflict, of when students pledging fictional Greek fraternities were pitted against those who desired global and local social change. The Gamma dogs. The Gamma Rays. The Fellas. The Wannabes. The Jiggaboos — oh yes, the Jiggaboos. School Daze was about the tensions between light-skinned black folks and dark-skinned black folks.

Everything was right there on a 50-foot screen. No escaping it. We had to consume it. And address it. “It was like, Wow, this guy’s really going to go there,” says renowned director Kasi Lemmons, whose first film role was in School Daze. “He’s really going to explore these issues. It occurred to me, when I saw it, how important it was because it explored so many things that you just hadn’t seen.”


In so many ways, School Daze was an extension of what was happening on campuses. It tapped into activations that were happening in the mid-1980s, and after it was released, it inspired and engaged other students, amplifying the work that was already taking place.

Darryl Bell — who was one of the “big brothers” in School Daze, his first role — was quite active as a real-life student at Syracuse University. He attended rallies where black and Latino students were mobilizing, much in the same way that Laurence Fishburne’s Dap did on Lee’s fictional campus of Mission College. In real life, Bell pledged Alpha Phi Alpha.

“I wanted to know more about these Alpha fellas,” says Bell. He remembers seeing them at rallies. “The idea that Alpha men were involved in, and on the forefront of talking about, issues that mattered — the divesting of South Africa — it encouraged me to be part of student government. All of these things … my experience at Syracuse, you saw in the film. … We were engaged in voter registration. We put on a fashion show to raise money to give scholarships to high school students. … That was the life I was living. That’s why I was so desperate to be in the movie. … This is all about me and what I’m living everyday. It was an extraordinary example of art imitating life.”

The film was more than entertainment; even before A Different World, it really illuminated HBCU campus life. It shed a light on colorism, one of the most uncomfortable and unspoken issues among black folks — something we’d been battling for generations and, in a lot of ways, still are.

“There was … division between the men and women,” says Joie Lee, who portrayed Lizzie Life in the film, “in terms of what constitutes beauty. I wasn’t ‘fine.’ I wasn’t considered that. I did not fit that standard of beauty, perhaps because I was brown-skinned. Perhaps because my hair was nappy, and natural. The women that are considered fine … were light-skinned or had ‘good hair’ — I’m using that term loosely. Those were some of the issues that [we were] grappling with.”

Thirty years later, the film still holds up. Replace School Daze’s international concerns with the Black Lives Matter movement and the activism, especially in this current political climate, most certainly feels familiar. “It does have a relevance to what’s going on today,” says Kirk Taylor, who portrayed one of the Gammas. “In terms of the look, in terms of the content, in terms of the final message about waking up … we need to wake up as much now as we did then — and stay awake. It’s easy to be lulled into a false sense of security, or false peace, and not be aware that things still need to be addressed. Things still need to be changed.”

Stay woke, indeed.

‘Black Panther’s’ superpower allows it to leap over other superhero movies in a single bound More than a cool-looking bit of escapism, it’s a meditation on colonialism

This review contains spoilers.

The most anticipated superhero movie of the year, and quite possibly ever, is a movie about foreign policy.

In Black Panther, director Ryan Coogler has crafted a thoughtful, personal, detailed exploration of the implications of isolationism and colonialism. It’s gorgeous, emotional and full of inventive, eye-popping fight scenes. And it’s also a really good movie, and not just by the curved standards we’ve developed for standard superhero tentpoles.

Honestly, the worst thing about Black Panther is that it had to be released in 2018 and not during the term of America’s first black president. (The producers of The Final Year, the documentary about former President Barack Obama’s real-life Justice League of Wonks and Nerds, must be kicking themselves.)

Try to imagine all the regal African pageantry of Black Panther’s Los Angeles premiere, copied and pasted onto the East Wing of 1600 Pennsylvania Ave. Had Black Panther been released while Obama was in office and enjoyed a screening at the White House, it would have made for some powerful symbolism, with Obama, the biracial son of a Kenyan graduate student, greeting Chadwick Boseman, the son of Howard University who plays T’Challa, the king of the movie’s mythical African nation of Wakanda. It also would have offered a lasting rebuke to the legacy of President Woodrow Wilson’s White House screening of a different and deadlier fantasy, The Birth of a Nation. (PBS recently aired Birth of a Movement, a documentary that illustrates the way film, particularly D.W. Griffith’s racist Klan propaganda film, became a powerful force in influencing policy.)

It’s quite moving, then, to consider the message embedded within Black Panther, spread through every inch of Hannah Beachler’s meticulously luscious production design, every stitch of Ruth E. Carter’s costuming creations, every word of dialogue conceived by Coogler and co-writer Joe Robert Cole.

The worst thing about Black Panther is that it had to be released in 2018 and not during the term of America’s first black president.

Boseman may be the titular star of Black Panther, but the emotional core of the movie lies with the character of Erik Killmonger, who is T’Challa’s cousin and a lost son of Wakanda. Coogler reserved the most complex role for his friend and leading man of his two most recent films, Michael B. Jordan.

Killmonger grew up in the slums of Oakland, the birthplace of the Black Panther Party, with his American mother. His father, N’Jobu (Sterling K. Brown), was brother to T’Challa’s father, T’Chaka (John Kani).

N’Jobu and T’Chaka had a fundamental disagreement over Wakanda’s role in the world. The country is a magical one, built on a foundation of the mythical substance vibranium, and hidden in plain sight in West Africa. Vibranium is a substance of endless capability, a wonder of physics that absorbs the energy directed toward it, then uses it as fuel. When ingested, it possesses healing qualities, rendering surgery obsolete. When sewn into clothes, it turns into the sort of lightweight supersuit that Tony Stark could only dream of. Used as fertilizer, it nurtures a herb whose fruit allows those who ingest it to commune with the dead. To outsiders, Wakanda looks like an underdeveloped Third World nation, full of brush and goats. The people of Wakanda have pledged to guard its most closely held secret: that with technology powered by vibranium, it’s actually the most advanced society in the world, a place that makes Elon Musk’s house look like little more than a fancy pigsty.

There’s a compelling argument for keeping Wakanda, which accepts no foreign aid and does no importing or exporting, isolated from the rest of the world. Its people have witnessed how colonialism has ravaged the continent, stealing people and dividing families, poaching precious metals and natural resources, creating arbitrary borders and deadly conflicts and leaving corrupt governments in its wake.

In fact, in the rare instances when they encounter white people, Wakandans simply refer to them as “colonizers.”

But N’Jobu, dispatched to see the rest of the globe, encounters a world full of disenfranchised people who look like him, ignorant of the bounty of Wakanda and struggling against the effects of imperialism and systemic racism. He wants to use vibranium to help them. But T’Chaka says no, worried that once the world learns of Wakanda’s secret, it will suffer the fate of the rest of colonized Africa. At the least, Wakanda will be forced to defend itself against ill-intentioned and well-armed outsiders. When N’Jobu decides to subvert his brother’s orders, T’Chaka is forced to kill him, and little Erik discovers his father’s corpse.

About 20 years later, after the U.S. military and intelligence community has turned him into an efficient, merciless, death machine, Killmonger sets out to complete his father’s vision.

It’s too simplistic, and frankly unfair, to label Killmonger simply as a villain. He’s an angry, half-orphaned son of Wakanda whose mind has been colonized in ways he’s incapable of realizing. Without the support of his homeland and his people, lacking the spiritual grounding that protects vibranium and Wakanda, Killmonger grows into a Che Guevara-like figure. He commits what French philosopher Frantz Fanon called “horizontal violence” against his own people.

Therein lies the brilliance of Black Panther. Superhero movies don’t have to be plotless monuments to excess and violence. With this film, Coogler illustrates the yawning expanse between self-indulgent brooding and true profundity.

Coogler puts on a filmmaking clinic, expertly navigating the tropes of superhero films that have made so many of them a chore instead of a joy. Coogler snatched one of Zack Snyder’s (300, Watchmen, Man of Steel) most irritating directorial habits, shooting action and fight scenes in the dark, and made it not just watchable but artful. That’s what happens when you have cinematographer Rachel Morrison at your service — you find natural ways to capture black people in action while retaining detail and color. Morrison recently became the first woman to be nominated for a cinematography Oscar for her work on Mudbound.

Superhero movies don’t have to be plotless monuments to excess and violence.

There is little that feels derivative, aside from the battle scenes with Wakanda’s flying saucers, which feel like they could easily appear in Guardians of the Ragnarok Star Wars, which isn’t wholly surprising given that they’re all Disney properties (full disclosure: Disney owns The Undefeated). The fight scenes in Black Panther feel original, and organic to the film. That’s a challenge considering how often Marvel employs the same second unit (the people who shoot and choreograph fight scenes) across its movies, which leads to a superhero battle homogeneity.

Everything about Wakanda is rooted in real African nations and peoples, such as the Masai, the Zulu, the Mursi and others, not the imagined “generic tribal African” who shows up in pop culture so often. For instance, the setting of the challenge battle, which determines who will ascend to the throne, is a nod to the natural majesty of Victoria Falls. Audiences have every right to be angry at cultural appropriation when it’s poorly done. Coogler and Black Panther prove that having such expectations is not unreasonable or misplaced.

There’s a quote from playwright and director George C. Wolfe that graces the walls of the Blacksonian in Washington. “God created black people,” said Wolfe, “and black people created style.”

That’s the essence of Wakanda.

Black Panther doesn’t feel like any other Marvel movie because this is not a typical Marvel movie. It’s coming out in the middle of Black History Month, and it’s on track to perform just as well as if not better than any highly anticipated summer blockbuster. It’s funny without falling into the sort of smart-aleck remark-smart-aleck remark-EXPLOSION rhythms that have come to typify Marvel movies to the point that somehow Doctor Strange and Guardians of the Galaxy Vol. 2 don’t feel all that different. That’s not just a Marvel tic, that’s a Hollywood tic: Find something that works and then run it into the ground. Then reboot it, rebrand it and spin it off as long as it makes gobs and gobs of cash.

There is a requisite scene that connects the film to the rest of the Marvel Cinematic Universe, but it’s a postscript that comes after the credits roll. It’s the only bit that feels like it was mandated by the company. Best of all, Black Panther doesn’t feel as though Coogler had to sacrifice the brilliance and introspection that characterized his earlier movies such as Creed and Fruitvale Station for scale and product licensing. Instead, it’s a compelling character study and full of mirth. That’s especially thanks to T’Challa’s upstart younger sister, Shuri, played by Guyanese actress Letitia Wright, Black Panther’s breakout actress. She’s witty, charming and completely unfazed by her brother’s enormous power and responsibility. She’s also Wakanda’s whip-smart gadget mistress, the Q to T’Challa’s Bond. Also notable are the Dora Milaje, Wakanda’s elite, all-female corps charged with guarding the king. Remember the feeling that swelled from your gut to your heart and out your eyeballs while watching Diana Prince walk through No Man’s Land in Wonder Woman? Witnessing the Dora Milaje, especially any scene that includes Okoye (Danai Gurira) or Nakia (Lupita Nyong’o) is like that, times 10.

At some point, I suspect that chatter surrounding Black Panther will turn to the 2019 Oscars. Black Panther’s masterful execution makes it an undeniably obvious choice. Not only does it have the revelatory newness of Avatar, but it actually has a story to back it up too.

But beyond the concerns of awards or box-office receipts, Black Panther is something special: thoroughly African and yet completely American, and evidence of just how much black people can and have yet to do. Perhaps it’s even capable, just as The Birth of a Nation once was, of helping to steer an entire national conversation.

Who is the best Black Marvel character?

Who is the best Black Marvel character?

1 Black Panther

16 Nick Fury

7 Monica Rambeau

10 Cloak

3 Luke Cage

14 Shuri

5 War Machine

12 Moon Girl

Storm 2

Bishop 15

Blade 8

Misty Knight 9

Miles Morales 4

Doctor Voodoo 13

Sam Wilson 6

Riri Williams 11

UPDATED: FEB. 12 | 7:45 A.M.

UPDATED: FEB. 12 | 7:45 A.M.

The Competition

(top, left to right) Black Panther, Storm, Luke Cage, Miles Morales, War Machine, Sam Wilson, Monica Rambeau, Blade, Misty Knight, Cloak, Riri Williams, Moon Girl, Doctor Voodoo, Shuri, Bishop, Nick Fury

The heavens have opened, the choirs are singing and clapping, and the parade of happy black and brown faces is making its way from the cookout to the movie theater. It’s practically the modern-day version of The Wiz’s “Everybody Rejoice” out there.

What’s the cause for all of this celebration? Well, after waiting for what’s felt like eons and obsessing over every new teaser, trailer and GIF we could find, the release of Marvel’s Black Panther is finally here.

In preparation for what could be the blackest and nerdiest moment in the history of blacks and nerds, we got to thinking in the particular way that nerds do. Among the pantheon of black comic book characters, who could beat who in a fight? Instead of deciding for ourselves, we’re going to let you, the fans, decide in our Who is the best Black Marvel character? bracket. For the sake of staying on theme with Black Panther, all 16 of the bracket’s entrants come from the Marvel Universe and were seeded using a system based on their popularity, fighting abilities and prevalence in both comic books and film/television.

The power is yours from now through Thursday. Cast your vote on each round of matchups to help decide the ultimate Marvel bracket winner.

Biographies Ordered by seed

Black Panther (1)

Height:
6’0”
Weight:
200 lbs.
First Marvel Appearance:
Fantastic Four Vol. 1 #52 (1996)
Powers:
Unarmed combat; vibranium-laced suit; catlike reflexes and senses
Backstory:
T’Challa, the king of the fictional African nation of Wakanda, is both Marvel’s first black superhero and the first American comic book hero of African descent. Black Panther, who predates the Black Panther Party, battled the Ku Klux Klan in 1975’s The Panther vs. the Klan.

Storm (2)

Height:
5’11”
Weight:
127 lbs.
First Marvel Appearance:
Giant-Size X-Men #1 (1975)
Powers:
Manipulation of weather; wind-assisted flight; skilled lock-breaking
Backstory:
Ororo Munroe, a descendant of African royalty and part-time leader of fabled group the X-Men, evolved from homeless thief to commander of weather and, through her marriage to Black Panther, the queen of Wakanda.

Luke Cage (3)

Height:
6’6”
Weight:
425 lbs.
First Marvel Appearance:
Hero for Hire #1 (1972)
Powers:
Superhuman strength, unbreakable skin, expedited healing
Backstory:
Born Carl Lucas in Harlem, New York, Cage was arrested after police found planted heroin in his apartment. While in prison, Cage was the test subject of a botched cell regeneration science experiment that led to him accidentally being given enhanced strength and nearly impenetrable skin.

Miles Morales (4)

Height:
5’8”
Weight:
160 lbs.
First Marvel Appearance:
Ultimate Fallout #4 (2011)
Powers:
Spider-senses; wall-crawling; super strength; web-shooters
Backstory:
Brooklyn-born Miles Morales, a 13-year-old child of African-American and Puerto Rican descent, assumed the mantle of Spider-Man in 2011 after being bitten by a radioactive spider and after the “death” of the original Spider-Man, Peter Parker.

War Machine (5)

Height:
6’1”
Weight:
210 lbs.
First Marvel Appearance:
Iron Man #118 (1979)
Powers:
Iron Man armor, cybernetic limbs, unparalleled piloting skills
Backstory:
James “Rhodey” Rhodes, a U.S. Marine, is a close friend of Tony Stark’s — otherwise known as Iron Man. While Stark recovers from alcoholism, Rhodes takes on the Iron Man name before eventually being given a suit of armor of his own, named the War Machine.

Sam Wilson (6)

Height:
6’2”
Weight:
240 lbs.
First Marvel Appearance:
Captain America #117 (1969)
Powers:
Telepathy; wing-assisted flight
Backstory:
Wilson, better known as the Falcon, regularly fought alongside Steve Rogers/Captain America to combat crime in New York City. Wilson took over the Captain America role on more than one occasion: once when Rogers was “killed” and the other when Rogers was aged to that of an elderly man.

Monica Rambeau (7)

Height:
5’10”
Weight:
130 lbs.
First Marvel Appearance:
Amazing Spider-Man Annual #16 (1982)
Powers:
Exceptional gun skills, electromagnetic transformation, light-speed flight
Backstory:
A former New Orleans law enforcement lieutenant, Rambeau took over the Captain Marvel (also a Brie Larson-helmed movie slated for 2019) mantle in 1982’s Amazing Spider-Man Annual #16, becoming the first woman and (only) African-American to use the Captain Marvel moniker.

Blade (8)

Height:
6’2”
Weight:
215 lbs.
First Marvel Appearance:
Tomb of Dracula Vol. 1 #10 (1973)
Powers:
Ageless; superhuman strength and stamina; martial arts expertise
Backstory:
The London-born Eric Brooks is the son of a woman who, during childbirth, was bitten by a vampire, thus passing on the abilities and strengths of vampires with few of the weaknesses. Blade turned to fighting other vampires and the undead after the death of his close friend, musician Jamal Afari.

Misty Knight (9)

Height:
5’9”
Weight:
136 lbs.
First Marvel Appearance:
Marvel Team-Up #1 (1972)
Powers:
Bionic arm; outstanding markswoman; skilled martial artist
Backstory:
Mercedes “Misty” Knight is a former member of the New York Police Department who, while trying to dispose of a bomb before it detonated, had her right arm amputated after the explosion. Through Tony Stark, Knight was given a new, bionic arm, which she used to fight crime with partner Colleen Wing.

Cloak (10)

Height:
5’9”
Weight:
155 lbs.
First Marvel Appearance:
Peter Parker, The Spectacular Spider-Man #64 (1982)
Powers:
Manipulation of darkness; teleportation; life force absorbance
Backstory:
Tyrone Johnson, a South Boston native who fled to New York City after the police-involved shooting death of a close friend, was, along with female friend Tandy Bowen, aka Dagger, injected with a synthetic drug, giving him the appearance of a shadowy darkness.

Riri Williams (11)

Height:
5’2”
Weight:
100 lbs.
First Marvel Appearance:
Invincible Iron Man Vol. 2 #7 (2016)
Powers:
Iron Man armor; advanced intelligence
Backstory:
Williams grew up in Chicago, where, at a young age, she was determined to be a supergenius, allowing her to attend the Massachusetts Institute of Technology at just 15 years old. In her spare time, Williams created her own version of Tony Stark’s Iron Man armor using material she could find. Eventually, Williams took over for Stark, becoming the Ironheart.

Moon Girl (12)

Height:
3’9”
Weight:
48 lbs.
First Marvel Appearance:
Moon Girl and Devil Dinosaur #1 (2016)
Powers:
Advanced intelligence; able to swap consciousness with Devil Dinosaur; enhanced strength
Backstory:
Lunella Lafayette, a 9-year-old elementary school student from Manhattan, is given the disparaging nickname “Moon Girl” by her classmates after a debate with her schoolteacher. Lafayette shares a bond with Tyrannosaurus rex-like mutant Devil Dinosaur.

Doctor Voodoo (13)

Height:
6’0”
Weight:
220 lbs.
First Marvel Appearance:
Strange Tales #169 (1973)
Powers:
Control of fire; command over animals
Backstory:
Jericho Drumm, a Haitian who eventually immigrated to the United States, gained the powers of Doctor Voodoo, a powerful 17th-century lord, after the death of his brother, Daniel. A voodoo teacher fused the spirits of Jericho and Daniel, leading Doctor Voodoo to use his powers to help others, including Spider-Man and Black Panther.

Shuri (14)

Height:
5’9”
Weight:
150 lbs.
First Marvel Appearance:
Black Panther Vol. 4 #2 (2005)
Powers:
Vibranium claws; transmorphic; skin that turns to stone
Backstory:
The younger sister of T’Challa, Shuri is the heiress to the Wakandan throne. During 2009’s Black Panther Vol. 5, a trained fighter like her older brother, took over as the Black Panther while T’Challa recovered from critical injuries suffered in a plane crash.

Bishop (15)

Height:
6’6”
Weight:
275 lbs.
First Marvel Appearance:
Uncanny X-Men #282 (1991)
Powers:
Energy absorption; exceptional marksman; energy-fused blaster
Backstory:
Lucas Bishop was born in Brooklyn, New York, in a “alternate future timeline” where virtually all of the X-Men have been destroyed. Along with his sister, Shard, Bishop joins a ragtag group of mutants named the Xavier Security Enforcers (X.S.E), who work to create harmony between mutants and humans.

Nick Fury (16)

Height:
6’1”
Weight:
221 lbs.
First Marvel Appearance:
Sgt. Fury and His Howling Commandos #1 (1963)
Powers:
Decelerated aging; Special Forces training; black belt in taekwondo
Backstory:
The original character of Nicholas Joseph Fury was a white World War II hero and leader of superhero intelligence agency S.H.I.E.L.D., but comic book duo Mark Millar and Bryan Hitch turned him into a Samuel L. Jackson lookalike in 2002’s The Ultimates’ limited run.

Sweet 16 Voting Ends Today at 6 p.m. EST

Matchup 1/8 Black Panther vs. Nick Fury

The likely favorite going into this historic first matchup would likely be T’Challa, king of Wakanda and the hero known far and wide as the Black Panther. Because of his prestigious titles, he has access to more resources than anyone can properly measure as ruler of the wealthiest and most technologically advanced nation in the world. He just so happens to also have superhuman strength, speed and agility. Combining these with his superior intellect and money makes him a near-perfect superhero.

Not that T’Challa’s opponent this round should be taken lightly, though. Nick Fury may not be royalty, but he is the commander of an army all his own as the Director of S.H.I.E.L.D., a worldwide spy agency that protects the world from domestic, international and alien threats. Fury may not have the ability to run as fast as a car or jump from one skyscraper to the next, but he can likely find a soldier or two under his command who can and will gladly do it for him.

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Matchup 2/8 Storm vs. Bishop

This matchup pits two characters most commonly associated with X-Men titles against each other, as Storm faces Bishop.

Storm, aka Ororo Munroe, is considered by many to be a goddess. The child of an African priestess and an American journalist, Storm inherited an ability to control the weather, including the ability to wield lightning, bring down heavy rains and whip up winds to hurricane-level speeds. With the use of her own ingenuity and understanding of weather patterns, Storm has used these skills to become one of the most powerful members of any group she’s been a part of — X-Men or no.

While a hit from a quick bolt of lightning would be enough to leave most of Storm’s opponents incapacitated, if not worse, Bishop has a clear advantage: the ability to absorb and disseminate energy. Does that include lightning? We’ll have to wait and see.

It also doesn’t hurt that he was born 80 years in the future into a world where the X-Men are no more and most mutants live in concentration camps. His experiences in this postapocalyptic world, knowledge of warfare and ability to produce energy blasts could work in his favor as he battles his former teacher.

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Matchup 3/8 Luke Cage vs. Shuri

Despite what the rankings suggest, this matchup is extremely close on paper. Luke Cage is a household name after appearing in multiple Netflix’s Marvel television series, including his very own. It wasn’t hard in this day and age for fans to gravitate toward a hero who’s literally a bulletproof black man with super strength. He gives pretty much anyone a tough time in a fight because he’s basically a walking, talking tank. But his opponent in this round has a few tricks for him.

If you think T’Challa is something serious, wait until you find out about his sister, Shuri. Shuri was already just as capable as her brother as a fighter, technological genius and ruler (if not more so.) She even filled in as Black Panther for a brief period. But Shuri’s gotten a serious upgrade recently in Ta-Nehisi Coates’ run after returning from an alternate realm called the Djalia. She now has the ability to turn herself into stone and a giant flock of crows whenever she pleases. So she could potentially make herself as hard as stone and hit Luke with weapons made from one of the hardest substances on the planet AT THE SAME TIME.

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Matchup 4/8 Miles Morales vs. Doctor Voodoo

This bout brings science and mysticism to blows. Miles Morales, much like his predecessor, Peter Parker, developed superpowers after being bitten by a scientifically modified spider. He has the same powers as Parker, including super strength, the ability to stick to walls and that trusty “spider-sense” that warns him of danger. But as the new and improved Spider-Man, Morales also has a venom blast that can shock and paralyze opponents and the ability to camouflage himself into invisibility.

Doctor Voodoo, formerly known as Brother Voodoo, may have what it takes to give Miles a run for his money, though. Jericho Drumm can possibly equalize most of Miles’ abilities with his manipulation of smoke and fire to both hinder his vision and prevent him from getting close enough for a finishing blow. There’s also that whole spiritual possession thing he can do for an unpredictable X-factor.

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Matchup 5/8 War Machine vs. Moon Girl

War Machine got a lot of flak for basically being Tony Stark’s sidekick who only got his start with Iron Man’s glorified hand-me-downs. This isn’t untrue, but it’s not completely fair to forget that these “hand-me-downs” are composed of some of the most advanced and capable weapons on the planet created by one of the world’s most genius geniuses. In other words, James “Rhodey” Rhodes is a walking arsenal with enough artillery to take out a medium-sized army on his own. Only questions are (1) Is he willing to use all firepower against a preteen? and (2) Will they work against a dinosaur?

These are questions Lunella Lafayette, aka Moon Girl, and her partner Devil Dinosaur are going to find the answers to in this matchup. While War Machine utilizes technology from one of the greatest minds the world has ever known, Lunella owns one of the greatest minds the world has ever known and a dinosaur she can move that mind into thanks to her inhuman DNA. Brawn, meet a highly superior intellect. Brain, meet a prehistoric killing machine.

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Matchup 6/8 Sam Wilson vs. Riri Williams

This matchup is likely to be the first time many readers are introduced to Riri Williams, the heir apparent to Tony Stark’s Iron Man technology after Rhodey’s passing and Tony being taken out of the picture for a while. Williams may be new to her role in the world of superheroes, but she’s definitely capable of holding her own.

Having a suit of armor is one thing. But having the genius-level intellect to use it and a built-in artificial intelligence based on Tony Stark himself could be just enough to give her an edge.

On the other hand, Sam Wilson is a seasoned veteran in the ways of superheroes and even spent a couple of years serving as the Captain America while Steve Rogers was out of commission. This battle is likely to take place in the sky, as both have no problem with flight, which could be costly for Riri given Sam’s ability to mentally connect with birds. The numbers could stack up against her in a matter of minutes if she isn’t careful.

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Matchup 7/8 Monica Rambeau vs. Cloak

This may be the battle we don’t deserve this soon. But we’re not going to complain because the idea of someone who can manipulate light and energy, Monica Rambeau, fighting someone who can control darkness, Cloak, is always welcome.

Monica Rambeau is a [constantly slept-on] hero who has a list of abilities longer than the Celtics’ win streak to start the 2017-18 season. She’s got your superhero basics like flight and super speed, but she also comes with the unique abilities to absorb, duplicate and fire energy and to make herself both invisible and intangible. Good luck trying to hit something you can’t see or, you know, hit.

Part of Monica’s abilities are a result of her connections to an alternate universe, which may work in the favor of her opponent, Cloak, who also gets his powers from a similar circumstance. Because of his connection to the Dark Dimension, Cloak can teleport, make himself intangible and completely flood his environment with darkness. Honestly, this matchup could end up in a stalemate and it would be entirely understandable.

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Matchup 8/8 Blade vs. Misty Knight

We have Ms. Mercedes “Misty” Knight versus the daywalker. One is a human-vampire hybrid who seemingly has the best assets from both worlds: super strength, an increased healing factor and the ability to live freely in the sunlight. The other is a skilled detective with a bionic arm.

Both are trained martial artists with the ability to land devastating blows because of their enhancements, whether they be vampiric or cybernetic. Comic book fans are more than likely familiar with Blade’s combat work (in other words, his tendency to hit professional wrestling moves and bring on Mortal Kombat fatalities with ease). But they may be surprised to know that Misty Knight is honestly just as capable as fan favorites like Black Widow, if not more so, when it comes to hand-to-hand combat and the use of weaponry.

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Come back tomorrow to vote in the Quarterfinals.

Come back to tomorrow to see Sweet 16 results

Don’t wait for Valentine’s Day to romance your bae All ages, all generations can celebrate black romantic love

Invitation to Love
BY PAUL LAURENCE DUNBAR

Come when the nights are bright with stars
Or come when the moon is mellow;
Come when the sun his golden bars
Drops on the hay-field yellow.
Come in the twilight soft and gray,
Come in the night or come in the day,
Come, O love, whene’er you may,
And you are welcome, welcome.

You are sweet, O Love, dear Love,
You are soft as the nesting dove.
Come to my heart and bring it to rest
As the bird flies home to its welcome nest.

Come when my heart is full of grief
Or when my heart is merry;
Come with the falling of the leaf
Or with the redd’ning cherry.
Come when the year’s first blossom blows,
Come when the summer gleams and glows,
Come with the winter’s drifting snows,
And you are welcome, welcome.


Her name was Charmaine. With her round brown face, she looked like a candy teddy bear made from Sugar Babies.

I never knew where she lived. She always came to get me to go out and play. I always went. We always had fun. We ran the streets in North Philadelphia. Sometimes, I chased her. Sometimes, she chased me. We ran as if propelled by laughter. We laughed all the time.

And one day, we stopped running and laughing. I don’t remember why. We stood under the stairwell of an old row house that had been converted into an apartment building. Charmaine spoke in a soft and insistent voice. She told me to close my eyes. I did. She was just a little older. She told me she was about to give me a kiss. I braced myself. Then she gave me one last instruction: “Close your mouth, silly.”

I did. Then Charmaine gave me my first kiss. I was 5.

And if I saw her again, I don’t remember it. But I’ll always remember our magic moment, my closed eyes and the world of romance our sweet and fleeting kiss opened for me.

Nearly 60 years have passed, but telling that story always puts a smile on my face, just as seeing young couples running in the rain or older couples sitting and rocking always does.

Indeed, I love hearing romantic stories, especially those featuring black people, real-life stories that African-Americans star in more than they do in Hollywood movies, books or music — even those produced by black people.

And that’s too bad: When the popular culture omits black people from depictions and celebrations of romance, it dehumanizes us; it lies about who we are and how we live. Like faith, romance bolsters and redeems, heals and protects. During the 1960s, when our elders stood up to the high-powered water hoses and burning torches of hate, songs declaring black love and romantic devotion filled the jukeboxes and airwaves, a balm of Gilead rooted in hope.

Times change, but the need for black romantic love to take center stage endures.

Consequently, black America has two choices. It can bemoan our absence on the romantic stage. Or black America can take action to improve things. Among the things to do: promote writing contests where middle schoolers earn prizes for writing about the first time someone showed a romantic attraction to them and how that made them feel. Historically black colleges and universities (HBCUs) can hold arts symposia in which black romance in pop culture is explored and celebrated. And our rich, black rappers, some involved in very public romances, can fund contests where aspiring rappers can win money and recording contracts by producing great love songs.

Rap’s contribution to pop culture has been vast and deep. But for too long, black rappers have done far too little to celebrate black romantic love or black women, who often give black romance its beauty and poetry.

That must change.

Furthermore, when African-Americans and others produce more art that’s centered on black romance, let’s patronize and promote it. It will be just as important to take our children to see movies where black couples embrace love as it will be to take them to see movies where black superheroes repel bad guys.

At holiday gatherings, let’s tell our children and grandchildren the romantic stories that are at the foundation of our families, how grandaddy met nana, how their everlasting love began.

As we close in on another Valentine’s Day, I’m reminded of something my wife told me a week ago. When it comes to romantic gestures, I have something in common with Stevie Wonder’s music career: My greatest and most enduring hits took place in the 1970s and early 1980s.

Still, this week, I plan to tell my wife of 36 years a story, one she might not have heard for a while, one she might have forgotten, but one I never will. We were young and in love. We stood at a bus stop in Philly. It was time for me to go home. We were the only two people in the world, or so it seemed. Snow fell.

I looked at her. She looked at me. One last kiss, and I began to float among the snowflakes.

I still haven’t come down.

Happy Valentine’s Day.

Dear Black Athlete: Michael Bennett “How can we trust each other when so many of people have been lost?”

The Seattle Seahawks defensive end gave a powerful plea for justice and trust for Dear Black Athlete, a series of conversations featuring prominent African-American athletes, and civic and community leaders.

Dear Black Athlete: Ibithaj Muhammad The Olympic medal winning fencer delivers a message for allyship to her teammates

Ibithaj Muhammad, an indispensable voice against injustice and bigotry, delivered a powerful contribution to Dear Black Athlete, a series of conversations featuring prominent African-American athletes, and civic and community leaders.